Geography and tourism: difference and common interests

10.12737/3403 ◽  
2014 ◽  
Vol 8 (1) ◽  
pp. 10-15
Author(s):  
Александр Зырянов ◽  
Aleksandr Zyryanov

The relationship of geography and tourism are considered. With interelations of these spheres each of them has its own views. Typical cases of there misunderstanding are described. The differences in approaches with respect to the spatial information, in formulation in research problems and in the travel planning are explained.

Author(s):  
Alfonso Claret Zambrano

This paper analyses the research approach on the relationship between scientificscholar knowledge of the teacher and common previous knowledge of students inschool within the context of teaching, learning and conceptual change in sciences.The paper shows two sections: the first is about conceptual historical development ofthe research question. ln this sense the first question was How the students learnsciences and its transformation into the second, third , fourth and fifth question wasjustified on the light of the reading of the following works, mainly: Piaget, A usubel ,Driver, Vygotsky, and Bachelard, Canguilhem, Kuhn, Lakatos, Popper and othersauthors. The second explains the research question taking into consideration themeaning of the teacher, the pupil and the scientific knowledge in the classroom. Forthis purpose it is necessary to design a conceptual structure in order to analyze therelations, the concepts and the research problems of the teaching, learning andassessment in sciences. The structure shows the relationship of the teacher and thepupilas knowledge relationship. This is the cause why scientific knowledge must beconsidered as the hard core of the science teaching. But scientific knowledge in thiscase is seen as a product of the its historical and epistemological development andthe way as scientific knowledge changes in science is the basis forthinking aboutconceptual change of students in the classroom. The paper ends showing the aimsof the researcher engaged in this approach.


2016 ◽  
Vol 6 (3) ◽  
pp. 209 ◽  
Author(s):  
Nhorvien Jay P. Libao ◽  
Jessie John B. Sagun ◽  
Elvira A. Tamangan ◽  
Agaton P. Pattalitan ◽  
Maria Elena D. Dupa ◽  
...  

This study was designed to analyze the relationship  of students’ learning motivation and their academic performances in science. The study made use of 21 junior and senior Biological Science students to conclude on the formulated research problems. The respondents had a good to very good motivation in learning science. In general, the extent of their motivation do not vary across their sex, age, and curriculum year. Moreover, the respondents had good academic performances in science. Aptly, extrinsic motivation was found to be related with their academic performances among the indicators of motivations in learning science. 


2019 ◽  
Vol 1 ◽  
pp. 1-2
Author(s):  
Alena Vondrakova ◽  
Radek Barvir ◽  
Jan Brus

