What happens when the design process meets community engagement?

2020 ◽  
Vol 6 (1) ◽  
pp. 21-42 ◽  
Author(s):  
Dylan Davis

Community-engaged design is often framed as a binary opposite to commercial design. Whereas commercial design is usually characterized as a market-led paradigm focused on profits, community-engaged design is seen as a socially useful design paradigm that is concerned with addressing societal needs. This study uses qualitative data from four design project case studies to explore whether this understanding is in fact consistent with current design practices within commercial design studios. The findings of this study demonstrate that both commercial and community-engaged design practices are more similar than different. In addition, it is also suggested that it is not only the clients’ instructions and the commissions that determine the designers’ processes and practices, but the design studios’ intent, practice and values. This study has a number of practical implications for designers and design studios in how they address commercial and community-engaged design work.

Author(s):  
Stefan Hrastinski

AbstractThis paper is a response and considers practical and design implications of the article, The process of designing for learning: understanding university teachers’ design work by Bennett et al. (Educ Technol Res Dev 65:125–145, 2017). Bennett et al. guide us in better understanding teachers’ design practices and in discussions on how such practices could be improved. A key contribution of the article is presenting a descriptive model of the design process. As such, the article is focused on teachers’ current design work, while giving more limited attention to how teachers’ design practice could be improved. When looking forward, this response emphasizes that teachers should be encouraged to inform their designs for learning and iteratively improve their designs based on reflection and evaluation. If teachers take time to look into what is known and deliberately learn more along the way through reflection and evaluation, they will improve their understanding of how to design for learning.


Author(s):  
Lawrence P. Chao ◽  
Irem Tumer ◽  
Kosuke Ishii

This report describes the state of design observed at NASA and collaborative research between NASA and Stanford University into improving design practices. Just as there are many types of missions and projects, there are many types of design practices and reviews at NASA. Through exploration of the NASA life-cycle across the organization and deeper case studies of specific missions, the goal of this work is to identify best practices and lessons learned from NASA’s review experience, benchmark against industry techniques, and develop methodologies to improve the process. By introducing design process error-proofing methods based on FMEA and QFD into the NASA framework, more robust corrective actions and solutions can better detect and prevent design errors. This paper demonstrates the methods through retroactive exploration and implementation on the Mars Climate Orbiter.


1975 ◽  
Vol 12 (03) ◽  
pp. 267-274
Author(s):  
John S Spencer

This paper is a commentary on the design of crewboats and similar deep-vee-hulled planing boats constructed of aluminum. It includes a description of current design practices and significant problems encountered in the design process. It suggests techniques that can be used to avoid deficiencies in the strength and integrity of the hull. Mathematical expressions that will enable the naval architect to estimate design loads over any portion of the hull bottom have been developed from the latest research efforts, and it is hoped that future full-scale testing will refine even further the methods of predicting slamming loads. Recommended design loads for other parts of a vessel, and allowable design stresses, are also given. A worked example has been included to demonstrate the design process for a typical Gulf of Mexico crewboat,


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Liyaning Tang ◽  
Matt Stevens ◽  
Mary Hardie

PurposeThe purpose of this paper is to investigate and measure stakeholder engagement and interorganisational relationships involved in the project design process.Design/methodology/approachA mixed-methods design, which combined action study, focus group meetings and a survey with project stakeholders who were employees in this project to express their comments on current design processes in different sub-projects.FindingsThe transformation of the design process in the selected project can be categorised into three distinct areas: (1) people, (2) practices and (3) internal infrastructure. These three categories were a straightforward way to review, analyse and discuss this transformation. The findings revealed the major goals of the improvement process as summarised are reliability, efficiency and quality. Recommendations and future study directions were suggested by the end of the paper.Research limitations/implicationsAlthough the project selected in this research was limited to Australia, the results could be interpreted on the design process in many other construction projects with similar size all over the world.Practical implicationsThis research was very practical, with all data collected from the project in Australia. It summarised the difficulties met in the project and provided methods for stakeholders and industry practitioners to improve the effectiveness and efficiency of the design process.Originality/valueThis research provided lessons learnt on the design process from a “Giga” project and provided sustainable methods to facilitate future projects into flexible and effective communication among stakeholders.


