scholarly journals On Children’s Literature Translation from the Perspective of Manipulation Theory—A Case Study of the Ren Rongrong’s Chinese Translation of Charlotte’s Web

2019 ◽  
Vol 9 (6) ◽  
pp. 666
Author(s):  
Wenjia Zhou ◽  
Yuying Li

With the cultural turn in translation studies in 1970s, the focus of translation studies was gradually changed from traditional linguistics to culture. André Lefevere put forward to Manipulation Theory that has further broadened the field of translation studies. It holds that translation is not to realize the meaning equivalence between source text and target text, but to realize the compromise between the source cultural system and the target cultural system, in which the translation will be manipulated by some factors. Because Children’s Literature is classified specially, it may be influenced by different cultural system. Therefore, this paper chooses Chinese translation of Charlotte’s Web as a case study from the perspective of Manipulation Theory, which draws a conclusion that ideology, poetics and patronage have impacts on translation strategies of children’s literature, in order to facilitate new theoretical researches and improve Chinese translations of Children’s Literature.

2018 ◽  
Vol 9 (1) ◽  
Author(s):  
Charlotte Berry

This article takes as its subject the project of British author and editor Aidan Chambers to set up a small press dedicated to publishing modern European children’s literature in translation, 1988–92. Positioned within Gideon Toury’s framework of Descriptive Translation Studies, this paper outlines the history of the firm and its founding ideology to publish children’s literature “with a difference” for a British audience. As a result, preliminary norms (relating to text, author and translator selection) and operational norms (relating to translation strategies) for four novels by Maud Reuterswärd, Peter Pohl and Tormod Haugen are identified and analyzed. Fundamental to the article’s methodology is the use of bibliographical, archival and oral history primary sources. The principal focus of research interest is Chambers’ use of language consultants in addition to his commissioned translators in an unusual and sometimes challenging professional collaboration of editor-translator-consultant within a Nordic-British setting.


2020 ◽  
Vol 20 ◽  
Author(s):  
Magdalena Ślawska

The Domestication of Cultural Strangeness in the Translation of Children's Literature: The case of Dubravka Ugrešić's Kućni duhovi [Home Ghosts]This article is devoted to the Polish translation of Kućni duhovi [Home Ghosts], a collection of short stories by Dubravka Ugrešić, her only book addressed to the youngest readers which has been published outside Croatia. The study focuses on the issue of cultural strangeness generated mostly by proper names that appear in the stories: ghosts' names, and the names and surnames of other characters. In her translation, Dorota Jovanka Ćirlić domesticated the source text, replacing all of them with Polish equivalents. The comparative analysis presented in this article considers translation strategies she used and illustrates them with numerous examples. Oswajanie obcości kulturowej w przekładzie literatury dziecięcej. Przypadek Domowych duchów Dubravki UgrešićNiniejszy artykuł poświęcony jest przekładowi na język polski zbioru opowiadań Dubravki Ugrešić pt. Domowe duchy. Jest to jedyna książka pisarki adresowana do najmłodszych czytelników, która ukazała się poza granicami Chorwacji. Szczególna uwaga skierowana została na kwestię obcości kulturowej, którą w książce Ugrešić generują przede wszystkim nazwy własne (nazwy duchów, imiona i nazwiska pozostałych bohaterów). Dorota Jovanka Ćirlić, autorka przekładu, dokonała udomowienia tekstu źródłowego, zastępując wszystkie nazwy własne, pojawiające się w oryginale, polskimi ekwiwalentami. Zastosowane przez tłumaczkę strategie translatorskie zostały omówione oraz zilustrowane licznymi przykładami w toku analizy porównawczej.


