Frühbyzantinische Kreuzdiskurse des 6. und 7. Jahrhunderts und ihre Rezeption in Konstantinopel, Kappadokien und im Westen

Millennium ◽  
2021 ◽  
Vol 18 (1) ◽  
pp. 203-249
Author(s):  
Rainer Warland
Keyword(s):  
Design Principles ◽  
Western Mediterranean ◽  
Northern Italy ◽  
Seventh Century ◽  
Funerary Art ◽  
Gold Leaf ◽  
Son Of Man ◽  
The World ◽  
The Cross

Abstract The paper establishes connections between funerary art in the Eastern (Cappadocia) and the Western Mediterranean (Lombard kingdom in Northern Italy) during the seventh century. Jewelry pendants and gemstone decorations are also covered. The similarities of the image concepts suggest common design principles, with the cross as a symbol of the Son of Man when God returns on Judgment Day (Mt 24, 30). As celestial signs in the midst of stars and planets, these forms of the cross, which may also have influenced the Baiuvarian and Alemannic gold-leaf crosses, have a cosmic character. Under the sign of the concentric cross, according to Mt 24, 31, the angels gather together the elect (Christians) from the four directions of the world.

Performing the Passion: Strategies for Salvation in the Life of Stefana Quinzani (d. 1530)

2009 ◽  
Vol 45 ◽  
pp. 218-227 ◽  
Author(s):  
Cordelia Warr
Keyword(s):  
Sixteenth Century ◽  
Ottoman Empire ◽  
Northern Italy ◽  
Northern Europe ◽  
The North ◽  
The World ◽  
The Cross ◽  
End Of The World ◽  
Second Coming

In Italy, the years around 1500 were fraught for a number of reasons. There were renewed fears about the second coming of Christ and the end of the world. The expansion of the Ottoman Empire gave rise to a sense of instability and impending doom. In this climate many people became increasingly concerned about their fate in the afterlife and the need to be prepared for death and judgement. Central to this was the doctrine of purgatory. Yet, in the first decades of the sixteenth century, ideas surrounding purgatory were highly contested as heretical ideas from northern Europe began to filter into northern Italy. This paper investigates Catholic beliefs about the alleviation of purgatorial suffering through a case study of one holy woman from the north of Italy, the Dominican tertiary, Stefana Quinzani, who, according to a letter of 4 March 1500 written by Duke Ercole d’Este, endured every Friday ‘the whole of the Passion in her body, stage by stage, from the Flagellation to the Deposition from the Cross’.

Eschatology and Mark's Theologia Crucis

1970 ◽  
Vol 24 (3) ◽  
pp. 321-335 ◽  
Author(s):  
Charles B. Cousar
Keyword(s):  
People Of God ◽  
Son Of Man ◽  
The People ◽  
The World ◽  
The Cross ◽  
To Come

Mark's whole understanding of the gospel, what it does for believers, and what believers must do in response, points to an eschatology understood in mission, not in withdrawal. The Son of Man who is to come recognizes as his own those who through proclamation and suffering have identified with his redemptive activity in the world. No moment is incidental, because in view of the cross and resurrection the history and life of the people of God have become throughly eschatological.

‘Behold the Human Being’

2019 ◽  
pp. 194-244
Author(s):  
John Behr
Keyword(s):  
Human Being ◽  
Fundamental Feature ◽  
Son Of Man ◽  
The World ◽  
The Cross ◽  
Heaven And Earth

Chapter Four demonstrates how Christ’s word from the Cross, ‘It is Finished’, refers back to the opening verses of Genesis, where, unlike every other aspect of creation, which is brought into existence by an imperative, a divine fiat—‘Let it be!’—the particular project of God is given in the subjunctive, ‘Let us make a human being’: a project only completed when Christ lays down his own life in an act of love, unwitting confirmed by Pilate, ‘behold the human being!’. The first part of the chapter shows how this theme is developed by John over the course of the Gospel, most notably in the ‘woman’ who appears in Cana and at the Cross, and in John 16, where she is in travail until a human being is born into the world. This theme is also traced in the Apocalypse, and in writers following on from John: Ignatius of Antioch writing on his way to martyrdom, Melito of Sardis in his Paschal celebration, and Irenaeus of Lyons as a fundamental feature of his account of the whole economy of God leading, in the end, to the true human being. The second part of this chapter explores how this understanding of the human being informs the enigmatic figure of the Son of Man, as he steps dramatically into view at the beginning of the Gospel and appears frequently thereafter, examining John Ashton’s new proposal for interpreting the Son of Man, as a stage in the composition of the Gospel before the idea of Incarnation came to the fore, but argues instead that the Son of Man is the true human being, uniting heaven and earth, ascending the cross to descend as the flesh he offers to the faithful.

