scholarly journals Sztuka wojenna słowian w świetle dzieła Teofilakta Symokatty.

Author(s):  
Łukasz Różycki

The purpose of the piece Sztuka wojenna Słowian w świetle dzieła Teofilakta Symokatty [The military craft of Slavs as presented in the work of Theophylat Simocatta] was to demonstrate the military history of Slavs in the context of the work of Theophylact Simocatta, a leading source of information about the Balkans at the end of the 6th century. All the fragments including any information about Slavs’ military operations were analyzed and then verified against other contemporary sources, mainly the military treatise Strategikon. The results were anything but dubious; Theophylact’s account of Slavs was corroborated not only in the works of other historians (Procopius and John of Ephesus), but also in a military treatise, most likely written by an experienced commander (Strategikon). The work of Theophylact presents Slavic war craft as a simple, tribal affair. The barbarians made use of all the available stratagems in order to gain advantage over Romans whose military experience and material culture surpassed that of Slavs. Accounts of ambushes, night raids, swift attacks and rapid retreats (especially mentions of how the Slavs adapted to fighting in the woods) appear in all reliable sources. Another frequently mentioned fact is Slavs’ skill in crossing rivers in which they excelled. A comparative analysis of the sources confirms that all ancient authors regarded Slavs highly skilled in this respect. Another conclusion was that Slavs acted differently in Roman territories (where in the event of an attack, they would typically retreat) than in their own lands which they were prepared to defend at any cost. A verification of the reliability of Theophylact Simocatta’s account of the Slavic military craft gives grounds for attempting a more detailed assessment of their activities in the final two decades of the 6th century, and as such adds to our knowledge about barbarian tribes penetrating the Balkans.

2018 ◽  
Vol 29 (4) ◽  
pp. 133-148
Author(s):  
S. O. Biliaieva ◽  
O. Ye. Fialko

Archaeological materials of Belgorod-Akkerman cause great interest as the monument of different civilizations, the interrelations of which in the field of the material culture, not enough study yet. Take in attention the perspectives of planigraphic analyse, which was accepted earlier on the base of the glasses for architectural reconstructions of the Turkish bathhouse, the article is the first attempt to represent the results of complex analyse of the glass things (nearby 1000 exemplars), which were founded on the whole square of the excavations of the expedition of 1999—2010. On the base of the two main parameters: planigraphy and typology of the findings in the buildings of the Low yard of the fortress the fact of the interrelation of artefacts with historical development of various structures was established. Some differences in using the glass artefacts in the bathhouse and barbican were admitted. The new page of the military history of Akkerman of the 18th century became the mass findings of fragments of glass grenades, which have been led to the destruction of the barbican.


2019 ◽  
Vol 16 (1) ◽  
pp. 30-39
Author(s):  
Bella L. Shapiro

Military material culture (tangible expression of military history) does not belong to topics unfairly forgotten by researchers. However, in mo­dern practice, the lost cultural heritage is not researched as actively as the preserved one. This study aims to fill in some lacunae in the history of military material culture related to the practice of re-mel­ting precious metal objects. The issue is consi­dered on the example of Life-Cuirassier Her Majesty’s Regiment. The article highlights the key moments of the regiment’s history related to royal awards. It was, primarily, the short epoch of the reign of Paul I when silver timpani, trumpets and cuirasses received the status of regimental relics (1799). During the reign of his successor Alexander I, with a reduction in the cost of maintaining the army, the silver part of this regimental relics was re-melted. The money received made up the fund of the offi­cer’s insurance capital. Some more of the regimental relics, precious in every sense, were lost in the years of the Great Patriotic War. As a result, the military material culture of the era of Paul I, in particular the protective armament, is presented very poorly in modern museum collections. This research helps to describe its character and history of exis­tence. The main sources of stu­dying the lost relics is the history of the regiment and its regimental archive published by Colonel M.I. Markov. Graphic documents are used as additional sources. The article outlines the list of modern museum collections that store preserved items, partly similar (partially interchangeable) to the lost ones. Summing up the results of the work, the study of the lost material cultural heritage is a promising scantily-explored direction of military history.


