scholarly journals O fundamento como "fundamento ausente" nas ciências sociais: Heidegger, Derrida e Laclau

Sociologias ◽  
2016 ◽  
Vol 18 (41) ◽  
pp. 164-194 ◽  
Author(s):  
Daniel de Mendonça ◽  
Bianca de Freitas Linhares ◽  
Sebastián Barros

Neste artigo, refletimos teoricamente sobre o pós-fundacionalismo, corrente filosófica que influenciou o surgimento do pós-estruturalismo francês na segunda metade do século XX. De uma forma mais específica, nosso objetivo é discutir as implicações ontológicas, teóricas e epistemológicas da abordagem pós-fundacional para pesquisas em ciências sociais. Para tanto, cumprimos o seguinte percurso. Primeiramente, discorremos sobre o que chamamos de o Zeitgeist pós-fundacionalista, em especial a ênfase na diferença ontológica e no fundamento como Abgrund oriundos da obra de Martin Heidegger. A seguir, apresentamos a influência heideggeriana na reflexão filosófica pós-estruturalista de Jacques Derrida. Na sequência, discutimos a incorporação e a aplicação da ontologia heideggeriana na obra de Ernesto Laclau, principalmente a partir da discussão das noções de hegemonia e de populismo. Ao final, apresentamos nossas considerações acerca da importância do pós-fundacionalismo para pesquisas na área das ciências sociais.

2006 ◽  
Vol 31 (2) ◽  
pp. 105-134 ◽  
Author(s):  
David Howarth

This article questions the more exaggerated claims of a freestanding “spatial heuristic” in explaining, justifying and criticizing social practices, not least because the category of space remains undertheorized and conceptually indeterminate. Building upon the work of Jacques Derrida, Michel Foucault, Martin Heidegger, Ernesto Laclau, and others, the article clarifies the category of space, showing precisely how and why it is important for understanding politics, subjectivity, and ethics. It calls for the envisaging of “spaces of heterogeneity” that are compatible with radical democratic demands for equality and a “politics of becoming,” and that can form the basis of a post-structuralist conception of cosmopolitanism.


Author(s):  
Saitya Brata Das

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.


2010 ◽  
Vol 32 (1) ◽  
pp. 37-49 ◽  
Author(s):  
Roy Sellars

At first sight, environmental issues do not seem to feature prominently, if at all, in the work of Jacques Derrida. This essay aims to take a closer look, and thereby to issue a challenge to the burgeoning discipline of eco-criticism. Instead of promoting the Beautiful Soul who is equipped to save the planet by virtue of reading poetry, I argue for the ethical primacy of waste and welter (to recycle a phrase from Wallace Stevens). Jonathan Bate's The Song of the Earth, a powerful but pious work of eco-criticism, ends with a test proposed to the reader; I take the test, which entails reading Stevens's late poem ‘The Planet on the Table’, and fail. Bate's invocation of Martin Heidegger is briefly examined, as are traces of Derrida. What remains of Derrida, I propose, is neither method nor concept but rather remainders that trouble the grounding of environment (Umwelt) as such.


2017 ◽  
Vol 110 ◽  
pp. 95-106
Author(s):  
Adam Sulikowski

CONSTITUTIONALISM AND THE „REVENGE OF POSTMODERNISM”The main purpose of this article is to discuss the current situation of constitutional discourse as aresult of „Revenge of postmodernism”. This „Revenge” shows itself in taking over the methods of the leftist critique of democratic institutions by the radical right. This „Barbarization” of subtle methods of left-wing criticism leads to far-reaching consequences unforeseen by its founding fathers — Michel Foucault, Jacques Derrida or Judith Butler. The author, using various theories formulated by Chantal Mouffe, Ernesto Laclau and Artur Kozak, seeks to explain this phenomenon and to show its implications for the future evolution of the constitutional discourse.


2020 ◽  
Vol 42 (2) ◽  
pp. e51545
Author(s):  
Pedro Henrique Alves de Medeiros ◽  
Edgar Cézar Nolasco

Este trabalho tem por objetivo propor uma série de reflexões biográfico-metafórico-ficcionais baseadas no apagamento do nome próprio/assinatura do narrador do romance Mil rosas roubadas (2014) do escritor mineiro, crítico literário e ensaísta Silviano Santiago. Esse estudo emerge da compreensão do nome próprio/assinatura enquanto traços, passíveis de serem apagados, de uma escrevivência atravessada por personificações das ausências a partir da morte e do ato de sobreviver (Silviano Santiago) à perda de um amado (Ezequiel Neves). Para isso, nos respaldaremos, essencialmente, na crítica biográfica (Souza, 2002, 2011) (Nolasco, 2010, 2018) e nos pressupostos filosóficos de Jacques Derrida e Geoffrey Bennington como base epistemológica da discussão fundamentada, sobretudo, nos conceitos de nome próprio/assinatura (Bennington, 1996) (Derrida, 1995, 1996, 2009), traço (Amaral, 2000) (Derrida, 2014) e escrevivência (Evaristo, 2017a). Para além dos críticos já mencionados no referencial teórico, também nos valeremos de Roland Barthes e de Martin Heidegger para circunscrever nossas considerações em instâncias e jogos de linguagens próprios à teorização crítico-biográfica que ensejamos nesse artigo. Portanto, no tocante aos resultados esperados, buscaremos explicitar que o traço, contido no nome próprio/assinatura, não pode ser a origem nem o fim, mas, sim, um elemento que desaparece-reaparecendo simultaneamente. Sendo assim, ainda que Silviano apague sua assinatura no corpus literário do romance Mil rosas roubadas, sua escrevivência o transpassa indo além do apagamento e avançando o nome próprio, que, pelo contrário, é impróprio, por excelência.


