Cultural image for yacht appearance personalized design

2021 ◽  
pp. 329-336
Author(s):  
L.S. Ma ◽  
Y. Wu
Keyword(s):  
Cultural Image

scholarly journals TOLERANCE HERITAGE: THE ROUTE OF SUFISM FROM KHORASAN TO THE BALKANS

2020 ◽  
Vol 14 (1) ◽  
pp. 85-101
Author(s):  
Morteza Nouraei ◽  
Bahman Zeinali
Keyword(s):  
Central Asia ◽  
Growth And Development ◽  
Cultural Exchange ◽  
The Political ◽  
Peaceful Coexistence ◽  
Political Arena ◽  
The Balkans ◽  
Cultural Image ◽  
Special Character ◽  
Cultural Components

The necessity for peaceful coexistence today makes the study on tolerance a must have. The vast region from Central Asia-Khorasan to the Balkans has had its ups and downs for centuries. The diversity of nations and tribes along this path highlights the attention to common cultural components. Meanwhile, the existence of various Sufi groups throughout the history in the region has a special character. The idea of Sufism was essentially based on tolerance and grew into a Peaceful coexistence. However, various Sufi groups have experienced violence at historic junctures by entering the political arena. But it must be said that the distinction between cultural and ideological Sufism has shown peaceful life. This article endeavor to introduce the Sufism growth and development in different regions so that a significant and plausible path can be drawn as a Sufi Road. In addition, the legacy of Sufism has been activated by its cultural image in the areas in question, showing many similarities between different Sufi groups in various countries. The homogeny among the cultural components of Sufism in the geography of the region are a way for dialogue. As a result, one can experience cultural exchange in the form of coexistence and tolerance.

scholarly journals Analysis of Linguo-cultural Picture of LIE in Systemic Data

2021 ◽  
pp. 97-109
Author(s):  
Irena Snukiškienė
Keyword(s):  
Visual Storytelling ◽  
Cultural Image ◽  
Basic Meaning ◽  
New Meanings ◽  
Semantic Development ◽  
Definition Of ◽  
Difficult Situations ◽  
Purposeful Activity

The article presents Lithuanian linguistic cultural image of LIE (MELAS) reconstructed from lexicographic data. The analysis of the lexicographic definitions of this lexeme in Lithuanian dictionaries (The Dictionary of Lithuanian Language, The Dictionary of Contemporary Lithuanian, the dictionaries of synonyms and antonyms and Lithuanian etymological sources) provides two views of the concept: synchronic and diachronic. The diachronic view shows the semantic development of the word, the specification of its meaning (the loss of the primary and the acquisition of new meanings). The synchronic view shows the basic meaning of the concept and its profiles in contemporary language. The research revealed that the basic meaning is LIE as a subject’s purposeful distortion of reality with the purpose of deception. The dominating aspects are: a subject’s purposeful activity and an object that a subject wants to deceive. Lexicographic data distinguished several profiles of LIE: (1) LIE as entertainment (when lie is used for joking, visual storytelling and has no negative purpose), (2) LIE as unethical issue (when lying is seen as negative, sinister activity) and (3) LIE as psychologically necessary element of life (when lie is seen as useful, helping to get out of difficult situations). The analysis is concluded with the cognitive definition of lie, providing its linguo-cultural view in Lithuanian.

scholarly journals I dropped a big stone on the water snake… Poetic and the Folk Image of a SNAKE

2021 ◽  
pp. 375-387
Author(s):  
Magdalena Wołoszyn
Keyword(s):  
Common Sense ◽  
Folk Culture ◽  
The Third ◽  
Cultural Image ◽  
Water Snake ◽  
Polish Language ◽  
Lyrical Subject ◽  
Poetic Creation ◽  
The Guardian ◽  
Living Creature

The aim of the article is to reconstruct the linguistic and cultural image of the snake in Polish language and Polish folk culture, functioning within three different but complementary genre-based models: (a) mythological, which echoes are present in belief stories, records of beliefs, and descriptions of practices; (b) biblical (religious), Judeo-Christian, settled in aytiological legends, wedding speeches, religious and historical songs (c) colloquial (common sense), confirmed mainly in colloquial phraseology. In the first model, the snake appears as the guardian of the house and the enclosure, a living creature, friendly to people and animals, whose presence ensures happiness and prosperity; in the second – the serpent is a symbol of evil, sin and Satan; in the third, the most stabilized features of the snake are: wisdom, prudence, but the most of all cunning and sly. The features that emerge especially from the mythological and religious model are the basis for the interpretation of the poetic creation of a snake from Czesław Miłosz’s poem Rue Descartes, in which the lyrical subject combines all evil that has happened to him in his life with in breaking of the ban and just punishment for killing a water snake coiled in the grass.

