scholarly journals Origin of Words Denoting ‘Salt’ in the Selkup and Ugric Languages

Author(s):  
Vladimir V. Napolskikh ◽  

In the Finno-Permian languages, the words denoting ‘salt’ are loans (from an Indo-European language of the Proto-Baltic or Iranian groups), while in the North Samoyedic languages, they are later innovations (a word meaning ‘white’). Their appearance can be associated with the spread of cattle breeding and agriculture among the respective peoples. The situation is similar in the Ugric languages and in Selkup, but the sources of words for ‘salt’ are different there. The Khanty (*sФl-nк) and Northern Mansi (solwкl) words for ‘salt’ were borrowed from the Permian *sЫl ‘salt’, or, more precisely, from its derivatives (compare Udmurt s2lal), between the first half and mid-first millennium AD, which mainly reflects the hunting and fishing lifestyle of the Ob-Ugrians before and during the contact (the word was borrowed to denote salt as a preservative from the Permians who were familiar with agriculture and cattle breeding). In the Mansi dialects except for the Northern dialect and in the Selkup language (in most dialects), apparently, the older word for ‘salt’ was kept (Mans. *CЁkkг ~ Selk. *њяq < *ќяq) going back to the Proto-Ugric times (there is a Hungarian parallel: szik ‘swamp; salt marsh, ground soda outlets’) when the Ugrians were familiar with the producing economy. Its only possible source may be the Yeniseian *VкЭ ‘salt’, which is of a Sino-Caucasian origin, or a word of some Sino-Caucasian language, since one can assume that this term has also penetrated into the languages of the peoples of the Far East. The Hungarian word for ‘salt’ (sв < *VaU) has a relatively late origin and is most likely to have been borrowed by the ancient Hungarians from the Adyghe languages (*ќкʁwк) before the Hungarian land-taking (between the fifth and ninth centuries).

Author(s):  
Anna K. Hodgkinson

Little is necessary in terms of an introduction, since Amarna is one of the best-known settlements of ancient Egypt. The city was founded by pharaoh Amenhotep IV, known from his fifth regal year as Akhenaten, on his move away from Thebes and Memphis to found a new religious and administrative capital city. Akhenaten reigned approximately between 1348 and 1331 BC, and his principal wife was Nefertiti. Akhenaten’s direct successor appears to have been a figure named Smenkhare (or Ankhkheperure) who was married to Akhenaten’s daughter Meritaten. Like Nefertiti, Smenkhare/Ankhkheperure held the throne name Nefernefruaten. For this reason it is uncertain whether this individual was Nefertiti, who may have reigned for some years after the death of Akhenaten, possibly even with a brief co-regency, or whether this was a son or younger brother of the latter. The rule of Smenkhare/Ankhkheperure was short, and he or she was eventually succeeded by Tutankhamun. The core city of Amarna was erected on a relatively flat desert plain surrounded by cliffs on the east bank of the Nile, in Middle Egypt, approximately 60km south of the modern city of Minia, surrounded by the villages et- Till to the north and el-Hagg Qandil to the south. The site was defined by at least sixteen boundary stelae, three of which actually stand on the western bank, past the edge of the modern cultivation. In total, the city measures 12.5km north–south on the east bank between stelae X and J, and c.8.2km west–east between the projected line between stelae X and J and stela S to the far east, which also indicates approximately the longitude of the royal tomb. The distance between stelae J and F, to the far south-west, measures c.20km, and between stelae X and A, to the far north-west 19.2km. The core city, which is the part of the settlement examined in this section, was erected along the Nile, on the east bank, and it is defined by the ‘Royal Road’, a major thoroughfare running through the entire core city north–south.


Zootaxa ◽  
2013 ◽  
Vol 3626 (3) ◽  
pp. 381-390 ◽  
Author(s):  
IRINA I. MARCHENKO

Gamasiphis angaridis sp. n. is described from females and males collected from litter and soil in the North Asian part of Russia–Siberia and the Far East. This is the first species of the large genus Gamasiphis to be described from the northern Palaearctic Region. A key for the separation of females of the 11 recognisable species of Gamasiphis described inEurasia is provided.


