#LaughingWhileBlack

2017 ◽  
Vol 3 (2) ◽  
pp. 15-35 ◽  
Author(s):  
Brandy Monk-Payton
Keyword(s):  
Social Networking ◽  
Digital Media ◽  
The Internet ◽  
Expressive Culture ◽  
Black Feminist ◽  
Web Based ◽  
Race And Gender ◽  
The Social ◽  
And Gender ◽  
Black Queer

This article examines humor as it intersects with race and gender in digital media. It takes up the idea of laughter to explore how Black expressive culture emerges online, both individually and collectively, in the contemporary moment, arguing that web-based objects such as blogs and podcasts as well as tweets, hashtags, and memes that exist and circulate on social media produce racialized and gendered humor predicated on ridicule. Such ridicule is tied to a genealogy of Black feminist and Black queer enactments of “sass” and “shade” as affective strategies of social scrutiny. By detailing the humor associated with the popular viral personalities Luvvie Ajayi and Crissle West as well as the social networking platform Twitter, this article begins the work of archiving Black women's daily comedic performances on the Internet.

Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking

1996 ◽  
Vol 37 (2) ◽  
pp. 67-92 ◽  
Author(s):  
David Krasner
Keyword(s):  
New York ◽  
New York City ◽  
Performing Arts ◽  
West African ◽  
Turn Of The Century ◽  
The Body ◽  
Race And Gender ◽  
The Social ◽  
Anna Julia Cooper ◽  
And Gender

Although Aida Overton Walker (1880–1914) belonged to the same generation of turn-of-the-century African American performers as did Bob Cole, J. Rosamond Johnson, Bert Williams, and George Walker, she had a rather different view of how best to represent her race and gender in the performing arts. Walker taught white society in New York City how to do the Cakewalk, a celebratory dance with links to West African festival dance. In Walker's choreography of it, it was reconfigured with some ingenuity to accommodate race, gender, and class identities in an era in which all three were in flux. Her strategy depended on being flexible, on being able to make the transition from one cultural milieu to another, and on adjusting to new patterns of thinking. Walker had to elaborate her choreography as hybrid, merging her interpretation of cakewalking with the preconceptions of a white culture that became captivated by its form. To complicate matters, Walker's choreography developed during a particularly unstable and volatile period. As Anna Julia Cooper remarked in 1892.

Impoliteness in hip-hop music

2021 ◽  
Author(s):  
Panagiotis Delis
Keyword(s):  
African American ◽  
Black Male ◽  
Hip Hop ◽  
Selection Process ◽  
White Male ◽  
White Female ◽  
Race And Gender ◽  
The Social ◽  
Determining Factors ◽  
And Gender

Abstract The aim of this paper is to examine the functionality of impoliteness strategies as rhetorical devices employed by acclaimed African American and White hip-hop artists. It focuses on the social and artistic function of the key discursive element of hip-hop, namely aggressive language. The data for this paper comprise songs of US African American and White performers retrieved from the November 2017 ‘TOP100 Chart’ for international releases on Spotify.com. A cursory look at the sub-corpora (Black male/ Black female/ White male/ White female artists’ sub-corpus) revealed the prominence of the ‘use taboo words’ impoliteness strategy. The analysis of impoliteness instantiations by considering race and gender as determining factors in the lyrics selection process unveiled that both male groups use impoliteness strategies more frequently than female groups. It is also suggested that Black male and White female singers employ impoliteness to resist oppression, offer a counter-narrative about their own experience and self (re)presentation and reinforce in group solidarity.

Rethinking Spaces of Confinement Through Black Girl Embodiment

2021 ◽  
Author(s):  
Dominique C. Hill
Keyword(s):  
Juvenile Justice System ◽  
Black Girls ◽  
Social Identities ◽  
Black Feminist ◽  
High Stakes ◽  
Late 20Th Century ◽  
Race And Gender ◽  
And Gender ◽  
Feminist Organizing ◽  
The Relationship

