scholarly journals Frau Ava’s, the first named German female writer’s, poem Jüngstes Gericht ‘The Last Judgement’ and its Lithuanian translation

Literatūra ◽  
2019 ◽  
Vol 61 (4) ◽  
pp. 8-26
Author(s):  
Aleksej Burov ◽  
Ignė Vrubliauskaitė
Keyword(s):  
World War Ii ◽  
Present Article ◽  
German Literature ◽  
The Other ◽  
Middle High German ◽  
World War ◽  
14Th Century ◽  
John The Baptist ◽  
12Th Century ◽  
Manuscript Dating

The present article offers an overview of several poems written by Frau Ava (1060–1127), a German poetess whose literary works are virtually unknown in Lithuania. Ava, an anchoress in Melk Abbey, is the first named German female writer, who broke ‘the deep silence of German literature’ lasting over a century (Stein 1976, 5). All poems attributed to Frau Ava are of religious character: Johannes ‘John the Baptist’ (446 lines), Leben Jesu ‘Life of Jesus’ (2418 lines), Antichrist (118 lines) and Jüngstes Gericht ‘The Last Judgement’ (406 lines), which make up an impressive biblical epic of 3388 lines. Leben Jesu, Antichrist and Jüngstes Gericht are found in the Vorau Manuscript dating the first half of the 12th century (Codex 276, 115va-125ra), whereas the Görlitz Manuscript (Codex A III. 1. 10), compiled in the 14th century but lost during World War II, contains the poem Johannes as well as the other poems mentioned above, excluding the epilogue of Jüngstes Gericht (lines 393-406).The article presents an overview of Frau Ava’s life and works as well as a Lithuanian translation of her poem Jüngstes Gericht, written in Early Middle High German (Ger. Frümittelhochdeutsch). The translation is based on Maike Glaußnitzer and Kassnadra Sperl’s text, published in 2014.

The New Research Regarding Cooperation between S.O.E. - N.K.V.D. During WWII

2020 ◽  
Vol 26 (2) ◽  
pp. 357-365
Author(s):  
Marian Zidaru
Keyword(s):  
World War Ii ◽  
Present Article ◽  
The Other ◽  
Information Network ◽  
World War ◽  
Front Line ◽  
Special Operations ◽  
Intelligence Services ◽  
Wide Range ◽  
New Research

AbstractThe memorandum concluded by S.O.E.(Special Operations Executive) and N.K.V.D., (People’s Commissariat for Internal Affairs-Народный комиссариат внутренних дел) in September 1941, obliged the two intelligence services to collaborate in a wide range of fields. The British wanted to take advantage of “the powerful communist N.K.V.D. during world war II network in Europe to destabilize the German-occupied countries by organizing sabotages and subversive actions. The Russians, on the other hand, did not want to organize sabotage operations in areas far from the front line, but were interested in contacting their Western European information network. The present article presents aspects of the co-operation between the two services in the light of the research we have undertaken in the London archives.

scholarly journals The Inscription In Greek on the Fresco Scroll of John the Baptist in the Holy Transfiguration Church of Nereditsa

Slovene ◽  
2018 ◽  
Vol 7 (1) ◽  
pp. 27-40
Author(s):  
Marina A. Bobrik
Keyword(s):  
World War Ii ◽  
World War ◽  
John The Baptist ◽  
12Th Century ◽  
The World ◽  
Long Time ◽  
One Year ◽  
Northern Russia ◽  
The Church

This paper analyses the single Greek inscription in the 12th century Holy Transfiguration Church of Nereditsa (Veliky Novgorod, Northern Russia). A mysterious text is reproduced on the scroll in the hand of John the Baptist on the fresco in the conch of diaconicon. Nowadays one can see the following sequence of letters and signs: + ΕVΡΗΚ‖ĀŌΜ. . .:; the photograph made before the destructions of the World War II allows to reconstruct the inscription as follows: + ΕVΡΗΚ‖ĀŌΜĒÌᾱ: (with a cross at the beginning and a final sign) which I will tentatively interprete as + ΕVΡΗΚA[μεν] [τ]O[ν] ΜE[σ]IA[ν]: “we have found the Messiah.” For a long time the epigraph was considered corrupt and there is no published interpretation of it. I will give a description of the epigraph (especially of some remarkable features in the usage of supralinear signs), identify the text as a citation from Jn 1:41, and I will also interpret the inscription in its historical and iconographic context. Not only the language is remarkable (other epigraphs in the church are Slavic), but also the text chosen (Jn 1:41) and the iconographic type of the Baptist (as a prophet). I will argue that there is a semantic connection between the text choice and the commemorative motives in the overall iconographic program of the church, and that the We of the Gospel citation can be associated with the two sons of the church founder (Prince Yaroslav) — both of them died one year before the church was decorated.

