'The Invisible Reality Show': Performative intervention and the production of the contemporary space

2011 ◽  
Vol 2 (2) ◽  
pp. 267-278
Author(s):  
FERNANDA GOMES
Keyword(s):  
Rio De Janeiro ◽  
Public Spaces ◽  
Urban Context ◽  
Site Specific ◽  
Reality Show ◽  
Artistic Experience ◽  
The Invisible

The performance intentions that interfene into public spaces− ‘site-specific performances' – can raise several issues, and this article will debate some of them. From artistic, sociological, cultural and geographic perspectives, urban interventions and performances take place in the artistic scenario and in the development of contemporary space. This article starts with the experience of the Danish group 'Udflugt', that has been in Rio de Janeiro presenting the methodologies and processes which arose after the birth of the concept of 'The Invisible Reality Show' which is used in their work. Through this article I intend to make connections between the perceptive changes of daily space, the processes of sociability, and the artistic experience in the urban context.

scholarly journals The invisible reality show: a intervenção performática urbana na produção e recepção do espaço contemporâneo

E-Compós ◽  
1970 ◽  
Vol 10 ◽  
Author(s):  
Fernanda Gomes
Keyword(s):  
Rio De Janeiro ◽  
Site Specific ◽  
Reality Show ◽  
The Invisible

As propostas performáticas que realizam intervenções em espaços públicos, também chamadas de site-specific performances, podem levantar diversas questões e este artigo aborda algumas delas. A partir de perspectivas artísticas, sociológicas, culturais e geográficas, as intervenções e as performances urbanas são localizadas no cenário artístico e na produção do espaço contemporâneo. O artigo parte da experiência do grupo dinamarquês Udflugt, que esteve no Rio de Janeiro apresentando processos e metodologias que fazem parte de sua proposta de trabalho e que surgiram após a criação do conceito The invisible reality show. Pretende-se, então, estabelecer relações entre mudanças perceptivas do espaço cotidiano, processos de sociabilidade e a experiência artística no contexto urbano.

scholarly journals The invisible reality show: a intervenção performática urbana na produção e recepção do espaço contemporâneo

E-Compós ◽  
2008 ◽  
Vol 10 ◽  
Author(s):  
Fernanda Gomes
Keyword(s):  
Rio De Janeiro ◽  
Site Specific ◽  
Reality Show ◽  
The Invisible

As propostas performáticas que realizam intervenções em espaços públicos, também chamadas de site-specific performances, podem levantar diversas questões e este artigo aborda algumas delas. A partir de perspectivas artísticas, sociológicas, culturais e geográficas, as intervenções e as performances urbanas são localizadas no cenário artístico e na produção do espaço contemporâneo. O artigo parte da experiência do grupo dinamarquês Udflugt, que esteve no Rio de Janeiro apresentando processos e metodologias que fazem parte de sua proposta de trabalho e que surgiram após a criação do conceito The invisible reality show. Pretende-se, então, estabelecer relações entre mudanças perceptivas do espaço cotidiano, processos de sociabilidade e a experiência artística no contexto urbano.

The Metamorphoses of 'Orfeu da Conceição' by Vinicius de Moraes

2020 ◽  
Vol 9 (1) ◽  
pp. 580-596
Author(s):  
Vinicius Mariano De Carvalho
Keyword(s):  
20Th Century ◽  
Rio De Janeiro ◽  
Urban Context ◽  
Award Winning ◽  
International Image ◽  
Marcel Camus ◽  
Black Actors

This text is a hermeneutic exercise about one of the paradigmatic works of Vinicius de Moraes, Orfeu da Conceição. This plays opens a partnership between the poet and the composer Antonio Carlos Jobim, which was fruitful and unique for Brazilian arts. Orfeu da Conceição is also paradigmatic because it is the first work to bring black actors to the stages of the Municipal Theater of Rio de Janeiro. Orfeu da Conceição led to one of the films that most contributed, positively or negatively, to the international image of Brazil in the second half of the 20th century, the award-winning Orpheus Negro, by Marcel Camus. The text will notice how many of the ideas and representations of the favela were already visible in the Brazilian popular repertoire prior to the composition of the play. The idea, in general, is to observe how, in addition to its poetic-musical quality, Orfeu da Conceição can also serve as a reflection on how we represent and see favelas in the urban context, both in 1956 and today.

