scholarly journals Passing over Sisters: Denial of Farhadi’s Unsafe Society

2019 ◽  
Vol 9 (8) ◽  
pp. 1001
Author(s):  
Ma’soome Sehat ◽  
Hossein Jahantigh
Keyword(s):  
Defense Mechanism ◽  
Victim Blaming ◽  
Female Characters ◽  
Female Victim ◽  
Unusual Behavior ◽  
The Past ◽  
Award Winning ◽  
Academy Award ◽  
Way Of Thinking ◽  
Beautiful City

Employing semiology to study the academy award-winning director, Asghar Farhadi’s oeuvre up to 2016, this paper wishes to scrutinize his depicted society through the lens of feminism. His female characters’ lifestyle and their way of thinking show they always feel uneasy in Farhadi’s depicted society. It defines woman the same as what other patriarchal societies do, an object in need of protection. In this undesirable condition, women are expected to back their sisters up; however, the opposite is true about nearly all female characters in Farhadi’s cinema. They usually live while denying each other as a sort of defense mechanism, and after Farhadi’s famous accidents, there is always one or more female characters putting the blame on the female victim of the accident, technically speaking, referred to as victim-blaming. This paper wants to seek a psychological answer for this unusual behavior. In this regard, seven movies have been chosen including: Dancing in the Dust (2003), Beautiful City (2004), Fireworks Wednesday (2006), About Elly (2009), A Separation (2011), The Past (2013), and The Salesman (2016).

Disability Portrayal in Film: Reflecting the Past, Directing the Future

1998 ◽  
Vol 64 (2) ◽  
pp. 227-238 ◽  
Author(s):  
Stephen P. Safran
Keyword(s):  
Learning Disabilities ◽  
Motion Pictures ◽  
Descriptive Study ◽  
Persons With Disabilities ◽  
Education Professionals ◽  
The Past ◽  
Award Winning ◽  
Special Education Professionals ◽  
Academy Award ◽  
Influence Perceptions

Going to the movies and viewing videos are very popular forms of entertainment. Cinematic stories and characters influence perceptions and opinions of many viewers. Studying film depictions, therefore, provides a unique perspective on society's views of individuals with disabilities. The purpose of this descriptive study was to investigate trends in Academy Award winning films that portray persons with disabilities. Over the decades, there have been an increasing number of awards involving “disability” movies; psychiatric disorders have been most frequently portrayed. Only two of the motion pictures identified presented children or youth with impairments, while none featured learning disabilities. Implications for special education professionals, with particular emphasis on using films for instructional purposes, are discussed.

scholarly journals CREATIVITY IN FILM TAGLINES

1970 ◽  
Vol 43 (1) ◽  
pp. 101-125
Author(s):  
Olga Vladimir Panić Kavgić ◽  
Aleksandar Kavgić
Keyword(s):  
Noun Phrases ◽  
Figures Of Speech ◽  
The Past ◽  
Award Winning ◽  
Academy Award ◽  
Schindler's List

The paper deals with taglines associated with US Academy Award winning films and nominees in the period between 1990 and 2018. The list of taglines was compiled based on the database of winners and nominees in the category of Best Picture over the past 29 years. Preceded by a theoretical – linguistic and cinematic – discussion of taglines as memorable dramatic phrases and advertising devices whose aim is to attract audiences by echoing the tone and essence of the films they represent (e.g. “The List is Life.” from Schindler’s List, or “Trapped. Hunted. Surrounded. Survive”, from Dunkirk), the selected taglines are classified based on extralinguistic and textual factors, and mechanisms of linguistic creativity at the phonological, graphemic-orthographic, lexico-semantic and syntactic levels and sublevels. It is expected that exploiting noun phrases or simple memorable sentences containing elements of language creativity, achieved by wordplay, figures of speech and/or phonological means, and aided by various socio-cultural references, will prove to be the most frequent and productive formula for forming a successful tagline. The methodology employed in this research is qualitative – the analysis is carried out by means of discussing and exemplifying various patterns of film tagline formation at the aforementioned extralinguistic, textual and linguistic levels.

