Indigenous childhood in Argentina: Parenting, care and formative experiences of Qom and Mbyá children

2020 ◽  
pp. 204361062095968
Author(s):  
Mariana García Palacios ◽  
Ana Carolina Hecht ◽  
Noelia Enriz

Recent investigations in South American anthropology have focused on children in a range of contexts. In ethnographic research with children from indigenous communities in Argentina, we have considered social categories that result in different ways of being a child. In this way, this article presents a model that departs from a traditional, monolithic approach to childhood. The aim is to examine the first stage of life, guided by nominal references, childrearing and the formative experiences of children, with a focus on the network of social relations during this stage of live, particularly, linguistic development, religion and play.

2018 ◽  
Vol 61 (1) ◽  
pp. 109-133 ◽  
Author(s):  
Edward G. J. Stevenson ◽  
Lucie Buffavand

Abstract:This article investigates food security and well-being in the context of “development-forced displacement” in Ethiopia. In the lower Omo, a large hydroelectric dam and plantation schemes have forced people to cede communal lands to the state and business speculators, and indigenous communities have been targeted for resettlement in new consolidated villages. The authors carried out a food access survey in new villages and in communities not yet subjected to villagization and complemented this with ethnographic research carried out over a period of four years. The results of the two methodological approaches were inconsistent. The survey data suggest that household food access was poor in both places but better in villagization sites than in the other communities. The ethnographic research, however, suggests that village settlers were unable to feed themselves from the irrigated plots they were allotted and were therefore dependent on food aid. They spoke of indignity, bodily discomfort, and the severance of meaningful social relations. This article discusses the contrast between the information generated by the different research methods and asks how this tension relates to two major narratives about development: development as a process through which the state actualizes a national dream, and development as a process that creates affluence for some by impoverishing others.


2017 ◽  
Vol 3 (2) ◽  
pp. 207-218 ◽  
Author(s):  
Julia M. Hildebrand

Abstract Consumer drones are entering everyday spaces with increasing frequency and impact as more and more hobbyists use the aerial tool for recreational photography and videography. In this article, I seek to expand the common reference to drones as “unmanned aircraft systems” by conceptualising the hobby drone practice more broadly as a heterogeneous, mobile assemblage of virtual and physical practices and human and non-human actors. Drawing on initial ethnographic fieldwork and interviews with drone hobbyists as well as ongoing cyber-ethnographic research on social networking sites, this article gives an overview of how the mobile drone practice needs to be situated alongside people, things, and data in physical and virtual spheres. As drone hobbyists set out to fly their devices at a given time and place, a number of relations reaching across atmospheric (e. g. weather conditions, daylight hours, GPS availability), geographic (e. g. volumetric obstacles), mobile (e. g. flight restrictions, ground traffic), and social (e. g. bystanders) dimensions demand attention. Furthermore, when drone operators share their aerial images online, visual (e. g. live stream) and cyber-social relations (e. g. comments, scrutiny) come into play, which may similarly impact the drone practice in terms of the pilot’s performance. While drone hobbysists appear to be interested in keeping a “low profile” in the physical space, many pilots manage a comparatively “high profile” in the virtual sphere with respect to the sharing of their images. Since the recreational trend brings together elements of convergence, location-awareness, and real-time feedback, I suggest approaching consumer drones as, what Scott McQuire (2016) terms, “geomedia.” Moreover, consumer drones open up different “cybermobilities” (Adey/Bevan 2006) understood as connected movement that flows through and shapes both physical and virtual spaces simultaneously. The way that many drone hobbyists appear to navigate these different environments, sometimes at the same time, has methodological implications for ethnographic research on consumer drones. Ultimately, the assemblage-perspective brings together aviation-related and socio-cultural concerns relevant in the context of consumer drones as digital communication technology and visual production tool.