scholarly journals Recomposing the City: A Survey of Recent Sound Art in Belfast

2013 ◽  
Vol 23 ◽  
pp. 47-54 ◽  
Author(s):  
Gascia Ouzounian
Keyword(s):  
Public Spaces ◽  
Sound Art ◽  
Site Specific ◽  
Sonic Art ◽  
The Past ◽  
Post Conflict ◽  
The City ◽  
Radical Transformation

This article introduces examples of recent sound art in Belfast, a city that has undergone radical transformation over the past decade and is home to a burgeoning community of sound artists. The text investigates the ways in which sonic art can redraw boundaries in a city historically marked by myriad political, socioeconomic, religious and sectarian divisions. The article focuses on sound works that reimagine a “post-conflict” Belfast. These include site-specific sound installations in urban and public spaces, soundwalks, sculptures, locative and online works, and experimental sonic performances that draw upon traditional Irish song and music.

«Get in Your Theatres; the Street is Not Yours»: The Struggle for the Character of Public Space in Tunisia

2017 ◽  
Vol 8 (2) ◽  
pp. 54-69
Author(s):  
Heather Harrington
Keyword(s):  
Public Space ◽  
Hip Hop ◽  
Freedom Of Expression ◽  
Social Scientist ◽  
Phenomenological Approach ◽  
Public Spaces ◽  
Structured Interviews ◽  
Site Specific ◽  
Political Issues ◽  
And Gender

Abstract How people move and appear in public spaces is a reflection of the cultural, religious and socio-political forces in a society. This article, built on an earlier work titled ’Site-Specific Dance: Women in the Middle East’ (2016), addresses the ways in which dance in a public space can support the principles of freedom of expression and gender equality in Tunisia. I explore the character of public space before, during, and after the Arab Spring uprisings. Adopting an ethnographic and phenomenological approach, I focus on the efforts of two Tunisian dancers – Bahri Ben Yahmed (a dancer, choreographer and filmmaker based in Tunis, who has trained in ballet, modern dance and hip hop) and Ahmed Guerfel (a dancer based in Gabès, who has trained in hip hop) – to examine movement in a public space to address political issues facing the society. An analysis of data obtained from Yahmed and Guerfel, including structured interviews, videos, photos, articles and e-mail correspondence, supports the argument that dance performed in public spaces is more effective in shaping the politics of the society than dance performed on the proscenium stage. Definitions and properties of everyday choreography, site and the proscenium stage are analysed, along with examples of site-specific political protest choreography in Egypt, Turkey and Tunisia. I engage with the theories of social scientist Erving Goffman, which propose that a public space can serve as a stage, where people both embody politics and can embody a protest against those politics.

scholarly journals Uma trilha sonora no largo da carioca: caminhadas de escuta e observação como método de investigação dos espaços públicos/A soundtrack on the Largo da Carioca: listening and observation walks as a public spaces investigation method

2018 ◽  
pp. 235-253
Author(s):  
Renato Coimbra Frias
Keyword(s):  
Public Space ◽  
Rio De Janeiro ◽  
Political Geography ◽  
Public Spaces ◽  
The Political ◽  
Audio Recording ◽  
Street Vendors ◽  
Investigation Method ◽  
The Relationship

