scholarly journals Turismo na Serenissima entre ficção e realidade: de Morte em Veneza, de Luchino Visconti, à pós-pandemia

2021 ◽  
Vol 12 (1) ◽  
pp. 20
Author(s):  
Claudia Maria Astorino
Keyword(s):  
Comparative Study ◽  
Visual Arts ◽  
Corpus Analysis ◽  
Secondary Sources ◽  
Video Clips ◽  
The Arts ◽  
Qualitative Descriptive ◽  
Geographic Setting ◽  
Luchino Visconti

RESUMO: Ao longo de sua história, Veneza vem atraindo um número considerável de turistas. Incrustrados em tão singular cenário geográfico, seus canais, gôndolas, pontes, campi, tesouros arquitetônicos e artísticos constituem um legado singular e, consequentemente, uma oferta turística inigualável, que tem seduzido o imaginário de turistas potencias das mais distintas procedências. O presente estudo objetivou analisar como a atividade turística em Veneza tem evoluído e de que modo vem sendo ilustrada nas artes, sobretudo, no cinema, na música e nas artes visuais. Nesse sentido, formou-se um corpus de estudo composto por filmes e videoclipes italianos e estrangeiros, além de obras de artes visuais, com a finalidade de confrontá-los com as etapas do turismo no percurso do tempo. Trata-se, portanto, de um estudo qualitativo, descritivo e comparativo. A metodologia constou de pesquisa bibliográfica em fontes secundárias, de forma a traçar a evolução do turismo em Veneza, seguida pela composição do referido corpus de estudo, análise das obras selecionadas para este corpus e, por fim, comparação entre ficção e realidade.Palavras-chave: Veneza. Turismo. Ficção x realidade. Filmes e videoclipes. Artes visuais. ABSTRACT: Nel corso della sua storia, Venezia ha atratto un numero considerevole di turisti. Incastonati in uno scenario unico, i suoi canalli, gondole, ponti, campi, tesori architettonici e artistici costituiscono un patrimonio singolare e di consegenza un’offerta turistica impareggiabile che da sempre ha popolato l’immaginario di potenziali turisti delle più svariate origini. Il presente studio si è proposto ad analizzare come si è evoluta l’attività turistica a Venezia e come à stata illustrata nel campo delle arti, in particolare nel cinema, nella musica e nelle arti visive. Si è dunque formato un corpus di studio, composto da film e da videoclip italiani e stranieri, oltre ad opere di arti visive, per confrontarli con le tappe dello svilupo del turismo nel tempo. Si tratta quindi di uno atudio qualitativo, descrittivo e comparativo. La metodologia è costituita da una ricerca bibliografica su fonti secondarie, al fine di tracciare l’evoluzione del turismo a Venezia, seguita dalla composizione di un corpus di studio, dall’analisi delle opere selezionate per questo corpus ed infine dal confronto tra finzione e realtà.Parole-chiave: Venezia. Turismo. Finzione x realtà. Film e videoclipe. Arti visive. ABSTRACT: Throughout its history, Venice has attracted a considerable number of tourists. Embedded in such a singular geographic setting, its canals, gondolas, campi, architectural and artistic treasures constitute a unique legacy and, consequently, an unparalleled tourist offer that has seduced the imagination of potential tourists from the most diverse origins. The present study aimed to analyze how the tourist activity in Venice has evolved and how it has been illustrated in the arts, especially in cinema, music and visual arts. In this sense, a corpus was formed, composed of Italian and foreign films and video clips, in addition to visual arts works, in order to confront them with the stages of tourism in the course of time. It is, therefore, a qualitative, descriptive and comparative study. The methodology consisted of bibliographic research in secondary sources, in order to trace the evolution of tourism in Venice, followed by the composition of a study corpus, analysis of the works selected for this corpus and, finally, comparison between fiction and reality.Keywords: Venice. Tourism. Fiction x reality. Films and video clips. Visual arts.

Diaghilev and British Writing

2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones
Keyword(s):  
Visual Arts ◽  
The Body ◽  
The Novel ◽  
Literary Responses ◽  
Literary Aesthetics ◽  
Ballets Russes ◽  
The Arts ◽  
The Subject ◽  
And Gender ◽  
Opening Up

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.

Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light

2014 ◽  
Author(s):  
Ida Bagus Candra Yana*
Keyword(s):  
Visual Arts ◽  
Dance Movement ◽  
Multiple Images ◽  
Strobe Light ◽  
Creative Idea ◽  
The Arts ◽  
Art Works ◽  
Art Photography ◽  
Aesthetic Values ◽  
Aesthetic Expression

Dance  photography  is  a  photo  shoot  on a  dance  movement  which  has  a  characteristic as  it  shows  on  a  particular  movement  with unique costumes. The arts of dance photography specifically describes through a specific thematic effect  with  an  aesthetic  and  creative  oncoming. Based on the photographer experience to capture the  light  together  with  his  aesthetic  expression on  movement  photography,  he  finally  presented the  visual  arts  on  Baris  Tunggal  Dance  in  art photography expressions using strobe light. Basically,  the  creative  works  focused on  the  dancer  movements  and  transformed  into photography  expression  which  blended  with aesthetic  and  creative  idea  (ideational)  also  the technical photo shoot capability (technical) of the photographer. The photo shoots technique chosen through a variety of consideration which oriented on practical implementations possibilities, resulting photographs  in  freeze,  blurred,  and  multiple-images  as  art  photography.  The  art  photograph includes  extrinsic  and  intrinsic  aesthetic  values through photo presentation. With the presence of this photography art works it was not only present Gerak Tari Baris Tunggal dalam Fotografi Ekspresi Menggunakan Teknik Strobo Light in the form of mere documentation but it was the art photography expression on creative and aesthetic level. Keywords:  movements,  Baris  Tunggal  Dance, photography expression, strobo-light * Dosen ISI Denpasar

scholarly journals The rediscovery of an Adoration of the Shepherds by Jacques Jordaens: a multidisciplinary approach combining dendroarchaeology and art history

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Johannes Edvardsson ◽  
Andrea Seim ◽  
Justin Davies ◽  
Joost Vander Auwera
Keyword(s):  
Art History ◽  
Multidisciplinary Approach ◽  
Traditional Art ◽  
Secondary Sources ◽  
The Arts ◽  
Oak Trees ◽  
Dendrochronological Analysis ◽  
Religious Paintings ◽  
Production Period ◽  
Panel Paintings

AbstractThe implementation of multidisciplinary research approaches is an essential prerequisite to obtain comprehensive insights into the life and works of the old masters and their timeline in the production of the arts. In this study, traditional art history, cultural heritage, and natural science methods were combined to shed light on an Adoration of the Shepherds painting by Jacques Jordaens (1593–1678), which until now had been considered as a copy. From dendrochronological analysis of the wooden support, it was concluded that the planks in the panel painting were made from Baltic oak trees felled after 1608. An independent dating based on the panel maker’s mark, and the guild’s quality control marks suggests a production period of the panel between 1617 and 1627. Furthermore, the size of the panel corresponds to the dimension known as salvator, which was commonly used for religious paintings during the period 1615 to 1621. Finally, the interpretation of the stylistic elements of the painting suggests that it was made by Jordaens between 1616 and 1618. To conclude, from the synthesis of: (i) dendrochronological analysis, (ii) panel makers’ punch mark and Antwerp Guild brand marks, (iii) re-examination of secondary sources, and (iv) stylistic comparisons to other Jordaens paintings, we suggest that the examined Adoration of the Shepherds should be considered as an original by Jordaens and likely painted in the period 1617–1618. The study is a striking example of the effectiveness of a multidisciplinary approach to investigate panel paintings.