1992 ◽  
Vol 10 (6) ◽  
pp. 651-669 ◽  
Author(s):  
L Knopp

Sexuality, gender, and class (with race, ethnicity, physical mobility, and other social categories related to power) are deeply implicated in the constitution of each other as social relations. Spatial structures and conflicts that are constitutive of class relations are therefore also constitutive of sexuality. An examination of recent developments in feminist, lesbian and gay, and radical social theory, and certain elements of the historical geography of capitalism, reveals specific ways in which this is so. Urban spatial designs in Britain and the USA in the 19th and 20th centuries, for example, implicate hegemonic constructions of sexuality in gender-based and class-based spatial divisions of labor. Similarly, struggles over the social definitions of sexuality have involved individuals and groups recoding spaces that have been devalued by the market in potentially counterhegemonic ways. Thus, struggles over sexuality manifest themselves as struggles over sexual representations of, and sexual symbols in, space as well as over spatial organization. Indeed, these sorts of struggles may actually be more important in the contemporary era than those concerning the spatial organization of sexuality. This is because the sociospatial construction of otherness, which has as much to do with representational and symbolic space as with physical space, has become key to the survival of capitalism.


Author(s):  
Ana Caballero Mengibar

The concepts of nation and identity are intimately linked to how power functions in society. At its core the nation is associated with some sort of “authentic” cultural location. Speaking of the nation often implies cultural homogeneity and a sense of national unity. Critical cultural studies contest this view of the nation and the consequent construction of a coherent identity. The nation and its identities are neither univocal nor culturally homogenous, nor do the people have a socially cohesive experience. The nation is the product of cultural practices of representation between “Us” and the “Other,” all contained in stored societal knowledge and disseminated in discourses. The knowledge contained in discourses about the nation and its people, critical cultural followers argue, produce and reproduce a very particular type of truth contained in social categories such as sex, gender, age, race, ability, and class. The nation and its identities following a cultural critical tradition have been studied by an array of interdisciplinary theoretical approaches but most notably by postmodernists, postcolonialists, critical feminists, and multiculturalists. At their core, they all share the belief that the nation and its identities are socially constructed and that obscured social relations of power contained in discourses of nationhood can be uncovered. They also share a commitment to denouncing discrimination and inequality and enhancing the voices of the margins, the subalterns, and the multicultural identities contained in and transcending the nation. Critical cultural scholarship examines the interarticulation of power and culture. Central to critical studies is the critical examination of discourses seeking to uncover the socially constructed machinery of power with the end goal of enacting social change. The terms nation and identity are political in nature and thus are highly interrelated with power.


Author(s):  
Meda Chesney-Lind ◽  
Nicholas Chagnon

Though it is generally given less attention than sexual assault, domestic violence is quite often depicted in corporate media products, including news broadcasts, television shows, and films. Mediated depictions of domestic violence share many of the same problems as those of sexual assault. In particular, the media tends to imply that women are somehow culpable when they are being beaten, even murdered, by their partners. News on domestic violence is often reported in a routine manner that focuses on minutiae instead of context, informing audiences minimally about the nature, extent, and causes of domestic violence. Though it is encouraging that over the past several decades the media has begun to acknowledge that domestic violence is a serious problem, this recognition is challenged by antifeminist claims-making in the media. Such challenges generally cite contested social science research as proof that feminist research on domestic violence is biased and inaccurate. Furthermore, media representations of domestic violence often supply racializing and class-biased discourses about abusers and their victims that frame domestic violence as largely the product of marginalized classes, rather a problem that affects the various strata of society. Since the 9/11 terrorist attacks, media coverage of the violence against women abroad, particularly in Islamic nations, has provided more racializing discourse, which juxtaposes “progressive” Western cultures with “backward” Eastern ones. On the domestic front, news focusing on indigenous communities replicates some of the racism inherent in the orientalist gaze applied to domestic violence abroad. Generally, the media do a poor job of cultivating a sophisticated understanding of domestic violence among the public. Thus, many researchers argue such media representations constitute a hegemonic patriarchal ideology, which obfuscates the issue of domestic violence, as well as the underlying social relations that create the phenomenon.