scholarly journals Anita Desai’s Fire on the Mountain: Divulgence of Characters

2021 ◽  
Vol 6 (10) ◽  
pp. 10
Author(s):  
Arindam Patra
Keyword(s):  
Young Lady ◽  
Young Girl ◽  
The Novel ◽  
Female Characters ◽  
Anita Desai ◽  
Research Article ◽  
Award Winning ◽  
Academy Award

British Guardian Prize winner and thrice nominated for Booker Prize, famous Indian novelist writing in English Anita Desai’s Sahitya Academy Award winning one of the masterpieces Fire on the Mountain published in1977. The book focuses on an elderly widow’s isolation and loneliness as it tells the story of Nanda Kaul who lives in Kasauli and leads a solitary existence. The old lady, Nanda lives alone in a colonial house on a slope. She gives nobody a chance to interfere with her secluded life. She had spent numerous years thinking about her husband, their kids, and numerous grandkids. She has turned into a loner and remains confined from everybody including an incredible grandkid. This is her circumstance until the point that the colossal grandkid touches base on her doorstep. Raka,a young girl who is wiped out and is as withdrawn as Nanda. The child lives in her very own kind of disconnection as she withdraws into a universe of inward dream where she makes undertakings of pursuing snakes, creatures, and phantoms in the serene slopes that encompass her and her incredible grandma. The old lady sees that both of them share things for all intents and purpose however that a noteworthy distinction exists also. Nanda has been a solitary person while the young lady was naturally introduced to that sort of presence. Nanda gradually starts to need to be a piece of the kid's life and needs to impart her reality to her. Her endeavours, be that as it may, seem, by all accounts, to be futile. Her awesome granddaughter will give nobody a chance to enter her life. Nanda is not debilitated and endeavours to associate with the child by imparting stories to her. Anita Desai talks of her writing as simply ‘stories,’ and of herself as a ‘storyteller’. In this very simple way she has beautifully painted the female characters and their sufferings in the novel Fire on the Mountain which is the focused area of this research article.

What’s Good for George Sánchez Is Good for Boyle Heights: Regenerative Scholarship, Urban Racism, Gentrification, and East LA Interchange

2017 ◽  
Vol 4 (2) ◽  
Author(s):  
Gilbert Estrada
Keyword(s):  
Working Class ◽  
Urban Pollution ◽  
Metropolitan Regions ◽  
The Past ◽  
Award Winning ◽  
Boyle Heights ◽  
Good For ◽  
Primary Focus ◽  
Deed Restrictions ◽  
Class Community

The inclusive ideals of George Sánchez have helped shape a new generation of academics who have promoted connections with nonacademic organizations. This article discusses how Sánchez has continued these efforts through his pivotal contributions to an award-winning documentary focusing on the multiethnic, working-class community of Boyle Heights: Betsy Kalin’s film East LA Interchange (2015). East LA Interchange’s greatest contribution to the generative scholarship Sánchez emphasizes is its critical analysis of modern urban problems, utilizing history as a tool for social change. The story of Boyle Heights is not just a history of a single working-class community with a diverse culture. It is also a tale of a neighborhood trying to solve real world problems such as gentrification, unaffordable housing, community displacement, and urban pollution. The film portrays these difficulties in the present while showing that they originated decades ago. Sánchez and East LA Interchange are at their best when they provide the historical contexts of contemporary problems, emphasizing that history is not only the study of the past. Rather, history is the unending dialogue between the past, present, and future, and any significant discourse on today’s urban ills must be rooted in the past. For students and others interested in the diverse communities common in many US metropolitan regions, East LA Interchange has much to offer regarding the issues of immigration, redlining, deed restrictions, political activism, freeway construction, living with racially and ethnically diverse community members, and the nationwide problem of gentrification. These themes, especially gentrification, are the primary focus of this article.