<p><strong>Abstract.</strong> Spatial information became ordinary for everyday life, for example in different kinds of maps. The majority of maps are produced for reading with eyes. Nevertheless, people with visual impairment, including blind people, perceive the world differently and have an insufficient amount of possible ways how to investigate the surroundings.</p><p>Creating a tactile map for people with visual impairment and blind people is conceptually different, more expensive and more difficult comparing to normal maps. This is why researches in cartography focus the question how spatial information can be effectively presented to visually impaired people using modern technologies.</p><p>One of the solutions seems to be progress in modern 3D tactile-cartography linkable to the mobile device, such as smartphones and tablets. The modern mobile technologies with the internet connection and GNSS navigation brought new possibilities how to convert spatial information into voice quickly. Navigations use vibrations to provide the actual information, and other technologies help to make the 3D presentations of the geospace more accessible.</p><p>At the Department of Geoinformatics, Faculty of Science, Palacký University Olomouc, Czechia, several tactile maps were produced under the leadership of Vit Vozenilek, both interactive and non-interactive ones.</p><p>Cartographic semiology deals with a theory of cartographic symbols and their use. This theory is based primarily on the general semiology (the science of symbols), theoretical cartography, information theory, cybernetics and engineering psychology. To the various disciplines of semiology belong semantics, which represents the relation between the map symbol to the content what it means, sigmatics, which defines the relationship of map symbols to the function expressed in terms of real content, syntactic, which describes the interactions of map symbols, grammar, that deals with the composition rule and specifies the map symbol to the system, and pragmatics, which describes the relationship of users to the map symbol system. It is necessary to design and apply specific methods of cartographic visualization that will be suitable for persons who are blind or have a serious visual impairment. Therefore, there is a significant need for adaptation to the target user needs.</p><p>Analogically to the traditional cartography, the fundamental unit of tactile cartographic semiology is a tactile map symbol. Comparing to conventional map symbol the tactile map symbols have an extra specific 3D features, including the vertical dimension, roughness and texture. The specific design of the tactile map symbol depends on the applied technology – special tactile paper printers, plastic foils, metal engravings or modern type of 3D printing technology. Characteristics of tactile map symbols are used with regard to the possibilities of these technologies as well as in relation to the needs of the target group of users.</p><p>Within the project <i>Perception of the geospace by the modern type of tactile maps</i> the sampler designed characters by 51 respondents (31 blind persons and 20 persons with hard visually impairments) was tested. There were examples of different lines, different textures and point map symbols (Fig. 3). Part of these symbols was identified by respondents as most satisfactory, some of the characters were identified as unsatisfactory. These were mainly badly recognisable structures, lines unrecognisable by touch, confusing dotting, etc.</p><p>During the implementation of the project <i>Development of independent movement through tactile-auditory aids</i>, the gained knowledge was applied to the production of modern, tactile maps linked to the mobile technology (smartphone, tablet, etc.). Because the modern tactile maps using TouchIt3D technology (Barvir, 2017; Barvir et al., 2018) require many different sizes of 3D map objects, also the map symbols have to be different.</p><p>Preliminary results of the user testing provide new information about map symbol perception by people with visual impairment, using a new type of 3D tactile maps created with TouchIt3D technology. Testing and prototyping are ongoing, and the conference contribution will bring the latest research results.</p></p>


2021 ◽  
Vol 2142 (1) ◽  
pp. 012003
Author(s):  
A V Vaganov ◽  
O S Krotova ◽  
L A Khvorova

Abstract This article discusses the problems of automation of processing and analysis of botanical micro-and macroobjects. The problem is a comprehensive interdisciplinary research aimed at recognizing and searching for botanical micro-and macroobjects using computer vision technologies. Computer vision is an area of artificial intelligence that deals with the analysis and extraction of information from images (in this case, the fern dispute). The purpose of this study is to solve a number of applied and fundamental problems in the biosystematics of botanical objects and the study of microevolutionary processes. The results of the research are stored in a specially developed database “Spore morphology of ferns of the Pteridaceae family”. The database implements a set of queries relevant to biometrics tasks. The database is based on images and biometric data on the morphology of fern spores obtained in the form of measurements of systematically important signs of spores, as well as data on the shape and surface of the studied objects. The diagnostic characters of taxa of the Pteridaceae family have been standardized for solving the research problems. In the course of the study, fundamentally new knowledge was obtained that will supplement the natural classification of the Pteridaceae family, as well as test hypotheses about the relationship of a number of taxa represented on the continents of Eurasia and Africa, for an objective reconstruction of events of past geological periods. Processing and analysis of botanical micro-and macro-objects and the development of specialized software are carried out in the Python programming language using an integrated development environment for Python - PyCharm. When developing the graphical interface of the program, we used the sets of Python libraries PyQt5 and a visual tool for designing and creating graphical user interfaces (GUI) from Qt components - Qt Designer.


GEOgraphia ◽  
2018 ◽  
Vol 19 (41) ◽  
pp. 101
Author(s):  
Djeovani Roos ◽  
Cláudio Benito Oliveira Ferraz

Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.


