Die Zeit der Einbildungskraft - Die Rolle des Schematismus in Kants Erkenntnistheorie

Kant-Studien ◽  
2019 ◽  
Vol 110 (3) ◽  
pp. 437-462
Author(s):  
Rainer Schäfer

Abstract In this paper, I focus on Kant’s doctrine of figurative synthesis. Figurative synthesis is the result of the activity of productive transcendental imagination. This is the chief problem of the so-called “second proof step” in Kant’s deduction of the categories according to the second edition of the Critique of Pure Reason. The pure original synthetic apperception forms in the inner and outer sense - i. e. in time and space - by self-affection structures of order that make it possible to cognize empirical objects. The order of space and time through figurative syntheses (formal intuitions) must be distinguished on the one hand from space and time as forms of intuition and on the other hand from the order of the manifold given in space and time (intuition of particular contents). This clarifies the differences and relations between the constitutive noetic faculties of our knowledge apparatus.

2016 ◽  
Vol 15 (4) ◽  
pp. 261-270 ◽  
Author(s):  
Andreas Losch

AbstractKant was not the first in whom the ‘starry heavens’ above us inspired awe and wonder. For Kant, who was firmly convinced of the existence of inhabitants of other worlds, these heavens were inhabited. He is certain that ‘If it were possible to settle by any sort of experience whether there are inhabitants of at least some of the planets that we see, I might well bet everything that I have on it. Hence I say that it is not merely an opinion but a strong belief (on the correctness of which I would wager many advantages in life) that there are also inhabitants of other worlds.’ In this statement by Kant in no less a work than the Critique of Pure Reason one can, on the one hand, recognize a reflection of Kant's earlier convictions and expositions, on the other hand, the context of the citation and the contemporary background are, of course, relevant. Following the example of Kant, this paper investigates the meaning of such reflections about inhabitants of alien worlds, which due to advances in planetary astronomy are today again on the agenda. Consideration of this subject also represents a challenge for theology.


2006 ◽  
Author(s):  
Maria Schoina

Abstract Considering the largely unacknowledged connection between Byron and Mary Shelley on the logistics which pertain to the experience of crossing-over cultures, this paper investigates the notion of authentic Italianisation as exemplified in their related texts, and discusses its problematics in the context of the dominant themes and preoccupations in Romantic culture. Thus, on the one hand, my paper examines how the Romantic anticipation of being immersed in local culture and of “going native” is articulated – or rather, performed – by Byron himself, by considering specific rhetorical strategies and figures of filiation he used to ground his relationship to Italian place. More specifically, I contend that although Byron’s polymorphic identification to Italian place is constructed in the imagination, it is also grounded in time- and space-bound actions and involves a structure of social relations. On the other hand, the paper delineates how Byron’s idiosyncratic immersion into Italianness is theorised by Mary Shelley and counted on as a model of second culture acquisition.


2015 ◽  
Vol 4 (2) ◽  
pp. 103
Author(s):  
Axelle Vatrican

<p><span style="font-family: Times New Roman;">Abstract. This paper presents a semantic analysis of a periphrastic construction which has not been studied at this time in Spanish: <em>soler </em>+ stative (<em>Un poeta suele ser un hombre normal, “A poet usually is a normal man</em>”). Whereas the habitual construction has been largely studied (<em>Juan suele cantar “Juan usually sings”</em>), it seems that the first one does not carry the same interpretation. We will claim that we need to distinguish between two readings: the habitual reading on the one hand and the generic reading on the other hand. According to Menéndez-Benito (2013), Krifka et al. (1995) and Shubert &amp; Pelletier (1989), among others, we will argue that <em>soler </em>contains a frequentative adverb of quantification <em>Q</em>. In the habitual reading, the <em>Q</em> adverb quantifies over an individual participating in an event at a time t (<em>Juan está cantando</em>, <em>“Juan is singing”</em>), whereas in the generic reading, <em>Q</em> adverb quantifies over a characterizing predicate (<em>un poeta es un hombre normal, “A poet is a normal man”</em>). In the habitual reading, the NP must refer to an individual and the VP to a dynamic event anchored in space and time. In the generic reading, the NP must refer to a class of objects and the VP to a stative predicate.</span></p>


2020 ◽  
Author(s):  
Mayara Fior Oliveira

In photograph the association of images occurs in sequential photographs, photographic series, essays or in in selecting photos to exhibition through photo books, galleries, installations, etc. The film, on the other hand, consists in slices of time and space, that united and organized through the montage can generate a narrative.The process of photographic post-production, the one that starts in the instant after the click, can be closely compared to the montage and post-production film process, once the union of two or more images generates a new meaning, different from the isolated meaning of each one. This idea can be used both in the film editing, as well in the conception of photographic narratives.And this is what paper proposes, reflect about the correlations between the cinematographic montage and photographs selection for the narratives construction.In cinema montage theory there are some extremely important theorists and directors that can be availed when we think about photographic “montage” and the discourse construction through the association of images. In this way the text approaches some the most important directors and theorists of film editing, seeking to reflect about their methods and how they can be applied in the photographic “montage” and how they can contribute to expand photography narrative possibilities through the images association to generate new discourses.