RESUMOO presente trabalho discute a relação existente entre sons, política e espaços públicos. Tal discussão é conduzida pela análise dos dados obtidos em um trabalho de campo realizado no Largo da Carioca, Rio de Janeiro, que consistiu no mapeamento das diferentes atividades que ocupam esse espaço público e no registro em áudio dos sons ao longo de uma caminhada pelo Largo da Carioca. A análise evidencia como o som produzido por camelôs, artistas de rua e outras atividades observadas em campo exerce um importante papel no jogo de posições entre elas, configurando-se como importante fator na geografia política dos espaços públicos.Palavras-chave: Espaços Públicos, Caminhadas Sonoras, Paisagens Sonoras. ABSTRACTThis paper discusses the relationship between sounds, politics and public spaces. This discussion is conducted by the analysis of data obtained in a fieldwork in Largo da Carioca, Rio de Janeiro, which consisted in mapping the different activities that occupy this public space and in the audio recording of the sounds present on a walk along the Largo da Carioca. Our analysis shows how the sound produced by street vendors, street performers and other activities observed in field plays an important role in the positions established between them, becoming an important factor in the political geography of public spaces.Keywords: Public Spaces, Soundwalks, Paisagens Sonoras.

scholarly journals Post-pandemic scenarios and design strategies for public spaces transformation

2021 ◽  
Vol 6 (12) ◽  
Author(s):  
Laura Galluzo ◽  
Ambra Borin
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Human Dimensions ◽  
Inclusive Development ◽  
Design Strategies ◽  
Urban Context ◽  
Collective Interest ◽  
The Public ◽  
Key Characteristics ◽  
Urban Transformations

Almost two years later of a pandemic condition, one thing is sure: the pandemic will change permanently the world and its systems. Nowadays, the reflection on public space is crucial within a more sustainable and inclusive development at urban scale, amplified also by the ongoing experience of the pandemic that still presents. Public space is a real opportunity to test new urban and social models, thus becoming a principal catalyst for positive changes in the entire urban context. It is therefore necessary to re-establish a relationship between the public space and its inhabitants, providing a system of proximity by highlighting the human and non-human dimensions and consequently connecting services, relationships, and opportunities. Acting in public space is the first step in the development of innovative urban transformations, generated by collaborative phenomena working in the collective interest. The use of participatory practices within the design processes favors the reconnection between people and territory, generating a shared sense of belonging that leads to taking care of one's own places. The reversibility of the intervention and its adaptability are key characteristics that allow experimenting with new ways of experiencing public spaces and responding to unforeseen experiences, thus accommodating the inevitable changes in society. This scientific contribution aims to set forward distinctive points of view on the planning strategies implemented in the pandemic and post-pandemic period to achieve intelligent transformations on a small and large urban scale with an impact from short to long-term; hence shaping the future cities.

scholarly journals Young Jazz Musicians and Negotiation of Public Space in Yogyakarta Indonesia

2017 ◽  
Vol 9 (2) ◽  
pp. 225-236
Author(s):  
Oki Rahadianto Sutopo
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Urban Space ◽  
Cultural Production ◽  
Youth Culture ◽  
Public Spaces ◽  
Urban Context ◽  
Jazz Music ◽  
Musical Practices ◽  
Local Narratives

Using Bourdieusian approach, this article explores the reflexive strategies of young jazz musicians in order to develop their musical practices in a contemporary urban context of Yogyakarta, a city of culture and activism in Indonesia. In detail, the reflexive strategy (Sweetman 2003; Threadgold & Nilan 2009) will be explained as the manifestation of struggle in the field of cultural production (Bourdieu 1993). As an implication, young jazz musicians have to negotiate their musical practices with the reproduction of doxa and the representation of dominant agents in the jazz music field including the availability of public spaces in contemporary Yogyakarta. The resistance towards doxa will be explained based on the local narratives of the Yogyakarta jazz community as a mixture of the local and the trans-local scene (Bennett & Peterson 2004). Furthermore, the reflexive strategy will be analysed through the lens of the youth culture perspective specifically as a manifestation of a mixture between post-subculture (Bennett 1999) and subculture (Blackman 2005). In their everyday musical practices, young jazz musicians produce their musical practices fluidly and flexibly as a lifestyle distinction as well as a form of everyday life resistance. In summary, this article shows the complexity of the musical processes of young jazz musicians in contemporary urban space of Yogyakarta, Indonesia.

scholarly journals Espaços públicos como lugares da política/Public spaces as spaces of politics