ENDOXA ◽  
2021 ◽  
Author(s):  
Pablo Bernardo Sánchez Gómez

En este texto se lleva a cabo una lectura de la obra de Martin Heidegger y Jacques Derrida tomando como eje la noción de “espectralidad”. Se comprueba cómo ambos autores comprenden el pasado como aquello que debe ser herededado desde la creación y no simplemente como algo que se recibiría pasiva o mecánicamente. El espectro, por tanto, es este “origen” que “no es” y que se entrega como porvenir, como tarea. Sin embargo, es precisamente esta coincidencia la que distancia absolutamente el pensamiento de Derrida de la experiencia heideggeriana de la imposibilidad del espectro, es decir, de la aporía de su identidad.


2019 ◽  
Vol 49 (3) ◽  
pp. 335-361
Author(s):  
Brian Schroeder

Abstract This essay considers the relation between two fundamentally different notions of place—the Greek concept of χώρα and the Japanese concept of basho 場所—in an effort to address the question of a possible “other beginning” to philosophy by rethinking the relation between nature and the elemental. Taking up a cross-cultural comparative approach, ancient through contemporary Eastern and Western sources are considered. Central to this endeavor is reflection on the concept of the between through an engagement between, on the one hand, Plato, Martin Heidegger, Jacques Derrida, Edward Casey, and John Sallis, and on the other, Eihei Dōgen, Nishida Kitarō, and Watsuji Tetsurō.


2012 ◽  
Vol 42 (2) ◽  
pp. 157-205
Author(s):  
Charles E. Scott

Abstract This essay is motivated by the question, how might we describe the occurrences of cultural borders? It is organized in three sections with these titles: A. Borders of Concealment and Translation; B. Attunement with Fragmented, Differential Borders; C. Metaphors, Relations of Power, Borderlands. I limit these topics by focusing primarily on cultural borders and transformations within the United States. My aims within the context of these situated accounts are to encourage greater awareness of borders as events that often have shared and describable characteristics, to make evident a group of issues that need further philosophical attention, to develop an enlarged philosophical vocabulary for such thought in comparison to that in standard use, and to bring to the fore questions of cultural sensibility and their transformations. In this process I address and utilize specific works by Martin Heidegger, Jacques Derrida, Michel Foucault, and Gloria Anzaldúa.


2011 ◽  
Vol 2011 (2) ◽  
pp. 303-327 ◽  
Author(s):  
Iris Därmann

"Martin Heidegger, Jacques Derrida and the question of zoology« This paper deals with the frontier between nature and culture, whose clearest form is seen is the designation of the border between animals and human beings. It has the character of a not yet established divide which can, as in Heidegger, be broken down to a hermeneutic abyss or, as in Derrida, be pluralised in asymmetrical standpoints and chiastic convolutions."


Author(s):  
Ekaterini Douka-Kabitoglou ◽  

“Tell all the Truth but tell it slant –,” a line of poetry by the nineteenth-century American poet Emily Dickinson can be used as a signpost for this article, which attempts a hermeneutic regress from the postmodern to the archaic, in search of a rhetoric for the aesthetic. In this textual tour, some of the master narratives of our culture examining various versions of the story of beauty and truth are visited, and more specifically (always in backward motion), the work of the postmodern theorists Paul de Man and Jacques Derrida, the German philosophers Hans-Georg Gadamer and Martin Heidegger, the English Romantic poet John Keats, the Greek philosophers Plato and Parmenides, and, last but not least, the Greek poet Sappho. Paul de Man, the “sad” patriarch of postmodernism, who engaged deeply with the cardinal problem of the truth of poetry and its relation to reality, contests that all language is figurative and rhetorical, and hence unable to represent the real. De Man demystifies aesthetics exploding a whole tradition of aesthetic theory based on the ontology of language, that is, the relation between “word” and “thing.” Along the same lines, the deconstructive critique of Jacques Derrida supports that linguistic figurality contaminates not only literature but philosophy as well, playing mimetic games of seduction that limit reality to a textual frame. On the far side of deconstruction, the hermeneutic theory of Hans- Georg Gadamer and Martin Heidegger give figurality an overwhelming power by establishing a rhetoric of ontology and presence. Heidegger’s radical reformulation of truth as aletheia and its conjunction with beauty, not only reflects the romantic identification of “beauty is truth,” as best expressed by the poet John Keats, but also points back to Plato who “aporetically” devoted a lifetime to a search for the beautiful and the true, coming up with multiple and contradictory views. As we move into archaic times, the whispering voice of Parmenides unexpectedly recommends the rhetoric of persuasion as the way to truth, while Sappho, celebrating presence and union, employs an erotic rhetoric that names not only human, but natural and divine encounters of beauty and truth.


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