Carcerality in educational settings tends to focus on the school-to-prison pipeline and other ways that bodies differentially marked by race, gender, and, more recently, sexuality and ability are punished and tracked into the juvenile justice system. The ongoing chain between marginalized bodies and criminality is evident in rates of incarceration based on race and gender specifically. Black lesbian feminist organizing of the late 20th century called attention to the relationship between social identities and carcerality. Expanding on this work, Black feminist scholarship argues that Black womxn and girls are inherently valuable and that liberation is necessary for autonomy. Scholarship, however, illustrates how freedom for Black womxn and girls are directly mediated by systems of race, gender, sexuality, class, as well as by the discourses created to maintain order through institutions such as schools and prisons. Building on the preceding connections between social identities and confinement, Black girls’ specific encounters with high-stakes policies, such as zero-tolerance, and school discipline reveal new textures and distinct qualities of carcerality that expand education’s understanding of carceral spaces and experiences. In a society that presumes Black girls need no protection because their Blackness is feared while their femininity remains unrealized, Black girls’ bodily deliberations and embodied choices are acts of resistance and self-definition.

Reverberations of the Black Feminist Breathing Chorus

Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 281-295
Author(s):  
Cathy Thomas
Keyword(s):  
Violence Against Women ◽  
African Diaspora ◽  
Black Church ◽  
Spiritual Practice ◽  
Intellectual Life ◽  
Black Feminist ◽  
Social Hierarchies ◽  
The Social ◽  
Black Queer ◽  
Alternative Space

Alexis Pauline Gumbs is a writer, poet, activist, and independent scholar whose experimental triptych (Spill, M Archive, Dub) offers both mundane and unearthly interventions for humanity’s struggles against histories of ecological extraction and Black feminist refusals. Sangodare is a multimedia artist, musician, and theologian drawing from Black feminist writings and African Diaspora wisdom. They are co-founders of several multi-platform undertakings such as the Mobile Homecoming Project that birthed the Black Feminist Breathing Chorus (BFBC). It is one of many online and in-person spaces supporting QPOC and Black feminist communities. The BFBC, in particular, blends theory, meditation, music, poetics, and Black church traditions. In this asynchronous mantra practice, hundreds of participants receive daily “ancestor” mantras via the Mobilehomecoming.org website. These mantras are shortened quotes from the diverse writings and speeches of figures such as Marsha P. Johnson, Zora Neale Hurston, Pat Parker, and Joseph Beam. The social, juridical, and digital records of violence against women, POC, queer, and non-binary bodies and communities is not new. However, as consequences of the COVID-19 pandemic have overlapped with conspicuous displays of anti-Black policing and asymmetric economies, the BFBC has provided an alternative space to rebuild and re-enchant social, political, and intellectual life through a remixed spiritual practice of amplifying voices. This interview highlights how race, gender, location, and time do not limit the quest for freedom. Thus, the primacy of Black queer positionality is instrumental in the chorus’s examination of both liberating and oppressive social hierarchies.

Black Queer Freedom

2020 ◽  
Author(s):  
GerShun Avilez
Keyword(s):  
Public Space ◽  
Gender Nonconformity ◽  
Black Diaspora ◽  
Potential Threat ◽  
Contested Space ◽  
Artistic Production ◽  
The Social ◽  
Sexual Meaning ◽  
And Gender ◽  
Black Queer

In this book, GerShun Avilez argues that queerness, here meaning same-sex desire and gender nonconformity, introduces the threat of injury and that artists throughout the Black diaspora use queer desire to negotiate spaces of injury. The space of injury does not necessarily pertain to a particular architecture or location; it concerns the perception and engagement of a body. Black queer bodies are perceived as social threats, and this perception results in threats (physical, psychological, socioeconomic) against these bodies. The space of injury describes the potential threat to queer bodies that lingers throughout the social world. Attending to such threats and challenging them constitute defining elements in Black queer artists’ work. In each of the two parts to the book, the author examines how perceptions of the Black queer body in different environments create uncertainty for that body and make it a contested space because of racial and sexual meaning. Part 1 focuses on movement through public space (through streets and across borders) and on how state-backed interruptions seek to inhibit queer bodies. Part 2 explores movement through institutional spaces (prisons and hospitals), which seek to expose the queer body to make it vulnerable to control. Ultimately, the book insists that desire and artistic production function as means to queer freedom when actual policies and legislation fail to ensure civic rights and social mobility.

