Sustainable practice: The future mode of temporality in fashion

2021 ◽  
Vol 8 (4) ◽  
pp. 377-385 ◽  
Author(s):  
Harah Chon
Keyword(s):  
Material Culture ◽  
The Body ◽  
Embodied Experience ◽  
Social Production ◽  
Sustainable Practices ◽  
The Social ◽  
Meaning Creation ◽  
Sociocultural Development ◽  
Nature Of Time ◽  
The Relationship

Fashion is indicative of time and, serving as the interpretive and representational forms of a society, is measured against the cyclical rhythms of trend diffusion and style adoption. This article examines the function of time within the framework of historical research, reviewing the construction and translation of contemporary fashion. The temporality of material objects is further probed by an analysis of the sociocultural development of current sustainable practices to grasp the affective nature of time and its relationship to the fashion system. With an overview of emerging sustainable design practices, the relationship between time and meaning creation is critically examined, analysed and discussed. The social production of design and its utilization of the body-as-space are presented in relation to the social construction of time, explicated as part of a subjective, embodied experience. This article presents a new modality of time in how it is articulated, imitated, reproduced and reinterpreted through material culture and future sustainable practices.

scholarly journals Emplacing Smells

2019 ◽  
Vol 28 (1) ◽  
pp. 25-44 ◽  
Author(s):  
Andreea Racleș ◽  
Ana Ivasiuc
Keyword(s):  
The Body ◽  
Research Projects ◽  
Social Production ◽  
The Social ◽  
The Relationship

As one of the most stereotyped minorities, the Roma are particularly ‘good to think’ in relation to constructions of Europeanness. In the production of ‘Gypsiness’, the body, the space, and the materiality of the dwelling are linked through smell as signifiers of a racial and cultural inferiority that does not ‘belong’ in and to Europe. Drawing on research projects carried out in the outskirts of Rome and in a small Romanian town, our contribution relies on a juxtaposed ethnography of constructions of ‘Gypsiness’ in relation to the spatial, sensorial and material inscriptions of the body. The article will examine the relationship between space and the social production of smell, discussing how spaces inhabited by Roma play a role in ‘doing’ Europeanness in a contrastive mode.

scholarly journals The Gendering of Cancer Survivorship

2012 ◽  
Vol 3 (1) ◽  
pp. 63-76 ◽  
Author(s):  
D Skinner
Keyword(s):  
Quality Of Life ◽  
Medical Research ◽  
Cancer Survivorship ◽  
Clinical Studies ◽  
Well Being ◽  
Social Awareness ◽  
Social Production ◽  
The Social ◽  
The Relationship

This article examines the relationship between gender and cancer survivorship. I argue that gender is as critical as a category of analysis for understanding cancer survivorship as it is missing from survivorship studies, particularly as concerns the identificatory basis of survivor culture and clinical studies regarding survivors’ quality of life (QOL). This under-studied question of the gendering of survivorship is critical because the consequences of the social production of disease is far-reaching, from the nature of medical research to social awareness, to funding to the well-being of cancer survivors themselves.

scholarly journals Imaginários sociais sobre as favelas cariocas: o turismo-cultural do museu de favela e seus modos de ativação digital

2016 ◽  
Vol 1 (1) ◽  
pp. 61
Author(s):  
Mônica Machado
Keyword(s):  
Material Culture ◽  
Digital Technologies ◽  
Cultural Tourism ◽  
Cultural Objects ◽  
The Social ◽  
The Media ◽  
Theoretical Frame ◽  
Cultural Contradictions ◽  
The Relationship

