From Home to Hospital

2021 ◽  
pp. 23-43
Author(s):  
Agnes Arnold-Forster

This chapter explores the senses and emotions that attended living with and dying from cancer in the early nineteenth century. The archives of The Middlesex Hospital consist of registers of cancer patients from 1792 through to the twentieth century, and a potted selection of casebooks. This chapter, therefore, tells the stories of sixty patients from 1805 to 1836. From these case notes, flesh and blood can be added to the lived experience of cancer and go some way towards recovering the patient voice. We can follow in their footsteps from home to hospital, and in multiple literal and metaphorical ways appreciate the distances they travelled in their ‘cancer journeys’.

2007 ◽  
Vol 86 (2) ◽  
pp. 278-313 ◽  
Author(s):  
Philip Constable

This article examines the Scottish missionary contribution to a Scottish sense of empire in India in the nineteenth and early twentieth centuries. Initially, the article reviews general historiographical interpretations which have in recent years been developed to explain the Scottish relationship with British imperial development in India. Subsequently the article analyses in detail the religious contributions of Scottish Presbyterian missionaries of the Church of Scotland and the Free Church Missions to a Scottish sense of empire with a focus on their interaction with Hindu socioreligious thought in nineteenth-century western India. Previous missionary historiography has tended to focus substantially on the emergence of Scottish evangelical missionary activity in India in the early nineteenth century and most notably on Alexander Duff (1806–78). Relatively little has been written on Scottish Presbyterian missions in India in the later nineteenth century, and even less on the significance of their missionary thought to a Scottish sense of Indian empire. Through an analysis of Scottish Presbyterian missionary critiques in both vernacular Marathi and English, this article outlines the orientalist engagement of Scottish Presbyterian missionary thought with late nineteenth-century popular Hinduism. In conclusion this article demonstrates how this intellectual engagement contributed to and helped define a Scottish missionary sense of empire in India.


Author(s):  
Adam J. Silverstein

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.


2003 ◽  
Vol 16 (1-2) ◽  
pp. 121-145 ◽  
Author(s):  
Myles Jackson

ArgumentDuring the early nineteenth century, the German Association of Investigators of Nature and Physicians (Versammlung Deutscher Naturforscher und Ärzte) drew upon the cultural resource of choral-society songs as a way to promote male camaraderie and intellectual collaboration. Investigators of nature and physicians wished to forge a unified, scientific identity in the absence of a national one, and music played a critical role in its establishment. During the 1820s and 30s, Liedertafel and folk songs formed a crucial component of their annual meetings. The lyrics of these tunes, whose melodies were famous folk songs, were rewritten to reflect the lives of investigators of nature and physicians. Indeed, the singing of these Liedertafel songs played an important part in the cultivation of the Naturforschers’ persona well into the twentieth century.


Author(s):  
Brian Stanley

In any survey of influential British missionary thinkers, Scottish names would occupy a prominent place. The Scottish contribution was not confined to those who served with the missions of the Presbyterian churches: some influential Scottish missionaries served with English societies, and some were not even Presbyterians. Nevertheless, five generalizations can be offered: (1) Scots Presbyterians opted to do mission through ecclesiastical structures, rather than through voluntary societies. (2) Scottish Presbyterian missions aimed to bring the entire life of Christian communities under the rule of Christ. (3) Scottish missionaries tended to insist that education was integral to the missionary task. (4) Scottish missionaries trained in the early nineteenth century drew deeply from the Scottish Enlightenment. (5) From the late nineteenth century, Scottish (like English) missionary theology was affected by philosophical idealism, though the mid-twentieth-century ascendancy of Barthianism may have helped to sustain the Scottish missionary movement in the turbulent post-war environment.


2003 ◽  
Vol 63 (1) ◽  
pp. 297-298
Author(s):  
Diane Lindstrom

The author, a retired UCLA economist, has written a number of highly specialized transportation studies. In his Lake Michigan Passenger Steamers much as in his Great Lakes Car Ferries and American Narrow Gauge Railroads, George W. Hinton acknowledges that “the principle purpose is to provide antiquarian scholarship” (p. xi). Here we learn about the wooden and steel, sailing and steam ships that operated on Lake Michigan from the early nineteenth century until well into the twentieth century. Although some attention is devoted to the interlake trade, the passenger lines that draw most of the author's attention are those that served Lake Michigan points exclusively.