1969 ◽  
Vol 3 (3) ◽  
pp. 257-277 ◽  
Author(s):  
John J. Stephan

The Crimean War (1854—56), as its name suggests, was fought mainly on and around a peninsula jutting out from the northern shores of the Black Sea. Names such as the Alma River, Balaclava, and Inkerman are generally conjured up at the mention of this costly conflict. Strategic planning and operations on both sides, however, were not confined to the Crimea and the Caucasus. Far from Sebastopol, hostilities between Russia and the allied powers of Britain and France erupted in the seas of Japan and Okhotsk, and in the North Pacific Ocean. Accorded relatively little attention at the time, almost forgotten today, this Far Eastern1 theatre of the war offers insights into the growing role of Europe in East Asia. Whereas in the Crimea, the Allies achieved a victory of sorts while making immense human sacrifices, in the Far East they failed in many of their objectives but without incurring a great loss of life. The tragi-comic nature of tactical operations in the Far East should not obscure the war's broader implications: (1) the advance of Russia into the Amur River basin and Maritime Provinces then part of the Chinese Empire; (2) the intensification of British anxieties regarding Russian penetration into Manchuria and Korea; (3) the growing role of Japan in international relations; and (4) the progress of cartographical knowledge through surveys conducted in response to the demands of war.


2019 ◽  
Vol 40 (1) ◽  
pp. 43-57
Author(s):  
Vladimir Degtiar

Abstract The purpose of this paper is to describe how the material culture of the indigenous hunters and fishermen of the Udehe in the Far East of Russia have been transformed by outside influence, from an autonomous and already sophisticated culture to a dependent and modernized one. The discussion centres around the means of water transport, two kinds of dugout boats (the bat and omorochka) because they were and still are essential for hunting and fishing, which are the main economic activities of Udehe. The author demonstrates how this one part of material culture has changed in manufacturing and use, and what has changed in the everyday life due to this transformation.


2019 ◽  
Author(s):  
И.И. Крыловская

В марте 1950 года в Магадан приехала московская молодежная труппа оперетты. Это событие положило начало качественно новому этапу в истории музыкального театра Севера Дальнего Востока России. Статья посвящена деятельности этого молодого коллектива в 1950‒1953 годах, когда Магаданский музыкально-драматический театр находился в подчинении у руководства исправительно-трудовых лагерей Колымы. Приводятся сведения из неизвестных ранее архивных документов и материалов периодики. На их основе прослеживаются события в жизни коллектива, работа над репертуаром, постановочные проблемы; рецензии отражают восприятие и оценку современников. По мнению автора, деятельность труппы оперетты в начале 1950-х годов утвердила Магаданский музыкально-драматический театр как центр музыкальной культуры региона, стимулировавший развитие в нем профессионального исполнительства и музыкального образования. In March, 1950 the Moscow youth operetta troupe arrived in Magadan. This event laid the foundation for qualitatively new stage in the history of musical theatre of the North of the Far East of Russia. The article is devoted to the activity of this young collective in 1950‒1953 when the Magadan musical and drama theatre was under supervision at the management of labor camps of Kolyma. Data from unknown archival documents and materials of the periodical press are provided, serving the basis for tracing events in collective life, work on the repertoire, the production problems, reviews which reflected perception and assessment of contemporaries. The remained photo of the soloist of troupe is provided in the article, along with the first time published data and pictures of archival documents which were secret until the early 1990s. According to the author, activity of the operetta troupe in the early 1950s approved the Magadan Musical and Drama Theatre as the center of musical culture of the region stimulating development therein of professional performance and music education.


2021 ◽  
Vol 2 (6) ◽  
pp. 246-255
Author(s):  
Aleksei A. Arzamazov ◽  

The article discusses linguistic and artistic realities, problems and perspectives of the literatures of the indigenous peoples of the North and the Far East. The author fixes the widespread writing of works in Russian, comprehends the reasons for the linguistic transition, raises the question of the theoretical and substantive expansion of the concept of “national literature”, emphasizes the importance of the individual author's ethnocultural component. The author considers as a landmark projection of the development of “minority” national literatures the method of including elements of the “native” language in a Russian-language poem, an appeal to the topic “native language”, the experience of accidentally recognizing one's own in the sounds of a genetically non-native language. Special attention is paid to the problem of literary translation into Russian, some scenarios of distortion of texts in translations and reduction precedents of important mythological contexts are presented. The conclusions obtained during the analysis of a large corpus of poetic texts from the Nenets, Dolgan, Even, Chukchi, Koryak, Nanai literatures can be of significant analytical interest in a comparative aspect.


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