Reading the Past on the Mountainsides of Colombia: Mid-Nineteenth-Century Patriotic Geology, Archaeology, and Historiography

2013 ◽  
Vol 93 (3) ◽  
pp. 347-376 ◽  
Author(s):  
Nancy P. Appelbaum

Abstract The mid-nineteenth-century Colombian Chorographic Commission drew on geology, archaeology, and history to project a patriotic past onto the Andean landscape of the young republic then known as New Granada. This geographic expedition, led initially by Agustín Codazzi and Manuel Ancízar, explored and mapped the country from 1850 to 1859. For the commissioners and their associates among the creole elite, the history of past epochs was “written” on the mountainsides for scientific travelers such as themselves to “read.” They portrayed disparate historical and prehistoric events as overlapping and interrelated. The commission’s texts and images linked a catastrophic interpretation of geologic origins to historia patria (patriotic history). The commissioners merged the wars of conquest and independence into a two-act drama enacted on a singular territorial stage. Their reading of geologic, archaeological, and historical evidence endowed the impoverished young Republic of New Granada with a grandiose territory, a great precursor civilization, and a legacy of patriotic resistance to imperialism. Their interpretations, however, would prove controversial. During the second half of the nineteenth century, debates over geology, archaeology, and history reflected conflicting Liberal and Conservative political projects. Moreover, the midcentury intellectuals failed to incorporate contemporaneous indigenous and poor citizens into an imagined national community based on the ideal of a shared historical memory embedded on a readable landscape.

Author(s):  
К.А. Панченко

Abstract The article examines the conquest of the County of Tripoli by the Mamelukes in 1289, and the reaction of various Middle Eastern ethnoreligious groups to this event. Along with the Monophysite perspective (the Syriac chronicle of Bar Hebraeus’ Continuator and the work of the Coptic historian Mufaddal ibn Abi-l-Fadail), and the propagandist texts of Muslim Arabic panegyric poets, we will pay special attention to the historical memory of the Orthodox (Melkite) and Maronite communities of northern Lebanon. The contemporary of these events — the Orthodox author Suleiman al-Ashluhi, a native of one of the villages of the Akkar Plateau — laments the fall of Tripoli in his rhymed eulogy. It is noteworthy that this author belongs to the rural Melkite subculture, which — in spite of its conservative character — was capable of producing original literature. Suleiman al-Ashluhi’s work was forsaken by the following generations of Melkites; his poem was only preserved in Maronite manuscripts. Maronite historical memory is just as fragmented. The father of the Modern Era Maronite historiography — Gabriel ibn al-Qilaʿî († 1516) only had fragmentary information on the history of his people in the 13th century: local chronicles and the heroic epos that glorified the Maronite struggle against the Muslim lords that tried to conquer Mount Lebanon. Gabriel’s depiction of the past is not only biased and subject to aims of religious polemics, but also factually inaccurate. Nevertheless, the texts of Suleiman al-Ashluhi and Gabriel ibn al-Qilaʿî give us the opportunity to draw conclusions on the worldview, educational level, political orientation and peculiar traits of the historical memory of various Christian communities of Mount Lebanon.


Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


Author(s):  
Edward Bellamy

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.


The Oxford Handbook of American Women’s and Gender History boldly interprets the history of diverse women and how ideas about gender shaped their access to political and cultural power in North America over six centuries. In twenty-nine chapters, the Handbook showcases women’s and gender history as an integrated field with its own interpretation of the past, focused on how gender influenced people’s lives as they participated in migration, colonialism, trade, warfare, artistic production, and community building. Organized chronologically and thematically, the Handbook’s six sections allow readers to consider historical continuities of gendered power as well as individual innovations and ruptures in gender systems. Theoretically cutting edge, each chapter bursts with fascinating historical characters, from young Chicanas transforming urban culture, to free women of color forging abolitionist doctrines, to Asian migrant women defending the legitimacy of their marriages, to working-class activists mobilizing international movements, to transwomen fleeing incarceration. Together, their lives constitute the history of a continent. Leading scholars from multiple generations demonstrate the power of innovative research to excavate a history hidden in plain sight. Scrutinizing silences in the historical record, from the inattention to enslaved women’s opinions to the suppression of Indian women’s involvement in border diplomacy, the authors challenge the nature of historical evidence and remap what counts in our interpretation of the past. They demonstrate a way to extend this more capacious vision of history forward, setting an intellectual agenda informed by intersectionality and transnationalism, and new understandings of sexuality.