Author(s):  
Bin Qian ◽  
Lei Tong ◽  
Zhenmin Tang ◽  
Xiaobo Shen

Hyperspectral unmixing is one of the most important techniques in the remote sensing image analysis tasks. In recent decades, nonnegative matrix factorization (NMF) has been shown to be effective for hyperspectral unmixing due to the strong discovery of the latent structure. Most NMFs put emphasize on the spectral information, but ignore the spatial information, which is very crucial for analyzing hyperspectral data. In this paper, we propose an improved NMF method, namely NMF with region sparsity learning (RSLNMF), to simultaneously consider both spectral and spatial information. RSLNMF defines a new sparsity learning model based on a small homogeneous region that is obtained via the graph cut algorithm. Thus RSLNMF is able to explore the relationship of spatial neighbor pixels within each region. An efficient optimization scheme is developed for the proposed RSLNMF, and its convergence is theoretically guaranteed. Experiments on both synthetic and real hyperspectral data validate the superiority of the proposed method over several state-of-the-art unmixing approaches.


GEOgraphia ◽  
2018 ◽  
Vol 19 (41) ◽  
pp. 101
Author(s):  
Djeovani Roos ◽  
Cláudio Benito Oliveira Ferraz

Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.


GEOgraphia ◽  
2018 ◽  
Vol 19 (41) ◽  
pp. 101
Author(s):  
Djeovani Roos ◽  
Cláudio Benito Oliveira Ferraz

Resumo: Pensar o mapa é pensá-lo como o agenciamento de forças, de linhas/corpos que se afetam e apontam para sentidos de localização e orientação espacial. Desdobra-se que os mapas não se restringem a representação plana da superfície terrestre, logo, há outras formas de se relacionar e vivenciar as representações que o processo de mapeamento promove. A espacialidade constitui-se na multiplicidade, e a relação da cartografia deve estar inclusa nessa maleabilidade espacial, sendo o mapa o próprio acontecer do mundo. O que faz de um ser um mapa é uma das prerrogativas eloquentes que recaem sobre o processo de mapeamento. Assim, intentamos que capturar e mostrar informação espacial são modos de apreensão de um possível do que faz uma imagem cartográfica ser um mapa. Realça-se que os sentidos deste trabalho situam-se no intuito de pensar sobre as possibilidades e potencialidades referentes aos processos cartográficos e à criação de mapas. Buscando deslocar o pensamento cartográfico, friccionando as suas dimensões comunicativa e informativa à qual ela se vincula atualmente. A potência que se instaura aqui é instigar o pensamento na relação dos mapas com a produção artística; enquanto obra de arte não se fixa representativamente, mas é um instigador de processos possíveis. O mural “Polimorfia Fronteiriça”, exposto na FCH/UFGD, entra aqui como um possível na articulação com o pensamento geográfico e cartográfico, em que os mapas se vislumbram na contingencialidade criativa do pensar/viver o mundo enquanto lugar.Palavras-chave: Mapa. Cartografias geográficas. Multiplicidades. Pensamento geográfico. GEOGRAPHICAL CARTOGRAPHY: WHAT CAN A MAP... Abstract: Think the map is think of it as the freight forwarding, forces of lines/bodies affect and point to senses of place and spatial orientation. Unfolds that the maps are not restricted to flat representation of the Earth’s surface, so there are other ways to relate and experience the representations that the mapping process promotes. The spatiality is constituted in the multiplicity and the relationship of cartography should be included in the suppleness and the spatial map of the world happen himself. What makes a map is one of the prerogatives eloquent that fall on the mapping process. Thus, we capture and show spatial information are modes of apprehension of a possible of what makes an image be a cartographic map. Emphasises that the directions of this work are in order to think about the possibilities and potentialities for the Cartographic processes and creating maps. Seeking to shift cartographic thought, rubbing their communicative and informational dimensions to which she links these days. The power which introduces here is instigating the thought in relationship of maps with artistic production; While artwork is not fixed but representatively is an instigator of possible processes. The mural “Polimorfia Fronteiriça”, exposed on FCH/UFGD, comes here as a possible in conjunction with the geographic and cartographic thought, in which the maps are glimpsing at contingencialidade creative thinking/living the world while place. Keywords: Map. Geographical Cartography. Multiplicities. Geographic Thought. CARTOGRAFÍA GEOGRÁFICA: QUÉ PUEDE UN MAPA... Resumen: Creo que el mapa es pensar como el manejo de fuerzas, de líneas y órganos afecta y sentidos de lugar y orientación espacial. Revela que los mapas no se limitan a la representación plana de la superficie terrestre, como hay otras formas de relacionar y las representaciones que promueve el proceso de asignación de experiencia. La espacialidad se constituye en la multiplicidad y la relación de la cartografía se debe incluir en este espacio flexible y el mapa del mundo se suceden. Lo que hace que un mapa es una de las prerrogativas elocuentes que caen en el proceso de asignación. Así, capturar y mostrar información espacial son modos de aprehensión de un posible de lo que hace que una imagen sea un mapa cartográfico. Hace hincapié en que las instrucciones de este trabajo son para pensar acerca de las posibilidades y potencial de los procesos cartográficos y crear mapas. Buscando cambiar el pensamiento cartográfico, frotando su dimensión comunicativa e informativa a la que se vincula. La energía que se presenta aquí es promover el pensamiento en la relación de los mapas con la producción artística; mientras que el arte no es fijo pero representativo es un instigador de procesos posibles. El mural “Polimorfia Fronteiriça”, expuesto en FCH/UFGD, viene aquí como un posible junto con el pensamiento geográfico y cartográfico, en que el encuentro mapas contingencialidade creativo pensamiento estar del mundo mientras al lugar. Palabras-clave: Mapa. Cartografía Geográfica. Multiplicidad. Pensamiento Geográfico.


