Ideas and sophisms. The process of education in the perspectives of polytheistic psychology

2019 ◽  
Vol 28 ◽  
pp. 11-25
Author(s):  
Tomasz Olchanowski

The author of the article looks at the processes occurring in contemporary culture through the prism of archetypal psychology of James Hillman. This “Jungian heretic” had a significant impact on many pedagogical ideas (aesthetic education, ecological education). Hillman’s polytheistic perspectives are processes that lead to the creation of the soul (“creation of the soul”) and awakening.

PMLA ◽  
2014 ◽  
Vol 129 (3) ◽  
pp. 512-517
Author(s):  
Jenny Sharpe

In death of a discipline, Gayatri Chakravorty Spivak attributes the emergence of postcolonial studies to an increase in Asian immigration to the United States following Lyndon Johnson's 1965 reform of the Immigration Act (3). I would like to resituate her genealogy of the field in order to consider the “ab-use,” or “use from below,” of the European Enlightenment she asks us to cultivate in her most recent book, An Aesthetic Education in the Era of Globalization. To perform this move, I will suggest that postcolonial studies began more than one hundred years before the legislation Spivak names in what has become a founding document for the field. I am referring to Thomas Babington Macaulay's well-known 1835 minute on Indian education, which proposed the creation of “a class of persons, Indian in blood and colour, but English in taste, in opinions, in morals, and in intellect” (729). The class of Western-educated natives who would serve as liaisons between European colonizers and the millions of people they ruled came to be known in postcolonial studies as colonial subjects.


Author(s):  
Susan Marie Savett

Knowingly or unknowingly, games manifest archetypal forces from the unconscious. Through play and fantasy, unconscious content of the psyche is able to express its deep longings. Hypnogogic landscapes of videogames provide immersive realms in which players enact psychological dramas. Game designers reside on a unique axis from which their work with the imaginary realm can create profound psychic containers. At this pivotal point in our culture, digital games hold tremendous influence over the creation of new myths, lore, and possibilities. This chapter investigates archetypal psychology concepts of Carl Jung and James Hillman for insight into 21st century realm of virtual play and its relationship to the collective unconscious. It focuses on how games provide a means for bringing individual and cultural unconscious impulses into consciousness through personification, pathologizing and meaning making within virtual play. It aims to introduce an alternative lens to bridge psychological dynamics with the video game design.


Author(s):  
Diego Saglia

Between the eighteenth and nineteenth centuries, European cultures saw drama and theatre as endowed with extraordinary relevance, celebrating their social and aesthetic functions, as well as those transitively metaphorical features for which this period coined the term ‘theatricality’. This neologism aptly conveys the pervasiveness of theatre and the theatrical in these decades and goes some way towards explaining why many Romantic manifestoes and diatribes were primarily concerned with the stage. Drama and theatre were crucial laboratories for the creation of new ways of seeing, forms and genres, notions of the body, and models of subjectivity. As forms of entertainment, metaphors, or hermeneutic tools, Romantic-period drama and theatre were visual vantage points for the examination of contemporary culture and history and their endless transformations. As such, they paved the way for subsequent dramatic and theatrical revolutions and for the conception of modernity emerging in the later nineteenth century.


Adaptation ◽  
2021 ◽  
Author(s):  
Thomas Leitch

Abstract This introduction to the special issue of Adaptation devoted to adaptation and the public humanities focuses on the ways the once-anodyne term ‘public humanities’ has become more sharply politicized and contested over the past few years. In many ways, adaptation, which generates new versions and new readings of old texts instead of cancelling, erasing, or unpublishing them, offers the possibility of transcending the conflicts in contemporary culture. But the creation and the study of adaptations offer not a retreat from the culture wars but an array of new tools for waging them more productively by reframing them in ways that lead to more open and fruitful dialogue on the subjects proposed by the essays in this issue: theatrical performances cast for the public good, the costs of performing adapted versions of oneself or of encouraging adaptation-induced tourism, the ecological implications of adaptation, and the shifting valence of adaptation when it is practiced by public figures and posthuman agents.