Caught in the Web

2013 ◽  
pp. 1294-1314
Author(s):  
Keith A. Bauer
Keyword(s):  
Social Networking ◽  
Health Information ◽  
Social Consequences ◽  
Personal Health Information ◽  
The Internet ◽  
Policy Makers ◽  
The Social ◽  
Privacy And Confidentiality ◽  
Medical Privacy ◽  
The Web

The social consequences of the internet are profound. Evidence of this can easily be found in the enormous body of literature discussing its impact on democracy, globalization, social networking, and education. The implications of the internet for medicine have likewise received a great deal of attention from policy makers, clinicians and technology theorists. Medical privacy, in particular, has garnered the lion’s share of attention. Nevertheless, research in this area has been lacking because it either fails to unpack the conceptual and ethical complexities of privacy or overestimates the power of technology and policy to protect our medical privacy. The aims of this chapter are twofold. The first is to provide a nuanced explication of the concept of privacy, and, second, to argue that e-medicine and the policies supposedly designed to protect the privacy and confidentiality of personal health information fail to do so and in some instances make their violations easier to commit.

Caught in the Web

2011 ◽  
pp. 179-199
Author(s):  
Keith A. Bauer
Keyword(s):  
Social Networking ◽  
Health Information ◽  
Social Consequences ◽  
Personal Health Information ◽  
The Internet ◽  
Policy Makers ◽  
The Social ◽  
Privacy And Confidentiality ◽  
Medical Privacy ◽  
The Web

The social consequences of the internet are profound. Evidence of this can easily be found in the enormous body of literature discussing its impact on democracy, globalization, social networking, and education. The implications of the internet for medicine have likewise received a great deal of attention from policy makers, clinicians and technology theorists. Medical privacy, in particular, has garnered the lion’s share of attention. Nevertheless, research in this area has been lacking because it either fails to unpack the conceptual and ethical complexities of privacy or overestimates the power of technology and policy to protect our medical privacy. The aims of this chapter are twofold. The first is to provide a nuanced explication of the concept of privacy, and, second, to argue that e-medicine and the policies supposedly designed to protect the privacy and confidentiality of personal health information fail to do so and in some instances make their violations easier to commit.

Assessment of the Social Media in Knowledge Sharing

2020 ◽  
pp. 224-236
Author(s):  
P. K. Muthukumar
Keyword(s):  
Social Media ◽  
Social Networking ◽  
Knowledge Sharing ◽  
Potential Outcomes ◽  
Joint Effort ◽  
Web Based ◽  
The Social ◽  
The World ◽  
Explicit Consideration

Social media is never again an immaterial wonder; tools like Facebook, WhatsApp, LinkedIn, or YouTube have taken the world in a tempest. Social media has turned into a standard, changed individual connections, enabled people to add to number of issues, and produced new potential outcomes and difficulties to encourage joint effort. Associations have dire need of not just concentrating on advancement of new items and administrations, yet additionally giving explicit consideration to viable learning sharing, which is of indispensable significance for their success. The potential favourable position of grasping and executing web-based social networking is tremendous. Despite the fact that the enthusiasm for internet-based life is expanding, from one perspective information specialists and administrators are hanging tight to get engaged with this synergistic world, since they may not feel motivated or may not know about the benefits of utilizing these devices for work purposes.

Indigenous Journalisms

Reckoning ◽  
2020 ◽  
pp. 160-199
Author(s):  
Candis Callison ◽  
Mary Lynn Young
Keyword(s):  
United States ◽  
Indigenous Knowledge ◽  
Digital Media ◽  
The United States ◽  
Ethical Consideration ◽  
Race And Gender ◽  
Mainstream Media ◽  
Ethnographic Fieldwork ◽  
And Gender

Chapter 6 draws on ethnographic fieldwork and interviews with Indigenous journalists in Canada and the United States who have been addressing colonialism, race, and gender in their journalism all along. Indigenous journalists articulate the challenges of working in and among mainstream media that has largely erased and misrepresented Indigenous voices, communities, and concerns on a range of issues. They undertake a differentiated set of approaches that draw on journalism ideals and get at deeper problems structurally such that transformation within journalism as profession, identity, and method might be possible. As a result, Indigenous journalists are using digital media to transform journalism methods, decolonizing journalism ideals like “fairness and balance” by drawing from Indigenous knowledge, histories, and relational frameworks. This chapter provides a bookend to Chapter 1 by offering a pathway into discussing not only new bases for ethical consideration but also provides examples of some of the multiple journalisms available through digital media.

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