scholarly journals Theorising Public and Private Spheres

2016 ◽  
Vol 15 (1) ◽  
pp. 60-73
Author(s):  
Remina Sima

Abstract The 19th century saw an expression of women’s ardent desire for freedom, emancipation and assertion in the public space. Women hardly managed to assert themselves at all in the public sphere, as any deviation from their traditional role was seen as unnatural. The human soul knows no gender distinctions, so we can say that women face the same desire for fulfillment as men do. Today, women are more and more encouraged to develop their skills by undertaking activities within the public space that are different from those that form part of traditional domestic chores. The woman of the 19th century felt the need to be useful to society, to make her contribution visible in a variety of domains. A woman does not have to become masculine to get power. If she is successful in any important job, this does not mean that she thinks like a man, but that she thinks like a woman. Women have broken through the walls that cut them off from public life, activity and ambition. There are no hindrances that can prevent women from taking their place in society.

2008 ◽  
Vol 26 (4) ◽  
pp. 324-343 ◽  
Author(s):  
Krishan Kumar ◽  
Ekaterina Makarova

Much commentary indicates that, starting from the 19th century, the home has become the privileged site of private life. In doing so it has established an increasingly rigid separation between the private and public spheres. This article does not disagree with this basic conviction. But we argue that, in more recent times, there has been a further development, in that the private life of the home has been carried into the public sphere—what we call “the domestication of public space.” This has led to a further attenuation of public life, especially as regards sociability. It has also increased the perception that what is required is a better “balance” between public and private. We argue that this misconstrues the nature of the relation of public to private in those periods that attained the greatest degree of sociability, and that not “balance” but “reciprocity” is the desired condition.


Author(s):  
Natalia Kostenko

The subject matter of research interest here is the movement of sociological reflection concerning the interplay of public and private realms in social, political and individual life. The focus is on the boundary constructs embodying publicity, which are, first of all, classical models of the space of appearance for free citizens of the polis (H. Arendt) and the public sphere organised by communicative rationality (Ju. Habermas). Alternative patterns are present in modern ideas pertaining to the significance of biological component in public space in the context of biopolitics (M. Foucault), “inclusive exclusion of bare life” (G. Agamben), as well as performativity of corporeal and linguistic experience related to the right to participate in civil acts such as popular assembly (J. Butler), where the established distinctions between the public and the private are levelled, and the interrelationship of these two realms becomes reconfigured. Once the new media have come into play, both the structure and nature of the public sphere becomes modified. What assumes a decisive role is people’s physical interaction with online communication gadgets, which instantly connect information networks along various trajectories. However, the rapid development of information technology produces particular risks related to the control of communications industry, leaving both public and private realms unprotected and deforming them. This also urges us to rethink the issue of congruence of the two ideas such as transparency of societies and security.


Author(s):  
Sam Zimmerman

This research project seeks to establish a print culture context for popular British music during the time of the Napoleonic Wars. More specifically, this project investigates representations of Horatio Nelson, the Battle of the Nile (1798), and the Battle of Trafalgar (1805) to understand representations of heroism and the nature of public and private spheres during the time of the Napoleonic Wars. By studying these representations in popular song, this research better understands the jingoistic tropes of British early 19th century Britain as well as attitudes towards heroism and the Napoleonic Wars. Songs used in this project are: “Nelson’s Tomb,” “The Battle of the Nile,” “The Death of Nelson,” “The Disbanded Soldier” “The Mouth of the Nile,” and “The Orphan Boy’s Tale.” The conflicting perspectives found in these songs provide a greater understanding of British culture during the Napoleonic Wars. Songs which exclusively represent Nelson as the quintessential heroic sailor in the public sphere and Britain’s military acts as divinely sanctioned, choose to ignore Nelson’s relationship in the private sphere, and contrast songs which reject unqualified celebration in the wake of war, and focus on mourning as a result of the war. This disparity reflects the complexity and internal tension of 19th century British society, specifically oppositional attitudes of jingoism and mourning, as well as the celebration of renowned heroes versus the disregard of unknown soldiers and the dead. By considering such historical perspectives on war, we might better understand the voices that speak of war in our own time.


2019 ◽  
Vol 4 (6) ◽  
pp. 131
Author(s):  
Fábio Augusto Carvalho Pedrosa

Até determinado período do oitocentos, vivos e mortos conviviam no mesmo espaço, mantendo relações bastante diretas. Essa relação estava a séculos arraigada no cotidiano. Os discursos higienistas e as práticas de normatização do espaço público, com a construção de cemitérios públicos e a proibição do contato tradicional com os cadáveres, distanciaram cada vez mais esses dois. Dessa forma, pretende-se analisar como se deram as mudanças nas práticas funerárias na cidade de Manaus na segunda metade do século XIX, partindo das primeiras discussões presentes no Código de Posturas Municipais de 1848. Nesse período os discursos médicos penetraram na região, sendo reforçados pelas graves epidemias que atingiram a capital entre 1855 e 1856, que culminaram na construção do Cemitério de São José (1856-59), que marcou o início de uma nova forma da população manauara relacionar-se com a morte e os mortos.Palavras-chaves: Morte, Práticas Funerárias, Cemitério.Abstract Until a certain period of the eight hundred, living and dead lived in the same space, maintaining fairly direct relations. This relationship was rooted in the centuries. The hygienist discourses and practices of standardization of the public space, with the construction of public cemeteries and the prohibition of the traditional contact with the corpses, have distanced more and more these two. In this way, the aim is to analyze the changes in funeral practices in the city of Manaus in the second half of the 19th century, starting from the first discussions in the Code of Municipal Postures of 1848. During this period medical discourses penetrated the region and were reinforced by the serious epidemics that hit the capital between 1855 and 1856, culminating in the construction of the São José Cemetery (1856-59). Keywords: Death, Funeral Practices, Cemetery.


