scholarly journals Perepresentasian Liyan Dalam Novel Ushfur Min Ash-Sharq Karya Tawfiq Al-Hakim

2020 ◽  
Vol 4 (2) ◽  
pp. 191
Author(s):  
Hendra Apriyono

This research is motivated by the imbalance of relations between East and West in Arabic travel literature. The inequality is caused by the representation of the superior (West) and the inferior (East) which is constantly being produced. The novel Uṣfur min al-Syarq by Taufiq al-Hakim as one of Arabic travel literature is considered to offer a different view from other Arabic travel literature by proposing the value of equality between East and West. This research is expected to be able to resolve the problem of inequality in relations between East and West as represented in Arabic travel literature. This research uses another representation strategy from Carl Thompson's travel literary concept which consists of colonial, neo-colonial, and post-colonial strategies. The results of this study found that the representations of the others made by al-Hakim which were dominated by the use of colonial and post-colonial strategies showed that the author occupied two opposing positions. On the one hand, al-Hakim is still trapped in colonial discourse and on the other hand, al-Hakim is not entirely successful in bringing the post-colonial travel agenda to escape from Western hegemony. The equality proposed by al-Hakim regarding the East is inseparable from Western assistance. To realize the equality of the East and the West, al-Hakim used the superiority of the West to face the West in order to defend the East.

Author(s):  
Edgar Zavala-Pelayo

Abstract The paper seeks to fill the gap in the literature that on the one hand adopts productively a Foucauldian genealogical approach to analyze religious phenomena yet on the other hand offers only minimum details, or no account, of methodological criteria and analytical procedures. Drawing retrospectively on the methodological experiences and insights of the author’s previous genealogical exercises, and the findings of some of the works above, the paper develops a contextual genealogical approach to study the religious in colonial and post-colonial settings with a Christian background. Based on a critical adoption of Nietzschean and Foucauldian tenets and six strategic analytical axes, the approach is presented as an open and flexible context-oriented methodological alternative for the necessarily constant rethinking of the religious in the present.


2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 


Author(s):  
Elke Van Nieuwenhuyze

The aim of this article is to trace the referential value of juffrouw Lina (1888)as part of its narrative organisation by means of the narrativist historical theoryof Frank Ankersmit. This starting point demands a confrontation of thisnaturalist novel by Marcellus Emants with the contemporary medical biographyof the French writer and politician Chateaubriand by the Belgian physicianErnest Masoin on the one hand and with some case studies of hystericsby the famous French docter Jean-Martin Charcot on the other hand. lt willbe argued that the narrativity of the novel plays a key-role in the constructionof its referential value on various levels.


2018 ◽  
Vol 27 (3) ◽  
pp. 205-234
Author(s):  
Warren C. Campbell

This article examines both 4 and 5 Ezra as two textual reactions to Roman imperialism utilizing Homi Bhabha's notion of ‘hybridity’. The central argument offered here is that 4 and 5 Ezra both exemplify resistance to and affiliation with the discourse of dominance integral to imperial ideology. Such reactions are, however, inverted. On the one hand, 4 Ezra primarily offers a theodicean resistance to the destruction of the Second Temple during the First Jewish Revolt (66–70 CE), but relies upon essentialized binaries integral to a colonial discourse of domination. On the other hand, 5 Ezra advances a notion of religious replacement in the aftermath of the Bar Kokhba revolt (132–135 CE); an expression of dominance that is simultaneously a strategy of communal preservation arising from a position of proximity to a Jewish heritage.


Author(s):  
Tatiana A. Bystrova ◽  

The paper examines two key novels by Sandro Veronesi, the modern Italian writer, Calm Chaos (2006) and Colibri (2020). Both novels were awarded Italy’s main literary prize, the Premio Strega, which is a unique precedent. The relevance of the article comes from the high demand for research on contemporary Italian literature on the one hand and from the novelty of the proposed interpretation for the novel Calm Chaos on the other hand. For the first time, the protagonist of Calm Chaos, Pietro Palladini, is presented not as a preacher of eternal values, returning the reader to the theme of knowing oneself and the surrounding world, but as a mad visionary with clear signs of psychopathy and schizophrenia. The analysis of Veronesi’s latest novel Colibri reveals the character’s evolution and the writer’s narrative manner. The theme of psychiatry in the life of a modern person appears to be one of the key ones in Veronesi’s work.


