Research on Component Elements and Interaction of Environmental Ceramic Works Facing Public Art Category

2021 ◽  
Vol 7 (5) ◽  
pp. 4547-4557
Author(s):  
Huixin Zhang
Keyword(s):  
Public Space ◽  
Public Art ◽  
Urban Culture ◽  
Modern Architecture ◽  
The Public ◽  
Environmental Space ◽  
Ceramic Art ◽  
Art Works ◽  
Interactive Relationship ◽  
And Performance

Objectives: With the development of modern ceramic art and public art, environmental ceramic art, as a new form of public art, has appeared in many fields of public space. Methods: Environmental ceramic art also has a close interactive relationship with urban culture and is the value embodiment of urban culture. This article will study the composition and interaction of environmental ceramic art works facing the public art category. Results: Research shows that environmental ceramic art adds dazzling highlights to public art with its special artistic language and performance connotation. Public art also expands the development space due to the involvement of environmental ceramic art. Conclusion: Today, when public art has become the symbol of modern civilization, the environmental ceramics, which is based on modern ceramic art murals and ceramic sculptures, is applied to the environmental space of modern architecture, bringing a unique artistic feeling to modern public art.

Performing “Moral Resistance”? Pro-Life and Pro-Choice Activism in Public Space

2017 ◽  
Vol 20 (2) ◽  
pp. 221-238 ◽  
Author(s):  
Lucy Jackson ◽  
Gill Valentine
Keyword(s):  
Public Space ◽  
Urban Environments ◽  
Grassroots Activism ◽  
Reproductive Politics ◽  
The Public ◽  
Political Problem ◽  
And Performance ◽  
A Site ◽  
The Impact

This article focuses on acts of resistance regarding reproductive politics in contemporary Britain. Drawing on empirical research this article investigates grassroots activism around a complex moral, social, and political problem. This article therefore focuses on a site of resistance in everyday urban environments, investigating the practice and performance involved. Identifying specifically the territory(ies) and territorialities of these specific sites of resistance, this article looks at how opposing groups negotiate conflict in public space in territorial, as well as habitual, ways. Second, the article focuses on questions around the impact, distinction, and novelty both in the immediate and long term of these acts of resistance for those in public space. Here, then, the focus shifts to the reactions to this particular form of protest and questions the “acceptability” of specific resistances in the public imaginary.

Public Art and Contemporary Urban Culture – Research of Embodiment of Core Value of Urban Public Art in the Construction of Urban Culture

2014 ◽  
Vol 919-921 ◽  
pp. 1634-1637
Author(s):  
Zhi Guo Li ◽  
Jing Sun
Keyword(s):  
Urban Space ◽  
Public Art ◽  
Urban Culture ◽  
City Image ◽  
Cultural Interpretation ◽  
The Public ◽  
City Culture ◽  
Core Value ◽  
The Masses ◽  
The Relationship

As the cultural interpretation and the most intuitionist expression vector, urban public art explain the urban space morphology, aesthetic function by the visual art, construct contemporary aesthetic culture and the public service system of the masses, manifest characteristics of urban culture value and the trend in period of social transition increasingly. It explained the relationship between public art and urban culture core value and construction of Public art in city culture construction in detail. In the end, it presented the realization of culture value taken from public art and the creation of city image by public art.

scholarly journals RUANG PUBLIK DAN SENI PUBLIK

2019 ◽  
Vol 2 (2) ◽  
pp. 323-329
Author(s):  
Rahmat Jabaril
Keyword(s):  
Public Space ◽  
Dynamic Process ◽  
Public Art ◽  
The Public ◽  
Aesthetic Form

Public Space and Public art, are two different senses. Public Space is a space that can be spread out because of the existence of a community that has the imagination that engages in it. Society is created and creates public space as a real democratic space. This is because, every actor in it interferes with imagination, and ideas that make that space continue to be spread out as public space. Public art is unconstitutional, so its beauty is a dynamic process. In that, then the public space and the art of public are compounds which have no meaning. Often it is not revealed that what we see on the streets, for example, provides reflective space and gives inspiration to the street performers. Public art, public space and public actors will make public dynamics an aesthetic form.