Merovingian Meditations on Jesus

2020 ◽  
pp. 1070-1105
Author(s):  
Lynda Coon
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Cross Cultural ◽  
Seventh Century ◽  
Early Middle Ages ◽  
Lives Of Saints ◽  
External Influences ◽  
The Cross ◽  
Biblical Texts

The final chapter of this volume explores the conversation on Jesus held between material and textual sources, where monumental works of sculpture extend salvific themes found in the lives of saints and the verses of poets. Merovingian meditations on Jesus are multivocal, reflecting the cross-cultural rhythms of a world open to and receptive of external influences, whether originating in classical or biblical texts or hailing from Mediterranean or Northern lands. In order to prove this hypothesis on the Merovingian body and the embodied savior, three works of sculpture produced during the early Middle Ages serve as sounding boards for Jesus’ earthly ministry as enacted by human players: the crucified savior featured on the seventh-century Moselkern Stele; the eighth-century Hypogée des Dunes’s sculpted relief of the two thieves crucified along with Jesus; and the so-called Niederdollendorf “Christ,” carved most likely in the seventh century. Saintly actors, such as Radegund of Poitiers (d. 587), animate three themes expressed in the sculpted sources respectively: (1) absence, (2) torture, and (3) light. The three subjects—light, torture, and absence—all point to strategies of integrating the realm of humanity within the celestial spheres, and each motif tracks different styles of meditating on Merovingian Jesus.

Apocalyptic Ethics, End-Time Christians, and the Storming of the US Capitol

2021 ◽  
pp. 095394682110313
Author(s):  
Nancy J. Duff
Keyword(s):  
Human Life ◽  
Divine Revelation ◽  
Donald Trump ◽  
The Us ◽  
The World ◽  
Theological Foundation ◽  
The Cross ◽  
End Of The World

This article argues that an apocalyptic interpretation of divine revelation provides the theological foundation for discerning the appropriate space for human life to thrive. This apocalyptic theological ethic is contrasted with that of end-time Christians who have supported Donald Trump as God’s chosen one and who joined the storming of the US Capitol on 6 January 2021. It contrasts five features of apocalyptic thinking for both groups: (1) expectation of the end of the world, (2) ethics, (3) Christ, nation, and the first commandment (4) Christians and Jews, and (5) the cross. While the article seeks to give a fair description of the beliefs of end-time Christians, it argues that their beliefs have taken a heretical and dangerous turn.

As an Act of Protest and Emotional Catharsis About the Ugly Truth of Racism

2021 ◽  
pp. 002216782110086
Author(s):  
Dennis Leroy Kangalee ◽  
Eric Greene ◽  
Nisha Gupta
Keyword(s):  
New York ◽  
African American ◽  
Police Brutality ◽  
Racial Trauma ◽  
The World ◽  
The Cross

In this edited interview, psychologists Eric Greene and Nisha Gupta interview filmmaker Dennis Leroy Kangalee about his film As an Act of Protest (2002), which is about a young African American actor named Cairo Medina who goes through a station-of-the-cross journey to find the meaning of his life and eradicate the racism and police brutality that continue to plague the world. In this conversation, Dennis shares the genesis of the film as a response to the police brutality occurring in New York in the late 1990s, the psychological struggles he experienced while making this film and enduring backlash to it, and his desire to convey raw emotional truths about the ugliness of racism and racial trauma through a style of radically honest filmmaking that can foster catharsis, reflection, and transformation.

The Essence of Christianity and the Cross of Christ

1914 ◽  
Vol 7 (4) ◽  
pp. 538-594
Author(s):  
Benjamin B. Warfield
Keyword(s):  
New Haven ◽  
Liberal Theology ◽  
Religious System ◽  
The World ◽  
Cross Of Christ ◽  
The Face ◽  
Divinity School ◽  
The Common ◽  
The Cross ◽  
The Right