Author(s):  
Javier Puente

Agrarian transformations in Andean Peru, subject to larger sociopolitical and economic processes, entailed major material, environmental, and biological changes. The long history of sheep introduction in Andean environments, its specific impact on the central highlands, and the making of an Andean breed of sheep—the oveja Junín—illustrate how such transformations shaped rural Peru as a societal space. Following larger environmental patters in Latin America, sheep became the dominant animal of the upper Andean regions, populating depleted landscapes and refashioning otherwise hostile environments as areas of agrarian productivity. Many of the transformations that occurred during colonial times, particularly the consolidation of the hacienda system and the rise of sheepherding as a form of peonage, served manifold purposes in the transition to the national period. While the 19th-century liberal obliteration of corporate identities and property obscured the legacy of indigenous communities, sheep continued to thrive and set the conditions for the incorporation of the Peruvian countryside into the global world economy. In the 20th century, with the parallel arrival of state and capital governance, transforming sheep and sheepherding from vernacular expressions of livelihood into advanced forms of modern agrarian industrialism merged together scientific and veterinarian knowledge with local understandings, producing the oveja Junín as the ultimate result. As sheepherding modernized based on efficient husbandry, sheep modernity efficiently nurtured rural developmentalism, bringing together communal and capitalist interests in unprecedented ways. The state-sponsored project of granjas comunales devoted to capital-intensive grazing economies reveals how husbandry and modern grazing activities both reinforced and transformed societal organization within indigenous communities, sanctioning existing differences while providing a vocabulary of capital for recasting their internal social relations of production. When the state envisioned the centralization of otherwise profitable communal grazing economies, through the allegedly empowering language of agrarian reform, the cooperativization of land, labor, and animals led to communal, family, and individual disenfranchisement. Indigenous community members, turned into campesinos, sought new battlegrounds for resisting state intromission. Eventually, the very biology of the oveja Junín as an exclusive domain of state and capital became the target of campesino sabotage. As the agrarian reform collapsed and revolution engulfed the countryside, rural livelihoods—sheep included—faced their ultimate demise, often with severe degrees of violence. In this entire trajectory, sheep—and the oveja Junín—ruled the upper regions of the Andes like no political power ever did.


Author(s):  
Nicholas Bainton

Anthropologists have been studying the relationship between mining and the local forms of community that it has created or impacted since at least the 1930s. While the focus of these inquiries has moved with the times, reflecting different political, theoretical, and methodological priorities, much of this work has concentrated on local manifestations of the so-called resource curse or the paradox of plenty. Anthropologists are not the only social scientists who have tried to understand the social, cultural, political, and economic processes that accompany mining and other forms of resource development, including oil and gas extraction. Geographers, economists, and political scientists are among the many different disciplines involved in this field of research. Nor have anthropologists maintained an exclusive claim over the use of ethnographic methods to study the effects of large- or small-scale resource extraction. But anthropologists have generally had a lot more to say about mining and the extractives in general when it has involved people of non-European descent, especially exploited subalterns—peasants, workers, and Indigenous peoples. The relationship between mining and Indigenous people has always been complex. At the most basic level, this stems from the conflicting relationship that miners and Indigenous people have to the land and resources that are the focus of extractive activities, or what Marx would call the different relations to the means of production. Where miners see ore bodies and development opportunities that render landscapes productive, civilized, and familiar, local Indigenous communities see places of ancestral connection and subsistence provision. This simple binary is frequently reinforced—and somewhat overdrawn—in the popular characterization of the relationship between Indigenous people and mining companies, where untrammeled capital devastates hapless tribal people, or what has been aptly described as the “Avatar narrative” after the 2009 film of the same name. By the early 21st century, many anthropologists were producing ethnographic works that sought to debunk popular narratives that obscure the more complex sets of relationships existing between the cast of different actors who are present in contemporary mining encounters and the range of contradictory interests and identities that these actors may hold at any one point in time. Resource extraction has a way of surfacing the “politics of indigeneity,” and anthropologists have paid particular attention to the range of identities, entities, and relationships that emerge in response to new economic opportunities, or what can be called the “social relations of compensation.” That some Indigenous communities deliberately court resource developers as a pathway to economic development does not, of course, deny the asymmetries of power inherent to these settings: even when Indigenous communities voluntarily agree to resource extraction, they are seldom signing up to absorb the full range of social and ecological costs that extractive companies so frequently externalize. These imposed costs are rarely balanced by the opportunities to share in the wealth created by mineral development, and for most Indigenous people, their experience of large-scale resource extraction has been frustrating and often highly destructive. It is for good reason that analogies are regularly drawn between these deals and the vast store of mythology concerning the person who sells their soul to the devil for wealth that is not only fleeting, but also the harbinger of despair, destruction, and death. This is no easy terrain for ethnographers, and engagement is fraught with difficult ethical, methodological, and ontological challenges. Anthropologists are involved in these encounters in a variety of ways—as engaged or activist anthropologists, applied researchers and consultants, and independent ethnographers. The focus of these engagements includes environmental transformation and social disintegration, questions surrounding sustainable development (or the uneven distribution of the costs and benefits of mining), company–community agreement making, corporate forms and the social responsibilities of corporations (or “CSR”), labor and livelihoods, conflict and resistance movements, gendered impacts, cultural heritage management, questions of indigeneity, and displacement effects, to name but a few. These different forms of engagement raise important questions concerning positionality and how this influences the production of knowledge—an issue that has divided anthropologists working in this contested field. Anthropologists must also grapple with questions concerning good ethnography, or what constitutes a “good enough” account of the relations between Indigenous people and the multiple actors assembled in resource extraction contexts.


