A Grand Selection of Sacred Music: Benjamin Carr and Early Nineteenth Century Catholic Music in Philadelphia

2012 ◽  
Vol 30 (4) ◽  
pp. 21-37
Author(s):  
Robert R. Grimes
2021 ◽  
pp. 23-43
Author(s):  
Agnes Arnold-Forster

This chapter explores the senses and emotions that attended living with and dying from cancer in the early nineteenth century. The archives of The Middlesex Hospital consist of registers of cancer patients from 1792 through to the twentieth century, and a potted selection of casebooks. This chapter, therefore, tells the stories of sixty patients from 1805 to 1836. From these case notes, flesh and blood can be added to the lived experience of cancer and go some way towards recovering the patient voice. We can follow in their footsteps from home to hospital, and in multiple literal and metaphorical ways appreciate the distances they travelled in their ‘cancer journeys’.


Polar Record ◽  
2005 ◽  
Vol 41 (4) ◽  
pp. 335-353
Author(s):  
Huw W.G. Lewis-Jones

Recent biographers of Horatio Nelson (1758–1805) have begun the job of attempting to differentiate the man from the ‘myth.’ A necessary stage in the assessment of any historical figure is the identification of the legendary aspects that make up that figure's reputation. The tale of the young Nelson engaging a huge polar bear on an ice floe off Spitsbergen in 1773 has been met with varying degrees of delight and dismissal through the years, and is one of the events an examination of which could improve an understanding of Nelson and his reputation. This paper draws upon a study of primary and secondary materials: original manuscripts and correspondence, early nineteenth-century popular biographies, souvenirs and pamphlets, periodical reviews, and a wide selection of adult and juvenile literature. This paper examines the developments of Nelsonian biography and hagiography. In a broader sense, an extended examination of the literary and visual manifestations of Nelson's encounter with the bear becomes a useful historiographical exercise into the genesis of a myth.


Slavic Review ◽  
1988 ◽  
Vol 47 (4) ◽  
pp. 652-666 ◽  
Author(s):  
Rodney D. Bohac

Early nineteenth century military drafts severely tested the cohesiveness of Russia’s peasant communities. Because a conscript served for twenty-five years, he rarely returned to his community. His household lost a family member, a worker, and often part of its land allotment. The threat of such losses heightened the potential for abuse of community rules determining the selection of conscripts. A serf owner observed this problem when visiting his new estate in 1837: “The draft duties were determined by some sort of calculation, that, in spite of all my desire and mental exercises, I could not master. I only knew that it worked to the profit of the village head and to the loss of the peasants”.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2017 ◽  
Vol 10 (2) ◽  
pp. 197-216
Author(s):  
Sarah Irving-Stonebraker

Through an examination of the extensive papers, manuscripts and correspondence of American physician Benjamin Rush and his friends, this article argues that it is possible to map a network of Scottish-trained physicians in the late eighteenth and early nineteenth-century Atlantic world. These physicians, whose members included Benjamin Rush, John Redman, John Morgan, Adam Kuhn, and others, not only brought the Edinburgh model for medical pedagogy across the Atlantic, but also disseminated Scottish stadial theories of development, which they applied to their study of the natural history and medical practices of Native Americans and slaves. In doing so, these physicians developed theories about the relationship between civilization, historical progress and the practice of medicine. Exploring this network deepens our understanding of the transnational intellectual geography of the eighteenth and early nineteenth century British World. This article develops, in relation to Scotland, a current strand of scholarship that maps the colonial and global contexts of Enlightenment thought.


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