An ‘Age of Commerce’ in Southeast Asian History

1990 ◽  
Vol 24 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Anthony Reid
Keyword(s):  
World War Ii ◽  
Southeast Asia ◽  
Economic History ◽  
External Factors ◽  
The Other ◽  
Economic Factors ◽  
World War ◽  
The Past ◽  
Increased Sensitivity ◽  
Asian History

Since the end of World War II the study of Southeast Asia has changed unrecognizably. The often bitter end of colonialism caused a sharp break with older scholarly traditions, and their tendency to see Southeast Asia as a receptacle for external influences—first Indian, Persian, Islamic or Chinese, later European. The greatest gain over the past forty years has probably been a much increased sensitivity to the cultural distinctiveness of Southeast Asia both as a whole and in its parts. If there has been a loss, on the other hand, it has been the failure of economic history to advance beyond the work of the generation of Furnivall, van Leur, Schrieke and Boeke. Perhaps because economic factors were difficult to disentangle from external factors they were seen by very few Southeast Asianists as the major challenge.

The Other Price of Hitler's War: German Military and Civilian Losses Resulting from World War II

1987 ◽  
Vol 10 (2) ◽  
pp. 376
Author(s):  
Holger H. Herwig ◽  
Martin K. Sorge
Keyword(s):  
World War Ii ◽  
The Other ◽  
World War

After World War II

2017 ◽  
Author(s):  
David R. Mayhew
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
Energy Supply ◽  
Industrial Structure ◽  
Economic Planning ◽  
Transnational History ◽  
The Other ◽  
World War ◽  
Post World War Ii ◽  
Demographic Patterns

This chapter considers three impulses of the post-World War II era. Two of them deal with the economy, bracketing its course from an inspiration flowing out of the war through an ideological and policy retake a generation later. The other impulse covers one of the major developments of American, not to mention transnational, history—the civil rights revolution of those times. In the three impulses detailed here, economic planning devices, energy supply, the cities, travel, infrastructure, the tax code, industrial structure, the workplace, immigration, demographic patterns, the electorate, rights standards, and relations among the races, gained lasting imprints from U.S. government participation, among others.

scholarly journals Esoteric Theravada Buddhism in Burma/Myanmar

2013 ◽  
Vol 25 ◽  
pp. 55-79 ◽  
Author(s):  
Niklas Foxeus
Keyword(s):  
World War Ii ◽  
Present Article ◽  
Nation Building ◽  
Religious Movements ◽  
Theravada Buddhism ◽  
World War ◽  
Nation States ◽  
Asian Nation ◽  
Insight Meditation ◽  
The Government

The achievement of independence in 1948 was in many ways a watershed in Burma’s history. At this time, a variety of Buddhist movements emerged that were part not only of a ‘Burmese Buddhist revival’, in which even the government was involved, but also a general re-enchantment of Asia. In the period following World War II, projects of nation-building and further modernization were implemented in many newly independent Asian nation states. The theories of modernization adopted by the rulers had presupposed that a new, rationalized and secularized order that had set them on the path of ‘progress’ would entail a decline of religion. However, instead there was a widespread resurgence of religion, and a variety of new, eclectic religious movements emerged in Southeast Asia. In the thriving religious field of postcolonial Burma, two lay Buddhist movements associated with two different meditation techniques emerged, viz.; the insight meditation movement and the concentration meditation movement. The latter consisted of a variety of esoteric congregations combining concentration meditation with esoteric lore, and some of these were characterized by fundamentalist trends. At the same time, the supermundane form of Buddhism became increasingly influential in the entire field of religion. The aim of the present article is to discuss how this supermundane dimension has reshaped the complex religious field in Burma, with particular emphasis on the esoteric congregations; to present the Burmese form of esoteric Theravāda Buddhism, and to situate the fundamentalist trends which are present in these contexts.

scholarly journals A history of the city written in a map – cartography as the mirror of socio-political events in Gdańsk in the years of 1918–1939

2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
Agnieszka Bień
Keyword(s):  
World War Ii ◽  
Interwar Period ◽  
The Other ◽  
World War ◽  
Historical Events ◽  
Political Events ◽  
History Of ◽  
The City ◽  
Made In