2018 ◽  
pp. 5-11
Author(s):  
Paulo Cesar Da Costa Gomes ◽  
Letícia Parente Ribeiro
Keyword(s):  
Social Movements ◽  
Public Space ◽  
Rio De Janeiro ◽  
Public Spaces ◽  
New Approach ◽  
The Everyday ◽  
The City

RESUMOA ativação política dos espaços públicos é comumente associada à sua mobilização extraordinária por grandes movimentos sociais. Ao seu uso cotidiano e ordinário, ao contrário, raramente é atribuído um significado político forte. A partir de uma discussão sobre a estratégia de manifestação política conhecida como “ocupação”, e de exemplos oriundos de pesquisas realizadas em espaços públicos da cidade do Rio de Janeiro, este artigo propõe uma nova perspectiva sobre esta oposição, ainda dominante na bibliografia.Palavras-chave: espaço público; ocupação; sociabilidade. ABSTRACTThe political activation of public spaces is commonly associated with their extraordinary mobilization by large social movements. On the contrary, a strong political significance is rarely attributed to the everyday and ordinary use of these spaces. Based on a discussion about the strategy of political manifestation known as “occupation” and presenting examples from research carried out in public spaces in the city of Rio de Janeiro, this article proposes a new approach to this opposition, still dominant in academic literature.Keywords: public space; occupy; sociability.

scholarly journals Effects and Challenges of the Covid-19 Pandemic on the Beach Economy: The Case of the Tents Business in Rio de Janeiro, Brazil

2020 ◽  
pp. 263-286
Author(s):  
Julia Valentin Laurindo Santos ◽  
João Vitor Prudente ◽  
Letícia Parente-Ribeiro ◽  
Flavia Lins-de-Barros
Keyword(s):  
Rio De Janeiro ◽  
Public Spaces ◽  
Structured Interviews ◽  
Economic Activities ◽  
Daily Lives ◽  
Social Distancing ◽  
Period 2 ◽  
Rapid Spread ◽  
Traditional Sector ◽  
The City

In 2020, the rapid spread of Covid-19, a disease caused by a highly contagious virus, led many governments to adopt measures of social distancing, including the suspension of activities considered non-essential and the closure of public spaces. In Brazil, a country that is distinguished by sun, sea and sand tourism (3s), the effects were immediate in the months of March, April, May and June: closed beaches and the suspension of all economic activities linked to it. This article seeks to understand the effects of the Covid-19 pandemic on a traditional sector of the beach economy in Rio de Janeiro, the “tent business”. For that, we analyzed: 1) the organization of this sector in the pre-pandemic period; 2) the legal measures adopted to contain the spread of the new coronavirus and which affected the uses of beaches; 3) the effects of the pandemic on the daily lives of beach workers 4) the challenges for the resumption of activities in the post-pandemic period. The data used in this research are the result of surveys and fieldwork carried out in the period before the pandemic and the application, during quarantine, of semi-structured interviews, via social networks, with owners and employees of tents on the beaches of the city’s waterfront. For this study, the normative measures that affected the beaches of the city of Rio de Janeiro during the pandemic were also analyzed. As main results, we highlight, first, the importance of the “tent business” in the economic circuits associated with Rio beaches, as well as the role that tents play as poles of concentration of bathers in the sand strip. Regarding governmental measures of social distance, we noticed that the beaches were one of the areas affected for the longest time by the suspension of activities and that, until the total reopening occurred in October, the activities associated with the solarium, such as the “tent business”, were those that presented a more uncertain horizon of recovery. The impacts on the daily lives of the owners of the tents and their employees were enormous, with the vertiginous decrease of their incomes and the difficulties of finding alternative occupations. These effects were partially offset by the adoption of assistance measures by governments and the creation of support networks involving beachgoers, both Brazilian and foreigner, as a result of a relationship built over the years with stallholders and other beach workers. Finally, from a comparative exercise with other situations in the world, we highlight the challenges that are already being faced for the adoption of new ways of ordering the uses of beaches in the post-pandemic world. Keywords: Coastal management, social distancing, beach workers, beachfront, solarium.

Sign in / Sign up

Export Citation Format

Share Document