scholarly journals The Effect of Hegel’s Philosophy of History on Goldziher’s Method for Evaluating Hadiths

2021 ◽  
Vol 11 (3) ◽  
pp. 198-215
Author(s):  
Rahile Kızılkaya Yılmaz
Keyword(s):  
18Th Century ◽  
Cultural Factors ◽  
Philosophy Of History ◽  
Important Work ◽  
The West ◽  
Academic Background ◽  
Islamic Studies ◽  
The Subject

The West is known to have had interest in Islam since the 18th century through the transformative effect of the methods developed to examine religious sources within the framework of this interest in Islamic studies. Revealing the academic background and historical, ideological, psychological, religious, political and socio-cultural factors that have led orientalists working in the field of Islamic sciences is important for this field. This study will reveal in the context of Goldziher’s method for evaluating hadiths how Orientalists had been influenced by the culture and civilization they emerged from and how these influences directed their studies on Islam. Studies that have drawn attention to how Goldziher adopted his method for evaluating hadiths and took inspiration from Hegel’s philosophy of history prepared the intellectual background for the writing of this article. The study will first point out Goldziher’s postition within the Orientalist tradition and then present his method for dating hadiths alongside his Muhammedanische Studien, which is considered the most important work upon which Goldhizer based his method. Hegel’s philosophy of history will be explained in terms of the subject of the study, followed by a look into how Hegel’s philosophy of history affected Goldziher’s method for evaluating hadiths.

SPATIAL FORMATION IN ARCADES: ANKARA-YENİŞEHİR ARCADES

2020 ◽  
Vol 0 (21) ◽  
pp. 0-0
Author(s):  
Merve KURT KIRAL ◽  
Emel AKIN
Keyword(s):  
18Th Century ◽  
Research Area ◽  
The Other ◽  
The West ◽  
Planning Decisions ◽  
Urban Buildings ◽  
Spatial Features ◽  
Trading Activities ◽  
The Subject ◽  
New Buildings

Spaces are conditioned by social conditions; on the other hand, social structure is affected by spaces. Arcades, the subject of this article, first appeared in Europe in the 18th century as a result of an increase in trading activities. The arcades in Ankara, which were started to be built in the 1950s together with increasing trading activities, contributed to the urban economy with intense activities of shopping, re-determined social and urban relations as essential places of everyday life and became distinctive urban buildings with their original building typologies and the function of maintaining public continuity in the area of private ownership. Aim: This study aims to study the process in which passages emerged and to analyze their spatial features and, in particular, to examine the spatial formation of the distinctive passages in Ankara on the basis of their causation. Method: In the article, spatial features of the passages in the West were mentioned, and the conditions of the period in which the passages in Ankara were built were briefly explained. Spatial analysis of the passages found in the research area were conducted, and the formation of these passages were analyzed together with their reasons. Results: Of the 31 arcades in Ankara, 27 were built between 1950 and 1980 on and around the Atatürk Boulevard in Yenişehir/Kizilay. As of the mid-1950s, new planning decisions which were made one after the other in the built-up area re-shaped the Boulevard and its surrounding as the existing buildings were demolished, allowing to construct new buildings with arcades or stores in their entrances. Their interior designs and connections to the streets are different from the arcades in the West. Conclusion: The present subdivision system and new planning decisions applied in property order shaped the passages which were peculiar to Ankara.

scholarly journals Islam and the West

1993 ◽  
Vol 10 (4) ◽  
pp. 562-571
Author(s):  
Charles, Prince of Wales
Keyword(s):  
Middle East ◽  
Technical College ◽  
Human Knowledge ◽  
The West ◽  
Teenth Century ◽  
Islamic World ◽  
Islamic Studies ◽  
The Subject