scholarly journals Indigenous Water Rights in Comparative Law

2020 ◽  
Vol 9 (3) ◽  
pp. 393-402
Author(s):  
Elizabeth Macpherson
Keyword(s):  
Human Population ◽  
Global Financial Crisis ◽  
Water Rights ◽  
The United States ◽  
Wall Street ◽  
Award Winning ◽  
The Subject ◽  
Academy Award ◽  
Increasing Demand ◽  
Poor Management

At the end of the 2015 Academy Award-winning film The Big Short, which explores the origins of the 2008 Global Financial Crisis, a caption notes that the Wall Street investor protagonist of the film who predicted the collapse of the United States (US) housing market would now be ‘focused on one commodity: water’. Water is sometimes described in popular culture as ‘the new oil’ or ‘more valuable than gold’. It is predicted to be the subject of increasing uncertainty, competition, conflict, and even war, as increasing demand from a growing human population and development meets reduced supply as a result of poor management, overuse, and climate change.

scholarly journals Bloody Women: How Female Authors Have Transformed the Scottish Contemporary Crime Fiction Genre

2017 ◽  
Vol 28 (1) ◽  
pp. 52-71
Author(s):  
Lorna Hill
Keyword(s):  
Social Issues ◽  
Crime Fiction ◽  
Female Characters ◽  
Political Issues ◽  
The Past ◽  
Female Authors ◽  
Crime Novel ◽  
Practice Based Research ◽  
Changing Attitudes

Abstract This study will explore the role of female authors in contemporary Scottish crime fiction. Over the past thirty years, women writers have overhauled the traditionally male dominated genre of crime fiction by writing about strong female characters who drive the plot and solve the crimes. Authors including Val McDermid, Denise Mina and Lin Anderson are just a few of the women who have challenged the expectation of gender and genre. By setting their novels in contemporary society they reflect a range of social and political issues through the lens of a female protagonist. By closely examining the female characters, both journalists, in Val McDermid’s Lindsay Gordon series and Denise Mina’s Paddy Meehan series, I wish to explore the issue of gender through these writers’ perspectives. This essay documents the influence of these writers on my own practice-based research which involves writing a crime novel set in a post referendum Scotland. I examine a progressive and contemporary Scottish society, where women hold many senior positions in public life, and investigate whether this has an effect on the outcome of crimes. Through this narrative, my main character will focus on the current and largely hidden crimes of human trafficking and domestic abuse. By doing this I examine the ways in which the modern crime novel has evolved to cross genre boundaries. In addition to focusing on a crime, the victims and witnesses, today’s crime novels are tackling social issues to reflect society’s changing attitudes and values.

HATIMU AISYAH KARYA ZURINAH HASSAN MENERUSI PERSPEKTIF ELAINE SHOWALTER MODEL BAHASA

2020 ◽  
Vol 8 (2) ◽  
pp. 54-62
Author(s):  
NUR ZALIKHA MAT RADZI ◽  
NASIRIN ABDILLAH ◽  
DAENG HALIZA DAENG JAMAL
Keyword(s):  
Language Model ◽  
Southeast Asian ◽  
Language Models ◽  
Symbolic Language ◽  
Female Characters ◽  
Literary Works ◽  
The Past ◽  
Historical Practices