2021 ◽  
Vol 1 (195) ◽  
pp. 86-91
Author(s):  
Snezhana Kurkina ◽  

Іn this article an attempt is made to explore and cover the history, current state and prospects of the problem of artistic and aesthetic education of young children. The author lists scientists (philosophers, educators and psychologists) who laid the foundation for understanding and studying this problem, analyzes their thoughts and works, draws parallels, makes comparisons, provides recommendations for improving the effectiveness of artistic and aesthetic education of children of this age in modern educational institutions. The author emphasizes that the current state of development of education and society in Ukraine dictates the need for mandatory conditions that motivate children to learn, maintain interest in self-expression and self-affirmation in educational activities, stimulate and nurture the need to improve themselves and the world. The promotion of artistic and aesthetic development of children should be expressed in the aestheticization and cultivation of the environment, the creation of educational situations in which all components that affect the formation of the child's inner world and are associated with artistic and aesthetic development of micro and macro environment. In addition, the special role and own example of an educator, a teacher of cultural, artistic disciplines, people who must directly perform the functions of artistic and aesthetic education of children. We are talking about the degree of professional training, the ability to capture by example, passion for their work, the ability to create an emotionally positive mood in the process of communication between students and art, providing them with the necessary support and care. The current state of development of education and society, dictate the need to comply with the conditions that motivate children to learn, help maintain interest in self-expression and self-affirmation in educational activities, stimulate and nurture the need to improve themselves and the world around them. The promotion of artistic and aesthetic development of children should be expressed in the aestheticization and cultivation of the environment, the creation of educational situations that would involve all components that affect the formation of the inner world of the child and are related to artistic and aesthetic development of the environment. It can be an acquaintance with the culture and artistic traditions of your country, region, communication with nature, etc. And, of course, the personal example of the educator, the teacher, and adults from the immediate environment is of great importance to children. It is about professionalism, passion for their work, the presence of culture and ethics of behavior, the ability to create an emotionally positive mood in communication with children, providing them with the necessary support and care.


Author(s):  
Taufiq Akbar

Wayang Avenger is a bridge that connects traditional culture and contemporary culture. Harmonization of cultural fusion and open adaptation appears in the concept elements in the story and the puppet characters. The transformation of traditional wayang towards contemporary wayang implies a tendency towards cultural concept choices. Initially, traditional puppets were a medium for religious ceremonies and a medium for spreading religion. Traditional wayang provides both an overview and a guide to behaviour in life. Changes to contemporary wayang show the existence of changes in wayang tendencies which only describe contemporary phenomena of human life. This research seeks to see and explain the visualization of characters in the creation of the Wayang Avenger, especially the characters in the Doctor Strange character. The explanation leads to the visual elements of the character, with the support of the theory of transformation. The visual elements of Doctor Strange show that their creation takes into account the functions of elements that exist in traditional puppet performances. Character design in the Wayang Avenger which is a combination of two elements, namely elements of tradition and contemporary elements. The combination of the two elements shows that there is an aesthetic principle that contemporary aesthetic does not have to deny the values ​​in a traditional aesthetic.


Author(s):  
Карина Римовна Салихова

Автор статьи рассматривает возможности применения идей А.С. Макаренко в развитии творческих способностей у современных студентов СПО. Описывается опыт работы преподавателей иностранного языка в колледже, успешно реализующих на занятиях эстетическое воспитание через организацию игр, работу с музыкальным материалом, создание эстетически привлекательной среды. The author of the article examines the possibilities of applying the ideas of A.S. Makarenko in the development of creative abilities among modern students of secondary vocational education. The article describes the experience of foreign language teachers in college, who successfully implement aesthetic education in the classroom through the organization of games, work with musical material, and the creation of an aesthetically attractive environment.


