The Literariness of Graphic Satire

2018 ◽  
pp. 3-39
Author(s):  
David Francis Taylor
Keyword(s):  
Nineteenth Century ◽  
The Political ◽  
Dense Networks ◽  
Formal Equivalence ◽  
Narrative Structures ◽  
Graphic Satire ◽  
Cultural Texts ◽  
Single Sheet

This introductory chapter discusses the literariness of graphic satire. First applied to visual satire in the mid-nineteenth century, the term graphic satire problematically implies a straightforward formal equivalence between the modern editorial cartoon and the political caricature of the Georgian period, which was published and disseminated as a single-sheet etching. However, the fallacy that such images yield their meaning directly and near instantaneously is an old one. To speak of the literariness of caricature is to recognize and attend to its syntactical and narrative structures: structures that are themselves constituted through the enmeshing of images and words; the appropriation and parody of literary scenes and tropes; and often-dense networks of allusions to other cultural texts, practices, and traditions. It is also necessary to acknowledge that a print's meaning and sociopolitical orientation comes into focus only when seen in relation to the cultural constellation of which it was a vital and highly self-conscious constituent.

Introduction

2020 ◽  
pp. 1-18
Author(s):  
Adalyat Issiyeva
Keyword(s):  
Nineteenth Century ◽  
Art Song ◽  
Historical Context ◽  
The Political ◽  
Complex Relationship ◽  
Musical Representations ◽  
Unique Approach

This introductory chapter discusses the theme of this book, which is about musical representations of Russia’s Orient in nineteenth-century art song. It situates the topic within the historical context of the Russian people’s extraordinarily complex relationship and ambiguous attitude of toward their oriental neighbors. Throughout the nineteenth century there were significant fluctuations in the representations of Orientals, most of which were dictated by changes in the political atmosphere in the empire growing to the East. This chapter also touches on the scholarly debate surrounding Russia’s unique (or non-unique) approach to its colonized peoples and clarifies my usage of terms, such as Orientalism, the Orient or oriental, orientology, Asia, the East, and inorodtsy.

scholarly journals Epitafia dla romantyzmu polskiego na przełomie lat 80. i 90. XX wieku

2020 ◽  
pp. 186-210
Author(s):  
Kinga Siatkowska-Callebat
Keyword(s):  
Nineteenth Century ◽  
Detailed Analysis ◽  
The Political ◽  
Long Duration ◽  
Cultural Texts ◽  
Polish Culture

The article is about three texts of Polish culture (a 1989 film by Tadeusz Konwicki, A Tale of Adam Mickiewicz’s ‘Forefathers’ Eve, based on Mickiewicz’s poem Dziady, and two novels: Rien ne va plus by Andrzej Bart, 1991 and List of the adulteresses. Travel prose by Jerzy Pilch, 1993) which seem to bid farewell to the long duration of Polish romanticism. The three works concur with Maria Janion’s thesis who heralded, in a democratic and independent Poland after the political changes of 1989, the twilight of the romantic paradigm as it had existed since the first half of the nineteenth century. A more detailed analysis of these cultural texts allows us to grasp the complexity and the ambiguity of the relationships that Konwicki, Bart and Pilch have with the romantic legacy.

Introduction

2017 ◽  
Author(s):  
Banu Turnaoğlu
Keyword(s):  
Nineteenth Century ◽  
External Pressure ◽  
The Political ◽  
Political Thinking ◽  
Intellectual Heritage ◽  
Young Turks ◽  
The Rich ◽  
The Republic ◽  
Second Constitutional Period

This introductory chapter discusses the rich intellectual heritage of Turkish republican thinking and the resources through which the change from the monarchy to the Republic came about. The works of Feroz Ahmad, Bernard Lewis, Serif Mardin, Stanford Shaw, and Tarik Zafer Tunaya have acknowledged the debt of the eighteenth- and nineteenth-century reforms, the political thinking of the Young Ottomans and Young Turks, and intellectual developments in the Second Constitutional period (1908–18). These works, nevertheless, remain limited by their singular focus on Westernization as a response to external pressure, and fail to appreciate the full intellectual richness and originality of Ottoman thinkers. The chapter argues that modern-day Turkish republicanism represents the outcome of centuries of intellectual disputes between Islamic, liberal, and radical conceptions of republicanism.

