“These Shall Come from Far”

2017 ◽  
Author(s):  
Kristina Bross
Keyword(s):  
Material Culture ◽  
New England ◽  
Colonial Period ◽  
Global Network ◽  
The World ◽  
Basket Maker

Chapter 3 analyzes English claims to a central role in a global network of indigenous and English people connected by faith around the world, claims made manifest in Of the Conversion of Five Thousand Nine Hundred Indians on the Island of Formosa, a 1650 publication by Baptist minister Henry Jessey, printed by radical bookseller Hannah Allen. It reports on Dutch missions in Taiwan, comparing them with evangelism efforts in New England. The coda considers the experiences of an Algonquian woman who is unnamed in Jessey’s tract but is identified as a basket maker, speculating on the meaning she may have encoded in her basket designs. Though we cannot “read” them directly, the fact that she made them, coupled with the provocative arguments offered by recent scholars about Native material culture in the colonial period, enables us to reconsider the print archive in which she appears.

The Story of Storyboards from East Sepik, Papua New Guinea

2019 ◽  
Vol 40 (1) ◽  
pp. 59-74
Author(s):  
Martin Soukup ◽  
Dušan Lužný
Keyword(s):  
Material Culture ◽  
Daily Life ◽  
Field Research ◽  
New Guinea ◽  
Colonial Period ◽  
Cultural Continuity ◽  
Cultural Changes ◽  
Post Colonial ◽  
Global Tourism ◽  
The Village

This study analyzes and interprets East Sepik storyboards, which the authors regard as a form of cultural continuity and instrument of cultural memory in the post-colonial period. The study draws on field research conducted by the authors in the village of Kambot in East Sepik. The authors divide the storyboards into two groups based on content. The first includes storyboards describing daily life in the community, while the other links the daily life to pre-Christian religious beliefs and views. The aim of the study is to analyze one of the forms of contemporary material culture in East Sepik in the context of cultural changes triggered by Christianization, colonial administration in the former Territory of New Guinea and global tourism.

Anthropologic Relationships among Prehistoric Northeastern Amerindians

1980 ◽  
Vol 1 (2) ◽  
pp. 145-159
Author(s):  
Edward F. Harris ◽  
Nicholas F. Bellantoni
Keyword(s):  
New York ◽  
Gene Flow ◽  
Material Culture ◽  
New England ◽  
Cultural Barriers ◽  
Group Differences ◽  
Phenetic Analysis ◽  
Trade Relationships ◽  
Good Agreement

Archaeologically defined inter-group differences in the Northeast subarea ate assessed with a phenetic analysis of published craniometric information. Spatial distinctions in the material culture are in good agreement with those defined by the cranial metrics. The fundamental dichotomy, between the Ontario Iroquois and the eastern grouping of New York and New England, suggests a long-term dissociation between these two groups relative to their ecologic adaptations, trade relationships, trait-list associations, and natural and cultural barriers to gene flow.

Introduction

2017 ◽  
Author(s):  
David Fearn
Keyword(s):  
Comparative Literature ◽  
Critical Theory ◽  
Material Culture ◽  
Fifth Century ◽  
Valuable Resource ◽  
The World

The introduction sets the following discussions in their scholarly context, with particular attention to other contemporary approaches to lyric both within Classics and in comparative literature and critical theory, as well as to art-historical approaches. Literary approaches to lyric deixis are brought together with art-historical and other literary approaches to visuality, subjectivity, and ecphrasis. Pindar’s immersion in a world of material culture and attention to the world as perceived visually fosters a special poetic creativity. The upshot is a poetics of referentiality, according to which Pindar’s consumers are invited to consider the distance between their own situatedness and the worlds being creatively referred to, through the complex mediation of poetic voices. The sensibilities, attitudes, and experiences being constructed also contribute to a new understanding of the importance of lyric as a culturally valuable resource in fifth-century Greece.

scholarly journals Islands and the world from an anthropological perspective

2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Guoqing Ma
Keyword(s):  
External World ◽  
Global Network ◽  
Practical Significance ◽  
Anthropological Perspective ◽  
Historical Process ◽  
Cultural Elements ◽  
The World ◽  
Marine Culture ◽  
External Transformation

