scholarly journals Leksem drabant (Act 23,23) w Nowym Testamencie Biblii gdańskiej (1632) w przekładzie Daniela Mikołajewskiego

2020 ◽  
pp. 135-151
Author(s):  
Tomasz Lisowski ◽  

In a verse of Act 23,23 in Biblia gdańska (1632) translated by Daniel Mikołajewski, an equivalent of Greek lexeme δεξιόλαβος ‘probably a spearman or slinger’, the noun drabant is used, which is unique, compared to its counterpart – oszczepnik – in Biblia translated by JakubWujek (1599). It may have been borrowed from the Czech language in the second half of the 16th century. In the Polish language of the time it was not a very widespread lexeme, maybe of erudite nature. It appeared in the text of Biblia gdańska taken from the Czech Biblia kralicka. Among Protestants at that time, as a military term, it could have evoked associations with the religious Hussite Wars. The lexeme drabant survived in the biblical text of the Evangelist circles until the second half of the twentieth century. Given the fact that in that century it was already an archaic word, it was not used in new testament translations which followed the translational tradition of Biblia gdańska. And probably it became fixed in the consciousness of the faithful of Evangelist churches as a memorable reminder of the past. For centuries that lexeme, along with other lexemes characteristic of Biblia gdańska caused lexical distinctiveness of that Evangelist translation compared to the Catholic translation by Jakub Wujek.

2016 ◽  
Vol 72 (1) ◽  
Author(s):  
Madipoane Masenya

In African biblical scholarship, the concept of inculturation hermeneutics has come to be almost, if not always, linked to the late Professor Justin S. Ukpong, the Nigerian New Testament scholar. In inculturation hermeneutics, argued Ukpong, the past of the biblical text is not supposed to be studied as an end in itself, but as a means to an end. Ukpong (2002) could thus argue: ‘Thus in inculturation hermeneutics, the past collapses into the present, and exegesis fuses with hermeneutics’ (p. 18). What does Ukpong’s concept of inculturation hermeneutics actually entail? Which implications does his notion of the fusion of exegesis and hermeneutics have for the theory and praxis of African Biblical Hermeneutics particularly on the African continent today? The preceding questions will be engaged with in this article.


Author(s):  
Laura Salah Nasrallah

Those who use archaeology to interpret New Testament texts run the risk of reintroducing past problems: Orientalist underpinnings that assume that the Mediterranean is static, unexamined feelings about the numinous nature of an object, the idea that archaeology gives a clear window onto the past. In addition, “biblical archaeology” has often served historical positivism, with object or inscription used to “prove” some biblical text or character. Yet, despite these problems in “biblical archaeology,” archaeological materials are necessary for a full study of antiquity. Evidence from material culture allows for a deeper understanding of local contexts and fuller, if imperfect, information about the lives of the less than elite. Moreover, by paying attention to material culture, we enter into a larger conversation about how to write history, particularly in conversation with feminist materialist historiography and recent theories that take seriously the idea that objects themselves have agency.


2017 ◽  
Vol 31 (2) ◽  
pp. 58
Author(s):  
Carlos Celestino Rios e Souza ◽  
Hamilton Marcelo Morais Lins Júnior