The image of the library through the eyes of immigrant and migrant readers

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Keren Dali
Keyword(s):  
Design Methodology ◽  
Immigrant Communities ◽  
Content Type ◽  
Migrant Communities ◽  
Spanish Speaking ◽  
Cultural Image ◽  
Functional Image ◽  
Library Users ◽  
The Us ◽  
Insight Into

PurposeDrawing on the survey of Spanish-speaking immigrant and migrant readers in Canada and the US, this study pursues three goals: (1) examine the image of the library held by these readers and trace the change of this image after the international migration; (2) use the study findings to revise and update the currently existing typologies of the image of the library; and (3) understand ethical and effective research practices in the studies of immigrant/migrant communities whereby researchers are external to communities in question.Design/methodology/approachThe data about immigrant/migrant readers were collected through a self-administered survey questionnaire that was available both in print and electronically, both in Spanish and English. The data analysis was guided by hermeneutic phenomenology, as explicated in the article. Theoretical examination of the image of the library relied on the earlier typology developed by V. Stelmakh.FindingsThe study elucidates perceptions of libraries and librarians in both North America and countries of origin held by Spanish-speaking immigrant/migrant readers, and highlights changes that occur in the image of the library as readers move across geographic borders. Building on the empirical data, the article develops a new typology of the image of the library. It also offers insight into ethical and effective ways of engaging with immigrant communities that should be upheld by researchers from outside the communities in question.Originality/valueIt is the first known study that systematically traces the changes in the image of the library which occur alongside geographic and sociocultural migrations. It is also the first known study that focuses specifically on readers rather than library users in general. The new typology consists of four different elements – the cultural image; the functional image; the humanistic image; and the ideological image of the library – and is accompanied by detailed definitions of each.

Borderlands of Identity and the Aesthetics of Disjuncture: An Introduction to Scottish Gothic

2017 ◽  
pp. 1-13
Author(s):  
Carol Margaret Davison ◽  
Monica Germanà
Keyword(s):  
Eighteenth Century ◽  
Literary History ◽  
British History ◽  
Scottish Enlightenment ◽  
Cultural Image ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
A Site ◽  
Enlightenment Philosophy

The idea of a ‘Gothic Scotland’, however, did not prove difficult to conceptualise in the late eighteenth century and the early nineteenth when a Romanticised portrait of Scotland furnished the nation’s most prevalent cultural image. As Ian Duncan astutely observes in regard to the politics of literary history, it was ‘Scotland’s fate to have become a Romantic object or commodity’ rather than a site of Romantic production (Duncan et al. 2004: 2). Such an objectification was ironic given the existence of Scottish Enlightenment philosophy and its rationally fuelled preoccupations. That objectification was also, notably, expressed in two forms – in both the lighter and darker, more Gothic, shades of Romanticism. Despite the differences in these two manifestations, the Highlands served in both as a synecdoche for a Scotland that exemplified two primary attitudes towards ‘British’ history and rapid modernisation.

Selling Historic Natchez to Depression-Era Pilgrims

2019 ◽  
pp. 153-210
Author(s):  
Susan T. Falck
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Great Depression ◽  
Historical Memory ◽  
Early Years ◽  
Racial Ideology ◽  
The Great Depression ◽  
Cultural Image ◽  
The World ◽  
Depression Era

This chapter recounts the early years of the Natchez Pilgrimage, a heritage tourism enterprise created by the Natchez Garden Club at the height of the Great Depression. The Pilgrimage dramatized a mix of decades-old southern racial ideology and white historical memory that was repackaged for 1930s consumption. Pilgrimage founder Katherine Miller and other leading clubwomen defined their community’s cultural image, while also redefining the meaning of traditional southern womanhood. The Pilgrimage is also the story of how one southern community’s selective expression of historical memory captivated white tourists eager to immerse themselves in the world of the Old South so vividly portrayed by popular writers and entertainers of the 1930s. The widespread appeal of the Pilgrimage home tours and pageant suggests the power of popular culture to shape a tenacious historical memory that remained in force for much of the twentieth century and lingers even today.

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