scholarly journals New data on geology of the Rybalsky Quarry, unique object of geological heritage of Global Significance

2021 ◽  
Vol 30 (1) ◽  
pp. 100-121
Author(s):  
Volodymyr V. Manyuk

Among the great variety of geological relics of Ukraine, one of the most attractive is the Rybalsky Quarry, located in the city of Dnipro, and well known outside Ukraine. First of all, it is famous for the Mandrykivski Layers exposed in one of the ridges of the Quarry back in the 1970s, although there are many other important peculiarities of the geological structure of the Quarry which attract scientists from Ukraine, Germany, France, Netherlands, Russia and other countries. There are full data on the history of discovery and survey of the Mandrykivski Layers from their discovery by Valerian Domger in 1882 to current studies that reveal various aspects of geological structure of the Quarry, the results of study of different groups of fossil fauna, compare them with the fauna of the Paris Upper Eocene basin and other well- known locations. Particularly in the Rybalsky Quarry, thanks to the author`s efforts, the Layers received the status of “layers with geographic name”, as confirmed by the decision of Cenozoic Commission of the National Stratigraphic Committee of Ukraine in 2001. New fragments of the section of subaerial and subaqueous deposits of the Quaternary deposits were found and their composition, structure and complete stratigraphic content were studied. The research allows us to consider it typical for the Middle Prydniprovia. Fluvioglacial and lake-glacial deposits of the Dnipro glaciations in the Quarry exposed for the second time in 25 years, but this is the first time when their genetic origin, position in the section and lithological-facies peculiarities were determined. Thick layer of sands embedded on the roof of the Mandrykivski Layers were identified to the fifth or Hadzhybeiska terrace of the Dnipro, in the upper part of which there were notable siliceous-clayey-ferruginous formations or lateral crust (ferruginous crusts). The studies of the layer of brown-green and red-brown clays in the roof of the Mandrykivski layers allows us to presume their marine origin. In this case, they are underwater weathering crust (terra rossa) developed in the process of halmyrolysis or are the product of dissolution of carbonate silt enriched with detritus of mollusks, corals and other inhabitants of the warm Mandrykivske Sea.

Author(s):  
Dmitrii A. GOGOLEV ◽  
Elena O. MAKAROVA

The historic monuments of Tyumen are an integral part of the historical and cultural landscape of the city, especially those of them that have the status of the objects of the cultural heritage of the federal significance. The relevance of this topic lies in commemorative marks being one of the sources of the formation of historical memory. For the first time, there is an attempt to study the commemorative potential using the example of a limited number of cultural heritage sites in Tyumen and compare with its current state. A comprehensive study of the history of these objects allows identifying their commemorative potential, while the comprehension of the current state of their memorialization aids in developing specific proposals for perpetuating significant events for them. Using the principles of objectivity and historicism, the authors have studied memorial plaques. Today, they are the only type of commemorative signs located on the cult cultural heritage sites of federal significance in Tyumen. Their texts contain information exclusively about the events of religious life. The reason for this may be the fact that the initiative to install all the memorial signs came from the representatives of the church. The events related to the history of the iconic monuments of Tyumen were grouped into thematic blocks. They reflect the connection of these objects with facts from the life of indivi¬duals or with the history of the most memorial place. This allows formulating more clearly their proposals for the memorialization of historic objects of cultural heritage of federal significance in Tyumen. It should be noted that the issue of the current state and prospects of memorialization of the historic objects of cultural heritage of regional significance in Tyumen requires a special study.


Author(s):  
Rachel Ablow

The nineteenth century introduced developments in science and medicine that made the eradication of pain conceivable for the first time. This new understanding of pain brought with it a complex set of moral and philosophical dilemmas. If pain serves no obvious purpose, how do we reconcile its existence with a well-ordered universe? Examining how writers of the day engaged with such questions, this book offers a compelling new literary and philosophical history of modern pain. The book provides close readings of novelists Charlotte Brontë and Thomas Hardy and political and natural philosophers John Stuart Mill, Harriet Martineau, and Charles Darwin, as well as a variety of medical, scientific, and popular writers of the Victorian age. The book explores how discussions of pain served as investigations into the status of persons and the nature and parameters of social life. No longer conceivable as divine trial or punishment, pain in the nineteenth century came to seem instead like a historical accident suggesting little or nothing about the individual who suffers. A landmark study of Victorian literature and the history of pain, the book shows how these writers came to see pain as a social as well as a personal problem. Rather than simply self-evident to the sufferer and unknowable to anyone else, pain was also understood to be produced between persons—and even, perhaps, by the fictions they read.


