scholarly journals Fra ‘letterario’ e digitale

Le Simplegadi ◽  
2020 ◽  
Vol 18 (20) ◽  
pp. 136-146
Author(s):  
Andrea Cuna

Father Roberto Busa is widely recognised as the founder of Humanities Computing (HC) because of his pioneering approach to text analysis, which paved the way for computational linguistics. Over the years, this early focus on linguistic analysis has evolved to include new ways of combining humanities with computing. Digital Humanities (DH) provide a common outlook that has a markedly methodological nature and an interdisciplinary focus. The aim of this paper is to review some of the key issues behind the shift from HC to DH, highlighting elements of continuity and/or change.

2021 ◽  
Vol 40 (3) ◽  
pp. 401-420
Author(s):  
Sandra Waldenberger ◽  
Stefanie Dipper ◽  
Ilka Lemke

Abstract This paper presents a method which we are developing to explore graphemic variation in large historical corpora of German. Historical corpora provide an amount of data at the level of graphemics which cannot be handled exhaustively using common methods of manual evaluation. To deal with this challenge, we apply methods from computational linguistics to pave the way for a broad-coverage graph(em)ic analysis of large historical corpora. In this paper, we show how our approach can be applied to the Reference Corpus of Middle High German. Illustrating our method and linguistic analysis, we present findings from our investigations into diatopic and/or diachronic variation as documented in 13th and 14th century charters (Urkunden) from the corpus.


Author(s):  
Matthew L. Jockers

This chapter discusses traditions that inform the book's macroanalytic approach to digital literary studies as well as the strength of macroanalysis as a tool in the study of literature. It begins with an overview of some early concerns and contemporary criticisms regarding literary computing and the digital revolution. It then considers the emergence of the so-called “digital humanities” or humanities computing and shows that its foundation, computational text analysis, has come a long way. It also examines the contributions of computing humanists to humanities scholarship, such as the creation of digital archives, along with a number of useful tools that have been developed by computer scientists working in natural language processing, corpus linguistics, and computational linguistics. Finally, the chapter cites examples of projects working to apply the tools and techniques of text mining and corpus linguistics to literature. It suggests that, despite all of the achievements and the overwhelming sense of enthusiasm and collegiality that permeates the DH community, there is much more work to be done.


Author(s):  
Matthew L. Jockers

This chapter discusses the enormous promise of computational approaches to the study of literature, with particular emphasis on digital humanities as an emerging field. By 2008 computers, with their capacity for number crunching and processing large-scale data sets, had revolutionized the way that scientific research is carried out. Now, the same elements that have had such an impact on the sciences are slowly and surely revolutionizing the way that research in the humanities gets done. This chapter considers the history of digital humanities, also known as humanities computing, community of practice, or field of study/theory/methodology, and how revolution in this emerging field is being catalyzed by big data. It also emphasizes the potential of literary computing and cites the existence of digital libraries and large electronic text collections as factors that are sparking the digital humanities revolution.


2008 ◽  
Author(s):  
S. Leka ◽  
T. Cox ◽  
G. Zwetsloot ◽  
A. Jain ◽  
E. Kortum

2008 ◽  
Vol 3 (3) ◽  
pp. 229-247 ◽  
Author(s):  
Simin Davoudi ◽  
Sir Peter Hall ◽  
Anne Power
Keyword(s):  

2018 ◽  
Vol 34 (3) ◽  
pp. 215-226
Author(s):  
Casey Daniel Hoeve

Purpose Despite its growing popularity, there is a noticeable absence of references to the inclusion of genealogy and family history studies within the field of digital humanities. New forms of inclusiveness, particularly in production-coding and cultural analysis, closely align genealogy and family history with the core tenants practiced among humanities computing and digital humanities. This paper aims to prove that genealogy as family history should be formally recognized within this cohort, as it can serve as a valuable and innovative partner for advocacy and technological advancement of the field. Design/methodology/approach By examining the literature, genealogy will be defined according to its use in the digital humanities, as well as its use in family history studies. The core tenants of humanities computing and digital humanities will be identified and compared against the research methodology and technological tools used in genealogy and family history research. The comparison will determine how closely the fields align, and if genealogy defined as family history should be used, and included within the field of digital humanities. Findings The progression of genealogy and family history from production to cultural analysis corresponds with the transition of production and coding (influenced by humanities computing) to the inclusion of experimental cultural research adopted by the digital humanities. Genealogy’s use of technological tools, such as databases, text encoding, data-text mining, graphic information systems and DNA mapping, demonstrates the use of coding and production. Cultural analysis through demographic study, crowdsourcing and establishing cultural connections illustrates new methods of scholarship, and connects coding and cultural criticism, serving as a bridge between digital humanities and the humanities at large. As genealogy continues to create new partnerships of a collaborative nature, it can, and will, continue to contribute to new areas of study within the field. As these practices continue to converge with the digital humanities, genealogy should be recognized as a partner and member in the digital humanities cohort. Originality/value Despite its growing popularity, there is a noticeable absence of references to the inclusion of genealogy and family history studies within the field of the digital humanities. The term genealogy resonates differently within the digital humanities, primarily articulating the history of the field over the study and research of family lineage. This study seeks to demonstrate how genealogy and family history can fit within the digital humanities, providing a new perspective that has not yet been articulated in the scholarly literature.


