scholarly journals Image–Building

2018 ◽  
Vol 2 (2) ◽  
pp. 3-11
Author(s):  
Charlott Greub
Keyword(s):  
Built Environment ◽  
Cultural Economic ◽  
Avant Garde ◽  
The Social ◽  
Image Building ◽  
Favorite Theme

The aim of this paper is to examine the narratives of two films, Les Nuits Électriques by Eugène Deslaw (1928) and site specific_LAS VEGAS 05 by Olivio Barbieri (2005), using a favorite theme of avant-garde filmmakers: urban lighting in direct combination with neon light advertising.This paper offers a nuanced perspective on how film affects the understanding of neon advertising in relation to the built environment. Also, the paper explores the social, cultural, economic and political and conceptual implications of architecture as a sign through the interpretation of those who capture it.

scholarly journals The Built Environment of Kampung Arab Sugihwaras Pekalongan

2018 ◽  
Vol 41 ◽  
pp. 04002
Author(s):  
Astari Wulandari ◽  
Loekman Mohammadi ◽  
Anwar
Keyword(s):  
Built Environment ◽  
Research Question ◽  
Environmental Parameters ◽  
Physical Parameters ◽  
Human Beings ◽  
Grid Pattern ◽  
Cultural Economic ◽  
Social Rules ◽  
Social Lives ◽  
The Social

Since the arrival of Arabian ethnic to Sugihwaras, they settled and built their own neighborhood identity. The built environment is an example of a system on which human beings seek to express their own identity as a collective group. Every built environment consists of distinctive features that relate to social, cultural, economic and environmental parameters inherent in that particular built-environment (Al-Hokail, 1995). Based on that background, the research question of this study is “what is the distinctiveness of built environment in Kampung Arab Sugihwaras Pekalongan?”. The purpose of this article is to identify and explain the built environment in Kampung Arab Sugihwaras by its social and physical parameters. Using both qualitative and quantitative approach, this article examines the social parameters by its four social scales: neighborhood, family and individual, the physicalparameters by its urban fabrics. The result shows that community who lives in Kampung Arab Sugihwaras especially the Arabian descendant preserving Islamic value in their social lives. But, modern urban culture faded some social rules away. While the Kampung Arab Sugihwaras urban fabric shows that neighborhood had grid pattern with two inner main streets and buildings withIndische Architecture style in that corridors. The further result shows the street hierarchy by overlapping the social and physical parameters analysis.

The value, costs, and meaning of transnational migration in rural Oaxaca, Mexico

2006 ◽  
Vol 3 (1) ◽  
pp. 15-25 ◽  
Author(s):  
Jeffrey H. Cohen ◽  
Bernardo Rios ◽  
Lise Byars
Keyword(s):  
Social Networks ◽  
Sense Of Belonging ◽  
Southern California ◽  
Transnational Migration ◽  
Urban Centers ◽  
Cultural Economic ◽  
Southern Mexico ◽  
Shared Identity ◽  
The Social

Rural Oaxacan migrants are defined as quintessential transnational movers, people who access rich social networks as they move between rural hometowns in southern Mexico and the urban centers of southern California.  The social and cultural ties that characterize Oaxacan movers are critical to successful migrations, lead to jobs and create a sense of belonging and shared identity.  Nevertheless, migration has socio-cultural, economic and psychological costs.  To move the discussion away from a framework that emphasizes the positive transnational qualities of movement we focus on the costs of migration for Oaxacans from the state’s central valleys and Sierra regions.   

HERITAGE IN THE LIVED ENVIRONMENT OF THE UNITED ARAB EMIRATES AND THE GULF REGION

2017 ◽  
Vol 11 (2) ◽  
pp. 55 ◽  
Author(s):  
Joseph John Hobbs
Keyword(s):  
Built Environment ◽  
United Arab Emirates ◽  
Architectural Design ◽  
Social Sustainability ◽  
Gulf Region ◽  
Planning And Design ◽  
Spatial Features ◽  
Gulf Countries ◽  
The Social ◽  
Islamic Values