2018 ◽  
Vol 33 (2) ◽  
Author(s):  
Mbuzeni Mathenjwa

The history of local government in South Africa dates back to a time during the formation of the Union of South Africa in 1910. With regard to the status of local government, the Union of South Africa Act placed local government under the jurisdiction of the provinces. The status of local government was not changed by the formation of the Republic of South Africa in 1961 because local government was placed under the further jurisdiction of the provinces. Local government was enshrined in the Constitution of the Republic of South Africa arguably for the first time in 1993. Under the interim Constitution local government was rendered autonomous and empowered to regulate its affairs. Local government was further enshrined in the final Constitution of 1996, which commenced on 4 February 1997. The Constitution refers to local government together with the national and provincial governments as spheres of government which are distinctive, interdependent and interrelated. This article discusses the autonomy of local government under the 1996 Constitution. This it does by analysing case law on the evolution of the status of local government. The discussion on the powers and functions of local government explains the scheme by which government powers are allocated, where the 1996 Constitution distributes powers to the different spheres of government. Finally, a conclusion is drawn on the legal status of local government within the new constitutional dispensation.


Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.


2018 ◽  
Vol 45 (1) ◽  
pp. 132-145
Author(s):  
Gyula Szvák

It would be too early to try and summarize the way in which the issue of Russia’s “state historical and remembrance policy” has evolved or foresee its possible outcomes, as the standard uniform set of schoolbooks has not yet been approved. The media-voting competitions presented in this essay, however, clearly demonstrate the national social climate and its trends, which would have to be moulded into some form of an “all-Russian socium” by such a new approach to history. As contemporaries we might curiously await the next rounds of the “identity battle,” but as historians we must give voice to scepticism in regards to hopes of any form of quick success. Yet most of all, we have to stand by the deep conviction that only a pluralistic approach to history based on free research and the freedom to present freely conceived alternatives can help in the crystallization of a realistic national self-image. P.S.: For the first time in the history of Russia a statue has been erected for Ivan IV (the Terrible, the Fearsome) in the city of Oryol on 15 October 2016. The countdown has begun.


2002 ◽  
Vol 55 (3) ◽  
pp. 936-968 ◽  
Author(s):  
Eugene J. Johnson

The teatro all'italiana, or Italian opera house with boxes, was one of the most successful building types invented during the Renaissance, but fragmentary and ambiguous evidence has made locating its origins difficult. This article proposes that those origins are to be found in two theaters for commedia dell'arte built in Venice in 1580 and destroyed by order of the Council of Ten in 1585 (m.v.). The history of these two theaters is sketched here for the first time by means of documents recently found in the Archivio di Stato, Venice, that also include new information related to Palladia's Teatro Olimpico in Vicenza. The role the two Venetian theaters played in the economic, political and social history of the city is suggested.


2006 ◽  
Vol 97 (2) ◽  
pp. 167-211 ◽  
Author(s):  
Charles H. Wellman

ABSTRACTSince the late 1980s an extensive programme of trenching/borehole drilling has been undertaken in order to study the Lower Devonian ‘Lower Old Red Sandstone’ deposits of the Rhynie outlier in the Grampian Highlands of Scotland. The boreholes have provided new information on the stratigraphical succession and geological structure of the Rhynie outlier, both of which were hitherto poorly understood due to the paucity of good surface exposure and the complex geological relationships of the deposits. One hundred and eighteen palynological samples were collected, representing much of the stratigraphical sequence of the inlier, of which 106 were productive. Productive samples yield assemblages of well preserved palynomorphs, dominated by spores and phytodebris, but also containing arthropod cuticle and rare freshwater algal remains. The spore assemblages are systematically described and two new genera and six new species proposed. They are similar throughout the sequence and the spores belong to the polygonalis–emsiensis Spore Assemblage Biozone of Richardson & McGregor (1986) and the PoW Oppel Zone (possibly Su Interval Zone) of Streel et al. (1987), indicating an early (but not earliest) Pragian–?earliest Emsian age range, that may possibly be restricted to latest Pragian–?earliest Emsian. The palynomorph assemblages contain only terrestrial forms, supporting sedimentological interpretation of the deposits as ‘Lower Old Red Sandstone’ fluviatile and lacustrine deposits, with occasional extrusive volcanics and volcaniclastic sediments intercalated. The palynomorphs are of variable thermal maturity (within and between samples), probably reflecting differential heating associated with the complex volcanic/hydrothermal system. The new palynological data provide, for the first time, a reliable biostratigraphical age for the deposits, and suggest that they accumulated relatively rapidly. Spore biostratigraphy and thermal maturity studies facilitate correlation of the tectonically complex deposits, and shed light on other aspects of the geological history of the outlier. The palynomorph assemblages also aid interpretation of the biota of the Rhynie basin, including the exceptionally preserved biotas of the Rhynie and Windyfield cherts.


