Transformation Masks: Recollecting the Indigenous Origins of Global Consciousness

2018 ◽  
Author(s):  
Isaiah Lorado Wilner
Keyword(s):  
Material Culture ◽  
Indigenous People ◽  
Northwest Coast ◽  
Global Consciousness ◽  
The World

This chapter argues that indigenous people were not merely recipients of history, playing bit roles to accommodate others' inventions or stage a forlorn act of resistance. They were inventors of modernity, innovators on a global stage who transformed the lives of people beyond their communities. The chapter draws on two areas of study that are usually treated separately: material culture and mythology. On the Northwest Coast, masks and “myths” are parts of a whole. Masks and stories unite to create a narrative, a packet of messages embedded in expression that convey a worldview, which individuals transmit to the world. Through an effort to recover the narratives embodied in masks yet masked by the Western archive, scholars may draw upon this stream of agency, reuniting objects and stories to read the messages indigenous performers and intellectuals have communicated.

A Māori Girl Watches, Listens, and Learns – Coming of Age from an Indigenous Viewpoint: Mauri (Merata Mita, 1988)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Indigenous People ◽  
Coming Of Age ◽  
Natural World ◽  
Feature Film ◽  
Indigenous Woman ◽  
Spiritual Dimension ◽  
The World ◽  
Life Force ◽  
Relationship Of ◽  
The Relationship

This chapter examines Merata Mita’s Mauri, the first fiction feature film in the world to be solely written and directed by an indigenous woman, as an example of “Fourth Cinema” – that is, a form of filmmaking that aims to create, produce, and transmit the stories of indigenous people, and in their own image – showing how Mita presents the coming-of-age story of a Māori girl who grows into an understanding of the spiritual dimension of the relationship of her people to the natural world, and to the ancestors who have preceded them. The discussion demonstrates how the film adopts storytelling procedures that reflect a distinctively Māori view of time and are designed to signify the presence of the mauri (or life force) in the Māori world.

“These Shall Come from Far”

2017 ◽  
Author(s):  
Kristina Bross
Keyword(s):  
Material Culture ◽  
New England ◽  
Colonial Period ◽  
Global Network ◽  
The World ◽  
Basket Maker

Chapter 3 analyzes English claims to a central role in a global network of indigenous and English people connected by faith around the world, claims made manifest in Of the Conversion of Five Thousand Nine Hundred Indians on the Island of Formosa, a 1650 publication by Baptist minister Henry Jessey, printed by radical bookseller Hannah Allen. It reports on Dutch missions in Taiwan, comparing them with evangelism efforts in New England. The coda considers the experiences of an Algonquian woman who is unnamed in Jessey’s tract but is identified as a basket maker, speculating on the meaning she may have encoded in her basket designs. Though we cannot “read” them directly, the fact that she made them, coupled with the provocative arguments offered by recent scholars about Native material culture in the colonial period, enables us to reconsider the print archive in which she appears.

Introduction

2017 ◽  
Author(s):  
David Fearn
Keyword(s):  
Comparative Literature ◽  
Critical Theory ◽  
Material Culture ◽  
Fifth Century ◽  
Valuable Resource ◽  
The World

The introduction sets the following discussions in their scholarly context, with particular attention to other contemporary approaches to lyric both within Classics and in comparative literature and critical theory, as well as to art-historical approaches. Literary approaches to lyric deixis are brought together with art-historical and other literary approaches to visuality, subjectivity, and ecphrasis. Pindar’s immersion in a world of material culture and attention to the world as perceived visually fosters a special poetic creativity. The upshot is a poetics of referentiality, according to which Pindar’s consumers are invited to consider the distance between their own situatedness and the worlds being creatively referred to, through the complex mediation of poetic voices. The sensibilities, attitudes, and experiences being constructed also contribute to a new understanding of the importance of lyric as a culturally valuable resource in fifth-century Greece.

The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche

2020 ◽  
Vol 32 (1) ◽  
pp. 90-114
Author(s):  
Nicole Vilkner
Keyword(s):  
Material Culture ◽  
Business Model ◽  
Public Transportation ◽  
Reception History ◽  
Transportation Systems ◽  
Mass Transportation ◽  
Musical Work ◽  
The World ◽  
History Of

AbstractIn the summer of 1828, the Entreprise générale des Dames Blanches launched a fleet of white omnibuses onto the streets of Paris. These public transportation vehicles were named and fashioned after Boieldieu's opéra comique La dame blanche (1825): their rear doors were decorated with scenes of Scotland, their flanks painted with gesturing opera characters, and their mechanical horns trumpeted fanfares through the streets. The omnibuses offered one of the first mass transportation systems in the world and were an innovation that transformed urban circulation. During their thirty years of circulation, the omnibuses also had a profound effect on the reception history of Boieldieu's opera. When the omnibuses improved the quality of working- and middle-class life, bourgeois Parisians applauded the vehicles’ egalitarian business model, and Boieldieu's opera became unexpectedly entwined in the populist rhetoric surrounding the omnibus. Viewing opera through the lens of the Dames Blanches, Parisians conflated the sounds of opera and street, as demonstrated by Charles Valentin Alkan's piano piece Les omnibus, Op. 2 (1829), which combines operatic idioms and horn calls. Through these examples and others, this study examines the complex ways that material culture affects the dissemination and reception of a musical work.