Ladies and gentlemen, it was suggested to me when I first began toconsider the subject of this lecture that I should take comfort from theArab proverb: "In every head there is some wisdom." I confess that I havefew qualifications as a scholar to justify my presence here in this theatre,where so many people much more learned than I have preached andgenerally advanced the sum of human knowledge. I might feel moreprepared if I were an offspring of your distinguished university, ratherthan a product of that "Technical College of the Fens," though I hope youwill bear in mind that a chair of Arabic was established inseven-teenth-century Cambridge a full four years before your first chairof Arabic at Oxford.Unlike many of you, I am not an expert on Islam, though I amdelighted, for reasons that I hope will become clear, to be a vice patron ofthe Oxford Centre for Islamic Studies. The Centre has the potential to bean important and exciting vehicle for promoting and improvingunderstanding of the Islamic world in Britain, and one which I hope willearn its place alongside other centres of Islamic study in Oxford, like theOriental Institute and the Middle East Centre, as an institution of whichthe university, and scholars more widely, will become justly proud.Given all the reservations I have about venturing into a complex andcontroversial field, you may well ask why I am here in this marvelousWren building talking to you on the subject of Islam and the West. Thereason is, ladies and gentlemen, that I believe wholeheartedly that thelinks between these two worlds matter more today than ever before,because the degree of misunderstanding between the Islamic and thewest ...

Hatred of Inferiority and Confrontation with the West

2020 ◽  
pp. 96-130
Author(s):  
Majid Daneshgar
Keyword(s):  
Cultural Representation ◽  
Important Work ◽  
The West ◽  
Islamic Studies ◽  
Religious Teaching ◽  
Inferiority Complex

This chapter focuses particularly on the influence on Muslim approaches to the West and Westerners and the study of the Qurʾān in the Muslim academy of Edward W. Said’s important work on cultural representation, Orientalism. It looks at how Said did not, in the nature of things, accurately depict the West and Westerners and how, in respect to the study of Islam, Muslims have tended to substitute Western scientists and literary figures for Western scholars of Islam. Finally, chapter 4 seeks to explain how a Muslim “inferiority complex,” as (tacitly) played out in Orientalism, has over the years been absorbed into the religious teaching of Islam and given rise to much of the substance to the defensive quality of the “Islamic Apologetics” that the Muslim academy has opposed to historical critical Islamic studies.

Der fatale Blick in den Spiegel – Zum Zusammenhang von Medialität und Reflexivität

2010 ◽  
Vol 55 (2) ◽  
pp. 87-99 ◽  
Author(s):  
Oliver Jahraus
Keyword(s):  
18Th Century ◽  
Specular Reflections ◽  
The Subject ◽  
Literature And Film

Der Beitrag untersucht den Zusammenhang von Reflexivität und Medialität (das, was ein Medium zum Medium macht), indem er die Idee der Reflexion an den konkreten Formen von Spiegelungen in Literatur und Film wie zum Beispiel Doppelgänger oder Figurenspaltungen darstellt. Dabei zeigt sich, daß jedes Medium autoreflexiv verfasst ist und daß die Vorstellung von Subjektivität seit dem 18. Jahrhundert selbst auf diesem Zusammenspiel von Reflexivität und Medialität beruht. Das Subjekt gilt demnach als reflexiver Effekt der Medialität, wie es an einer Betrachtung von Foucaults berühmter Meninas-Interpretation nachverfolgt werden kann.<br><br>This article analyses the relation between reflexivity and mediality (what makes a medium a medium) by presenting concrete situations of optical and specular reflections in literature and film, such as doubles (Doppelgänger) and split figures. Thus it can be shown that since the 18th century every medium is self-reflexive and that the concept of subjectivity has its basis in the interplay of reflexivity and mediality. The subject is an effect of medialitity as may be demonstrated by a new recapitulation of Foucault’s famous Meninas-interpretation.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

scholarly journals “I Am Not Good at Any of This.” Playing with Homoeroticism in The Arabian Nights

Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 480
Author(s):  
Frank G. Bosman
Keyword(s):  
Gender Roles ◽  
Status Quo ◽  
The Self ◽  
French Translation ◽  
The West ◽  
Arabian Nights ◽  
Safe Environment ◽  
The Subject ◽  
Cross Dressing ◽  
And Gender

The story collection known in the West as The Arabian Nights or One Thousand and One Nights, is famous, among other things, for its erotic playfulness. This eroticism was (and is) one of the key reasons for its continuous popularity after Antoine Galland’s French translation in 1704. The Arabian Nights includes, besides traditional, heterosexual acts, play, and desires, examples of homoerotic playfulness—even though we must tread lightly when using such Western concepts with an oriental text body such as this one. The homoerotic playfulness of The Arabian Nights is the subject of this article. By making use of a text-immanent analysis of two of the Nights’ stories—of Qamar and Budûr and of Alî Shâr and Zumurrud—the author of this article focuses on the reversal of common gender roles, acts of cross-dressing, and, of course, homoerotic play. He will argue that these stories provide a narrative safe environment in which the reader is encouraged to “experiment” with non-normative sexual and gender orientations, leaving the dominant status quo effectively and ultimately unchallenged, thus preventing the (self-proclaimed) defenders of that status quo from feeling threatened enough to actively counter-act the experiment.