Author(s):  
Neziha Musaoğlu

Many important changes occurred in the Russian Federation's foreign policy since 2000s with Putin's coming to power. Although the foreign policy is defined as pragmatic during this period, it is in fact ideologically constructed on the basis of the concept of “sovereign democracy.” The concept constitutes in the same time the source of loyalty of the Russian reelpolitik towards the West, especially the USA and of the Russian anti-globalist policies. The aim of this chapter is to analyze the intellectual, normative, and conceptual dimensions of the “sovereign democracy” concept that could serve to conceive the foreign policy practice of the Russian Federation, on the one hand, and on the other hand its dialectical relationships with the West in the era of globalization.


Religions ◽  
2019 ◽  
Vol 10 (4) ◽  
pp. 261
Author(s):  
Chenxing Han

This paper engages the perspectives of thirty young adult Asian American Buddhists (YAAABs) raised in non-Buddhist households. Grounded in semi-structured, one-on-one in-person and email interviews, my research reveals the family tensions and challenges of belonging faced by a group straddling multiple religious and cultural worlds. These young adults articulate their alienation from both predominantly white and predominantly Asian Buddhist communities in America. On the one hand, they express ambivalence over adopting the label of “convert” because of its Christian connotations as well as its associations with whiteness in the American Buddhist context. On the other hand, they lack the familiarity with Asian Buddhist cultures experienced by second- or multi-generation YAAABs who grew up in Buddhist families. In their nuanced responses to arguments that (1) American convert Buddhism is a non-Asian phenomenon, and (2) Asians in the West can only “revert” to Buddhism, these young adults assert the plurality and hybridity of their lived experiences as representative of all American Buddhists, rather than incidental characteristics of a fringe group within a white-dominated category.


2008 ◽  
Vol 59 (1) ◽  
pp. 1-28
Author(s):  
ELISABETH MÉGIER

This article examines the role, in patristic and medieval commentaries on Isaiah in the west up until 1150, of the theme of the ‘remnant’ (Isaiah i.9; x.22), which is related to Jewish Christians by St Paul. Assumed to signify the small number of Jewish converts in Apostolic times, it could also be used on the one hand to minimise the Jewish contribution to the early Church (St Jerome and Rupert of Deutz) and on the other hand to emphasise it (Haimo of Auxerre, Bruno of Segni and Herveus of Bourg-Dieu). Some authors, however, simply ignore the question (Arnold of Bonneval and Rainald of St Eloi).


AJS Review ◽  
2017 ◽  
Vol 41 (1) ◽  
pp. 67-88
Author(s):  
Dvir Tzur

The article discusses the image of Tel Aviv, the first Hebrew city, as it is described in the novelPreliminariesby S. Yizhar (Yizhar Smilansky), one of Israel's best-known authors. In this novel, which engages with the question of home and borders, borders function as a double-edged sword: on the one hand, they define home and create a circumscribed place for the protagonist and his family. On the other hand, the novel dwells on the urge to cross borders and shatter the distinction between home and the world. In this regard, Tel Aviv is sometimes described as a pleasant, “normal” city, yet at other times it is written as a perilous place—since it divides between Jews and Arabs. Tel Aviv is also the place where one can imagine a great future or see a concealed history. It is a total urban experience, encapsulating the individual.


2013 ◽  
Vol 28 (70) ◽  
Author(s):  
Louise Brix Jacobsen ◽  
Henrik Skov Nielsen ◽  
Rikke Andersen Kraglund

Louise Brix Jacobsen, Rikke Andersen Kraglund & Henrik Skov Nielsen: “Selfsacrifice. On Right and Reasonableness among Foes and Friends, and on Judging the Living and the Dead in Max Kestner’s film I am Fiction”In 2011, the performance artist Thomas Skade-Rasmussen Strøbech lost a lawsuit against his former friend and collaborator Helge Bille Nielsen and the publishing house of Gyldendal. This led to a debate about copyright, freedom of expression, identity, and the line between fiction and reality. In 2008, Nielsen or Das Beckwerk published the novel The Sovereign where Strøbech – seemingly without his knowledge and apparently against his will – is the main character. About a year after losing the lawsuit Strøbech and film director Max Kestner gives his version of the events before, during, and after the trial in the film I am Fiction (Identitetstyveriet). This article analyzes I am fiction in order to show how the film on the one hand outlines Strøbech’s version of the events as a story about a victim but on the other hand undermines this version with humor and irony and points towards an artistic collaboration between alleged victim and villain.


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