Рукопись Д. С. Бембеева-Сальмина «Ойратские триады»

2020 ◽  
Vol 15 (3) ◽  
pp. 107-121
Author(s):  
Larisa Badmaevna Mandzhikova ◽  
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Full Text ◽  
Scientific Center ◽  
Biographical Information ◽  
The World ◽  
Kinship Relations ◽  
Academy Of Sciences ◽  
First Time ◽  
Political Figure

Introduction.Dorje Soktunovich Bembeyev-Salmin is one of the famous representatives of the old Kalmyk intelligentsia, a linguist, orientalist, public and political figure. His scientific works and biographical information are preserved in the private archive of D. S. Bembeev-Salmin in the Scientific Archive of the Kalmyk Scientific Center of the Russian Academy of Sciences (F. 10). This archive contains 12 items of storage for 1959. Among them are translations of works by Russian writers to the Kalmyk language, manuscripts of the text «The Orthography of the Oirat-Mongolian writing», Kalmyk folk proverbs and sayings, triads, pentastichesrecorded by D. S. Bembeev-Salmin. Of particular interest are the triads ― «orchlngingurvnts»(‘that there are three in the world’), recorded by him in 1931, they are one of the varieties of Kalmyk riddles. The themes of the riddles of the triads are diverse: everyday life, house hold activities, material culture, nature, family and kinship relations, ethics. D. S. Bembeyev-Salmin translated some of the three verses himself. This determines the value of the materials collected by him and their introduction into scientific circulation. The full text of the manuscript materials is published for the first time in this article.

The Prehistory of Hawai‘i

2014 ◽  
Author(s):  
Patrick V. Kirch
Keyword(s):  
Material Culture ◽  
Environmental Gradients ◽  
Hawaiian Islands ◽  
Stone Tools ◽  
Cultural Variation ◽  
Sociopolitical Complexity ◽  
Monumental Architecture ◽  
Specialized Production ◽  
The World ◽  
Divine Kingship

The Hawaiian Islands are the most isolated inhabited archipelago in the world. Initially colonized around A.D. 1000, the environmental gradients of rainfall and island-age have influenced subsequent cultural variation and differentiation in the islands. Settlements are typically dispersed hamlets and integrated within agricultural facilities such as irrigated pondfields and dryland field systems. Populations were politically organized in idealized pie-shaped units or ahupua`a that typically encompass a cross-section of island resources. Material culture , including fishhooks, stone tools, and religious temples, is broadly similar within these units, but there is also much evidence for elite control of specialized production in some areas. The Hawaiian Islands are the archetypal chiefdom society, although based on changes in demography, monumental architecture (heiau) and royal centers, intensive agriculture, and divine kingship, the population had likely crossed the threshold of sociopolitical complexity to that of an archaic state prior to the arrival of Europeans in 1778.

The World Heritage Convention in the Arctic and Indigenous People: Time to Reform?

2014 ◽  
Vol 6 (1) ◽  
pp. 226-249 ◽  
Author(s):  
Simon Marsden
Keyword(s):  
Environmental Protection ◽  
Indigenous People ◽  
World Heritage ◽  
The Arctic ◽  
World Heritage Convention ◽  
World Heritage List ◽  
The World ◽  
United Nations Declaration ◽  
High Level

This article analyses the role of the World Heritage Convention in the Arctic, particularly the role of Indigenous people in environmental protection and governance of natural, mixed and transboundary properties. It outlines the Convention in an Arctic context, profiles Arctic properties on the World Heritage List and Tentative List, and considers Arctic properties that may appear on the List of World Heritage in Danger. It gives detailed consideration to examples of Arctic natural, mixed, and potentially transboundary, properties of greatest significance to Indigenous people with reference to their environmental protection and management. In doing so, it reviews and analyses recent high-level critiques of the application of the Convention in the Arctic. Conclusions follow, the most significant of which is that the Convention and its Operational Guidelines must be reformed to be consistent with the United Nations Declaration on the Rights of Indigenous People.

scholarly journals Merging the Human and the Nonhuman: The Object Narrator in The Adventures of a Black Coat