Author(s):  
Claudia Carbone

The Danish net of highways forms an ‘H’ connecting the country north-south and east-west. This is the starting point for a discussion of contemporary urbanism. The article points out that the increasing physical and virtual communication blurs well-known distinctions between centre/ periphery and urban/rural. The majority of planning tendencies aims at recreating and emphasising these distinctions by enhancing the public space of historical city centres and keeping the landscape clear of permanent human activities. The article argues against these tendencies. It refers to the Danish ‘golden age’ painters who successfully tried to construct a national identity in the first half of the 19th century. They did so by sampling parts of the existing cultural landscape and combine them to a slightly enhanced reality in their paintings. The article tries to do the same by combining already existing elements and tendencies to a polemical image of a partly existing reality based on hybrids between the urban and rural.  


2021 ◽  
pp. 96-118
Author(s):  
Stuart Banner

This chapter discusses an important change in lawyers’ understanding of the relationship between the spheres of law and religion during the 19th century. In the early Republic these spheres substantially overlapped. Natural law was understood to have been created by God. Christianity was considered to be part of the common law. Americans may not have become any less religious in the 19th century, but they increasingly came to think of religion as part of one’s private, personal life, separate from the public sphere of law. As law and religion separated, the notion that natural law should play a role in the legal system came to seem more and more anomalous.


Prospects ◽  
1993 ◽  
Vol 18 ◽  
pp. 29-49
Author(s):  
Stephen P. Knadler

An Emersonian notion of originality and autonomy has over the last century and a half evolved into an enduring part of our cultural heritage. In a nation fractured by racial or class barriers, this assertive individualism continues for many to hold forth the hope of a fundamental principle overlapping our cultural divisions. Of course, this self-reliance has not gone unquestioned in an age of postmodern skepticism. If once a defiance of history and society seemed the American Adam's heroic gesture, recent critics such as Frank Lentricchia and Donald Pease have pointed out the Emersonian self s inescapable ties to the overdeterminate world of discourse. Not only have recent critics dismissed the plausibility of Emerson's idealism, they have disavowed its ideology of solipsistic independence that repudiates collective life. What I would like to do is to pose the problem of Emersonian individualism differently, to frame the terms of the debate less according to false oppositions between authenticity and culture, self and society, or freedom or fate, than in terms of complex negotiations about social authority undertaken in response to the “age of reform's” blurring of traditional distinctions between the public and private. In the second quarter of the 19th Century, the push toward state-sponsored education, specifically, was refiguring power in terms of socialization. Within his essays, Emerson acknowledges that identity is, and could only be, a social construct. Rather than trying to elude the fate of circumstances, Emerson, it might better be argued, attempts to redefine the nature and limitations of freedom in a world where, as he says in his lecture on “Culture” (March, 1851), “education” has superseded politics.


2017 ◽  
Vol 20 (7) ◽  
pp. 103-115
Author(s):  
Andrzej Pieczewski

The social class which was the spiritus movens of rapid economic transformation in the lands of the Kingdom of Poland in the nineteenth century was the bourgeoisie. In the public sphere, there is still a strong conviction among contemporary Poles about the moral defects of capitalists, for whom, according to the prevailing stereotypes, only profit was important. The author of this article, to contradict this claim, gives an example of the life and actions of Jan Gottlieb Bloch (1836–1902). The aim of the article is to present the broad economic, social and scientific activity of Bloch as a member of the bourgeoisie of the Kingdom of Poland. The author also points to the need for further research on the work of Jan Bloch, especially in the field of his economic and irenological writing.


Author(s):  
Anita Rožkalne

In the early stages of the development of the Latvian national literature, periodicals used to publish information, reflections, and overviews on foreign culture and literature parallel to (or sometimes even before) the appearance of the corresponding translations in the Latvian cultural space. The material selected for publication determined whether the rendition of the facts was factual or imaginative, saturated with details familiar to the reader, or introduced new information. Furthermore, periodicals quite often reprinted information on situations and characters found in foreign press that seemed curious or odd to their Latvian readership. The popularity of these publications, like that of light fiction, stemmed from the widespread interest in exotic narratives. Narratives about the literary works of foreign authors held a very distinctive position among this idiosyncratic material. A prime example is the overview of Victor Hugo’s writings and biography in the Latvian periodicals at the end of the 19th century, predating the translations of his works in Latvian. The discussion which took place in the public space offers an insight into the contradictory reception process of foreign literature, revealing that the formation of Latvian national identity and literature was influenced both by the openness to otherness and a variety of hermeticism or distancing from otherness.


2021 ◽  
Vol 1 ◽  
pp. 5-18
Author(s):  
A. S. Bodrova ◽  
◽  

The review article systematizes the principle achievements in the studies of the literary societies and associations in the Russian and foreign historiography of the 1990–2010s, and analyzes approaches to this material within the framework of various disciplines and methodologies. The author suggests an institutional approach as the basis for the development of a conceptual and fact-fortified language for describing the literary societies in Russia in the fi rst half of the 19th century. An institutional approach provides an opportunity to link the history of the literary associations with the broader socio-historical context and to describe the role played by the literary societies in the formation of the «public sphere» and civil society in the 19th-century Russia


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