A canoa monóxila, popularmente conhecida como canoa de um pau só, é uma embarcação utilizada pelos indígenas do Brasil desde antes da chegada dos primeiros navegantes portugueses no século XVI. Apesar do crescente desenvolvimento tecnológico ocorrido em Pernambuco ao longo dos últimos cinco séculos, a canoa foi objeto de uma série de modificações adaptativas. O presente trabalho procura explicar a evolução da tecnologia da canoa monóxila, relacionando as transformações e os acréscimos introduzidos no casco monóxilo e as variáveis ambientais, socioeconômicas e históricas entre os séculos XVI e XX. O presente artigo se mostra relevante diante da inexistência de trabalhos de cunho acadêmico que versem sobre a tecnologia das embarcações tradicionais de Pernambuco, cuja primeira datação de um artefato náutico é anterior ao descobrimento do Brasil. ABSTRACTThe dugout canoe, popularly known as “canoa de um pau só”, is a boat used by the natives of Brazil since before the arrival of the first Portuguese navigators in the 16th century. Despite the growing technological development occurred in Pernambuco over the past five centuries, the canoe was subjected to many adaptive changes. This paper seeks to explain the evolution of the dugout canoe’s technology, relating the changes and additions introduced upon its hull with the environmental, socioeconomic and historical variables from the sixteenth to the twentieth century. This article is relevant, given the lack of academic works about the technology of traditional boats of Pernambuco and for obtaining the first dating from a nautical artifact prior to the discovery of Brazil.Key Words: Maritime Archaeology; Dugout Canoe; Dating


2006 ◽  
Vol 5 (1) ◽  
pp. 73-122 ◽  
Author(s):  
Matti Myllykoski

James the Just, the brother of Jesus, is known from the New Testament as the chief apostle of the Torah-obedient Christians. Up to the last quarter of the twentieth century, Jewish Christianity was regarded as an unimportant branch of the early Christian movement. Correspondingly, there was remarkably little interest in James. However, in the past two decades, while early Christianity has been studied as a form of Judaism, the literature on James has grown considerably. Now some scholars tend to assume that James was a loyal follower of his brother right from the beginning, and that his leadership in the church was stronger than traditionally has been assumed. Fresh studies on Acts 15 and Galatians 2 have opened new questions about the Christian Judaism of James and social formation of the community which he led. Part II of this article, to be published in a later issue of Currents, will treat the rest of the James tradition—James's ritual purity, martyrdom and succession, and his role in the Gnostic writings and later Christian evidence. It will conclude with reflections concerning James and earliest Jewish-Christian theology.


1980 ◽  
Vol 73 (1-2) ◽  
pp. 131-151 ◽  
Author(s):  
Eldon Jay Epp

The following reassessment of present-day NT textual criticism requires, by its very nature, a brief statement of the circumstances that occasioned it. Seven years ago, in the W. H. P. Hatch Memorial Lecture at the 1973 annual meeting of the Society of Biblical Literature, I attempted in fifty minutes an adventuresome—if not audacious— assessment of the entire scope of NT textual criticism during the past century. Though this was an instructive exercise for me and one that others report as instructive also for them, it was inevitable that so bold an undertaking would elicit sharp criticism. The first hint of this came from Münster in 1976, but more clearly within the past year or so in an invitation to subscribe to aFestschriftfor Matthew Black containing an article by Kurt Aland of Münster with an announced title—appearing as it did in English—that had a highly familiar ring: “The Twentieth-Century Interlude in New Testament Textual Criticism,” obviously the title of the Hatch Lecture, which, following its presentation, had been published in the 1974 volume ofJBLWhen theFestschriftitself appeared, it seemed obvious from Professor Aland's article that some reassessment of the course and significance of twentieth-century NT textual criticism was in order. Late in September 1979, Aland's article was reprinted in the annual report of his Münster foundation for NT textual research, now under the title of “Die Rolle des 20. Jahrhunderts in der Geschichte der neutestamentlichen Textkritik.”


What did it mean to be a man in Scotland over the past nine centuries? Scotland, with its stereotypes of the kilted warrior and the industrial ‘hard man’, has long been characterised in masculine terms, but there has been little historical exploration of masculinity in a wider context. This interdisciplinary collection examines a diverse range of the multiple and changing forms of masculinities from the late eleventh to the late twentieth century, exploring the ways in which Scottish society through the ages defined expectations for men and their behaviour. How men reacted to those expectations is examined through sources such as documentary materials, medieval seals, romances, poetry, begging letters, police reports and court records, charity records, oral histories and personal correspondence. Focusing upon the wide range of activities and roles undertaken by men – work, fatherhood and play, violence and war, sex and commerce – the book also illustrates the range of masculinities that affected or were internalised by men. Together, the chapters illustrate some of the ways Scotland’s gender expectations have changed over the centuries and how, more generally, masculinities have informed the path of Scottish history