Behaviour ◽  
1985 ◽  
Vol 95 (1-2) ◽  
pp. 45-75 ◽  
Author(s):  
Michael Taborsky

AbstractThis paper reports an experimental analysis of conflicting interests in the cooperatively breeding Lamprologus brichardi (Cichlidae). Helpers clearly prefer to stay in the family territory rather than leave for an aggregation of same-size young or for an unoccupied area-even when their chances of reproducing independently are superior to those in the field. Helpers usually attain independence when the breeders force them to leave the territory. Breeders' toleration of helpers depends on the stage in the reproductive cycle, the size of helpers and the need for helpers. Large, previously expelled helpers are reaccepted when competition is increased. In these circumstances breeders prefer their own former helpers to strange young. Experimental and field evidence suggests that 3 factors are ultimately important for the breeder/helper relationship: reproductive parasitism by mature helpers, eventual cannibalism on breeders' eggs and competition for shelter within the territory. A graphical model shows how the initially common interests of breeders and helpers develop divergently when helpers reach the size at which they become sexually mature and less susceptible to predation. Large helpers pay to stay. The relationship of breeders and large helpers meets the criterion of reciprocal altruism.


Paleobiology ◽  
1980 ◽  
Vol 6 (02) ◽  
pp. 146-160 ◽  
Author(s):  
William A. Oliver

The Mesozoic-Cenozoic coral Order Scleractinia has been suggested to have originated or evolved (1) by direct descent from the Paleozoic Order Rugosa or (2) by the development of a skeleton in members of one of the anemone groups that probably have existed throughout Phanerozoic time. In spite of much work on the subject, advocates of the direct descent hypothesis have failed to find convincing evidence of this relationship. Critical points are:(1) Rugosan septal insertion is serial; Scleractinian insertion is cyclic; no intermediate stages have been demonstrated. Apparent intermediates are Scleractinia having bilateral cyclic insertion or teratological Rugosa.(2) There is convincing evidence that the skeletons of many Rugosa were calcitic and none are known to be or to have been aragonitic. In contrast, the skeletons of all living Scleractinia are aragonitic and there is evidence that fossil Scleractinia were aragonitic also. The mineralogic difference is almost certainly due to intrinsic biologic factors.(3) No early Triassic corals of either group are known. This fact is not compelling (by itself) but is important in connection with points 1 and 2, because, given direct descent, both changes took place during this only stage in the history of the two groups in which there are no known corals.


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