Esse artigo objetiva refletir sobre as representações sociais das favelas cariocas em registros midiáticos ao longo os últimos anos, o crescente movimento do Favela-tour e seus paradoxos, bem como as suas implicações conceituais. Em seguida reflete sobre as experiências do turismo cultural do Museu de Favela, com destaque para o processo de criação do hotsite Museu de Favela Tour como dispositivo que faz circular o capital cultural comunitário. Todas essas noções associam-se aos pressupostos teóricos da cultura material, como um campo da antropologia que estuda as correlações entre objetos e inventários socioculturais e avança para o estudo da sub-linha da pesquisa da antropologia digital, onde as relações entre sujeitos sociais e tecnologias são imaginadas como reelaborações da sociabilidade que precedem a essa tradição e se predispõem a revelar as contradições sociais já dispostas na cultura.Social narratives about slum in Rio:the cultural-tourism in favela museum and digital activismAbstract This article aims to analyse favelas in Rio and also the media records about this issue, arguing that the Favela-tour concept can be seen as paradoxal process. Then will be debated Favela Museum’s cultural tourism heritage, highlighting the process of creating the Favela Museum Tour’s hotsite as a way of spread the favela’s legacy. All these notions are associated with the theoretical frame of material culture as a field of anthropology and links between socio-cultural objects and inventories. This research is called digital anthropology where the relationship between social and technology subject are imagined as re-workings of sociability that precedes this tradition, where the digital technologies are predisposed to share the social-cultural contradictions.

scholarly journals Shaping Toronto: female economy and agency in the corset industry, 1871-1914

2021 ◽  
Author(s):  
Alanna M. M. McKnight
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
The Body ◽  
Fashion History ◽  
Women's Bodies ◽  
The Gaze ◽  
Female Consumers ◽  
Private And Public ◽  
Female Bodies ◽  
The Relationship

In amplifying the contours of the body, the corset is an historical site that fashions femininity even as it constricts women’s bodies. This study sits at the intersection of three histories: of commodity consumption, of labour, and of embodiment and subjectivity, arguing that women were active participants in the making, selling, purchasing and wearing of corsets in Toronto, a city that has largely been ignored in fashion history. Between 1871 and 1914 many women worked in large urban factories, and in small, independent manufacturing shops. Toronto’s corset manufacturers were instrumental in the urbanization of Canadian industry, and created employment in which women earned a wage. The women who bought their wares were consumers making informed purchases, enacting agency in consumption and aesthetics; by choosing the style or size of a corset, female consumers were able to control to varying degrees, the shape of their bodies. As a staple in the wardrobe of most nineteenth-century women, the corset complicates the study of conspicuous consumption, as it was a garment that was not meant to be seen, but created a highly visible shape, blurring the lines between private and public viewing of the female body. Marxist analysis of the commodity fetish informs this study, and by acknowledging the ways in which the corset became a fetishized object itself, both signaling the shapeliness of femininity while in fact augmenting and diminishing female bodies. This study will address critical theory regarding the gaze and subjectivity, fashion, and modernity, exploring the relationship women had with corsets through media and advertising. A material culture analysis of extant corsets helps understand how corsets were constructed in Toronto, how the women of Toronto wore them, and to what extent they actually shaped their bodies. Ultimately, it is the aim of this dissertation to eschew common misconceptions about the practice of corsetry and showcase the hidden manner in which women produced goods, labour, and their own bodies in the nineteenth century, within the Canadian context.

The Two Traditions in the Sociology of Emotions

2002 ◽  
Vol 50 (2_suppl) ◽  
pp. 10-32 ◽  
Author(s):  
Chris Shilling
Keyword(s):  
Social Action ◽  
Sociological Theory ◽  
The Body ◽  
Sociology Of Emotions ◽  
Important Place ◽  
Brief Assessment ◽  
The Social ◽  
Moral Dimensions ◽  
Emotional Issues ◽  
The Relationship

