THE BOOK OF ACCIDENTS: DESIGNED FOR YOUNG CHILDREN

PEDIATRICS ◽  
1970 ◽  
Vol 46 (1) ◽  
pp. 138-139
Author(s):  
Thomas E. Cone

In 1830 a long-forgotten printer published a small chapbook by an unknown author bearing the title The Book of Accidents; Designed for Young Children. This small paper-covered book, which remains unlisted in any of the standard bibliographies of children's books, contains a number of lessons written for children illustrating in both prose and woodcut some of the pitfalls to which children are liablefalling out of a window, falling out of a coach, playing with firearms, crossing streets, tumbling down stairs, and so forth. Although written almost a century and a half ago, many of our readers may find these lessons more effective—and I suspect a good deal more engaging—than most of the contemporary accident prevention pamphlets written for children. The appearance in 1830 of a children's book concerned with accidents may come as a surprise because, to my knowledge, none of the standard pediatric texts contained such information until the turn of the century.

2021 ◽  
Vol 1 (8) ◽  
Author(s):  
Ymke de Bruijn ◽  
Rosanneke A. G. Emmen ◽  
Judi Mesman

AbstractChildren’s books can create opportunities for children to see themselves as well as others in different settings and stories, but cultural details and specificity within these stories can play an important role in the messages that children take away. Therefore, the present study aims to provide insight in the messages concerning ethnic diversity and various cultures in a subset of popular books that Dutch young children are likely to be exposed to. Books aimed at young children that were sold or borrowed most often or were awarded between 2009 and 2018 in the Netherlands are examined through the combined lens of critical race theory and critical multicultural analysis. Specifically, books including a protagonist or secondary character of color were selected. The study provides insight in the degree of cultural specificity and cultural authenticity, as well as prevailing power relations between characters and ideologies that are portrayed within the books. Results indicate that while cultural stereotypes and ideologies including White supremacy and eurocentrism are found only in a few books, cultural details are generally lacking and colorblindness is common in books aimed at young children. The study therefore underlines the particular need for books that are culturally specific and include authentic cultural details, to improve the reflection of various cultures and experiences of characters of color.


2013 ◽  

The volume publishes some essays illustrating experiences which attempted to promote reading with very young children in nurseries and infant schools, as part of a project on the picture books by Eric Carle, a well-known American illustrator of children's books. In particular, this initiative took place during the 2009-2010 and 2010-2011 school years, in a large number of nurseries and infant schools in some areas of Tuscany (Pistoia, Firenze, Grosseto, Livorno, Lucca, Viareggio, and the Empolese area). The main aim of the project, carried out as action-research, was to present the books of Eric Carle and investigate the level of understanding of the stories proposed by the famous illustrator. The specific goal of the project was to introduce teachers, educators, librarians and parents to the picture books written and illustrated by Eric Carle and translated into Italian.


2021 ◽  
Vol 17 (4) ◽  
pp. 371-379
Author(s):  
Seok-Hee Joo ◽  
Eun-Yeong Shin

Purpose: It was intended to measure the sound intensity of children's sound books and to compare them with the standards of Korea and the International Standards Organization (ISO).Methods: The loudness of 15 children’s sound books was measured at a distance of 25 cm (child’s arm length), and 2.5 cm length of external auditory canal. Measurements taken three times with each book were performed, and the overall sound intensity of the sound books and the sound intensity of each button were measured and compared.Results: Compared with the Korean standard, all the buttons of all books exceeded the standard for the sound volume of the children’s book measured at a distance of 2.5 cm. When comparing the maximum sound intensity measured at a distance of 25 cm with 85 LAmax, a total of 168 buttons of these, 25 (14.88%) were recorded as exceeding the maximum loudness. According to the standards of the ISO, all buttons in all books were below the standard 85 LAeq.Conclusion: Several children’s books are loud enough to cause noise-induced hearing loss, especially when they are placed close to the ear. Strict standards for sound children’s books are required, and it is important to put a warning on the cover of the book. It is expected that the sound intensity of the children’s sound book presented in this study can be referenced when referring to the loudness during hearing rehabilitation in children.