2021 ◽  
Vol 181 (4) ◽  
pp. 222-227
Author(s):  
A. G. Plotnikova

This publication explores the history of personal contacts and correspondence between the distinguished biochemist V. I. Nilov and the writer Maxim Gorky in 1933–1936. Through out his life, M. Gorky tried to use his influence to help talented scientists as well as scientific and cultural institutions. In 1933, V. I. Nilov, a researcher from the Nikita Botanical Gardens, wrote to Gorky about the experiments he performed in his biochemistry lab on the synthesis of vitamin C, plant breeding for chemical composition, and isolation of opiates from poppy. The writer appealed to the USSR top officials, intending to improve the situation with scientific institutions in Crimea. As a result of Gorky’s mediation efforts, Nilov’s documents were presented to I. V. Stalin. The leaders of the USSR were interested in such research, because it complied with the country’s strategic objectives. This, in its turn, led to changes in vitamin research and production in the USSR and had an effect on the status of the Nikita Botanical Gardens. V. I. Nilov’s scientific biography was closely interlinked with the history of the Institute of Plant Industry and its director N. I. Vavilov. By this publication, earlier unknown materials from the Archive of A.M. Gorky (Institute of World Literature, Moscow) and the Russian State Archive of Socio-Political History (Moscow) are for the first time introduced into public scientific discourse.


Author(s):  
Н. Н. Грибов ◽  
Т. А. Марьенкина ◽  
Н. В. Иванова

В статье представлены предварительные результаты первых масштабных археологических исследований в нижней части Нижегородского кремля. Раскоп, заложенный в зоне воссоздания храма Святого Симеона Столпника, вскрыл культурные отложения двух периодов - XIII - начала XV в. и XVI - середины XVIII в. Впервые средневековая усадебная застройка Нижнего Новгорода зафиксирована на таком элементе волжской долины, как береговой склон. Выдающееся значение для нижегородской археологии имеют обнаружение стратифицированных культурных напластований XIII - начала XV в. и зафиксированный на стратиграфических разрезах перерыв в активном освоении городской территории, соответствующий большей части XV в. Предложена реконструкция истории освоения раскопанного участка. Выяснилось, что связанный с храмом малоизвестный нижегородский Симеоновский монастырь вряд ли существовал до строительства Нижегородского кремля. Наиболее раннее, предположительно, монастырское сооружение, возникшее после исчезновения усадебной застройки XIII - начала XV в., датировано концом XV - серединой XVI в. С этим периодом связано строительство деревянного моста, обеспечивавшего транспортное сообщение между «нагорным» и приречным районами города. Обнаружение остатков этого свайного сооружения существенно корректирует известную реконструкцию застройки кремлевской территории начала XVII в., выполненную по письменным источникам. Дано обоснование времени функционирования обнаруженного некрополя Симеоновского монастыря в пределах середины XVI - начала XVIII в., приведена общая характеристика изученных погребений. В общеисторическом контексте материалы исследований представляют интерес для изучения процессов, сопровождающих превращение удельных городских центров в города Московской Руси. The article presents preliminary results of the first large-scale archaeological research in the lower part of the Nizhniy Novgorod Kremlin. The excavation, laid in the area of the reconstruction of the Church of St. Simeon the Stylite, uncovered cultural layer of two periods - the XIII - early XV centuries and the XVI - mid XVIII centuries. For the first time, the medieval estate development of Nizhniy Novgorod was recorded on such an element of the Volga valley as the coastal slope. The discovery of stratified cultural strata of the XIII - early XV centuries and the break in the active development of urban territory recorded on stratigraphic sections, corresponding to most of the XV century, are of outstanding significance for Nizhniy Novgorod archeology. The reconstruction of the history of development of the excavated site is proposed. It turned out that the little-known Nizhniy Novgorod Simeon monastery associated with the temple hardly existed before the construction of the Nizhniy Novgorod Kremlin. The earliest, presumably, monastic structure that arose after the disappearance of the manor buildings of the XIII -early XV centuries., dated to the end of the XV - mid XVI centuries. This period is associated with the construction of a wooden bridge that provided transport links between the «Nagorny» and riverine districts of the city. The discovery of the remains of this pile structure significantly corrects the well-known reconstruction of the Kremlin territory of the beginning of the XVII century, made according to written sources. The justification for the functioning of the necropolis discovered Simeon monastery in the middle of the XVI century - beginning of the XVIII centuries, the general characteristics of the studied burials. In the general historical context, the research materials are of interest for studying the processes that accompany the transformation of specific urban centers into cities of Muscovite Russia.


Author(s):  
Adam Nadolny

This article focuses on the inter-dependencies between the film image and architecture. The author has attempted to define what sort of historical background preconditions the film image to gain the status of a source for research on the history of Polish urban planning and post-war architecture, with particular emphasis placed on the 1960s.


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