Hatimu Aisyah karya Sasterawan Negara ke-13 iaitu - Zurinah Hassan, yang juga penerima Anugerah Hadiah Penulis Asia Tenggara (SEA Write Award) pada tahun 2004. Rentetan kejayaan beliau, telah menjadi tumpuan para pengkaji untuk meneliti aspek mengenai pengarangan wanita. Hatimu Aisyah merupakan novel pertama dihasilkan oleh Zurinah Hassan yang menekankan mengenai amalan adat resam zaman terdahulu sehingga ditelan arus pemodenan zaman. Novel Hatimu Aisyah mengetengahkan gambaran wanita yang mengutamakan adat dalam konteks perjalanan hidup bermasyarakat. Kajian terhadap karya Zurinah Hassan ini, bersandarkan kepada Model Bahasa Gagasan Elaine Showalter dari perspektif ginokritik untuk melihat watak-watak wanita. Antara Perbincangan dalam kajian ini adalah berfokuskan kepada simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil dapatan keseluruhan kajian menunjukkan bahawa Zurinah Hassan menggunakan bahasa yang bersesuaian dengan gagasan bahasa daripada Elaine Showalter tetapi agak kurang menyerlah. Hal ini disebabkan keterbatasan penggunaan bahasa selaras dengan sosiobudaya masyarakat Melayu. Penemuan kajian ini dalam model bahasa wanita dapat dilihat menerusi simbolik bahasa dan bahasa sebagai ekspresi kesedaran wanita. Hasil manfaat dan kepentingan diperolehi masa hadapan dapat dilihat bahawa golongan wanita menzahirkan protes dan kritikan menerusi corak penulisan karya mereka meskipun masih dalam keadaan terkawal.   Hatimu Aisyah the 13th National literary works, namely-Zurinah Hassan, who is also the recipient of the Southeast Asian Writer award (SEA Write Award) in 2004. His success string has been the focus of researchers to examine the aspects of women's writings. Hatimu Aisyah is the first novel to be produced by Zurinah Hassan that emphasizes on the historical practices of the past, having swallowed the current modernization of the day. The Hatimu Aisyah Novel highlights the portrayal of women who are customcentric in the context of the communities life. Studies on Zurinah Hassan's work are based on the language Model of Elaine Showalter from the perspective of Ginokritik to see the female characters. Among the discussions in this study are focused on symbolic language and language as a expression of women's awareness. The overall findings of the study showed that Zurinah Hassan used a language that fits the language idea of Elaine Showalter but was somewhat less striking. This is due to the limitations of usage in line with the Malay social. The findings of this study in female language models can be seen through the symbolic language and language in the expression of women's awareness. The results of the benefits and interests gained future can be seen that women are in their protest and criticism through their work writing patterns despite being controlled.

CULTURAL IDENTITY AND SYMBOLIC INTERACTIONISM IN KARMA BROWN’S NOVEL “RECIPE FOR A PERFECT WIFE”

2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Alia Afiyati ◽  
Divya Widyastuti ◽  
Yoga Pratama
Keyword(s):  
Cultural Identity ◽  
Symbolic Interactionism ◽  
Literary Work ◽  
Cultural Identities ◽  
George Herbert ◽  
The Novel ◽  
Female Characters ◽  
George Herbert Mead ◽  
The Past ◽  
Stuart Hall

In a literary work, two characters can be narrated as the attention center that contains the cultural identity from certain generation. Meanwhile, a symbol actually can cause an interaction within characters. This research discusses about cultural identity and symbolic interactionism reflected in a novel. There is a novel entitled “Recipe for a Perfect Wife” by Karma Brown that tells about two female characters that are represented as a housewife from different generation. This research uses descriptive qualitative as the research methodology and content  analysis as the method in analyzing the object of the research, a novel entitled “Recipe for a Perfect Wife”. This research also uses the intrinsic approach to analyze the characterization, plot, and setting. This research reveals two kinds of a housewife. They are a housewife and working woman, and a full-housewife. This research finds five cultural identities in the past and present time that is related with a housewife reflected by two female characters in the novel by using cultural identity theory by Stuart Hall. This research also reveals the symbol and memory even three concepts of symbolic interactionism that is mind, self, and society based on symbolic interactionism theory by George Herbert Mead.

scholarly journals Reel Cops: Exploring the Representation of Policing on Police Ten 7