This paper examines how the architectural, social, and cultural heritage of the United Arab Emirates and other Gulf countries may contribute to better development of this region’s lived environment. Modern urbanism has largely neglected heritage in architectural design and in social and private spaces, creating inauthentic places that foster a hunger for belongingness in the UAE’s built environment. The paper reviews recent urban developments in the UAE and the Gulf Region, and identifies elements of local heritage that can be incorporated into contemporary planning and design. It proposes that adapting vernacular architectural heritage to the modern built environment should not be the principal goal for heritage-informed design. Instead we may examine the social processes underlying the traditional lived environment, and aim for social sustainability based on the lifeways and preferences of local peoples, especially in kinship and Islamic values. Among the most promising precedents for modern social sustainability are social and spatial features at the scale of the neighborhood in traditional Islamic settlements. Interviews with local Emiratis will also recommend elements of traditional knowledge to modern settings. 

The Avant-Garde of Sensitivity: On Grzegorz Królikiewicz’s “The Trees”

2018 ◽  
Author(s):  
Sylwia Borowska-Kazimiruk
Keyword(s):  
Visual Representations ◽  
Social Costs ◽  
Avant Garde ◽  
The Social

The author analyses Grzegorz Królikiewicz’s Trees (1994) in two ways: as a metaphor of the Polish post-1989 transition, and as an eco-horror presenting the complexity of relations between human and plant world. This binary interpretation attempts to answer the question about the causes of the failure of Trees as a film project. The film itself may also be interpreted as a story about historical conditions that affect the ability to create visual representations of the social costs of political changes, as well as ecocritical issues.

scholarly journals The economics of free

2016 ◽  
Vol 22 (6) ◽  
pp. 563-580 ◽  
Author(s):  
Elizabeth Evans
Keyword(s):  
Game Design ◽  
Temporal Dynamics ◽  
Game Studies ◽  
Cultural Economic ◽  
Gaming Industry ◽  
Political Implications ◽  
The Simpsons ◽  
The Social ◽  
Casual Games ◽  
Branding Strategies

The gaming industry has seen dramatic change and expansion with the emergence of ‘casual’ games that promote shorter periods of gameplay. Free to download, but structured around micropayments, these games raise the complex relationship between game design and commercial strategies. Although offering a free gameplay experience in line with open access philosophies, these games also create systems that offer control over the temporal dynamics of that experience to monetize player attention and inattention. This article will examine three ‘freemium’ games, Snoopy Street Fair, The Simpsons’ Tapped Out and Dragonvale, to explore how they combine established branding strategies with gameplay methods that monetize player impatience. In examining these games, this article will ultimately indicate the need for game studies to interrogate the intersection between commercial motivations and game design and a broader need for media and cultural studies to consider the social, cultural, economic and political implications of impatience.

scholarly journals Pathology of Social Violence Phenomenon in Ardabil Province: A Qualitative Study

2016 ◽  
Vol 8 (10) ◽  
pp. 15
Author(s):  
Shahram Habibzadeh ◽  
Farhad Poufarzi ◽  
Mohammad Mehrtak ◽  
Saied Sadeghiyeh-Ahari ◽  
Mehdi Jafari-Oori ◽  
...  
Keyword(s):  
Qualitative Study ◽  
Minority Groups ◽  
Expert Panel ◽  
Vulnerable Groups ◽  
Physical Damage ◽  
Cultural Economic ◽  
Social Violence ◽  
Targeted Sampling ◽  
The Social ◽  
Regional Factors

<p><strong>Introduction:</strong> In all human societies, domestic violence is known as a threat. Violence is imposing one's will on others through mental pressure and physical damage then can cause a feeling of anxiety and insecurity in them, especially for the weaker and more vulnerable groups such as women, children, elderly and minority groups who are the victims of oppression and socioeconomic inequalities. According to statistics, Ardabil, in comparison with other Iran’s provinces, has the most number of violent crimes. This qualitative research was conducted with the aim of exploring pathological phenomena of social violence in Ardabil province.</p><p><strong>Methods:</strong> this qualitative study was conducted with expert panel. Eighteen participants were selected with targeted sampling method from professors and the heads of the administrative offices who were linked to the phenomenon of social violence and have rich experiences with the social violence issues. After obtaining an informed consent from the participants, expert panel were conducted in two sessions of 150 minutes. At each session all discourse was recorded and after that, immediately transcribed verbatim. Then, the codes, sub-themes and the themes were obtained.</p><p><strong>Results:</strong> The five main extracted themes included: social, historical and anthropological, cultural, economic and regional factors and 13 sub-themes were classified.</p><p><strong>Conclusion:</strong> Social, economic, cultural and regional structure, which have been formed and institutionalized in the society over the years, can be influenced and changed by government policies and a variety of programs.</p>

