scholarly journals Juhuri: From the Caucasus to New York City

Author(s):  
Habib Borjian ◽  
Daniel Kaufman

AbstractJuhuri is a dialect of the Tat language of the eastern Caucasus (specifically, Dagestan and Azerbaijan). Although Juhuri is dialectologically related to Persian, it is not mutually intelligible with any Persian dialect. The Juhuri speakers, called Mountain Jews, are estimated at around 200,000, most of whom have immigrated to Israel and the United States. The New York community is largely centered in Brooklyn around the Kavkazi Jewish Congregation. The language is still spoken by those born in the Caucasus, and is maintained in some families and some spheres of daily life. Many of these Mountain Jews are multilingual in Juhuri, Russian, Azerbaijani, Hebrew, and English. In this article, we situate the language within the context of the New York expatriate community and explore the role of Juhuri in relation to ethno-religious identity, language attitude, and functional domains. The data reported on here are based on interviews and a written survey. We conclude that although the odds are heavily stacked against the survival of Juhuri, there may be a critical mass of language activists who can turn the tide. The fate of the language in the twenty-first century will likely be decided in the next two decades.

2020 ◽  
pp. 54-81
Author(s):  
Benjamin Lapidus

This chapter outlines the important history and role of craftsmen based in New York City who produced and repaired traditional instruments used in the performance of Latin music. It introduces individuals who came from Cuban, Puerto Rican, Dominican, and Jewish communities, and examines how their instruments physically represented the actual sound of Latin Music to New York and the world on widely disseminated recordings. Many of these instrument makers also sold their instruments beyond New York City and the United States. The chapter also discusses the work of builders and musicians in New York City to create and modify the tools used to forge the sound of Latin music and diffuse both the instruments and their aesthetic throughout the world. Ultimately, the chapter seeks to unify into one coherent narrative, the efforts of folklorists, journalists, and authors who paid attention to the origins of hand percussion instruments in New York, their subsequent mass production, and the people who built the instruments used to play Latin music in New York City.


2012 ◽  
Vol 12 (4) ◽  
pp. 8-10
Author(s):  
shax riegler

The 1939 World's Fair in New York City celebrated the future—“The World of Tomorrow”—while also commemorating the one-hundred-and-fiftieth anniversary of George Washington's inauguration as first president of the United States. (His swearing-in ceremony had taken place in the city.) This essay examines the odd juxtaposition of imagery depicting both events on a blue-and-white transfer-printed ceramic souvenir plate from the fair. In the central portion of the plate, a god-like Washington, seen from behind, stands on a neoclassical balcony gazing out over the fairgrounds toward the iconic Trylon and Perisphere; around the rim small illustrations show several of the significant structures at the fair. Using the plate as a starting point, this essay considers the contemporary significance of and enduring interest in the fair. It explores the role of food and food-related displays at the fair, and it offers an explanation for the style and form of this particular plate, and other souvenir plates, intended for display yet also referencing the everyday functionality of the common household dinner plate.


2018 ◽  
Author(s):  
Thomas Waters

In New York City and across the United States, neighborhood councils established by local governments are incorporating citizen participation into decision making while engaging issues that require them to use expert knowledge. These participatory projects can be seen as a way to check the pervasive and potentially undemocratic role of expertise in society, by creating a public setting in which experts’ advice can be exposed and criticized, and in which laypeople can attempt to influence policy processes that would ordinarily be dominated by experts. This ethnographic study investigates the fine-grained human interactions as members of a New York City community board in a low-income neighborhood engage land use and housing issues. It finds that they can partially overcome the challenge of expertise by developing their own technical capacity, and that this enhances board members’ influence. But it also finds that members encounter difficulties that cannot be remedied by more technical capacity. First, board members who develop expertise still lack complementary instrumentalities, such as access to insider information. And second, they find it difficult to juggle performance of their expert role with other roles they must play in their deliberations, especially the role of representing the community, which is essential if they are to influence elected officials through public opinion.


2018 ◽  
Vol 39 (10) ◽  
pp. 2781-2805 ◽  
Author(s):  
Samira Ali ◽  
Ozge Sensoy Bahar ◽  
Priya Gopalan ◽  
Karolina Lukasiewicz ◽  
Gary Parker ◽  
...  

It has been argued that individuals living in poverty are shamed, and thus, experience it in various social and institutional spaces. However, little is known about this dynamic in the United States. This study examined the relationship between poverty and shame among individuals living in poverty. Individual semistructured interviews were conducted with 60 participants in New York, NY. The results reveal that participants experience shame, anger, and frustration in their roles as (a) caregivers when being unable to provide material items and trying to keep up with others in society and (b) social welfare recipients when at the welfare office and accessing welfare benefits. Despite experiencing such debilitating emotions, participants formulated and used strategies to manage these feelings and situations. These findings point to the role of social and institutional practices in shaping emotions.