2021 ◽  
Author(s):  
◽  
Gabrielle Margaret Podvoiskis
Keyword(s):  
Content Analysis ◽  
New Zealand ◽  
Reality Television ◽  
Research Question ◽  
Production Capacity ◽  
Street Crime ◽  
The Past ◽  
Administrative Functions ◽  
Award Winning ◽  
Main Components

<p>Cop shows have been a perennial on prime time television for the past fifty years. Over the past two decades, however, the increasing popularity of reality television means that it is now competing for ascendency with traditional police-centered “soap operas”. For example, at the time of writing a search of the television scheduling by genre on TVNZ on demand reveals 92 reality television programmes compared to 65 dramas, 36 comedies and 22 news programmes. New Zealand, despite its limited production capacity has also cashed in on reality television with recent New Zealand offerings including Motorway Patrol, Illegal NZ, Drug Bust and Emergency 111. The most popular, award winning reality crime programme currently screening on New Zealand television, now in its 20th season, is Police Ten 7. The principle research question driving this thesis is: “To what extent does Police Ten 7 reflect the actual reality of contemporary policing in New Zealand?” This research question was explored through a content analysis of the entire 2010 season of Police Ten 7, consisting of 15 episodes. To assess the extent to which Police Ten 7 reflects the known realities of policing, the content analysis was broken into three main components. The first examined the demographic makeup of police. The second explored types of offences and offenders featured and the third explored the types of police activities depicted on Police Ten 7. These were then contrasted against the known realities of police, offenders and offending patterns in New Zealand. In short, the focus was on who was featured on Police Ten 7, what were they portrayed as doing and how this compares to what we actually know about crime and policing in New Zealand. The main findings were that while some aspects of policing and offending were depicted reasonably accurately, for example gender and ethnicity of police, other aspects were significantly skewed. Police Ten 7 consistently misrepresents the types of offences most commonly committed in New Zealand, over-representing traditional “street” crime such as drug and antisocial offending and violence and under-representing and even ignoring completely other common offences such as dishonesty crimes. Similarly, white individuals depicted in Police Ten 7 are much more likely to be police than offenders, while the opposite is true for non-white individuals who are also depicted more commonly as being involved in violent offending than their white counterparts. As a vehicle for the presentation of the reality of policing Police Ten 7 was found to significantly misrepresent the work undertaken by the typical police officer, over-emphasising the exciting and action-packed aspects of the job and under-emphasising the service and administrative functions of police. The conclusion reached as a result of this research is that Police Ten 7 does not in fact show audiences “a glimpse into the real working lives of New Zealand police” (TVNZ, 2011b). Instead it creates a specific, pro-police vision of policing and crime in New Zealand which features real police and offenders but as a result of the symbiotic relationship between the producers and the police combines to misrepresent the reality of both policing and offending for the majority of police and offenders.</p>

scholarly journals Depictions of Female Protagonists in Digital Games: A Narrative Analysis of 2013 DICE Award-Winning Digital Games

2016 ◽  
Vol 13 (8) ◽  
pp. 843-860 ◽  
Author(s):  
Mildred F. Perreault ◽  
Gregory Pearson Perreault ◽  
Joy Jenkins ◽  
Ariel Morrison
Keyword(s):  
Narrative Analysis ◽  
Narrative Theory ◽  
Digital Games ◽  
Female Characters ◽  
Female Protagonists ◽  
Award Winning ◽  
Women's Stories

Digital games historically hold a spotty record on gender depictions. The lack of depth in female characters has long been the norm; however, an increasing number of female protagonists are headlining games. This study used narrative theory to examine depictions of four female protagonists in four 2013 Design, Innovate, Communicate, Entertain Award-Winning Digital Games: The Last of Us, Bioshock Infinite, Tomb Raider, and Beyond: Two Souls. Studying these media depictions provides context for how women’s stories are recorded in society. Stereotype subversions largely occur within familiar game narratives, and the female protagonists were still largely limited and defined by male figures in the games.

Sign in / Sign up

Export Citation Format

Share Document