2013 ◽  
Vol 28 (69) ◽  
Author(s):  
Louise Mønster

Juul, Moestrup og Olsen danner ligeledes optakt i Louise Mønsters “Et forbund af celler. Om krop, køn og identitet i ung dansk poesi”. I denne artikel diskuteres det, hvordan den nyeste poesi med navne som Olga Ravn, Christina Hagen, Amalie Smith og Asta Olivia Nordenhof er optaget af krop, køn og identitet, og det vises, at forfatternes utraditionelle tilgange til disse emner går hånd i hånd med en radikal eksperimenteren med poesiens udtryksformer og grænser.Louise Mønster: “A Union of Cells. Body, Gender, and Identity in Young Danish Poetry”In contemporary Danish poetry body, gender and identity have become key issues. This article discusses the way Danish authors such as Ursula Andkjær Olsen, Mette Moestrup, Olga Ravn, Christina Hagen, Amalie Smith, and Asta Olivia Nordenhofdeal with these themes, and argues that there is a strong tendency in new Danish poetry to break off from tradition. This is obvious, not only when the significance of body and materiality is stressed instead of the soul, and the concepts of male and female are transformed into more fluid categories. There is also a remarkabletendency to decompose genres, and so the article points out that the thematic focus on body, gender and identity seems to go along with a radical experimentation with poetic expressions and limits.


Author(s):  
Khalid Shakir Hussein

This paper presents an attempt to explore the analytical potential of five corpus-based techniques: concordances, frequency lists, keyword lists, collocate lists, and dispersion plots. The basic question addressed is related to the contribution that these techniques make to gain more objective and insightful knowledge of the way literary meanings are encoded and of the way the literary language is organized. Three sizable English novels (Joyc's Ulysses, Woolf's The Waves, and Faulkner's As I Lay Dying) are laid to corpus linguistic analysis. It is only by virtue of corpus-based techniques that huge amounts of literary data are analyzable. Otherwise, the data will keep on to be not more than several lines of poetry or short excerpts of narrative. The corpus-based techniques presented throughout this paper contribute more or less to a sort of rigorous interpretation of literary texts far from the intuitive approaches usually utilized in traditional stylistics.


Artnodes ◽  
2019 ◽  
Author(s):  
Ana Rodriguez Granell

It gives us great pleasure to present the 23rd issue of the magazine as a heterogeneous collection that brings together selected articles submitted in response to three different calls for contributions. On the one hand, we bring the volume focusing on media archaeology to a close with this second series of texts. The section on Digital Humanities also comprises an interesting series of contributions related to the 3rd Congress of the International Society of Hispanic Digital Humanities. The last section of this issue brings together another set of articles submitted in response to the magazine’s regular call for contributions, including different perspectives on issues that fall within the magazine’s scope of interest. All the sections and research contained here are unavoidably disparate from each other, yet, when taken as a whole, the reader will realise that there is a common thread throughout this issue, focusing on the impact of certain technologies have had on the way we view the past. The historical scope of technologies does not only operate in a single direction, but rather throughout time in its entirety.


2009 ◽  
pp. 5-26
Author(s):  
Stephen A. Smith

- Reflects on how political changes that have taken place in the People's Republic of China (Prc) during the era of economic reform, together with changes that have taken place in the world at large since 1989, especially those following the collapse of Communism in Europe, have shaped the way in which historians inside and outside the Prc have written the history of the Mao era (1949 to 1976). The article examines both Chinese and western historiography of four key issues relating to the Mao era: the idea of the 1950s as a "golden age"; the Great Leap Forward (1958-61); the Cultural Revolution (1966-76) and the view of Mao himself. The more negative representation of these issues derives, in part, from the fact that scholars now have much greater access to sources than was true prior to the 1980s. At the same time, the more negative representation it is bound up with political changes that have occurred inside and outside the Prc. For that reason, the historiography of the Mao may be said to represent an almost textbook example of the way in which historical writing is implicated in the politics of the present. Keywords: China, Communism, Mao, Economy, Historiography, History. Parole chiave: Cina, Comunismo, Mao, Economia, Storiografia, Storia.


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