Analyzing Gospel

2019 ◽  
Vol 72 (1) ◽  
pp. 181-243 ◽  
Author(s):  
Braxton D. Shelley
Keyword(s):  
African American ◽  
Gospel Music ◽  
Musical Experience ◽  
Musical Syntax ◽  
Communal Experience ◽  
Gospel Choir ◽  
Communal Orientation ◽  
Black Christians ◽  
The Relationship ◽  
The Invisible

This article presents an analytical paradigm that employs the repetitive musical cycle known as “the vamp” to illuminate the interrelation of form, experience, and meaning in African American gospel music, focusing on music performed by gospel choirs with soloists. I argue that, more than just a ubiquitous musical procedure, the gospel vamp functions as a ritual technology, a resource many African American Christians use to experience with their bodies what they believe in their hearts. As they perform and perceive the gospel vamp's characteristic combination of repetition and escalation, these believers coproduce sonic environments that facilitate the communal experience of a given song's textual message. Through close readings of four canonical songs from the gospel choir repertoire—Kurt Carr's “For Every Mountain,” Brenda Joyce Moore's “Perfect Praise,” Richard Smallwood's “I Will Sing Praises,” and Thomas Whitfield's “I Shall Wear a Crown”—the article examines the phenomenological implications of gospel's communal orientation, outlines the relationship between musical syntax, musical experience, formal convention, and lyrical content in this genre, and suggests that analyzing gospel offers a way of studying how many black Christians come into contact with the invisible subjects of their belief.

The Pursuit of Intensity

2021 ◽  
pp. 223-294
Author(s):  
Braxton D. Shelley
Keyword(s):  
Music Analysis ◽  
Phenomenological Approach ◽  
Gospel Music ◽  
Musical Experience ◽  
Musical Sound ◽  
The Third ◽  
Tonal Modulation ◽  
Musical Syntax ◽  
The Relationship ◽  
The Way

This chapter offers a phenomenological approach to the vamp’s form, arguing that gospel vamps emerge as repetition and intensification become musical conduits of belief. Beginning with an analytical essay on the live recording of Smallwood’s “Anthem of Praise,” the chapter elucidates the interpenetration of compositional strategy and religious expectation in the gospel tradition. Its second section interrogates the phenomenological implications of gospel’s participatory character and analyzes a performance of Brenda Joyce Moore’s “Perfect Praise” by Lecresia Campbell and the Houston Chapter of the Gospel Music Workshop of America in order to clarify the relationship between musical syntax and musical experience—“the gospel stance.” The third part of this chapter weaves together analytical vignettes and theories of repetition, groove, and teleology, theorizing the vamp’s “affective trajectory.” In so doing, this section pays special attention to tonal modulation, “inversion,” and textural accumulation, three techniques that pervade the gospel choral repertory. The chapter’s fourth move reflects on the practice of music analysis, using Kurt Carr’s “For Every Mountain” and Thomas Whitfield’s “Soon as I Get Home” to assert that the chapter’s concern with the way sound is organized provides a deeper understanding of the way musical sound structures believers’ traffic between the seen world and another. This interchange motivates the gospel song’s relentless pursuit of intensity, a quest that comes into particularly clear relief in the chapter’s concluding analysis of Smallwood’s “I Will Sing Praises.”

Examination of the Relationship Among Hypnotized Ability, Gender, and Spiritual Activities for African American College Students

2011 ◽  
Author(s):  
Ling-Lun Chien ◽  
Marty Sapp ◽  
Jane P. Liu ◽  
Steve Bernfeld ◽  
Steffanie J. Scholze ◽  
...  
Keyword(s):  
College Students ◽  
African American ◽  
African American College Students ◽  
The Relationship

African and African American Religions in the Early Americas

2018 ◽  
Author(s):  
Jason Young
Keyword(s):  
African American ◽  
Belief Systems ◽  
Subsequent Development ◽  
Religious Practices ◽  
African American Religion ◽  
African Religion ◽  
1960S And 1970S ◽  
The 1960S ◽  
New Generation ◽  
The Relationship

This chapter chronicles the relationship between African religious practices on the continent and African American religion in the plantation Americas in the era of slavery and the transatlantic slave trade. A new generation of scholars who emerged in the 1960s and 1970s have demonstrated not only that African religious practices exhibit remarkable subtlety and complexity but also that these cultures have played significant roles in the subsequent development of religious practices throughout the world. Christianity, Islam, and traditional African religion comprised a set of broad and varied religious practices that contributed to the development of creative, subtle, and complex belief systems that circulated around the African Diaspora. In addition, this chapter addresses some of the vexed epistemological challenges related to discussing and describing non-Western ritual and religious practices.