Capital californiano, necesidad presupuestal y cambio político: Juan Temple y el arrendamiento de la Casa de Moneda de México, 1827–1857

2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Mexico City ◽  
Economic Conditions ◽  
The Political ◽  
Las Casas ◽  
Siglo Xix ◽  
The Government

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.

Introduction

2018 ◽  
Author(s):  
Douglas I. Thompson
Keyword(s):  
Early Modern ◽  
First Century ◽  
The Political ◽  
Michel De Montaigne ◽  
Political Actors ◽  
Northern European ◽  
Political Conception ◽  
Legal Principle ◽  
Ethical Disposition

In academic debates and popular political discourse, tolerance almost invariably refers either to an individual moral or ethical disposition or to a constitutional legal principle. However, for the political actors and ordinary residents of early modern Northern European countries torn apart by religious civil war, tolerance was a political capacity, an ability to talk to one’s religious and political opponents in order to negotiate civil peace and other crucial public goods. This book tells the story of perhaps the greatest historical theorist-practitioner of this political conception of tolerance: Michel de Montaigne. This introductory chapter argues that a Montaignian insistence that political opponents enter into productive dialogue with each other is worth reviving and promoting in the increasingly polarized democratic polities of the twenty-first century.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

Introduction

2018 ◽  
Author(s):  
Chris Jones
Keyword(s):  
Nineteenth Century ◽  
Old English ◽  
English Studies ◽  
Anglo Saxon ◽  
Political Events ◽  
Two Phases ◽  
Scholarly Contribution ◽  
Anglophone World ◽  
The Relationship

This introductory chapter contextualizes the philological study of language during the nineteenth century as a branch of the evolutionary sciences. It sketches in outline the two phases of poetic Anglo-Saxonism for which the rest of the book will subsequently argue in more detail. Moreover, the relationship between Anglo-Saxonism and nineteenth-century medievalism more generally is articulated, and historical analogies are drawn between nineteenth-century Anglo-Saxonism and more recent political events in the Anglophone world. Finally, the scholarly contribution of Fossil Poetry itself is contextualized within English Studies; it is argued that ‘reception’ is one of the primary objects of Anglo-Saxon or Old English studies, and not merely a secondary object of that field’s study.

Looking Backward 2000-1887

2009 ◽  
Author(s):  
Edward Bellamy
Keyword(s):  
Nineteenth Century ◽  
Democratic Society ◽  
The Political ◽  
Industrial Capitalism ◽  
Ideal Society ◽  
The Past ◽  
Utopian Fiction ◽  
Socialist Utopia ◽  
Year 2000 ◽  
The Ideal

‘No person can be blamed for refusing to read another word of what promises to be a mere imposition upon his credulity.’ Julian West, a feckless aristocrat living in fin-de-siècle Boston, plunges into a deep hypnotic sleep in 1887 and wakes up in the year 2000. America has been turned into a rigorously centralized democratic society in which everything is controlled by a humane and efficient state. In little more than a hundred years the horrors of nineteenth-century capitalism have been all but forgotten. The squalid slums of Boston have been replaced by broad streets, and technological inventions have transformed people’s everyday lives. Exiled from the past, West excitedly settles into the ideal society of the future, while still fearing that he has dreamt up his experiences as a time traveller. Edward Bellamy’s Looking Backward (1888) is a thunderous indictment of industrial capitalism and a resplendent vision of life in a socialist utopia. Matthew Beaumont’s lively edition explores the political and psychological peculiarities of this celebrated utopian fiction.

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