Abstract Island studies play an important role in the development of anthropology. It is of academic value and practical significance to understand the island world as the field where multiple modernization forces and globalization interwine. This paper explores the intricate and diverse connections between continental and marine culture from a perspective of “viewing the world through the island”. In terms of overall diversity and exoteric mobility, this paper reviews the various aspects of island studies, examines the internal and external transformation of islands within land-sea interaction, and analyzes the dynamic historical process of the island world’s involvement in the global network, which blends and integrates various cultural elements of the external world. In the context of globalization, the island world is undergoing dramatic changes and in coping with them generating its new features.

The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche

2020 ◽  
Vol 32 (1) ◽  
pp. 90-114
Author(s):  
Nicole Vilkner
Keyword(s):  
Material Culture ◽  
Business Model ◽  
Public Transportation ◽  
Reception History ◽  
Transportation Systems ◽  
Mass Transportation ◽  
Musical Work ◽  
The World ◽  
History Of

AbstractIn the summer of 1828, the Entreprise générale des Dames Blanches launched a fleet of white omnibuses onto the streets of Paris. These public transportation vehicles were named and fashioned after Boieldieu's opéra comique La dame blanche (1825): their rear doors were decorated with scenes of Scotland, their flanks painted with gesturing opera characters, and their mechanical horns trumpeted fanfares through the streets. The omnibuses offered one of the first mass transportation systems in the world and were an innovation that transformed urban circulation. During their thirty years of circulation, the omnibuses also had a profound effect on the reception history of Boieldieu's opera. When the omnibuses improved the quality of working- and middle-class life, bourgeois Parisians applauded the vehicles’ egalitarian business model, and Boieldieu's opera became unexpectedly entwined in the populist rhetoric surrounding the omnibus. Viewing opera through the lens of the Dames Blanches, Parisians conflated the sounds of opera and street, as demonstrated by Charles Valentin Alkan's piano piece Les omnibus, Op. 2 (1829), which combines operatic idioms and horn calls. Through these examples and others, this study examines the complex ways that material culture affects the dissemination and reception of a musical work.

The Contested Will of “Goodman Penn”: Anglo–New England Politics, Culture, and Legalities, 1688–1716

2009 ◽  
Vol 27 (3) ◽  
pp. 549-584
Author(s):  
John M. Lund
Keyword(s):  
New England ◽  
Suffolk County ◽  
The Other ◽  
William Penn ◽  
The World ◽  
The Will ◽  
Made In

In February 1704, a Boston laborer named Thomas Lea found himself surrounded by townspeople as he lay on his deathbed. These spectators had gathered hoping to hear a much anticipated confession of the crimes they believed Lea had committed fifteen years earlier during the Dominion of New England. In Suffolk County, many townspeople had long maintained that Lea and others had used the confusion and chaos generated by the unsettling political and legal transformations introduced to New England during the 1680s to surreptitiously gain legal title to the estate of a prosperous Braintree, Massachusetts, landowner named William Penn. Standing by Lea's bedside, one witness, who believed Lea had perjured himself at the 1689 probate administration of Penn's estate, demanded: “Thomas can you as you are going out of the World answer at the Tribunal of God to the Will of Mr Penns, which you have sworn to[?]” “Was Mr Penn living or Dead when this Will was Made?” In the presence of assembled witnesses, Lea acknowledged, “he was dead.” Other townspeople pressed Lea to reveal the role he played in what many believed had been a murder for inheritance scheme. They reminded Lea that Penn's corpse had been found covered “in blood, in his own dung” with “a hole in his back, that you might turn your two fingers into it” and, even more disturbing, “one of his [Penn's] stones in his codd [scrotum] was broken all to pieces.” Averting the onlookers' gaze, Lea “turned his head aside the other way, saying what I did I was hired to do.” For these witnesses, the death-bed confession confirmed the rumors of Lea's crimes and strengthened their belief that a wave of corruption introduced in the 1680s had sabotaged New England's distinctive Puritan jurisprudence. Indeed, townspeople had labored for years to overturn the 1689 probate of Penn's estate in an effort forestall the crown's efforts to bring New England into political and legal conformity with the dictates of the growing English empire.