1996 ◽  
Vol 36 (312) ◽  
pp. 300-314 ◽  
Author(s):  
Vladimir Pustogarov

In the history of humankind, no matter how far back we look into the past, peaceful relations between people and nations have always been the ideal, and yet this history abounds in wars and bloodshed. The documentary evidence, oral tradition and the mute testimony of archaeological sites tell an incontrovertible tale of man's cruelty and violence against his fellow man. Nevertheless, manifestations of compassion, mercy and mutual aid have a no less ancient record. Peace and war, goodneighbourly attitudes and aggression, brutality and humanity exist side by side in the contemporary world as well.


2021 ◽  
pp. 389-405
Author(s):  
Lars Magnusson

In recent years there has been a renewed interest in Cameralism, both as a discourse and as an administrative political economy, in both theory and practice. Attention has been drawn to how Cameralism—defined as thought and practice—should be understood. The aim of this article is to take a step back and focus on the historiography of Cameralism from the nineteenth century onwards. Even though many in recent times have challenged old and seemingly dated conceptualizations and interpretations, they are still very much alive. Most profoundly this has implied that Cameralism most often in the past has been acknowledged as an expression of—German. as it were—exceptionalism to the general history of economic doctrine and thinking.


2020 ◽  
Vol 27 (3) ◽  
pp. 152-168
Author(s):  
Tiina Aikas

In recent years we have witnessed a growing contemporary use of Sámi offering places by various actors, for example tourists, the local population and contemporary pagans. Hence, sites that the heritage authorities and researchers have seen as belonging to the past have gained new relevance. Nevertheless, Sámi religion is often presented in museums in relation to history and prehistory. Sámi culture has been presented in museums and exhibitions since the nineteenth century. In pointing out that this long history of museum displays affects how Sámi culture is presented in contemporary museums, Nika Potinkara (2015:41) suggests that we can renew, comment on or question the old presentations. This article explores the representations of Sámi religion in four museums and exhibitions in Northern Finland, and will answer the following research question: How is Sámi religion presented and what kind of themes are present? Here museums are studied as arenas for the dissemination of results of knowledge production. What kind of image of Sámi religion do they share?    


2020 ◽  
Vol 11 (2) ◽  
pp. 14-19
Author(s):  
Grzegorz Michalski

In the context of reflections on the breakthrough moments in the history of Poland in the first half of the 20th century, the content of the volume of the journal “Nauki o Wychowaniu. Studia Interdyscyplinarne” (Nowis. Interdisciplinary Studies) which testifies to the preservation of their historical memory, is discussed.


2014 ◽  
Vol 6 (12) ◽  
pp. 271-302 ◽  
Author(s):  
Martha Isabel Rosas Guevara

Mediante una narrativa historiográfica elaborada a partir de textos legales, el presente documento pretende interpretar las ausencias y presencias del negro en el discurso jurídico decimonónico producido una vez obtenida la independencia de España en los albores del siglo XIX. Teniendo en cuenta que la imaginación del Estado republicano representó un desafío para las elites criollas, las cuales —pese a predicar retóricamente la consolidación de una comunidad nacional basada en la igualdad y la democracia— construyeron una idea de Nación sobre los basamentos ideológicos coloniales, perpetuados en la repulsión elitista hacia la masa o plebe, lo que a la postre produjo su exclusión de la promisoria modernidad.  From Slaves to Citizens and Vagabonds. Representations of Blackness in the Colombian Legal Discourse during the 19th CenturyAbstractThrough a historiographical narrative drawn from legal texts, this paper aims to interpret the absence and presence of black people in the nineteenth-century legal discourse produced once the independence of Spain was obtained in the early nineteenth century. Considering that the imagination of a State Republican represented a challenge for the local elites, —which despite of  preaching rhetorically the consolidation of a national community based on the equality and the democracy— constructed an idea of Nation on the ideological colonial basements perpetuated in the elitist repulsion towards the mass or populace, which at last produced his exclusion of the promissory modernity.   Keywords: slaves, Independence, citizenship, assimilation, exclusion


Author(s):  
Federico Varese

From the mid-nineteenth century, many Sicilians, including members of the mafia, were on the move. After sketching the contours of the mafia in Sicily in the nineteenth century, this chapter outlines the parallel history of Italian migration and mafia activities in New York City and Rosario, Argentina, and offers an analytic account of the diverging outcomes. Only in the North American city did a mafia that resembled the Sicilian one emerge. The Prohibition provided an enormous boost to both the personnel and power of Italian organized crime. The risk of punishment was low, the gains to be made were enormous, and there was no social stigma attached to this trade.


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