2019 ◽  
Vol 9 ◽  
pp. 207-250
Author(s):  
Dmytro Dymydyuk

Byzantium’s arms and armours were researched by many historians. For that reason, the military history of the medieval Roman Empire enjoyed a dominant position in medieval historiography, with the consequence that very often the military history of small nations (under Roman influences) was written from the perspective of the Eastern Romans historians. The aim of the paper is to change this perspective and give the subject of the medieval Armenian military the attention it deserves. The idea is to perform an analysis of the relief on the Door of the Msho Arakelots monastery, where four equestrians and one infantryman are depicted, and to compare it with other Armenian, Byzantine and Muslim sources. In this relief, a spherical mace head and a sword with sleeve cross-guard are represented, suggesting many parallels with East-Roman archaeological and figurative sources. No less important is the depiction of the military trumpet because it is the first image of this object in Armenian art, which can be compared with pictures from the Madrid Skylitzes (13th c.). In addition, the only defensive weapon which is presented in this relief is a round shield with a floral ornament. There are many depictions of round shields in Armenian miniatures and reliefs from 10th–11th c. Moreover, this relief is one of the few where stirrups and the chape of a scabbard are shown. These elements represent an important piece of information because these pictures can be compared with actual archaeological East-Roman artefacts to reconstruct their real look. The conclusions are that the majority of Armenian weapons bear similarities to Byzantine ones but no less important are the Muslim influences, which have been found in some cases. Located between two civilizations (Byzantium and the Muslim Potentates), Armenians adopted the best solutions of their military technologies, creating their own culture. Moreover, thanks to this comparative analysis, further support will be given to the idea that medieval figurative sources are more or less accurate material for studying medieval military history.


2018 ◽  
Vol 1 (1) ◽  
pp. 121-151 ◽  
Author(s):  
Kiyoshi Miyake (宮宅潔)

From the late fourth century b.c.e. onward, the state of Qin launched several long-term military expeditions. If, however, the army had consisted of “alternating garrisons” (gengshu 更戍) serving a maximum enlistment of one year, such expeditions could not have been carried out. The author thereby argues that the term “surplus garrisons” (rongshu 冗戍) seen in the Liye Qin manuscripts designates long-term conscripts, with which Qin managed to sustain its long-term military operations. 公元前四世紀末期以後,秦國屢次進行長時段軍事遠征。如果兵士是以最長爲一年的任期而輪換的“更戍”,就不能完成這樣的軍事作戰。筆者推測,里耶秦簡所見“冗戍”是長期從軍的應徵兵。利用冗戍的兵力,秦國得以維持了長期軍事活動。