Bibliosphere ◽  
2017 ◽  
pp. 35-40
Author(s):  
E. V. Engalycheva

The article is devoted to the history of Siberian regional children's book publishing. The author has collected theoretic-practical opinions of historians, bibliologists, publishers and booksellers, librarians and bibliographers, psychologists and sociologists, which purpose is to generalize and reveal regularities of books' flow for children. V. G. Belinsky, L. N. Tolstoy, F. G. Tol’, N. V. Chekhov developed the first concepts of children's book. N. K. Krupskaya, V. A. Sukhomlinsky studied the «core» of the children book repertoire. V. G. Sopikov, B. S. Bondarsky reviewed children's literature of the 19th century in their bibliographic works. The author allocated some organizational components using formal-logical, comparative-historical and structural-typological methods. The first block is related to studying such definitions as «children's book», «children's literature», «editions for children», «a circle of childhood reading», «the repertoire of children's books», their typological signs. The presented concepts are investigated according to tasks, which children's editions solve. S. G. Antonova and S. A. Karaichentseva touched issues of children's literature typology in their publications. The second block of literature reveals the children's book development in Russia in various periods of its formation. I. E. Barenbaum, A. A. Grechikhin, A. A. Belovitskaya studied general fundamentals of the book's history, while A. Ivich, L. Kohn, I. Lupanova considered the history of children’s books. The third block is devoted to printing and art features of the children's book design, activity of universal and specialized publishing houses to distribute literature for children. The fourth block explains such category as «reader - library», considers techniques of work with children's book, offers methodical recommendations for teachers and tutors. Readers’ activity is examined as well. The author analyzes interests, factors, incentives and aims influencing childhood reading. Dissertation researches disclose the regional specifics of children's book publishing in 1980-2013, confirm the considered subject relevance. The historical, comparative, formal and logical analysis carried out by the author will be useful both the specialists in publishing and editorial affairs, researchers studying the history and development of the children's book, historians, and teachers in the educational process of such courses as «Publishing and Editing», «Children's Literature», «Book Science». The author concludes that the children's book has been studied in different periods of its development in the context of numerous aspects, directions and components, which makes it possible to reveal the special patterns of its existence.


eye brings you another batch of the latest products and books on offer101 Games to Play Before You Grow Up: Exciting and fun games to play anywhere! ISBN 97816332233370 £8.99. Paperback Publisher Walter Foster Jr Orders Tel: 020 77006700 https://www.quarto.com/ Review by Neil HentyBeginning Teaching, Beginning Learning In Early Years and Primary Education (Fifth edition) Edited by Janet Moyles, Jan Georgeson, Jane Payler ISBN 9780335226962 £28.99. Paperback Publisher Open University Press Orders Tel: 0203 4293400 [email protected] www.mheducation.co.uk Review by Neil HentyBuilding Positive Momentum for Positive Behavior in Young Children: Strategies for success in schools and beyond Lisa Rogers ISBN 978 785927744 £19.99 Publisher Jessica Kingsley Publishers Orders Tel: 02078332307 www.jkp.com Review by Neil HentyAfter the Fall: How Humpty Dumpty Got Back Up Again by Dan Santat [£6.99 from Andersen Press; ISBN: 9781783446353]How Does My Fruit Grow by Gerda Muller [£10.99 from Floris Books; ISBN: 9781782504726]Juniper Jupiter by Lizzy Stewart [£11.99 from Frances Lincoln Children's Books; ISBN: 9781786030238]Rainforest by Julia Groves [£6.99 from Child's Play International; ISBN: 9781846439353]Baby Bird by Andrew Gibbs and Zosienka [£11.99 from Frances Lincoln Children's Books; ISBN: 9781786030122]Rowan the Red Squirrel by Lynne Rickards and Jon Mitchell [£6.99 from Picture Kelpies; ISBN: 9781782504771]Using Film to Understand Childhood and Practice Sue Aitken ISBN 9781474274555 £19.99. Paperback Publisher Bloomsbury Orders Tel: 01256 302699; www.bloomsbury.com/uk Review by Neil HentyReflective Playwork: For all who work with children (Second edition) Jacky Kilvington and Ali Wood ISBN 9781474254038 £19.99. Paperback. Publisher Bloomsbury Orders Tel: 01256 302699; www.bloomsbury.com/uk Review by Neil HentySchool Readiness and the Characteristics of Effective Learning: The essential guide for early years practitioners Tamsin Grimmer ISBN 9781785921759 £14.99 Paperback Publisher Jessica Kingsley Publishers Orders Tel: 02078332307 www.jkp.com Review by Neil Henty

2018 ◽  
Vol 19 (12) ◽  
pp. 46-48

2002 ◽  
Vol 103 (7/8) ◽  
pp. 267-272
Author(s):  
Michael Ryan

This article uses a narrative to describe the way in which one project, centred round the restoration of a collection of historic children’s books, developed into a much wider international project. It looks at the managerial issues and some of the technical issues concerned and draws a number of conclusions about how such projects can be developed. In particular it looks at the role of partnership, project management and the frequently under‐appreciated role of publicity and promotion. It examines the ways in which project partners need to agree criteria and methods of working, as well as the key role played by specialist staff and various supporting organisations.