Fixing Improvisation

2014 ◽  
Author(s):  
Anthea Kraut
Keyword(s):  
Twentieth Century ◽  
African American ◽  
Intellectual Property ◽  
Case Studies ◽  
Copyright Law ◽  
Property Law ◽  
Intellectual Property Law ◽  
Tap Dance ◽  
American Vernacular ◽  
The Relationship

This chapter juxtaposes brief case studies of African American vernacular dancers from the first half of the twentieth century in order to reexamine the relationship between the ideology of intellectual property law and the traditions of jazz and tap dance, which rely heavily on improvisation. The examples of the blackface performer Johnny Hudgins, who claimed a copyright in his pantomime routine in the 1920s, and of Fred and Sledge, the class-act dance duo featured in the hit 1948 musical Kiss Me, Kate, whose choreography was copyrighted by the white modern dancer Hanya Holm, prompt a rethinking of the assumed opposition between the originality and fixity requirements of copyright law and the improvisatory ethos of jazz and tap dance. Ultimately, the chapter argues that whether claiming or disavowing uniqueness, embracing or resisting documentation, African American vernacular dancers were both advantaged and hampered by copyright law.

scholarly journals The Invisible and the Hidden within the Phenomenological Situation of Appearing

Open Theology ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 547-556
Author(s):  
Martin Nitsche
Keyword(s):  
Phenomenological Method ◽  
Dynamic Component ◽  
The Relationship ◽  
The Invisible

AbstractThis study focuses on various phenomenological conceptions of the invisible in order to consider to what extent and in what way they involve moments of hiddenness. The relationship among phenomenality, invisibility, and hiddenness is examined in the works of Husserl, Heidegger, Henry, and Merleau-Ponty. The study explains why phenomenologists prefer speaking about the invisible over a discourse of the hidden. It shows that the phenomenological method does not display the invisibility as a limit of experience but rather as a dynamic component of relational nature of any experience, including the religious one. Special attention is paid to topological moments of the relationship between the visible and the invisible.

Cultural and Universal Parenting, Ethnic Identity, and Internalizing Symptoms Among African American Adolescents

2021 ◽  
pp. 009579842110342
Author(s):  
Lydia HaRim Ahn ◽  
Angel S. Dunbar ◽  
Erica E. Coates ◽  
Mia A. Smith-Bynum
Keyword(s):  
Mental Health ◽  
African American ◽  
Ethnic Identity ◽  
Internalizing Symptoms ◽  
Sense Of Self ◽  
African American Adolescents ◽  
Analytic Model ◽  
Atlantic Region ◽  
The Relationship

The present study tested a path analytic model that addressed two questions regarding the connection between one aspect of racial socialization (cultural pride reinforcement), communication between mothers and their adolescent children, adolescent ethnic identity, and mental health. First, we tested whether quality of communication moderated the relationship between cultural pride reinforcement and ethnic identity affirmation and anxiety/depressive/withdrawn symptoms. Then, we examined whether cultural pride reinforcement and quality of communication with mothers were directly linked to ethnic identity affirmation and in turn lower anxiety/depressive symptoms and withdrawn behaviors. Our sample included 111 African American adolescents (58.2% female; ages 14–17) in the mid-Atlantic region. Results of a path analysis indicated that cultural pride reinforcement and quality of communication independently and uniquely related to internalizing symptoms through ethnic identity affirmation. Findings contribute to a novel understanding of how both cultural (cultural pride reinforcement) and universal (quality of communication) are important factors to foster African American adolescents’ healthy adjustment and sense of self.

scholarly journals Neighborhood Environment Associates with Trimethylamine-N-Oxide (TMAO) as a Cardiovascular Risk Marker

2021 ◽  
Vol 18 (8) ◽  
pp. 4296
Author(s):  
Nicole Farmer ◽  
Cristhian A. Gutierrez-Huerta ◽  
Briana S. Turner ◽  
Valerie M. Mitchell ◽  
Billy S. Collins ◽  
...  
Keyword(s):  
Risk Factors ◽  
African American ◽  
Dietary Intake ◽  
Cvd Risk Factors ◽  
Cvd Risk ◽  
Neighborhood Deprivation ◽  
Microbial Metabolite ◽  
African American Adults ◽  
Tnf Α ◽  
The Relationship

Background: Neighborhoods and the microbiome are linked to cardiovascular disease (CVD), yet investigations to identify microbiome-related factors at neighborhood levels have not been widely investigated. We sought to explore relationships between neighborhood deprivation index (NDI) and the microbial metabolite, trimethylamine-N-oxide. We hypothesized that inflammatory markers and dietary intake would be mediators of the relationship. Methods: African-American adults at risk for CVD living in the Washington, DC area were recruited to participate in a cross-sectional community-based study. US census-based neighborhood deprivation index (NDI) measures (at the census-tract level) were determined. Serum samples were analyzed for CVD risk factors, cytokines, and the microbial metabolite, trimethylamine-N-oxide (TMAO). Self-reported dietary intake based on food groups was collected. Results: Study participants (n = 60) were predominantly female (93.3%), with a mean (SD) age of 60.83 (+/−10.52) years. Mean (SD) NDI was −1.54 (2.94), and mean (SD) TMAO level was 4.99 (9.65) µmol/L. Adjusting for CVD risk factors and BMI, NDI was positively associated with TMAO (β = 0.31, p = 0.02). Using mediation analysis, the relationship between NDI and TMAO was significantly mediated by TNF-α (60.15%) and interleukin)-1 β (IL; 49.96%). When controlling for clustering within neighborhoods, the NDI-TMAO association was no longer significant (β = 5.11, p = 0.11). However, the association between NDI and IL-1 β (β = 0.04, p = 0.004) and TNF-α (β = 0.17, p = 0.003) remained. Neither NDI nor TMAO was significantly associated with daily dietary intake. Conclusion and Relevance: Among a small sample of African-American adults at risk for CVD, there was a significant positive relationship with NDI and TMAO mediated by inflammation. These hypothesis-generating results are initial and need to be confirmed in larger studies.

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