The sociology of emotions is an established specialism within the discipline and its products have become increasingly visible parts of the sociological landscape since the late 1970s. This specialism has also demonstrated, at least to its own satisfaction, the importance of emotions for social action and order, and for those related moral issues concerned with self-determined and other-oriented action. Paradoxically, however, the relationship between the sociology of emotions and mainstream sociology remains relatively cool. Emotional issues are still portrayed in many general accounts of the discipline as a luxurious curiosity that properly resides on the outer reaches of the sociological imagination. Just as unfortunately, certain sociologists of emotions have accused the foundations of the discipline of neglecting emotional issues, and have sometimes excluded classical theorists from their discussions. This chapter argues that emotional phenomena occupy an important place in sociology's heritage which has yet to be explicated fully by the sub-discipline. The subject of emotions, like the closely related subject of the body, may fade from various classical writings. Nevertheless, the major traditions of sociological theory developed particular orientations towards the social and moral dimensions of emotional phenomena. I begin by examining the relevance of emotions to the context out of which the discipline emerged, and then focus on how the major theorists of order (Comte and Durkheim) and (inter)action (Simmel and Weber) conceptualized emotional phenomena. The chapter concludes with a brief assessment of Parsons's contribution, and suggests that his analysis of the religious foundations of instrumental activism provides a provocative account of the relationship between values, emotions and personality that can usefully be built on.

Material Culture and Embodiment in American Religion

2015 ◽  
Author(s):  
David Morgan
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Religious Practice ◽  
Religious Studies ◽  
The Body ◽  
American Religion ◽  
Religious Traditions ◽  
The Social ◽  
The Will

In recent years, the study of religion has undergone a useful materialization in the work of many scholars, who are not inclined to define it in terms of ideas, creeds, or doctrines alone, but want to understand what role sensation, emotion, objects, spaces, clothing, and food have played in religious practice. If the intellect and the will dominated the study of religion dedicated to theology and ethics, the materialization of religious studies has taken up the role of the body, expanding our understanding of it and dismantling our preconceptions, which were often notions inherited from religious traditions. As a result, the body has become a broad register or framework for gauging the social, aesthetic, and practical character of religion in everyday life. The interest in material culture as a primary feature of religion has unfolded in tandem with the new significance of the body and the broad materialization of religious studies.

The Social Production of Building form: Theory and Research

1984 ◽  
Vol 2 (4) ◽  
pp. 429-446 ◽  
Author(s):  
A D King
Keyword(s):  
Political Economy ◽  
Built Environment ◽  
The Political ◽  
Social Production ◽  
Making Sense ◽  
The Social ◽  
The World ◽  
Form Theory ◽  
Building Form ◽  
The Relationship

In this paper, the relation of theory to empirical research in the broad area indicated by the title is examined. The relevance, and, in cases, the adequacy, is discussed of existing theory for ‘making sense’ of specific empirical data on one item, or segment, of the built environment, namely, the specialised dwelling form of the bungalow, which, in both name and single-storey form, as vacation house or suburban dwelling, has been introduced to many market economies around the world. After a brief consideration of the historical and cross-cultural approaches to the study of the built environment and its neglect in the new urban studies, a series of questions generated by the data and contextualised within specific theoretical spheres are addressed. These include: the relation of building form to economy, society, and culture; culture and the political economy of building form; the social production of specialised dwelling forms; the relationship between per capita income, tenure, and dwelling form, and between dwelling and settlement forms; urban and building form and the world system; counterurbanisation and the world economy; and the political economy of global urbanisation. It is concluded that, for the adequate conceptualisation of the built environment, the use of theory must be eclectic and prepared to draw on different disciplines.

scholarly journals Dolmen dan Struktur Sosial Masyarakat Tuhaha, Maluku Tengah

AMERTA ◽  
2020 ◽  
Vol 25 (1) ◽  
pp. 24-38
Author(s):  
Marlon N.R. Ririmasse
Keyword(s):  
Material Culture ◽  
Social Structure ◽  
Social Stratification ◽  
Social Aspects ◽  
The Social ◽  
The Relationship

