Non-committal memory: The ambivalent inclusion of Romani suffering under National Socialism in hegemonic cultural memory

2018 ◽  
Vol 13 (6) ◽  
pp. 1097-1112
Author(s):  
Stefan Benedik
Keyword(s):  
Cultural Memory ◽  
National Socialism ◽  
Austrian Society ◽  
Memory Politics ◽  
Central European ◽  
Successful Model ◽  
Memory Culture ◽  
Past Injustice ◽  
Moral Aspect ◽  
History Of

This article compares the place of Romani migrants in contemporary Austrian society to their position in memory debates. It analyses official forms of commemoration which had the intentions not only to remember the victims of past atrocities, but also included a normative, moral aspect – namely, the promise that memory of past injustice would somehow be a useful device against racism, injustice and discrimination in the present day. In this understanding, history, especially the history of National Socialism would ideally teach societies valuable lessons about the treatment of minorities, thus also the Romani communities, in the present. While this still is the predominant political discourse about these forms of memory, the author suggests that memory culture can by contrast be described by what he refers to as non-committal memory. He argues, that when looking at Central European examples, it immediately becomes transparent that memory is only applied in abstract discussions while all immediate connections between contemporary discrimination and historical suffering are neglected. Thus, non-committal memory disconnects present and past policies, and delegitimises a comparison between the persecution of past victim groups and the criminalisation of present-day migrants. The author contends that this is visible by the fact that the majority of memorials that honour Romani victims of National Socialism (in Austria, but also across much of Europe) fail to include or contribute to an understanding of the plight of contemporary Romani people, especially Romani migrants. Arguably, this resulted from the strategies by which activists decided to copy memory politics related to Jewish victims of National Socialism as a ‘successful’ model of integration.

Performing the New German Past: The People's Day of Mourning and 27 January as Postunification Commemorations

2008 ◽  
Vol 26 (4) ◽  
pp. 28-49 ◽  
Author(s):  
Alexandra Kaiser
Keyword(s):  
National Identity ◽  
National Socialism ◽  
Memory Culture ◽  
The Holocaust ◽  
History Of ◽  
War Dead

The article sketches the ruptures in today's German memory culture, concentrating on the Volkstrauertag (People's Day of Mourning) and the Gedenktag für die Opfer des Nationalsozialismus (Remembrance Day for the Victims of National Socialism) on 27 January. It starts with an overview of the history of the Volkstrauertag with its (outward) transformation from a commemoration day for dead German soldiers into one for “all victims of war and violence.” The inclusive model of commemoration that was typical for the Bonn Republic is disintegrating today. In united Germany, the Volkstrauertag and 27 January reflect antagonistic memory strands, that is a memory focussed on the war dead and German suffering or on the Holocaust and German guilt. In light of discussions about commemorating Bundeswehr dead, the article ends by describing a re-heroicizing of the Volkstrauertag and, in a more general way, tries to outline the shifting construction of German national identity.

German Angst

2020 ◽  
Author(s):  
Frank Biess
Keyword(s):  
Federal Republic ◽  
National Socialism ◽  
West Germany ◽  
Peace Movements ◽  
Original Analysis ◽  
The Holocaust ◽  
The Future ◽  
History Of ◽  
Fear And Anxiety ◽  
Relationship Of

German Angst analyzes the relationship of fear and democracy in postwar West Germany. While fear has historically been associated with authoritarian regimes, the book highlights the role of fear and anxiety in a democratizing society: these emotions undermined democracy and stabilized it at the same time. By taking seriously postwar Germans’ uncertainties about the future, the book challenges dominant linear and teleological narratives of postwar West German “success.” It highlights the prospective function of memories of war and defeat, of National Socialism and the Holocaust. Fears and anxieties derived from memories of a catastrophic past that postwar Germans projected into the future. Based on case studies from the 1940s to the present, the book provides a new interpretive synthesis of the Federal Republic. It tells the history of the Federal Republic as a series of recurring crises, in which specific fears and anxieties emerged, served a variety of political functions, and then again abated. Drawing on recent interdisciplinary insights of emotion studies, the book transcends the dichotomy of “reason” and “emotion.” Fear and anxiety were not exclusively irrational and dysfunctional but served important roles in postwar democracy. These emotions sensitized postwar Germans to the dangers of an authoritarian transformation, and they also served as the emotional engine of the environmental and peace movements. The book also provides an original analysis of the emotional basis of right-wing populism in Germany today, and it explores the possibilities of a democratic politics of emotion.

GENRE OF AUTOBIOGRAPHICAL NOVEL IN THE OSSETIAN CHILDREN’S LITERATURE

2020 ◽  
Author(s):  
А.Б. Бритаева
Keyword(s):  
Children's Literature ◽  
Present Article ◽  
Children’S Literature ◽  
Final Part ◽  
Xxth Century ◽  
The Family ◽  
Moral Aspect ◽  
History Of ◽  
Post War