2019 ◽  
pp. 134-197
Author(s):  
V.E. . Sergei

The article is dedicated to the history of the Military Historical Museum of Artillery, Engineering and Signal Corps. The author examines the main stages of the museums formation, starting with the foundation of the Arsenal, established in St. Petersburg at the orders of Peter the Great on August 29th 1703 for the safekeeping and preservation of memory, for eternal glory of unique arms and military trophies. In 1756, on the base of the Arsenals collection, the General Inspector of Artillery Count P.I. created the Memorial Hall, set up at the Arsenal, on St. Petersburgs Liteyny Avenue. By the end of the 18th century the collection included over 6,000 exhibits. In 1868 the Memorial Hall was transferred to the New Arsenal, at the Crownwork of the Petropavlovsky Fortress, and renamed the Artillery Museum (since 1903 the Artillery Historical Museum). A large part of the credit for the development and popularization of the collection must be given to the historian N.E. Brandenburg, the man rightly considered the founder of Russias military museums, who was the chief curator from 1872 to 1903. During the Civil and Great Patriotic Wars a significant part of the museums holdings were evacuated to Yaroslavl and Novosibirsk. Thanks to the undying devotion of the museums staff, it not only survived, but increased its collection. In the 1960s over 100,000 exhibits were transferred from the holdings of the Central Historical Museum of Military Engineering and the Military Signal Corps Museum. In 1991 the collection also received the entire Museum of General Field Marshal M.I. Kutuzov, transferred from the Polish town of Bolesawjec. The Military Historical Museum of Artillery, Engineering and Signal Coprs is now one of the largest museums of military history in the world. It holds an invaluable collection of artillery and ammunition, of firearms and cold steel arms, military engineering and signal technology, military banners, uniforms, a rich collection of paintings and graphic works, orders and medals, as well as extensive archives, all dedicated to the history of Russian artillery and the feats of our nations defenders.Статья посвящена истории создания ВоенноИсторического музея артиллерии, инженерных войск и войск связи. Автор рассматривает основные этапы становления музея, начиная с основания Арсенала, созданного в СанктПетербурге по приказу Петра I 29 августа 1703 года для хранения и сохранения памяти, во имя вечной славы уникального оружия и военных трофеев. В 1756 году на базе коллекции Арсенала генеральный инспектор артиллерии граф П. И. создал мемориальный зал, установленный при Арсенале, на Литейном проспекте СанктПетербурга. К концу 18 века коллекция насчитывала более 6000 экспонатов. В 1868 году Мемориальный зал был перенесен в Новый Арсенал, на венец Петропавловской крепости, и переименован в Артиллерийский музей (с 1903 года Артиллерийский Исторический музей). Большая заслуга в развитии и популяризации коллекции принадлежит историку Н.Е. Бранденбургу, человеку, по праву считавшемуся основателем российских военных музеев, который был главным хранителем с 1872 по 1903 год. В годы Гражданской и Великой Отечественной войн значительная часть фондов музея была эвакуирована в Ярославль и Новосибирск. Благодаря неусыпной преданности сотрудников музея, он не только сохранился, но и пополнил свою коллекцию. В 1960х годах более 100 000 экспонатов были переданы из фондов Центрального исторического военноинженерного музея и Музея войск связи. В 1991 году коллекцию также получил весь музей генералфельдмаршала М. И. Кутузова, переданный из польского города Болеславец. Военноисторический музей артиллерии, инженерных войск и войск связи в настоящее время является одним из крупнейших музеев военной истории в мире. Здесь хранится бесценная коллекция артиллерии и боеприпасов, огнестрельного и холодного оружия, военной техники и сигнальной техники, военных знамен, обмундирования, богатая коллекция живописных и графических работ, орденов и медалей, а также обширные архивы, посвященные истории русской артиллерии и подвигам защитников нашего народа.


2019 ◽  
Author(s):  
Tilman Venzl

In the 18th century, as many as 300 German-language plays were produced with the military and its contact and friction with civil society serving as focus of the dramatic events. The immense public interest these plays attracted feeds not least on the fundamental social structural change that was brought about by the establishment of standing armies. In his historico-cultural literary study, Tilman Venzl shows how these military dramas literarily depict complex social processes and discuss the new problems in an affirmative or critical manner. For the first time, the findings of the New Military History are comprehensively included in the literary history of the 18th century. Thus, the example of selected military dramas – including Lessing's Minna von Barnhelm and Lenz's Die Soldaten – reveals the entire range of variety characterizing the history of both form and function of the subject.


Author(s):  
A.V. Zakharevich ◽  

The article is devoted to the history of the famous Kabardian Uzden (nobleman) and the Don Cossack hero of the Russian army of the era of the Napoleonic wars and the military history of the Don Cossacks of the late 18th - first half of the 19th century, General D.G. Begidov (1778-1838). The author researched the history of history and archival sources about the origin and early years of the biography of D.G. Begidov and paid the main attention to his participation in the Napoleonic wars among the Cossacks of the Ataman regi-ment under the command of the legendary Cossack hero of the Patriotic War of 1812 - Ataman M.I. Platov.


2021 ◽  
Vol 17 (1) ◽  
pp. 27-31
Author(s):  
Paul TUDORACHE

Abstract: The manifestation of different dissensions regarding the use of planning methodologies in the operations process has become a reality, both at national level and within NATO. Therefore, this research paper contributes to the theoretical clarification on defining the specific methodologies, respectively their employment in relation to the level of Land Forces military operations. Another objective of this paper is to make a comparative analysis between the design methodology, military decision making process (MDMP) and troop leading procedures (TLP), targeting the military structures within the Land Forces, and those belonging to NATO. Also, at the end, the paper highlights some perspectives of improving planning, as the primary activity which starts the operations process.


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