The Nightingale's Butcher Manifesto

ARTMargins ◽  
2014 ◽  
Vol 3 (2) ◽  
pp. 129-130
Author(s):  
Hooshang Irani ◽  
Gholam Hossein Gharib ◽  
Hassan Shirvani
Keyword(s):  
Avant Garde ◽  
Iranian Art ◽  
The Social ◽  
Social Concerns

Perhaps the earliest manifesto in Iranian art, “The Nightingale's Butcher Manifesto” fights for an Iranian avant-garde—an avant-garde based on new modes of abstraction so as to break the chains of both Iran's artistic traditions and the social concerns of figuration.

scholarly journals The scope and limits of combatting violent extremism in the United Kingdom

2021 ◽  
pp. 155-174
Author(s):  
Tahir Abbas
Keyword(s):  
Foreign Policy ◽  
Social Engineering ◽  
Status Quo ◽  
Political Resistance ◽  
Cultural Economic ◽  
The United Kingdom ◽  
The Social ◽  
Violent Extremism ◽  
The Status ◽  
British Muslims

This article situates the debate on the United Kingdom’s Prevent policy in the broader framework of the global paradigm for countering violent extremism (CVE), which appeared at the end of 2015. It argues that omission of a nuanced focus on the social, cultural, economic, and political characteristics of radicalised people has led to a tendency to introduce blanket measures which, inadvertently and indirectly, have had harmful results. Moreover, although Prevent has been the fundamental element of the British government’s counterterrorist strategy since 2006, it confuses legitimate political resistance of young British Muslims with signs of violent extremism, thus giving credence to the argument that Prevent is a form of social engineering which, in the last instance, pacifies resistance by reaffirming the status quo in the country’s domestic and foreign policy.

scholarly journals Montager svøbt i matricepap. En materialearkæologisk undersøgelse af Asger Jorn og Guy Debords Fin de Copenhague

2015 ◽  
Vol 54 ◽  
pp. 587
Author(s):  
Thomas Hvid Kromann
Keyword(s):  
Waste Product ◽  
Theoretical Framework ◽  
Situationist International ◽  
International Network ◽  
Avant Garde ◽  
Photographic Documentation ◽  
The Social ◽  
Depth Analysis

Thomas Hvid Kromann: Montages wrapped in flong. A material-archeological examination of Asger Jorn and Guy Debord’s Fin de Copenhague The article presents and analyses Fin de Copenhague, which was published in 1957 by the Danish painter Asger Jorn and the French theorist and activist Guy Debord. According to legend, this famous avant-garde masterpiece was created in a 24-hour fit of vandalistic creativity and bound in a waste product from the production of newspapers, “flong,” making every copy in this edition of 200 unique. Until recently, Fin de Copenhague has been analyzed within the theoretical framework of the Situationist International (1957–1972), focusing rather on the concept than the materiality of the book. In alignment with a heightened theoretical awareness of the importance of Jorn’s printed matter, the article closely examines Fin de Copenhague, drawing on a combination of art historical and book historical disciplines.The first part of the article is focused on the production, the distribution and the reception of the work. Hereby, the article presents the first thorough analysis of the intertextuality of the work as well as the international network the book circulated within. In the second part of the article, one finds an in-depth analysis of the flong. Until now, no research has focused on the variations of Fin de Copenhague. The author has collected photographic documentation of numerous covers from European and American libraries, copies owned by collectors, and copies sold at auction. In this way, the multiple covers can be studied, including the various aesthetic effects of each individual book cover. Furthermore, a material-archeology of the flong makes it possible to date the single pieces of flong, proving that Fin de Copenhague couldn’t possibly be created within these 24-hours. It is necessary to differentiate between finalizing the idea for the book, the printed work and the published work. In addition to this, the notion of the “social authorship” is underlined, stressing the importance of the printers Verner Permild and Bjørn Rosengreen.

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