В представленной статье на материале произведений Музафера Дзасохова известного современного осетинского писателя, поэта, публициста, переводчика, рассматриваются художественные особенности лирической прозы, а именно, автобиографической повести в осетинской детской литературе. Повесть Весенние звезды (1973) и ее продолжение На берегу Уршдона Барагун (1981) стали началом эпопеи о жизни отдельно взятой семьи, а на их примере всей страны в тяжелые послевоенные годы. В качестве одной из важнейших констант художественного мира писателя рассматривается образ детства. В ходе анализа особое внимание уделяется преобладанию нравственного аспекта, актуализации проблемы регулятивно-воспитательной функции национального этикета, ценностно-нормативных ориентиров осетинской ментальности. С опорой на биографический и историко-генетический методы, основное внимание в исследовании акцентируется на темах послевоенного детства, роли семьи и общества в формировании нравственных ориентиров, в становлении личности, образе матери, теме памяти, а также на художественном осмыслении этих проблем и тем в автобиографических повестях писателя. Типологически воплощение детской темы в творчестве М. Дзасохова во многом опирается на традицию изображения детства в русской автобиографической прозе XX в. В заключительной части сформулированы выводы, отражающие особенности лирической прозы в творчестве М. Дзасохова, обозначено место автобиографических повестей автора в контексте осетинской детской литературы второй половины XX века.Актуальность и научная новизна работы обусловлены недостаточной исследованностью истории и проблем осетинской детской литературы. Результаты исследования могут быть использованы при написании истории осетинской детской литературы. The present article examines the artistic features of lyrical prose, namely, autobiographical story in the Ossetian childrens literature in the works of Muzafer Dzasokhov, a well-known modern Ossetian writer, poet, publicist, translator. The story Spring Stars (1973) and its continuation - On the Bank of Ursdon Baragun ... (1981) marked the beginning of an epic about the life of a family, and via their fates the author shows life of the whole country in the difficult post-war years. The theme of childhood is considered as one of the most important constants of the writers artistic world. In the course of the analysis, special attention is paid to the predominance of the moral aspect, the actualization of the problem of the regulatory and educational function of national etiquette, the value and normative guidelines of the Ossetian mentality. The focus of the study is based on biographical and historical-genetic methods and highlights the themes of post-war childhood, the role of the family and society in the formation of moral guidelines, in the formation of personality, the image of the mother, the theme of memory, as well as on the artistic understanding of these problems and topics in autobiographical novels of the writer. Typologically, the embodiment of the childrens theme in the works of M. Dzasokhov is largely based on the tradition of depicting childhood in Russian autobiographical prose of the XXth century. The formulated conclusions in the final part reflect the peculiarities of lyrical prose in the works of M. Dzasokhov, the place of the authors autobiographical stories is indicated in the context of Ossetian childrens literature of the second half of the XXth century. The relevance and scientific novelty of the work are due to insufficient research on the history and problems of Ossetian childrens literature. The results of the study can be used in writing the history of Ossetian childrens literature.

Jan Hardy versus Likwidator. Comics als Medien der gesellschaftlichen Spaltung Polens

2021 ◽  
Vol 2021 (1) ◽  
pp. 43-62
Author(s):  
Agnieska Balcerzak
Keyword(s):  
Second World War ◽  
Culture War ◽  
Current State ◽  
Memory Culture ◽  
History Of ◽  
Projection Surface ◽  
The Republic ◽  
Political Spectrum ◽  
The One ◽  
Second World

This article at the intersection of cultural studies of popular and memory culture deals with the genre of comics as an identity-forming (protest) medium and projection surface for the ideologised “culture war” between traditionalists and modernists in contemporary Poland. The analysis focuses on two historical comics that combine facts and imaginary and refer back to the Second World War, the communist period and the recent history of the Republic of Poland after 1989. The article juxtaposes two title heroes and their comic worlds, which represent opposite ends of the political spectrum and reveal the problem areas of Poland’s dividedness along the underlying canon of values and symbolic worlds: Jan Hardy, the national-conservative “cursed soldier”, and Likwidator, the relentless “anarcho-terrorist”. The characters and their adventures exemplify fundamental memory cultural, religious, nationalist and emancipatory discourses in Poland today. The focus of the analysis lies on the creation context and the (visual) language with its narrative-aesthetic intensifications, which illuminate Poland’s current state of conflict between national egoism and traditional “cultural patriotism” on the one hand and liberal value relativism with its progressive-emancipatory rhetoric on the other.

The “Millstätter Predigten” (Millstatt Sermons), Petrus Berchorius, and Mechthild of Magdeburg

Daphnis ◽  
2021 ◽  
Vol 50 (1) ◽  
pp. 59-84
Author(s):  
Sabine Seelbach
Keyword(s):  
Cultural Memory ◽  
Educational History ◽  
Mechthild Of Magdeburg ◽  
The World ◽  
History Of ◽  
History Of Use ◽  
Shed Light

Abstract This article presents the project “Virtual Benedictine library Millstatt” (www.virtbibmillstatt.com/), which is dedicated to the cultural memory and educational history of Carinthia in the broadest sense. It aims to reconstruct the hitherto little-known and little-researched corpus of manuscripts from the Benedictine Abbey of Millstatt, to identify its texts, and to shed light on their history of use. Against the background of the eventful history of ownership of the Millstatt library, the problems that arise when trying to reliably assign manuscripts scattered around the world to the Millstatt corpus are outlined. Examples will be used to show the extent to which external features (binding, signature system, accessories), but also text-internal indications, make the origin and ownership history of the manuscripts traceable. Spectacular new finds are presented, but also erroneous assumptions about the affiliation of certain texts to the reading canon of the Millstatt Benedictines are pointed out.

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