2020 ◽  
Author(s):  
Molly Lewis ◽  
M. Cooper Borkenhagen ◽  
Ellen Converse ◽  
Gary Lupyan ◽  
Mark S. Seidenberg

We investigate how gender is represented in children’s books using a novel 200,000 word corpus comprising 247 popular, contemporary books for young children (0-5 years). Using human judgments and word co-occurrence data, we quantified gender biases of words in individual books and in the whole corpus. We find that children’s books contain many words that adults judge as gendered. Semantic analyses based on co-occurrence data yielded word clusters related to gender stereotypes (e.g., feminine: emotions; masculine: tools). Co-occurrence data also indicate that many books instantiate gender stereotypes identified in other research (e.g., girls are better at reading and boys at math). Finally, we used large-scale data to estimate the gender distribution of the audience for individual books, and find that children tend to be exposed to gender stereotypes for their own gender. Together the data suggest that children’s books may be an early source of gender associations and stereotypes.


2017 ◽  
Vol 15 (4) ◽  
pp. 27
Author(s):  
Stephanie Bange

My name is Stephanie, and I am a collector. What are my favorite things to collect? That’s easy—dolls! I bought my first Barbie when I was six years old. I was given a doll from Morocco at age seven. To this day, I continue to collect both Barbies and international dolls, but my third collection now numbers eight hundred dolls. During my first year as an elementary school librarian in 1979, I began to collect dolls based on characters from children’s books.I wanted to add some zip and zing to class visits at my school library. The previous school librarian had plugged boys and girls into listening stations with worksheets each time they came to the library. I felt my students were missing out by not hearing fantastic tales from exotic places and visiting magical worlds of wonder.Bottom line, I wanted them to experience the joy found within the covers of books. That’s when the first dolls from children’s books—Corduroy, Curious George, the Cat in the Hat, and Winnie-the-Pooh—found their way into my shopping basket and my storytelling repertoire.


Author(s):  
L. ZIMAKOVA ◽  
V. KRAMARENKO

The article is devoted to the study of trends in the development of modern children’s books, its impact on the formation of creativity as one of the main competencies. The basis for the development of the visual and plot components of the children’s book in the middle of the 20th century and their influence on the formation of the psycho-emotional component of the young generation of those times are retrospectively covered. Possibilities of modern book publishing for authors-writers are presented. Perspective directions of publishing business development both abroad and in Ukraine are covered. The study revealed qualitative changes in the content, artistic, and architectural content of modern children's books, which are reflected in the latest plots, visual images, design, and creative approaches to putting out books. With the help of certain modern children’s books, we have proved the effectiveness of pedagogical methods of forming preschoolers’ ability to be creative in various life situations, their readiness for non-standard, original solutions, ability to be independent and choose freely, curiosity, development of imagination, courage, flexibility, mobility, etc. These are so-called “quiet books” for children which are popular nowadays. The story is told exclusively by means of illustrative material, which has its own unique author’s visual language and non-standard presentation. It develops children’s imagination and forms their tastes, non-standard thinking, ability to improvise, and encourages preschoolers’ to play. Books with an interactive narrative are of great interest to children. These are toy books, which stimulate children to create games or to become an author of a book with the help of an interesting story and illustrative material. It is offered to consider a modern children’s book not only as an information source but also as a means of stimulating preschoolers’ artistic and play activities. It is emphasized that the modern children’s book is a symbiosis of three artistic practices and might be used as artistic and game material in the educational process of PEI. The influence of books on the preschoolers’ psycho-emotional, personal-behavioral, artistic-activity development, as well as their creativity formation, is clarified practically.


Ars Aeterna ◽  
2021 ◽  
Vol 13 (3) ◽  
pp. 30-41
Author(s):  
Gabriella Petres Csizmadia

Abstract The study presents the reader with an intermedial interpretation of the storybook Mimi & Liza written by Katarína Kerekesová – Katarína Moláková – Alexandra Salmela (2013). The storybook follows the story of the friendship of two little girls, Mimi, who sees the world proliferating in mad colours, and the blind Liza, who is immersed in inner seeing. The two girls are presented as each other’s opposites through the semiotics of two counterpointing colour schemes. The analysis is based on Mitchell’s conception of media (Mitchell, 1994), that is, it sets out by acknowledging the intermedial state of the culture of children’s books, and then it follows the unfolding of the visual elements up through the investigation of expressive visual effects created by the text’s rhetoric. The visualization happening with the help of language is the condition of the common worldview of the blind and seeing characters as well as the guiding principle and goal of the volume; therefore besides the visual representation characteristic of children’s books, an emphasized role is given to the validation of the ekphrastic perspective in the analyzed work. The ekphrases of the text are presented as intermedial references (Rajewsky, 2010) based on Irina O. Rajewsky’s interpretation of intermediality. A unique feature of the interpretation is that the ekphrases of the volume read as sort of imaginary/imagination ekphrases which create the special, children’s book version of ekphrasis. It is characteristic for this imagination ekphrases that the order of the imaginary image and its linguistic description create an undecidable symbiosis. These images, however, can also be interpreted as inverted ekphrases, since they function not merely as descriptions of imagination ekphrases, but also as the visual world representations of linguistic imagination. Through several examples the study introduces and analyzes the mechanisms of the visualization happening with the help of language as well as the scenery painted with words.


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