Temporary Art Platform and the Reconfiguration of the Public Space in Beirut

2020 ◽  
Vol 18 (2) ◽  
pp. 231-242
Author(s):  
Carlos Garrido Castellano
Keyword(s):  
Public Space ◽  
Public Art ◽  
Public Spaces ◽  
Art Activism ◽  
The Public ◽  
Civic Agency

Abstract The main objective of this article is to understand the ways in which Lebanese artists are dealing with issues of normativity and legibility while operating in public spaces. By looking at the work developed by Temporary Art Platform (TAP) during the last ten years, I argue that public art has been crucial in the production of alternative understandings of civic agency and the public space. Simultaneously, by looking at A Few Things You Need to Know When Creating an Art Project in a Public Space in Lebanon, a toolkit designed by TAP in 2014, I intend to problematize the lexicon and strategies that are usually associated with understanding art activism, both as forcefully contextual and provisional.

scholarly journals Identitas Kota: Pembangunan Imaji Kota melalui Karya Seni di Ruang Publik

JURNAL RUPA ◽  
2018 ◽  
Vol 3 (1) ◽  
pp. 44
Author(s):  
Budi Adi Nugroho
Keyword(s):  
Public Space ◽  
Identity Management ◽  
Decision Makers ◽  
Public Understanding ◽  
The Public ◽  
Positioning Strategy ◽  
Art Works ◽  
The City ◽  
City Identity ◽  
Level Of Importance

City has a character that reflects the inhabitants and idealism of leaders who try to shape the image of their city. Imagery or images would later describe a city as a whole in a certain picture that put the city in the scale fromthe smallest to global regions. The control upon its image is carried out with image management that appears in the front corridors of the city, as is done by the City of Bandung in building the image of the city as a positioning strategy for the part of the world's creative and design cities. The research method will use interdisciplinary research, involving anthropological approaches, material exploration, and fine art works. Public understanding, decision makers up to the capital are needed in supporting the development of the image of the city. The level of importance in understanding the work of art in the public space as one component that can help build the image of the city of Bandung. This research will produce work proposals that can help support the overall image of the city of Bandung that is integrated with the character and development of the city. Keywords: city, identity, management, Bandung, space, public art

scholarly journals Where's the "Public" in Public Art. Three Narratives from documenta 14

2020 ◽  
pp. 45-66
Author(s):  
Giorgos Velegrakis ◽  
Danai Liodaki
Keyword(s):  
Lived Experience ◽  
Public Space ◽  
Public Art ◽  
Contemporary Literature ◽  
Field Research ◽  
Urban Experience ◽  
The Public ◽  
Theoretical Approaches ◽  
Basic Features ◽  
The City

This paper analyses five public art projects exhibited in documenta 14 in Athens in 2017 that redefine and interact with the public space and therefore, form three different narratives on public space. These narratives are outlined according to the different interpretations of ‘public space’, ‘public sphere’ and democracy by the various artists. Our argument is structured as follows; firstly, we present an analysis of public art and its basic features drawing from contemporary literature. Secondly, we provide a number of key facts regarding documenta and documenta 14, outlining the main reasons we selected it as a reference point. Thirdly, we describe the three narratives about public space that we came up with after our field research and interviews with the respective artists: Sanja Iveković, Joar Nango, Rasheed Araeen, Mattin and Rick Lowe. We then discuss the relations between them and develop a model that unravels the way artists explore the public domain, look for locations, and redefine public space and the lived experience in the city. To do so, we engage with theoretical approaches as well as elaborations on specific artworks that engage the shifts and changes of the lived urban experience through art.

scholarly journals Organisation of Social Art in Performance Art Organisations

2021 ◽  
pp. 55-60
Author(s):  
Irena Kyguolytė-Kataržė ◽  
Virginija Jurėnienė
Keyword(s):  
Public Space ◽  
Performance Art ◽  
Social Action ◽  
Point Of View ◽  
The Public ◽  
Digital Space ◽  
Social Art ◽  
Global Events ◽  
And Performance ◽  
The Impact

Art as a social action in the public space is becoming more popular in various forms, especially in the digital space, and especially after the recent events that have had an effect on the whole world. However, theatre as art is changing its forms of accessibility not only due to global events but also due to the changing society from various aspects, i.e., psychological, social, economic, political, etc. The article provides a comparative analysis of the concepts of social art actions and performance art, presents the features of social art actions organisation in performance art organisations in Lithuania and abroad, determines the impact of social art action on human health from the psychosocial and spiritual point of view as well as in a community; it also provides a discussion of similarities and differences of performance as not only theatre but also performance art and social art, social art actions as performance art. Moreover, the article analyses how performance is compared to social art performance, how spectator and participant audiences manifest, what inclusion of performance art as a social art action into human spiritual-psychological space provides. The article provides an analysis of how performance art cooperates with performance art organisations.