1992 ◽  
Vol 52 (3) ◽  
pp. 611-630 ◽  
Author(s):  
Jon Moen ◽  
Ellis W. Tallman

The Bank Panic of 1907 was one of the most severe financial crises in the United States before the Great Depression. Although contemporaries realized that the panic in New York City was centered at trust companies, subsequent research has relied heavily on national bank data. Balance sheet data for trust companies and state banks as well as call reports of national banks indicate that the contraction of loans and deposits in New York City during the panic was confined to the trust companies.


2021 ◽  
Vol 14 (2) ◽  
pp. 385-410
Author(s):  
Bryan Kirschen

Abstract This study explores contact between Ladino-speaking Sephardim and Spanish-speaking Latinos in New York City and Los Angeles, home to two of the largest factions of each population in the United States. While the retention of postalveolar sibilants [ʒ, dʒ, ʃ] in Ladino, corresponding to velar [x] in Spanish, helps distinguish these varieties, research has demonstrated cases where Sephardim implement the latter phone in lieu of one of the former. That such contact-induced change is a result of interaction between Sephardim and Latinos is further examined in this research. Twenty-five speakers of Ladino participated in two oral-production tasks: within-group and between-group testing. In the former, informants were paired with another speaker of Ladino; in the latter, they were paired with a speaker of Spanish. Data reveal that informants replace postalveolar sibilants with velar [x] at a rate of 18.2% within group and 76.5% between group, when direct equivalencies exist. Statistical analysis demonstrates that production of velar [x], the dependent variable, is conditioned by several independent variables, both social (age, gender, city of residence, interlocutor) and linguistic (type of lexical correspondence and origin of lexicon). Subsequent discussion considers the role of accommodation in determining the ways in which speakers select and implement variation in their speech.


2004 ◽  
Vol 34 (4) ◽  
pp. 468-492 ◽  
Author(s):  
Monika Salzbrunn

AbstractDuring the last twenty years, Senegalese migration has shifted from West African cities to France, from France to its European neighbour countries and finally towards the United States of America. Whereas the secular French state discourages religious display, especially within public space, the more community-oriented USA is far from opposed to religious expression in the public sphere. In this article, I analyze how Senegalese migrants who have grown up in secular states (Senegal and/or France) use American public space to demonstrate their political and religious identity through the organization of special events. Even though the migrants, notably the political and religious activists, take into consideration the cultural and political differences between their different places of residence, they follow continuous strategies across their translocal spaces. Special events like the Murid Parade in July or the Senegalese presidential election campaign in spring 2000 provide rich empirical data for the analysis of the complex interaction between Senegalese inside and outside their country, their translocal networks and their connections to the local situation in New York City. The latter includes the different inhabitants of Harlem and the local geographical setting, the representatives of the state and the politics of migration, as well as the Mayor and his political program. The recently opened House of Islam, founded by members of the Murid Sufi order in Harlem, shows how deeply the Senegalese in the US are already rooted. However, the annual religious event organized by the Murids is only one demonstration of identity politics. In order to illustrate the diversity of the community, I show how the events organized during the Senegalese presidential election campaign in 2000 in New York City take into consideration the complexity of the religious, political and economic identities of the American Senegalese.


2018 ◽  
Vol 45 (1) ◽  
pp. 21-39 ◽  
Author(s):  
James W. Wiley

Gerald Handerson Thayer (1883–1939) was an artist, writer and naturalist who worked in North and South America, Europe and the West Indies. In the Lesser Antilles, Thayer made substantial contributions to the knowledge and conservation of birds in St Vincent and the Grenadines. Thayer observed and collected birds throughout much of St Vincent and on many of the Grenadines from January 1924 through to December 1925. Although he produced a preliminary manuscript containing interesting distributional notes and which is an early record of the region's ornithology, Thayer never published the results of his work in the islands. Some 413 bird and bird egg specimens have survived from his work in St Vincent and the Grenadines and are now housed in the American Museum of Natural History (New York City) and the Museum of Comparative Zoology (Cambridge, Massachusetts). Four hundred and fifty eight specimens of birds and eggs collected by Gerald and his father, Abbott, from other countries are held in museums in the United States.


2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.


1997 ◽  
Vol 7 (2) ◽  
pp. 195-223
Author(s):  
Lillian Taiz

Forty-eight hours after they landed in New York City in 1880, a small contingent of the Salvation Army held their first public meeting at the infamous Harry Hill's Variety Theater. The enterprising Hill, alerted to the group's arrival from Britain by newspaper reports, contacted their leader, Commissioner George Scott Railton, and offered to pay the group to “do a turn” for “an hour or two on … Sunday evening.” In nineteenth-century New York City, Harry Hill's was one of the best known concert saloons, and reformers considered him “among the disreputable classes” of that city. His saloon, they said, was “nothing more than one of the many gates to hell.”


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