Developing Craft in the Ballet Class

2021 ◽  
Vol 39 (2) ◽  
pp. 147-157
Author(s):  
Susie Crow
Keyword(s):  
Visual Arts ◽  
Alternative Model ◽  
Embodied Learning ◽  
Sports Science ◽  
The Arts ◽  
Theoretical Investigations ◽  
Attitudes And Perceptions

The ballet class is a complex pedagogical phenomenon in which an embodied tradition is transmitted in practice from one generation to the next, shaping not just the dancing but the attitudes and perceptions of dancers throughout their careers. This paper emerges from observations and experience of recent and current ballet class practice, and theoretical investigations into embodied learning in the arts. It outlines the influential role of large hegemonic institutions in shaping how ballet is currently taught and learned; and the effect of this on the class's evolving relation to ballet's repertoire of old and emerging dances as artworks. It notes the increasing importation into ballet pedagogy of thinking rooted in sports science, engendering the notion of the dancer as athlete; and of historic attitudes which downplay the agency of the dancer. I propose an alternative model for understanding the nature of learning in the ballet class, relating it to what Donald Schön calls ‘deviant traditions of education for practice’ in other performing and visual arts ( Schön 1987 p16). I look at the dancer's absorption via the class of ballet's danse d’école, its core technique of academic dance content. I suggest how this process might more constructively be understood through the lens of craft learning and the development of craftsmanship via apprenticeship, the dancer learning alongside the teacher as experienced artist practitioner who models behaviours that foster creativity.

The Ruling on Aborting the Fetus and Its Effect on Inheritance: A Comparative Study between the Four Sunni Schools, Indonesian Law and Malaysian Law

2021 ◽  
Vol 4 (4) ◽  
pp. 60-93
Author(s):  
Andri Nirwana ◽  
Faisal Husen Ismail ◽  
Dhia’ul Khaq ◽  
Yeti Dahliana ◽  
Alfiyatul Aziza ◽  
...  
Keyword(s):  
Comparative Study ◽  
Research Method ◽  
Islamic Law ◽  
Legal Regulations ◽  
Muslim Countries ◽  
Sharia Law ◽  
Depth Study ◽  
Qualitative Descriptive ◽  
Similarities And Differences

Abortion is an act of killing to life which is forbidden in Islam. Abortion gives rise to differences of view among past and contemporary scholars on its enabling and prohibition. So, this study is to examine the views of scholars and laws in Indonesia and Malaysia related to abortion and its impact on inheritance ownership. This situation affects the inheritance of property to the mother from the aborted baby. The method of this study is qualitative descriptive. The approach of this research method is descriptive of content through literature. Books, journals, newspaper clippings, and legal regulations are the premier references to this study. This study finds that there are similarities and differences between sharia law and the rules applied in Indonesia and Malaysia. In terms of similarities, Islamic law and the laws in Indonesia and Malaysia provide for the prohibition of abortion. But, in certain circumstances, the fetus can be aborted for certain reasons, such as harming the mother or for medical reasons. In addition, this study found differences in punishment for women who had an abortion for no valid reason. Therefore, this study reveals the harmonization of Islamic law with the laws conducted in Indonesia and Malaysia. So, this study recommends forming a better in-depth study of efforts to harmonize the larger Islamic law to the rules regulated in Muslim countries.

The Arts We See, a Simplified Introduction to the Visual Arts

Art Education ◽  
1985 ◽  
Vol 38 (3) ◽  
pp. 44 ◽  
Author(s):  
John Keel ◽  
Vincent Lanier
Keyword(s):  
Visual Arts ◽  
The Arts

Inclusive Growth through Sports: A Comparative Study of Jharkhand Sports Policy with Haryana and Chhattisgarh

2020 ◽  
Vol 6 (02) ◽  
pp. 41-50
Author(s):  
Vinamrta . ◽  
Utpal Kumar Chakraborty
Keyword(s):  
Comparative Study ◽  
State Government ◽  
Inclusive Growth ◽  
Recreational Activity ◽  
Sports Industry ◽  
Secondary Sources ◽  
The Poor ◽  
Sports Policy ◽  
Career Option ◽  
Good Career

In recent years Sports area has scaled up to be a lucrative industry from a leisure and recreational activity. For maintaining the boom in this industry it is very important that sports should be viewed as a good career option by the youngsters. This paper aims to describe the situation of Indian sports industry and challenges faced by sports persons in choosing sport as a career option by using the secondary sources. The sports policy of 3 states Jharkhand, Haryana and Chhattisgarh has been analyzed to compare the various initiatives taken by the state government for sports development because sport is listed as a state subject in Indian constitution. It is very clear from the features of the policy that what makes Haryana to be the sports capital of the country while the poor planning, late updation and improper implementation of sports policy can be a growth obstacle for state players of Jharkhand.

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