2010 ◽  
Vol 5 (2) ◽  
pp. 181-194
Author(s):  
Marjorie Perloff

This essay offers a critical re-assessment of Hugh Kenner's The Pound Era. It argues that Kenner's magisterial survey remains important to our understanding of Modernism, despite its frankly partisan viewpoint. Kenner's is an insider's account of the Anglo-American Modernist writing that he takes to have been significant because it sought to invent a new language consonant with the ethos of the twentieth century. The essay suggests that Kenner's impeccable attention to the Modernist renovation of language goes beyond formalism, since, for him, its ‘patterned energies’ (a term derived from Buckminster Fuller's theory of knots) relate Modernism to the larger complex of artefacts within which it functions and, beyond these, to what he takes to be the great works of the past and to the scientific-technological inventions of the present. But the essay also points out that Kenner's is an eccentric canon, which makes no room for Forster, Frost, Lawrence, or Stevens. Furthermore, Kenner's emphasis on the First World War as a great cultural rupture, while plausible, works less well for Joyce and Williams than it does for Pound and Eliot.


Author(s):  
VICTOR BURLACHUK

At the end of the twentieth century, questions of a secondary nature suddenly became topical: what do we remember and who owns the memory? Memory as one of the mental characteristics of an individual’s activity is complemented by the concept of collective memory, which requires a different method of analysis than the activity of a separate individual. In the 1970s, a situation arose that gave rise to the so-called "historical politics" or "memory politics." If philosophical studies of memory problems of the 30’s and 40’s of the twentieth century were focused mainly on the peculiarities of perception of the past in the individual and collective consciousness and did not go beyond scientific discussions, then half a century later the situation has changed dramatically. The problem of memory has found its political sound: historians and sociologists, politicians and representatives of the media have entered the discourse on memory. Modern society, including all social, ethnic and family groups, has undergone a profound change in the traditional attitude towards the past, which has been associated with changes in the structure of government. In connection with the discrediting of the Soviet Union, the rapid decline of the Communist Party and its ideology, there was a collapse of Marxism, which provided for a certain model of time and history. The end of the revolutionary idea, a powerful vector that indicated the direction of historical time into the future, inevitably led to a rapid change in perception of the past. Three models of the future, which, according to Pierre Nora, defined the face of the past (the future as a restoration of the past, the future as progress and the future as a revolution) that existed until recently, have now lost their relevance. Today, absolute uncertainty hangs over the future. The inability to predict the future poses certain challenges to the present. The end of any teleology of history imposes on the present a debt of memory. Features of the life of memory, the specifics of its state and functioning directly affect the state of identity, both personal and collective. Distortion of memory, its incorrect work, and its ideological manipulation can give rise to an identity crisis. The memorial phenomenon is a certain political resource in a situation of severe socio-political breaks and changes. In the conditions of the economic crisis and in the absence of a real and clear program for future development, the state often seeks to turn memory into the main element of national consolidation.


Author(s):  
Seva Gunitsky

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.


Author(s):  
James Tweedie

This chapter introduces the concept of the “archaeomodern” and its connection to the aging of the quintessential modern medium of film. It sketches the historical and cultural background of the archaeomodern turn in the late twentieth century, including the development of an obsession with the past in the heritage industry and the rise of postmodernism. It then discusses two phenomena from the 1980s and 1990s—a mannerist or baroque revival, and the development of media archaeology—that complicate the habitual association between tradition and the past or modernity and the future. The introduction suggests that archaeomodern cinema was characterized by the return to failed or abandoned modern experiments and other relics from the modern past.


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