“Ganz Unmusikalisch”: Freud’s Seconda Prattica

2018 ◽  
Vol 70 (4) ◽  
pp. 369-391
Author(s):  
Nimrod Reitman

Abstract The article reads Sigmund Freud and Claudio Monteverdi’s understanding of musicality, its affinity with rhetoric, and the way this relation informs their individual oeuvres. Both Monteverdi and Freud, each in his own way, were condemned to live with an aversion to musicality that strengthened their hermeneutics of psychic and discursive disturbance. Through the specific rhetorical figure of the musical lament found in psychoanalytical discourse, the article demonstrates the way dissonances implicate opera, the madrigal, and the talking-cure, making aporetic claims, especially in the face of Freud’s self-attestation—his resolute conviction that he was “ganz unmusikalisch”—which astonishingly matches Monteverdi’s own resistance to music.

2002 ◽  
Vol 4 (2) ◽  
pp. 127-139 ◽  
Author(s):  
Ian Patterson

This article addresses the increasingly popular approach to Freud and his work which sees him primarily as a literary writer rather than a psychologist, and takes this as the context for an examination of Joyce Crick's recent translation of The Interpretation of Dreams. It claims that translation lies at the heart of psychoanalysis, and that the many interlocking and overlapping implications of the word need to be granted a greater degree of complexity. Those who argue that Freud is really a creative writer are themselves doing a work of translation, and one which fails to pay sufficiently careful attention to the role of translation in writing itself (including the notion of repression itself as a failure to translate). Lesley Chamberlain's The Secret Artist: A Close Reading of Sigmund Freud is taken as an example of the way Freud gets translated into a novelist or an artist, and her claims for his ‘bizarre poems' are criticized. The rest of the article looks closely at Crick's new translation and its claim to be restoring Freud the stylist, an ordinary language Freud, to the English reader. The experience of reading Crick's translation is compared with that of reading Strachey's, rather to the latter's advantage.


2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.


1998 ◽  
Vol 74 (4) ◽  
pp. 511-513
Author(s):  
Tom Appleton

Canadair's CL-415 amphibious aircraft is arguably the most advanced firefighting waterbomber on the face of the earth. With its high water capacity and advanced performance, it leads the way in rapid initial attack to contain fires.


Author(s):  
Igboin Benson Ohihon

In recent times, the resurgence of critical security questions has gained prominence in global tabloid, consciousness and discourse. From Tunisia, Algeria, Egypt, Libya, Yemen to Syria; the Nigerian experiences of the Golden Jubilee Independence bombing, for which MEND claimed responsibility, the Boko Haram incendiary that has gravitated into suicide bombing, among others are extant. The causes of these ‘security crises’ can be traced squarely to fundamentalisms: religious fundamentalism or religious nationalism; hegemonic fundamentalism, capitalist fundamentalism, ethnic fundamentalism, existential fundamentalism, ethical fundamentalism, etc. These explain the deepening and proliferation of conflicts in countries around the globe. The response to this state of affairs has been ‘sermon’ on tolerance in the face of aggressive terror. Tolerance may not have been properly conceptualized. The thrust of this paper, therefore, is to stimulate interest in the conceptualization of these terms so that their understanding would pave the way for long lasting solutions. In so doing, the paper will employ historical and philosophical approaches to situate the arguments.


2017 ◽  
Vol 9 (2) ◽  
pp. 114-122
Author(s):  
Nina A Tsyrkun

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Esron Simarmata ◽  
Muhd Al-Hafizh
Keyword(s):  

This thesis is the analysis of a novel which written by Patricia McCormick entitled Never Fall Down (2012). It explores the issue of endeavour to survive which reflected by the main character. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and setting in revealing the issue of endeavour to survive. This analysis is related to the concept of life instinct which developed by Sigmund Freud that is supported by the text-based and context-based interpretation. The result of this analysis shows about the way the main character survive in dealing with any situation in his life by changing his mindset and behaviour.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Gina Felandri ◽  
Desvalini Anwar

This thesis is the analysis of a play written by Annie Baker entitled The Flick (2013). It explores the issue of striving for survival and success reflected by the main character. This issue refers to the way the main character deals with all the difficulties and tries to reach a dream in his life. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and stage direction in revealing the issue of striving for survival and success. This analysis is related to the concept of life instinct which developed by Sigmund Freud and also supported by the text-based and context-based interpretation. The result of this analysis shows about the way the main character persistence in surviving and achieving goals in his life through the efforts of socialization and self-interest exploration made by the character.


2019 ◽  
Vol 8 (4) ◽  
Author(s):  
Ilma Fitriani ◽  
Leni Marlina

This thesis is the analysis of a novel which written by Chris Abani entitled Graceland (2004). It explores the issue of step up efforts to enlightenment which reflected by the main character. It is also intended to find out the contribution of fictional devices such as character, plot (conflict), and setting in revealing the issue of efforts to enlightenment. This analysis is related to the concept of life instinct which self-awareness by Sigmund Freud that is supported by the text-based and context-based interpretation. The result of this analysis shows about the way the main character effort to enlightenment in dealing with any situation in his life by building self-awareness, gaining thinking skill and having vocational skill.  


Nordlit ◽  
2017 ◽  
Author(s):  
Andreas Schönle

This article offers an analysis of the trope of ruin in the poetry of Aleksandr Kushner (born 1936), in particular through a close reading of two of his poems: “In a slippery graveyard, alone” and “Ruins”. The analysis of these poems is preceded by an overview of ruin philosophy from Burke and Diderot to Simmel and Benjamin, with particular emphasis on the way the trope of ruin contemplation stages a confrontation between the self and what transcends it (death, history, nature, etc.). This philosophical background serves as a heuristic tool to shed light on the poetry of Kushner. Through the trope of ruin, Kushner explores the legitimacy of poetic speech after the collapse of all meta-narratives. Kushner has no truck with Diderot's solipsism, nor with Hegel's bold narrative of progress, nor with Simmel's peaceful reconciliation with the creative forces of nature. Nor, really, does he intend to bear witness to history, the way Benjamin does in the faint anticipation of some miracle. Instead, Kushner posits the endurance of a community united not around a grand project, but around the idea of carrying on in the face of everything, muddling through despite the lack of hopes for a transformational future and making the most of fleeting moments of positivity that emerge out of the fundamental serendipity of history.


Author(s):  
Charmele Ayadurai ◽  
Sina Joneidy

Banks soundness plays a crucial role in determining economic prosperity. As such, banks are under intense scrutiny to make wise decisions that enhances bank stability. Artificial Intelligence (AI) plays a significant role in changing the way banks operate and service their customers. Banks are becoming more modern and relevant in people’s life as a result. The most significant contribution of AI is it provides a lifeline for bank’s survival. The chapter provides a taxonomy of bank soundness in the face of AI through the lens of CAMELS where C (Capital), A(Asset), M(Management), E(Earnings), L(Liquidity), S(Sensitivity). The taxonomy partitions opportunities from the main strand of CAMELS into distinct categories of 1 (C), 6(A), 17(M), 16 (E), 3(L), 6(S). It is highly evident that banks will soon extinct if they do not embed AI into their operations. As such, AI is a done deal for banks. Yet will AI contribute to bank soundness remains to be seen.


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