scholarly journals The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art

Lumina ◽  
2017 ◽  
Vol 11 (2) ◽  
pp. 60-81
Author(s):  
Elke Reinhuber
Keyword(s):  
Public Space ◽  
Video Recording ◽  
Human Memory ◽  
Artistic Practice ◽  
Actual Performance ◽  
The Public ◽  
Theatrical Performances ◽  
And Performance ◽  
Immediate Experience ◽  
Alter Ego

In this artistic research, I argue that a range of artistic practices is capable of addressing relevant issues in our material, specifically our urban, environment. In particular, conceptual interventions or non-theatrical performances, which are in most cases mundane everyday activities that require transformation through media to be understood as art. Yet, as human memory is susceptible, media is also required to provide proof of the action for archives or exhibitions, or simply as a memento of the artwork itself. Lens-based media, such as photography and video-recording, are in most cases the ideal form of documentation and distribution, while the actual performance is transferred to another genre of artistic practice and dissociated from the immediate experience of the moment.This paper introduces the enduring work of the author’s alter ego, The Urban Beautician, and defines her actions and documentation of this work within the framework of the conceptual and performance art scene. An assiduous assessment of her artistic ancestry is given and a catalogue of her endeavours, categorised by diverse subjects, arranged to isolate the themes and to connect the topics.

scholarly journals Culinary facilities in sabang street as a public space with the application of green modern architecture

2021 ◽  
Vol 878 (1) ◽  
pp. 012018
Author(s):  
A Wenang ◽  
U Siahaan ◽  
R Ismanto
Keyword(s):  
Public Space ◽  
Rapid Development ◽  
Lower Class ◽  
Modern Architecture ◽  
The Public ◽  
The People ◽  
New Locations ◽  
Changing Patterns ◽  
Almost All ◽  
The City

Abstract Culinary facilities are now experiencing rapid development and are increasingly popular among the public, especially teenagers in Jakarta or tourists who deliberately want to taste Indonesian culinary. This can occur due to changes in the lifestyle of the people of Jakarta in fulfilling food consumption. The people of Jakarta consume food not only to meet their basic needs, but also to find satisfaction with taste, service, atmosphere and scenery and it can be made as a hangout place with friends, colleagues, etc. With the changing patterns or trends of this society, it has prompted many entrepreneurs to build many culinary buildings in new locations. Going down the street in Jakarta to find a culinary place, is definitely very fun. Once fanatical food hunters, they are willing to take the time to hunt for their favorite dishes. Amazingly, this hunting continues to grow so that it often creates new communities. The fact that culinary activities will never die has even become a new hobby and new lifestyle for the people of Jakarta. As with the complexity of the city of Jakarta, the culinary in Jakarta is very varied. Almost all food both from within and outside the country can be found in Jakarta, one of which is in the area of Jalan Sabang which is already famous for its culinary hawker centers that can be enjoyed by any group of people, both upper, middle and lower class. It could be said, Jalan Sabang is a culinary facility for public spaces, especially for the Central Jakarta area

scholarly journals Making Space. Singapore, Artists & Art in the Public Realm

2020 ◽  
pp. 137-154
Author(s):  
Sharmila Wood
Keyword(s):  
Public Space ◽  
Public Art ◽  
Street Art ◽  
Public Realm ◽  
Community Arts ◽  
Artistic Practice ◽  
Spatial Justice ◽  
The Public ◽  
Art Community

In recent times Singaporean artists have undertaken audacious artistic performances, actions and interventions in public space, highlighting the role of artists as provocateurs of debates around public space and their engagement with issues related to ethical urbanism. Between 2010 – 2020 artists working in diverse fields of artistic practice including visual art, street art, performance art, community arts and new genre public art begun to locate their artwork in public spaces, reaching new audiences whilst forging new conversations about access, inclusion and foregrounding issues around spatial justice. In contesting public space, artists have centralized citizens in a collective discourse around building and shaping the nation. The essay documents key projects, artists and organisations undertaking artistic responses in everyday places and examines the possibility of public art in expanding concepts of ‘the public’ through actions in Singapore’s public space, and demonstrating the role of artists in civil society.

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