Author(s):  
Hans Gustafson

This chapter offers instructors in higher education some basic tools and elements of course design for interreligious encounter in the undergraduate classroom. Aiming at practice over theory, it provides practical suggestions for fostering interreligious understanding from the first day of class through the end of the semester. These suggestions include the use of guest speakers, interdisciplinary case studies, in-class reflections, and interreligious community engagement (i.e., “service learning”), among others. Further, it provides a concise bibliography of basic introductory texts for both students and instructors in the areas of comparative theology, theologies of religions and religious pluralisms, and interreligious studies and dialogue.


Author(s):  
Mohammad Yaghi

In this chapter, Yaghi offers detailed suggestions on how to code qualitative data after they have been gathered. Based on his doctoral dissertation, this chapter explains that the logic behind coding qualitative data is to turn a significant amount of information into categories that can be used to explain a phenomenon, reveal a concept, or render the data comparable across different case studies. It also elaborates through examples from author’s fieldwork in Tunisia, Egypt, and Jordan on four potential problems that may face researchers in coding qualitative data. These are the questions of preparation, categorization, consistency, and saturation. The chapter concludes by asking researchers to be flexible, and open to the process of trial and error in coding, to confront the data with questions before categorization, and to gather sufficient data on their topics before running their qualitative surveys.


2021 ◽  
Vol 1 ◽  
pp. 2409-2418
Author(s):  
Summer D. Jung ◽  
Erika Perttunen ◽  
Senni Kirjavainen ◽  
Tua Björklund ◽  
Sohyeong Kim

AbstractAs design research expands its horizon, there has been a recent rise in studies on nontraditional designers. Previous studies have noted the positive effect of diversity in generating ideas. Among different sources of influence, peers outside the design team have been noted for their positive impact on the design process, yet the research on this topic is still in its early stages. Using qualitative data from 40 small and medium-sized enterprises (SMEs) in the American and Finnish food and beverage industries, the current study examines their interactions with other SMEs, shedding light on the influence of peers on creating new design solutions. The findings suggest that peer companies can act as a frequent and impactful source of inspiration for product design ideas. The most prevalent forms of interaction were co-creating products, sharing information, and sharing ingredients. Furthermore, the interactions were voluntary, organic, and improvisational in nature, and physical proximity or previous connections often initiated the interactions. Taken together, a great number of peer influences contributed towards creative new solutions.


2021 ◽  
Vol 1 ◽  
pp. 141-150
Author(s):  
Honorine Harlé ◽  
Pascal Le Masson ◽  
Benoit Weil

AbstractIn industry, there is at once a strong need for innovation and a need to preserve the existing system of production. Thus, although the literature insists on the necessity of the current change toward Industry 4.0, how to implement it remains problematic because the preservation of the factory is at stake. Moreover, the question of the evolution of the system depends on its innovative capability, but it is difficult to understand how a new rule can be designed and implemented in a factory. This tension between preservation and innovation is often explained in the literature as a process of creative destruction. Looking at the problem from another perspective, this article models the factory as a site of creative heritage, enabling creation within tradition, i.e., creating new rules while preserving the system of rules. Two case studies are presented to illustrate the model. The paper shows that design in the factory relies on the ability to validate solutions. To do so, the design process can explore and give new meaning to the existing rules. The role of innovation management is to choose the degree of revision of the rules and to make it possible.


2019 ◽  
Vol 35 (2) ◽  
pp. 4-6

Purpose This paper aims to review the latest management developments across the globe and pinpoint practical implications from cutting-edge research and case studies. Design/methodology/approach This briefing is prepared by an independent writer who adds their own impartial comments and places the articles in context. Findings Negotiation is a key tool in delivering competitive advantage but requires a clear and consistent approach closely linked to organizational strategy. Originality/value The briefing saves busy executives, strategists and researchers hours of reading time by selecting only the very best, most pertinent information and presenting it in a condensed and easy-to-digest format.


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