2021 ◽  
Vol 3 (8) ◽  
pp. 11-13
Author(s):  
Jiaying Guo

In the 1980s, the cultural turn appeared in translation studies, which brought translation studies a great opportunity to draw nutrients from different disciplines. Narratology and Imagology take part in translation studies, which offers hope for the cultural turn in translation studies. Metalepsis is a term in Narratology that Genett defines that any intrusion by the extradiegetic narrator or narratee into the diegetic universe(or by diegetic characters into a metadiegetic universe, etc.), or the inverse (as in Cortazar), produces an effect of strangeness that is either comical (when, as in Sterne or Diderot, it is presented in a joking tone) or fantastic. This paper contrasts Uncle Tom’s Cabin with its translation Tang Mu Da Bo De Xiao Wu by Huang Jizhong in order to explore the variation of the image of African American based on lexicon and Metalepsis, in the hope of finding out the reason for variation of the image. The variation exists in translations so that the target readers could misunderstand the image in the source text. As for translators, attaching much importance to translating the source language's image should be caught first. The cliché and narrative strategies in the source text could be highly recognized.


Barnboken ◽  
2021 ◽  
Author(s):  
Marcus Axelsson ◽  
Charlotte Lindgren

The Translation of Foul Language in the French and Swedish Translations of Maria Parr’s Keeperen og havet The current study deals with the translation of foul language in the French and Swedish translations of Maria Parr’s Norwegian novel Keeperen og havet (Lena, the Sea, and Me, 2017). Previous research shows that children’s literature is translated differently in France and in Scandinavia. It is also well-known that parents often have an opinion on what children’s literature can contain. For this reason, we choose the two target languages in question, French and Swedish, and the specific object of study, namely foul language. Methodologically, this is a comparative case study where we compare how passages containing foul language are translated from Norwegian to French and Swedish. Parr is highly creative in her use of foul language. Our study suggests that the Swedish translator retains the coarseness of the source text, and often does so to a great extent by choosing established expressions in the target language. The French translator shows a great deal of creativity, as she uses the characteristics of the plot and the setting to find solutions that are true to the style of the source text.


2018 ◽  
Vol 51 (1-2) ◽  
pp. 39-47
Author(s):  
Darja Mazi Leskovar

This article discusses some English classics of children’s literature that have made their way into Slovenian children’s literature, become part of the national canon, and can still be bought in bookstores or borrowed in libraries. Among these rank Alice’s Adventures in Wonderland, Treasure Island, Peter Pan in Kensington Gardens and The Chronicles of Narnia. The study also examines if the authors are fully acknowledged with the title of the original source text and if the translators names are given in the colophon.


2014 ◽  
Vol 7 (2) ◽  
pp. 198-212 ◽  
Author(s):  
Dana Cocargeanu

Romanian children's literature, particularly translations for children, has rather low visibility in international children's literature scholarship, and translations of Beatrix Potter have not been extensively researched, either. This article contributes to filling these gaps by exploring the challenges involved in the recent publication of the first licensed Romanian edition of Beatrix Potter and the strategies employed to solve them. It identifies extra-textual challenges, related to the possibility of publishing Potter, the licensing process, the selection of particular tales and book formats for publication, and marketing strategies; and textual challenges, arising from Potter's writing style, the interdependence between visual and verbal aspects in her tales, their cultural specificity and read-aloud qualities. It also discusses the roles of the British and Romanian publishers in the publishing process and relates the translation strategies visible in the texts to the translator's apparently divided responsibility towards Potter and the Romanian audience, her conceptions of children and children's literature, and the Romanian literary tradition.


2005 ◽  
Vol 24 (1) ◽  
pp. 4 ◽  
Author(s):  
Hilary Browne Hutchinson ◽  
Anne Rose ◽  
Benjamin B. Bederson ◽  
Ann Carlson Weeks ◽  
Allison Druin

The challenges encountered in building the InternationalChildren’s Digital Library (ICDL), a freely availableonline library of children’s literature are described. Thesechallenges include selecting and processing books fromdifferent countries, handling and presenting multiplelanguages simultaneously, and addressing cultural differences. Unlike other digital libraries that present content from one or a few languages and cultures, and focuson either adult or child audiences, ICDL must serve amultilingual, multicultural, multigenerational audience.The research is presented as a case study for addressingthese design criteria; current solutions and plans forfuture work are described.


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