2020 ◽  
Vol 7 (2) ◽  
pp. 205395172096678 ◽  
Author(s):  
Stefania Milan

Quantification is particularly seductive in times of global uncertainty. Not surprisingly, numbers, indicators, categorizations, and comparisons are central to governmental and popular response to the COVID-19 pandemic. This essay draws insights from critical data studies, sociology of quantification and decolonial thinking, with occasional excursion into the biomedical domain, to investigate the role and social consequences of counting broadly defined as a way of knowing about the virus. It takes a critical look at two domains of human activity that play a central role in the fight against the virus outbreak, namely medical sciences and technological innovation. It analyzes their efforts to craft solutions for their user base and explores the unwanted social costs of these operations. The essay argues that the over-reliance of biomedical research on “whiteness” for lab testing and the techno-solutionism of the consumer infrastructure devised to curb the social costs of the pandemic are rooted in a distorted idea of a “standard human” based on a partial and exclusive vision of society and its components, which tends to overlook alterity and inequality. It contends that to design our way out of the pandemic, we ought to make space for distinct ways of being and knowing, acknowledging plurality and thinking in terms of social relations, alterity, and interdependence.


2015 ◽  
Vol 38 (1-2) ◽  
pp. 33-52 ◽  
Author(s):  
Tom Artiss

This paper focuses on Inuitized Western music in Nain, Labrador, as part of a broader look at Inuit responses to change. Drawing on interviews and sustained ethnographic research, I show how a relaxing of strict socio-musical categories coincided with a decline in Moravian missionary influence in the second half of the 20th century. A notable indifference to musical difference is, I suggest, consistent with an Inuit equanimity toward environmental forces of change that cannot be helped (ajunamat). I then give reasons why discursive imbalances are a continued concern and show how the effects of sustained colonial and missionary activity (hybridities, mixtures, overlaps, co-presences) do not always produce the emotional and psychic dissonances sometimes associated with postcolonial ambivalence. Ultimately, I propose thinking of Inuitized Western musical forms as visible protrusions of a much deeper substrate of affective continuities and that such inherited ways of being in the world can remain constant even while specific cultural forms may change.


1991 ◽  
Vol 7 (26) ◽  
pp. 107-112
Author(s):  
Alan Bolt

By way of coda to our earlier coverage in NTQ of Nicaraguan theatre under the Sandinista government, we include here an interview with Alan Bolt, one of the best-known and most controversial of the playwrights of the revolutionary period. The interview was conducted in September 1989, just a few months before the free elections ended the fragile, insidiously-obstructed Sandinista experiment in socialism with a South American face. While dedicated to the ideals of the Sandinistas, for whom he had fought underground during the Somoza dictatorship, Alan Bolt found himself increasingly opposed to some of those who were putting the revolution into practice, and he chose to work instead with his own theatre group and agricultural collective for a better understanding both of the issues which made revolution necessary, and those which were now prejudicing its success. Bernard Bloom, who introduces this interview with a brief outline of Alan Bolt's career, is a Canadian writer and photographer who lived in Nicaragua during 1987 and 1989. He has lectured extensively about the country, and his photographs have been widely exhibited.


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