2017 ◽  
Vol 28 (1) ◽  
pp. 67-84
Author(s):  
XAVIER BACH

ABSTRACTThis article examines early attestations of verlan and related backward slangs in French in the nineteenth century. Its main contribution is the edition and analysis of the only known text, a letter, written with features of verlan before the twentieth century. This largely predates other attested forms of verlan. The principles underlying this early form of verlan are shown to be different from contemporary verlan, as is much other early evidence, though all forms have the syllable as their basic unit. The letter is evidence that backward slangs can originate in the education system as much as in the underworld of thieves.


1999 ◽  
Vol 44 (S7) ◽  
pp. 149-169 ◽  
Author(s):  
Fatima El Tayeb

The 1999 plan of the Social Democratic government to adjust Germany's 1913 nationality law has generated an intensely emotional debate. In an unprecedented action, the opposition Christian Democrats managed to gather hundreds of thousands of signatures against the adjustment that would have granted citizenship to second generation “immigrants” born in Germany. At the end of the twentieth century, Germans still strongly cling to the principle ofjus sanguinis. The idea that nationality is not connected ot place of birth or culture but rather to a “national essence” tJiat is somehow incorporated in the subject's blood has been strong in Germany since the early nineteenth century and has been especially decisive for the country's twentieth-century history.


2017 ◽  
Vol 56 (1) ◽  
pp. 3-34 ◽  
Author(s):  
Lachlan Fleetwood

East India Company surveyors began gaining access to the high Himalaya in the 1810s, at a time when the mountains were taking on increasing political significance as the northern borderlands of British India. Though never as idiosyncratic as surveyors insisted, these were spaces in which instruments, fieldbook inscriptions, and bodies were all highly prone to failure. The ways surveyors managed these failures (both rhetorically and in practice) demonstrate the social performances required to establish credible knowledge in a world in which the senses were scrambled. The resulting tensions reveal an ongoing disconnect in understanding between those displaced not only from London, but also from Calcutta, something insufficiently emphasized in previous histories of colonial science. By focusing on the early nineteenth century, often overlooked in favor of the later period, this article shows the extent to which the scientific, imaginative, and political constitution of the Himalaya was haphazard and contested.


2013 ◽  
Vol 548 ◽  
pp. 336-347
Author(s):  
Antônio Gilberto Costa

The use of stone materials in constructions and in the art of sculpture in Brazil, as well as the related constructions techniques employed, was strongly influenced by Portugal between the mid-sixteenth century and the early nineteenth century. One of those techniques consisted of erecting the whole constructions using stone materials, without the use of mortar, by solely juxtaposing smaller and larger stones. Some remaining buildings and descriptions dating back to the beginning of the twentieth century, involving the use of carved stone in “mineiro” – or Minas Gerais – constructions, known as minhota, or made in the fashion of Minho, bear proof to the use of that technique and, specially, to the influence this ancient Portuguese province had on the constructing style and on the way of working the stones in Minas Gerais. However, when we consider the frequency with which that technique was used, there is evidence that the use of “stone blocks” was much more common in certain regions of Portugal such as in constructions situated in the district of Braga, in the old province of Minho. Also from Portugal, from the old province of Beira Alta, there should be considered beautiful examples of constructions featuring the use of the dry stone technique which involved utilizing blocks of granitic rock as those seen in the Viseu district. In addition to the description of the stone materials utilized in these buildings, both Brazilian and Portuguese, and in the production of several sculptural elements associated with some of these architectural sets, evidence is provided which shows the occurrence of very similar deterioration processes which are responsible for the imprinting of certain features into these cultural assets, identified by the loss of materials and formation of crusts due to biological colonizations.


2020 ◽  
Vol 81 (3) ◽  
pp. 289-318
Author(s):  
Virginia Jackson

Abstract As a response to Paul Fry’s essay “The New Metacriticisms and the Fate of Interpretation,” this essay asks a few questions: (1) Isn’t “metacriticism” what the twentieth century meant by literary criticism? (2) Why is modern literary criticism so defensive when it comes to lyric poetry? (3) What happens when the historical situation of a lyric literalizes apostrophic address? The answer to the first of these questions is yes. The answer to the second question depends on the critic, but this essay points out that defenses of lyric began in the early nineteenth century, so modern lyric theory continues a long tradition. The white male supremacist foundation of those defenses informs definitions of lyric poetry as utterance overheard, as solitary self-address. Fry is right that historical poetics attempts to rock that two-hundred-year-old foundation. The answer to the third question is that many poets have also rocked that foundation over those two centuries. The essay ends by interpreting an apostrophic ode written and published by George Moses Horton in 1828. Horton’s enslavement in North Carolina literalized the figurative situation of address that has come to define lyric reading.


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