Introduction
This introductory chapter discusses the theme of this book, which is about musical representations of Russia’s Orient in nineteenth-century art song. It situates the topic within the historical context of the Russian people’s extraordinarily complex relationship and ambiguous attitude of toward their oriental neighbors. Throughout the nineteenth century there were significant fluctuations in the representations of Orientals, most of which were dictated by changes in the political atmosphere in the empire growing to the East. This chapter also touches on the scholarly debate surrounding Russia’s unique (or non-unique) approach to its colonized peoples and clarifies my usage of terms, such as Orientalism, the Orient or oriental, orientology, Asia, the East, and inorodtsy.