scholarly journals The Young of the Gobiidæ from the Neighbourhood of Plymouth

1919 ◽  
Vol 12 (1) ◽  
pp. 48-80 ◽  
Author(s):  
Marie V. Lebour
Keyword(s):  
The West ◽  
Open Sea ◽  
The Subject

Several Gobius species and also Aphya and Crystallogobius are common near Plymouth, from up the estuaries in the neighbourhood of Saltash to the west and Chelson Meadow to the east, as far as the open sea, well beyond Rame Head and the Eddystone Lighthouse. It has, however, always been difficult to determine the young of the various species as they usually differ very little from one another and it is hoped that the following notes may be a help in the elucidation of the subject.

Unveiling the subject behind diversity: Exploring the micro-politics of representation in ethnic minority creatives’ identity work

Organization ◽  
2017 ◽  
Vol 24 (3) ◽  
pp. 330-354 ◽  
Author(s):  
Patrizia Zanoni ◽  
Annelies Thoelen ◽  
Sierk Ybema
Keyword(s):  
Ethnic Minority ◽  
Identity Work ◽  
Creative Industries ◽  
The Other ◽  
Politics Of Representation ◽  
Cultural Industries ◽  
Creative Work ◽  
The West ◽  
The Subject ◽  
Creative Subject

Much literature on the cultural industries celebrates ethnicity as a source of creativity. Despite its positive connotation, this discourse reduces ethnic minority creatives to manifestations of a collective ethnic identity automatically leading to creativity, creating a paradox of creativity without a creative subject. Approaching creatives with an ethnic minority background as agents, this article investigates how they self-reflectively and purposely discursively construct ethnicity as a source of creativity in their identity work. Empirically, we analyze interviews with well-established creatives with an ethnic minority background active in Belgium. Most respondents construct their ethnic background as ‘hybrid’, ‘exotic’, or ‘liminal’ to craft an identity as creatives and claim creativity for their work. Only few refuse to discursively deploy ethnicity as a source of creativity, crafting more individualized identities as creatives. Our study contributes to the literature on power and ethnicity in the creative industries by documenting ethnic minority creatives’ discursive micro-struggle over what is creative work and who qualifies as a creative. Specifically, we show their counterpolitics of representation of ethnicity in the creative industries through the re-signification of the relation between the ‘west’ and the ‘other’ in less disadvantageous terms. Despite such re-signification, the continued relevance of the discourse of ethnicity as a key marker of difference suggests that ethnicity remains a principle of unequal organization of the creative industries.

"Itzt kommen die Soldaten"

2019 ◽  
Author(s):  
Tilman Venzl
Keyword(s):  
Literary History ◽  
18Th Century ◽  
Military History ◽  
Form And Function ◽  
Social Structural ◽  
History Of ◽  
The Subject ◽  
And Function ◽  
The Military ◽  
First Time

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.

Sociocultural Influences on an Important Example of Iranian Urban Form

2008 ◽  
Vol 33 (1) ◽  
pp. 72-85
Author(s):  
Fereshteh Habib ◽  
Ibrahim Numan ◽  
Hifsiye Pulhan
Keyword(s):  
Field Study ◽  
Urban Form ◽  
Human Perception ◽  
Cultural Factors ◽  
Dimensional Approach ◽  
Sociocultural Influences ◽  
Deductive Method ◽  
The Subject ◽  
The Impact ◽  
The City

In casting a new look at city; this study interprets the urban form in respect of the role played by human perception of space. The main aim of this research at a macro level is to attain a strong theorical basis through a multi-dimensional approach to the city. The method of analyzing and carrying out a critique of it at an applied level will clarify the impact, which cultural factors have in the formation of urban form. This preliminary recognition and idealism is based on a hermeneutic and deductive method that is particular to the intellectual sciences In the process of devising theories, studying the urban planning texts related to the subject of study and the conclusion from the field study which is carried out in the Isfahan Naghshe Jahan square in the Safavy period played a key role in the research in addition to the goals and questions.

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