The “Railroad Scheme” of Massachusetts

1945 ◽  
Vol 5 (2) ◽  
pp. 145-171 ◽  
Author(s):  
Edward C. Kirkland
Keyword(s):  
New England ◽  
The State ◽  
Economic Factors ◽  
Developing Nation ◽  
Old Order ◽  
The World ◽  
Daniel Webster ◽  
New Religion

By the 1820's, New England was in ferment. Unitarianism had shattered the old religious orthodoxy and, while the Dedham case provided a material dowry for the new religion, the sermons of William Ellery Channing furnished a theology and creed. In politics the dogmas of regional Federalism were weakened and soon Daniel Webster was to celebrate the virtues of an embracing nationalism which Pickering and his fellow conspirators of an earlier period would have found incomprehensible. Along the Merrimack were arising the cotton-mill towns, symbols of a new industrialism. An old order was giving way to a new. Once begun, change accelerated and touched one by one the institutions and ideas of the region. Of the economic factors that gave momentum to this transformation, the railroad was the most important. For it was the railroad that after 1830 tied New England into the nation. No longer was it to be a fringe of Hanseatic ports communicating with the rest of the world and with America by sea; it was to become a section in a developing nation. When Emerson wrote of Massachusetts, “From 1790 to 1820, there was not a book, a speech, a conversation, or a thought in the State,” he should have added that there was not a railroad. For the railroad, even though it may not have opened wider prospects, at least revealed different ones.

Introduction

Popular Music ◽  
2007 ◽  
Vol 26 (1) ◽  
pp. 1-4
Author(s):  
David Horn
Keyword(s):  
African American ◽  
Popular Music ◽  
International Association ◽  
Outstanding Contribution ◽  
Global Network ◽  
Founding Member ◽  
Vernacular Music ◽  
The World ◽  
Set Up

This issue of Popular Music is produced in honour of Paul Oliver, in recognition of his outstanding contribution to popular music scholarship.Paul was a member of the original Editorial Board for Popular Music when it was set up in 1980 and continued to serve as a member of that body, and subsequently of the Editorial Group, until 1990. He was also a founding member of the International Association for the Study of Popular Music and has maintained a keen interest in the organisation, continuing to attend, and speak at, its international conferences. His vision of both the potential and the needs of the Association as a global network lay behind his proposal in 1985 that a project be undertaken to compile a worldwide encyclopedia of popular music, an idea which subsequently bore fruit in EPMOW (The Encyclopedia of Popular Music of the World). All these achievements are worth celebrating in themselves, but it is Paul's outstanding contribution to scholarship in the area of vernacular – particularly African-American vernacular – music that we wish to honour with this issue.

DUTY OF CHILDREN TO PARENTS

PEDIATRICS ◽  
1967 ◽  
Vol 40 (4) ◽  
pp. 609-609
Author(s):  
T. E. C.
Keyword(s):  
New England ◽  
Reading Skills ◽  
Best Friend ◽  
The World

A little more than a century ago New England children between 10 and 13 years of age read and memorized passages in their readers which were frequently pious admonitions from the sermons and writings of the leading contemporary ministers, none of whom was more respected than William Ellery Channing (1780-1842). Yet children today, if their reading skills are up to it, will usually roll on the floor with disbelief and laughter when they read statements such as these taken from Channing's essay on the Duty of Children to Parents. What greater monster can there be than an unthankful child, whose heart is never warmed by the daily expressions of parental solicitude; who, instead of requiting his best friend by his affectionate conduct, is sullen and passionate, and thinks his parents will do nothing for him, because they will not do all he desires? Consider how much better they (parents) can decide for you than you can for themselves. You know but little of the world in which you live. You hastily catch at every thing which promises you pleasure; and unless the authority of a parent should restrain you, you would rush into ruin, without a thought or fear. In pursuing your own inclinations your health would be destroyed, your minds would run to waste, you would grow up slothful, selfish, a trouble to others, and burdensome to yourselves.

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