Abstract. Dolmen and the Social Structure of the Tuhaha Comunity in Central Malucca.  This article further discusses the social aspects of dolmen function by analyzing the relationship between dolmen and social stratification in the ancient Tuhaha society. At the same time, this article also analyze how the social structure concept being transform into the form of dolmen as a material culture complete with all its symbolic attributes. Abstrak. Tulisan ini mencoba melihat aspek-aspek sosial dari fungsi dolmen dengan mengkaji hubungan antara dolmen dan stratifikasi sosial pada masyarakat desa Tuhaha Maluku Tengah. Saat yang sama mencoba untuk melihat bagaimana struktur sosial yang bersifat konseptual, diwujudkan dalam bentuk dolmen sebagai data materi dengan segenap atribut simboliknya.

scholarly journals Shaping Toronto: female economy and agency in the corset industry, 1871-1914

2021 ◽  
Author(s):  
Alanna M. M. McKnight
Keyword(s):  
Nineteenth Century ◽  
Material Culture ◽  
The Body ◽  
Fashion History ◽  
Women's Bodies ◽  
The Gaze ◽  
Female Consumers ◽  
Private And Public ◽  
Female Bodies ◽  
The Relationship

In amplifying the contours of the body, the corset is an historical site that fashions femininity even as it constricts women’s bodies. This study sits at the intersection of three histories: of commodity consumption, of labour, and of embodiment and subjectivity, arguing that women were active participants in the making, selling, purchasing and wearing of corsets in Toronto, a city that has largely been ignored in fashion history. Between 1871 and 1914 many women worked in large urban factories, and in small, independent manufacturing shops. Toronto’s corset manufacturers were instrumental in the urbanization of Canadian industry, and created employment in which women earned a wage. The women who bought their wares were consumers making informed purchases, enacting agency in consumption and aesthetics; by choosing the style or size of a corset, female consumers were able to control to varying degrees, the shape of their bodies. As a staple in the wardrobe of most nineteenth-century women, the corset complicates the study of conspicuous consumption, as it was a garment that was not meant to be seen, but created a highly visible shape, blurring the lines between private and public viewing of the female body. Marxist analysis of the commodity fetish informs this study, and by acknowledging the ways in which the corset became a fetishized object itself, both signaling the shapeliness of femininity while in fact augmenting and diminishing female bodies. This study will address critical theory regarding the gaze and subjectivity, fashion, and modernity, exploring the relationship women had with corsets through media and advertising. A material culture analysis of extant corsets helps understand how corsets were constructed in Toronto, how the women of Toronto wore them, and to what extent they actually shaped their bodies. Ultimately, it is the aim of this dissertation to eschew common misconceptions about the practice of corsetry and showcase the hidden manner in which women produced goods, labour, and their own bodies in the nineteenth century, within the Canadian context.

scholarly journals Narration Based On Corporate Social Responsibility (CSR) Advertisement: The Projection and Story

Nirmana ◽  
2022 ◽  
Vol 20 (2) ◽  
pp. 106-120
Author(s):  
Natalia Widiasari
Keyword(s):  
Corporate Social Responsibility ◽  
Social Responsibility ◽  
The Body ◽  
The Social ◽  
Social Side ◽  
The Body Shop ◽  
The Individual ◽  
Corporate Social ◽  
The Relationship ◽  
A Company

Advertising plays an important role in narrating the social side of a company which is often referred to as Corporate Social Responsibility (CSR). Corporate social campaigns are often seen as dubious, however, audiences as individuals interpret advertisements based on their values and experiences. TBSI (The Body Shop Indonesia) advertisements were conceptualized and analyzed using narrative transportation. Interviews are conducted with nine informants from various backgrounds. The results of the study are described in themes, namely (1) insight, (2) the relationship between CSR messages and the participant's value system, and (3) narrative responses to CSR advertisements. The result of the study states that advertising does not necessarily make the value from a social issue to be embedded or instilled in someone. Narrative and commitment to these values depend on the individual, person by person.

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