2021 ◽  
Vol 7 (1) ◽  
pp. 148-159
Author(s):  
Ivana Dragoș ◽  
Keyword(s):  
Eighteenth Century ◽  
Material Culture ◽  
Social Relations ◽  
Karl Marx ◽  
Commodity Fetishism ◽  
The World ◽  
Pedagogical Function

Rooted in the tradition of eighteenth-century circulation novels recounted by an object narrator, The Adventures of a Black Coat (1760) epitomizes the features of this experimental novelistic subgenre by foregrounding a coat which, acting as a homodiegetic narrator, lambastes the world of commodities prompted by the rise of early capitalism. As an object endowed with moral conscience, the coat epistemologically proves to be a reliable narrator that is able to render authentic experience and feelings by getting empirically involved in the world it describes. Worn by a few owners, the coat becomes a sharp observer of society and, most importantly, it foreshadows what Karl Marx has termed “commodity fetishism.” According to Marx, commodities and humans become part of a process that is economically endorsed by exchange. Read in this light, I argue that the text reveals the Marxist process of reification whereby social relations between humans turn into social relations between things. Despite being an object narrator, the coat fulfils a typically eighteenth-century pedagogical function, in that it warns the reader against the degrading morals of a society addicted to material culture.

scholarly journals What can Girlhood Studies be?

2021 ◽  
Vol 14 (2) ◽  
pp. v-vi
Author(s):  
Claudia Mitchell
Keyword(s):  
Indigenous People ◽  
Meta Analysis ◽  
Special Issue ◽  
Critical Dialogue ◽  
The World ◽  
History Of ◽  
Girlhood Studies ◽  
Girls Studies ◽  
Interdisciplinary Journal

This Special Issue of Girlhood Studies: An Interdisciplinary Journal represents another milestone in the history of the journal, coming, as it does, out of the second international conference of the International Girls’ Studies Association (IGSA) that was hosted by Notre Dame University, South Bend, Indiana, in 2019. As the guest editors, Angeletta Gourdine, Mary Celeste Kearney, and Shauna Pomerantz highlight in their introduction, the conference itself and the Special Issue set in motion the type of dialogue and conversation that is crucial to challenging and changing the world of inequities and disparities experienced by girls. For a relatively new area of study that has roots in feminism and social change, critical dialogue about inclusion and exclusion and about ongoing reflexivity and questioning must surely be at the heart of girls studies. The guest editors capture this admirably when they replace the question “What is girlhood studies?” with the provocative and generative question, “What can girlhood studies be?” The articles and book reviews in this Special Issue tackle what girls studies could be in so many different ways, ranging from broadening and deepening notions of intersectionality and interdisciplinarity to ensuring a place for the article, “Where are all the Girls and Indigenous People at IGSA@ND?” co-authored by the girls who belong to the Young Indigenous Women’s Utopia group. Such an account offers a meta-analysis of the field of girlhood studies, but so did the call for the Special Issue as a whole. It is commendable that this team of co-editors assembled and curated a series of articles that reveal the very essence of the problematic that girlhood studies seeks to address.

scholarly journals Examining the Role of Facebook in the Dissemination of Hate Messages over the Agitation for Biafra in Ikeja, Lagos

2019 ◽  
Vol 5 (09) ◽  
Author(s):  
Ogbu S. U. ◽  
Olupohunda Bayo Festus
Keyword(s):  
Social Media ◽  
Content Analysis ◽  
Indigenous People ◽  
Quantitative Data ◽  
Regulatory Mechanisms ◽  
The World ◽  
Social Media Platforms ◽  
Quantitative And Qualitative Methods ◽  
Method Approach

In Nigeria, during the agitation for Biafra by the Nnamdi Kanu-led Indigenous People of Biafra between 2013 and 2017, the role of Facebook in the dissemination of hate messages by the protagonists and those in opposition to the agitation raised concern about the role of social media as a tool for the spread of hate messages. It is against this background that this research was designed to evaluate the role of Facebook in the spread of hate messages over the agitation for the separate state of Biafra. The study adopted the exploratory design and the mix method approach; both quantitative and qualitative methods were employed. For the quantitative data, 400 questionnaires were administered on purposively sampled respondents. The surveys were analyzed using simple percentages and frequency distribution. Also, content analysis of some purposively selected Facebook messages was carried out. In the end, the research found that hate messages were propagated through Facebook using six major channels during the agitation for Biafra between 2013 and 2017. They include; Facebook Personal Profiles, Status Updates and Wall Postings, Facebook Group Chats, Facebook Video Uploads, Individual Comments and Likes, Video Shares and Reposts, and sharing of articles and links to other social media platforms. In line with its findings, the research recommended that Facebook should review its community standards and policies on postings of hate messages through its medium and also strengthen its regulatory mechanisms to ensure that it does not provide a platform anymore for propagators of hate messages in Nigeria and around the world.

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