In a recent number of The Harvard Theological Review, Professor Douglas Clyde Macintosh of the Yale Divinity School outlines in a very interesting manner the religious system to which he gives his adherence. For “substance of doctrine” (to use a form of speech formerly quite familiar at New Haven) this religious system does not differ markedly from what is usually taught in the circles of the so-called “Liberal Theology.” Professor Macintosh has, however, his own way of construing and phrasing the common “Liberal” teaching; and his own way of construing and phrasing it presents a number of features which invite comment. It is tempting to turn aside to enumerate some of these, and perhaps to offer some remarks upon them. As we must make a selection, however, it seems best to confine ourselves to what appears on the face of it to be the most remarkable thing in Professor Macintosh's representations. This is his disposition to retain for his religious system the historical name of Christianity, although it utterly repudiates the cross of Christ, and in fact feels itself (in case of need) quite able to get along without even the person of Christ. A “new Christianity,” he is willing, to be sure, to allow that it is—a “new Christianity for which the world is waiting”; and as such he is perhaps something more than willing to separate it from what he varyingly speaks of as “the older Christianity,” “actual Christianity,” “historic Christianity,” “actual, historical Christianity.” He strenuously claims for it, nevertheless, the right to call itself by the name of “Christianity.”

Teilhard De Chardin's Spirituality of the Cross

Horizons ◽  
1976 ◽  
Vol 3 (1) ◽  
pp. 1-15
Author(s):  
Robert Faricy
Keyword(s):  
Jesus Christ ◽  
Theology Of The Cross ◽  
Christian Life ◽  
Dead End ◽  
Spiritual Theology ◽  
The World ◽  
Pierre Teilhard De Chardin ◽  
The Cross

AbstractThis article studies the spiritual theology of the cross in the writings of Pierre Teilhard de Chardin. In Teilhard's books and articles the accent falls on the cross as a symbol of progress. The cross stands for Jesus' positive act of saving the world through his death; it represents, too, Christian life as a sharing in the cross of Jesus through the labor and pain of human progress. In his spiritual notes, however, Teilhard takes a different perspective. His own meditations on the cross center not on the cross as a positive symbol of personal and collective progress through struggle, but rather on death as the ultimate fragmentation, and as an apparent dead end that is the final passage to Jesus Christ.

The valid nomen for the tree frog (genus Hyla) of Tunisia and Eastern Algeria

Zootaxa ◽  
2020 ◽  
Vol 4759 (4) ◽  
pp. 597-599 ◽  
Author(s):  
CHRISTOPHE DUFRESNES ◽  
PIERRE-ANDRÉ CROCHET
Keyword(s):  
Mediterranean Basin ◽  
Western Mediterranean ◽  
Northern Italy ◽  
Tree Frog ◽  
Rad Sequencing ◽  
Western Mediterranean Basin ◽  
Genome Wide ◽  
Genome Wide Data ◽  
Tree Frogs ◽  
Eastern Algeria

Mediterranean tree frogs, Hyla gr. meridionalis Boettger, 1874 (Anura: Hylidae) are widespread around the Western Mediterranean Basin, where they naturally occur across the Maghreb (Morocco, Algeria, Tunisia). Individuals of diverse Moroccan origins have been introduced and have expanded throughout the Iberian Peninsula, southern France and northern Italy (Liguria), but also on the Canary and Balearic archipelagos (Recuero et al. 2007; Dufresnes et al. 2019). Early molecular studies uncovered several mitochondrial lineages and suggested a major cryptic diversification within this taxon, with Tunisian and eastern Algerian (Numidia) populations carrying deeply divergent haplotypes compared with the rest of the range (Recuero et al. 2007; Stöck et al. 2008; Stöck et al. 2012). While intron markers showed little differentiation (Stöck et al. 2008; Stöck et al. 2012), genome-wide data obtained from RAD-sequencing have supported the deep split suspected from mtDNA (Dufresnes et al. 2018). 

scholarly journals Movable Possessions: alternative housing through adaptable design

2021 ◽  
Author(s):  
Lisa Marshall
Keyword(s):  
Affordable Housing ◽  
Low Income ◽  
Design Research ◽  
Vernacular Architecture ◽  
Design Principles ◽  
Short Term ◽  
Adaptable Design ◽  
Alternative Housing ◽  
The World

Poor communities around the world have developed architecture without architects. Subsidized low-income housing has been built as if to provide only a shortterm solution. Poverty and lack of affordable housing is not a short-term problem but an ongoing issue that demands creative adaptable solutions for a changing world. Adaptable architecture is essential for the redesign of affordable housing that is environmentally, economically, and socially sustainable. In order to mend the broken bond between lower-incomes and the architectural quality of space, this design research strives to both defend and produce affordable architectural alternatives to housing through the use of adaptable design principles and strategies found within Barbados’ Vernacular Architecture, the Chattel house.

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