<p><strong>Abstract.</strong> A cartographic map of Gdańsk in the years of 1918&amp;ndash;1939 was very different from the other maps of Polish cities. The reasons for some differences were, among others, the proximity of the sea, the multicultural mindset of the inhabitants of Gdańsk from that period, and some historical events in the interwar period (the founding of the Free City of Gdańsk and the events preceding World War II). Its uniqueness came from the fact that the city of Gdańsk combined the styles of Prussian and Polish housing, as well as form the fact that its inhabitants felt the need for autonomy from the Second Polish Republic. The city aspired to be politically, socially and economically independent.</p><p>The aim of my presentation is to analyze the cartographic maps of Gdańsk, including the changes that had been made in the years of 1918&amp;ndash;1939. I will also comment on the reasons of those changes, on their socio-historical effects on the city, the whole country and Europe.</p>

scholarly journals Genre, Computation, and the Varieties of Twentieth-Century U.S. Fiction

2018 ◽  
Author(s):  
Matthew Wilkens
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
Literary Fiction ◽  
Contemporary Fiction ◽  
World War ◽  
Detective Story ◽  
Other Hand ◽  
Textual Content

Is "literary fiction" a useful genre label in the post-World War II United States? In some sense, the answer is obviously yes; there are sections marked "literary fiction" on Amazon, in bookstores, and on Goodreads, all of which contain many postwar and contemporary titles. Much of what is taught in contemporary fiction classes also falls under the heading of literary fiction, even if that label isn't always used explicitly. On the other hand, literary fiction, if it hangs together at all, may be defined as much by its (or its consumers') resistance to genre as by its positive textual content. That is, where conventional genres like the detective story or the erotic romance are recognizable by the presence of certain character types, plot events, and narrative styles, it is difficult to find any broadly agreeable set of such features by which literary fiction might be consistently identified.

scholarly journals Field Experiments in Class Size from the Early Twentieth Century

2009 ◽  
Vol 23 (4) ◽  
pp. 211-230 ◽  
Author(s):  
Jonah Rockoff
Keyword(s):  
World War Ii ◽  
Public Schools ◽  
Class Size ◽  
Large Scale ◽  
Field Experiments ◽  
Research Literature ◽  
The Other ◽  
World War ◽  
Mixed Messages

A vast majority of adults believe that class size reductions are a good way to improve the quality of public schools. Reviews of the research literature, on the other hand, have provided mixed messages on the degree to which class size matters for student achievement. Here I will discuss a substantial, but overlooked, body of experimental work on class size that developed prior to World War II. These field experiments did not have the benefit of modern econometrics, and only a few were done on a reasonably large scale. However, they often used careful empirical designs, and the collective magnitude of this body of work is considerable. Moreover, this research produced little evidence to suggest that students learn more in smaller classes, which stands in contrast to some, though not all, of the most recent work by economists. In this essay, I provide an overview of the scope and breadth of the field experiments in class size conducted prior to World War II, the motivations behind them, and how their experimental designs were crafted to deal with perceived sources of bias. I discuss how one might interpret the findings of these early experimental results alongside more recent research.

George Rochberg's Road to Ars Combinatoria, 1943–63

2018 ◽  
Vol 12 (2) ◽  
pp. 119-150
Author(s):  
AMY LYNN WLODARSKI
Keyword(s):  
World War Ii ◽  
The Other ◽  
World War ◽  
Self Assessment ◽  
The Road ◽  
Historical Figures ◽  
Ethical Conflicts ◽  
George Rochberg ◽  
Cumulative Process ◽  
Ethical Criteria

AbstractGeorge Rochberg often attributed his postmodern shift to the death of his son in 1964. Accordingly, the literature has described his practice of ars combinatoria (“art of combination”) as an “abrupt about-face”—a sudden rejection of modernist aesthetics. But the composer's unpublished essays, diaries, correspondence, and musical sketchbooks suggest that the road to ars combinatoria had well-laid roots in two of his least considered biographical periods: his service during World War II and his serial period. During these two decades, Rochberg actively sought positive models for humanistic composition, historical figures who rose to the level of musical heroes in that they served humanity through their art. But as the war had taught him, heroes are necessarily defined by their struggle against nemeses in ethical conflicts. Correspondingly, he constructed the other side of the artistic world as a realm of vain egoists who sought self-promotion and seemed unconcerned with humanistic modes of expression. As his ideas matured, Rochberg assigned different figures to these archetypes, but the guiding ethical criteria remained fairly consistent throughout. I therefore argue that ars combinatoria was less a sudden aesthetic reversal than it was the result of a longer cumulative process of self-assessment and compositional maturation.

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