Author(s):  
André Lecours

The strength of secessionism in liberal democracies varies in time and space. Inspired by historical institutionalism, this book argues that such variation is explained by the extent to which autonomy evolves in time. If autonomy adjusts to the changing identity, interests, and circumstances of an internal national community, nationalism is much less likely to be strongly secessionist than if autonomy is a final, unchangeable settlement. Developing a controlled comparison of, on the one hand, Catalonia and Scotland, where autonomy has been mostly static during key periods of time, and, on the other hand, Flanders and South Tyrol, where it has been dynamic, and also considering the Basque Country, Québec, and Puerto Rico as additional cases, this book puts forward an elegant theory of secessionism in liberal democracies: dynamic autonomy staves off secessionism while static autonomy stimulates it.


Author(s):  
Оксана Федотова ◽  
Oksana Fedotova

The paper presents fiction as a multi-layer unit. On the one hand, there is fictional reality in which characters live and act. On the other hand, there is a specific form of presentation of the plot to the reader, fiction narrative metadiscourse. The paper shows that metadiscourse unites the plot and the author’s metadiscourse into fiction text. Metadiscourse is presented as a two-layer structure, which consists of the inner conceptual layer and the outer layer, which includes the system of language means the choice of which is made on the basis of conceptual frame models. The paper describes frame models of metadiscourse forming the inner structure of the text. They are: the frame model of space and time, the frame model of generalization and the frame model of communicative interaction between the writer and the reader.


1998 ◽  
Vol 2 ◽  
pp. 91-106 ◽  
Author(s):  
Georg Cavallar ◽  
August Reinisch

Nowadays Kant's practical philosophy (including his political philosophy) is as highly regarded as his theoretical philosophy. This is an important development since the more constructive side of Kant's philosophy is to be found in his moral and political works. The main task of the Critique of Pure Reason is to clarify its concepts and to get rid of basic errors, and thus only ‘negative’. The moral and political writings, on the other hand, try to expand the scope of reason ‘for practical purposes’ (‘in praktischer Absicht’). Establishing principles of moral and political conduct, their main objective is not negative, but constructive.


Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 39-56 ◽  
Author(s):  
D. Van Zyl

'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in consecutive preliminal, liminal and postliminal phases. The children’s home is an essentially liminal space, but from the perspective of Vaseline it is firstly gradually transformed into a place to which meaning is attached, and secondly to a landscape of belonging, as she expresses her solidarity with the scorned group of children in the home. On the one hand the children’s home is characterised by a certain liminal essence, but on the other hand it can be regarded as “a realm of pure possibility” (Turner, 1967:97).


Author(s):  
M.E. Orellana Benado ◽  
Andrés Bobenrieth ◽  
Carlos Verdugo

In a famous passage, Kant claimed that controversy and the lack of agreement in metaphysics — here understood as philosophy as a whole — was a ‘scandal.’ Attempting to motivate his critique of pure reason, a project aimed at both ending the scandal and setting philosophy on the ‘secure path of science,’ Kant endorsed the view that for as long as disagreement reigned sovereign in philosophy, there would be little to be learned from it as a science. The success of philosophy begins when controversy ends and culminates when the discipline itself as it has been known disappears. On the other hand, particularly in the second half of the twentieth century, many have despaired of the very possibility of philosophy constituting the search for truth, that is to say, a cognitive human activity, and constituting thus a source of knowledge. This paper seeks to sketch a research program that is motivated by an intuition that opposes both of these views.


Author(s):  
Andrés Bobenrieth ◽  
Orellana Benado Carlos Verdugo

In a famous passage, Kant claimed that controversy and the lack of agreement in metaphysics—here understood as philosophy as a whole—was a ‘scandal.’ Attempting to motivate his critique of pure reason, a project aimed at both ending the scandal and setting philosophy on the ‘secure path of science,’ Kant endorsed the view that for as long as disagreement reigned sovereign in philosophy, there would be little to be learned from it as a science. The success of philosophy begins when controversy ends and culminates when the discipline itself as it has been known disappears. On the other hand, particularly in the second half of the twentieth century, many have despaired of the very possibility of philosophy constituting the search for truth, that is to say, a cognitive human activity, and constituting thus a source of knowledge. This paper seeks to sketch a research program that is motivated by an intuition that opposes both of these views.


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