Author(s):  
Seán Crosson

FROM BABE RUTH TO MICHAEL JORDAN: AFFIRMING THE AMERICAN DREAM VIA THE SPORTS /FILM STAR Its drama, its personalities and its worldwide appealmeans sport is the new Hollywood- Bell and Campbell (1999: 22) Celebrity is a crucial aspect of contemporary culture and one to which both sport and film make a substantial contribution. In film, the 'star image' that has developed around individual actors is a multifaceted, complicated and sometimes contradictory phenomenon composed of the roles they have played, their carefully orchestrated public appearances and the depictions of the creation of a star's image, as well as the actual individual around whom this image has evolved. However, arguably what is most significant about individual stars is the manner through which they express facets of living in today's society, including the nature of labour in the capitalist world (Dyer, 1986: 7-8). Stars are particularly important in...


Author(s):  
Inna Iv. Kokhan

The article analyzes the problems of moral and aesthetic education in the process of personal and professional development of future engineering teachers in terms of the educational process of higher education at the present stage. Constant dynamic changes in the political, economic and socio-cultural structure of society require new approaches in the system of vocational education. The article proposes to consider an engineer-teacher of a new type as a person who has humanity, an awareness of the high value of human life; spirituality, the need for knowledge of the surrounding reality, self-knowledge, the search for the meaning of life and life credo, in communication with art, in understanding the intrinsic value of their inner world; creativity, developed intellect, striving for transforming activity and possession of the sense of the new, ability for active life and creativity; pragmatism, possession of the newest technologies, skills and abilities necessary for the implementation of professional knowledge in the new economic and socio-cultural situation. The article substantiates that the main tasks of higher education at the present stage are the formation of the spiritual sphere of the student’s personality and the education of its ethical and aesthetic qualities. The development of these qualities is impossible without creating an effective training system. In this regard, the search for new approaches to the organization of educational activities in higher education is being actualized, in particular, the implementation of the educational function of education, the creation of favorable conditions for professional, personal, cultural, creative self-development and self-education, assistance in the development of a competitive personality of a future specialist . The article analyzes the current trends in the development of society, describes the contradictory attitude towards high aesthetic and moral ideals, as evidenced by the decline in the prestige of education and public culture; consumer attitude to artistic values, which affected the quality of print, television programs, the dominance of "mass culture" on the one hand and on the other - the creation of real conditions for the aesthetic education of people in a sovereign, independent state: an appeal to national sources, to the origins of folk culture wisdom; openness of society, which makes it possible to integrate into the world community, acquaintance with world achievements in various fields, in particular, in artistic creation; freedom of thought; alternative education system, increased attention to the capable and gifted. Prospects for further research are to conduct a detailed analysis of the socio-psychological characteristics of students young people identified in this article, factors that influence the level of aesthetic and moral culture and education of future specialists.


2018 ◽  
Vol 23 (2) ◽  
pp. 223-243 ◽  
Author(s):  
Robert Yeates

New media affords significant opportunities for audience feedback and participation, with the power to influence the creation and development of contemporary works of fiction, particularly when these appear in serialized instalments. With access to creators permitted via social media, and with online platforms facilitating the creation and distribution of audience paratexts, fans increasingly have the power to shape the fictional worlds and diversity of the characters found within the series they enjoy. A noteworthy and understudied example is fiction podcasting, an emerging form that draws on conventions of established media such as radio and television. Despite the recent surge in the popularity of podcasts, little scholarly attention has been given to the format, except to discuss it as either a continuation of radio programming or part of a transmedia landscape for texts which are centred in media such as television and film. This article argues that fiction podcasting offers unique affordances for creating serial works of fiction, taking The Adventure Zone as a case study which demonstrates the power of successful participatory culture. The podcast has grown from modest beginnings to acquire a considerable and passionate fan network, has diversified into other media forms, and, though available for free, is financially supporting its creators and raising substantial amounts of money for charities. Crucial in its success is the creators’ cultivation of an inclusive environment for fans, and a constant attempt to feature characters representative of a diversity of gender and sexual identities, particularly those typically excluded from other science fiction worlds. This article argues that The Adventure Zone and the format of fiction podcasting demonstrate a shift in contemporary culture, away from established mass media programming and towards a participatory, transmedia, fan-focused form of storytelling which utilizes the unique advantages of new media technologies in its creation, development, and distribution.


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