scholarly journals Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand

2021 ◽  
Author(s):  
Robby Hidajat ◽  
. Pujiyanto ◽  
Surasak Jamnongsam ◽  
Muhammad ‘Afaf Hasyimy
Keyword(s):  
Performing Arts ◽  
Conservation Strategy ◽  
Theory Approach ◽  
Functional Theory ◽  
Central Java ◽  
Qualitative Descriptive ◽  
Sacred Rite ◽  
Document Review ◽  
Performing Art

Over the years, the methods of preserving traditional performing arts have undergone a transformation in many states of Southeast Asia. In that, the performing art societies in Indonesia and Thailand have also made a shift in their conservation strategy from organizing the performing arts as a sacred rite with few participants to massive shows to entertain bigger audiences. This research intended to review the role of Maecenas (art protector) in enforcing the existence of Ramayanaperforming arts in three destinations in Indonesia and Thailand, namely Uluwatu’s Kecak Ramayana in Bali and Prambanan’s RamayanaBallet in Central Java, both located in Indonesia, and Khon Theater in Bangkok, Thailand. The research used a qualitative descriptive method with a functional theory approach. Data were collected through interviews, observation, and document review, following which they were analysed through interpretation. The result of the research showed that the aesthetical transformation of Ramayana performing arts in Indonesia and Thailand is determined by three factors, namely locality, time, and management. Keywords: performing arts, Ramayana, art protector, conservation

scholarly journals ENVIRONMENT PRESERVING CHARACTER ON WAYANG STORY DEWA RUCI: AN ECOLOGICAL LITERATURE STUDY

Jurnal KATA ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 122
Author(s):  
Bagus Wahyu Setyawan
Keyword(s):  
Performing Arts ◽  
Compositional Analysis ◽  
Analysis Data ◽  
Two Dimensions ◽  
Literature Study ◽  
Ecological Concept ◽  
Central Java ◽  
Qualitative Descriptive ◽  
Performing Art ◽  
Special Region

<p><em>Wayang is one of Javanese performing arts which has a greatfull values in Javanese society. Wayang has two dimensions; as a kind of Javanese performing art as well as Javanese literature in this context is script of wayang story. The focus of the research was to describe and explain the ecological concept on wayang story in Central Java and Yogyakarta Special Region. This research is qualitative descriptive which using ethnographic approach. Data were collected by using domain analysis techniques, taxonomic analysis, compositional analysis, and theme analysis. Data validation used extra participation technique, perseverance observation, triangulation, detailed discussion, and auditing. The research found that the ecological concept in wayang story can be found in some use term and the motto which relating to the term of environment conservation. Term about the environment preservation is found in the narration of the story, dialog of wayang characters, also find some mottos related to natural conservation effort. Referring to the results of this research, it can be assumed that the ecological concept in wayang story also functions as reminders of natural conservation and preservation for the society in Central Java and Yogyakarta Special Region.</em><em></em></p>

scholarly journals STRUKTUR DRAMATIK PERTUNJUKAN DRAMA KLASIK SANGGAR TEATER MINI LAKON DEWA RUCI KAJIAN BENTUK DAN FUNGSI

WIDYANATYA ◽  
2019 ◽  
Vol 1 (1) ◽  
pp. 51-59
Author(s):  
I Made Rudita ◽  
Ni Luh Putu Wiwin Astari
Keyword(s):  
Character Education ◽  
Performing Arts ◽  
Cultural Transformation ◽  
Aesthetic Theory ◽  
Functional Theory ◽  
Classical Drama ◽  
Dramatic Structure ◽  
Depth Study ◽  
And Function

ABSTRAK   Pada dasarnya nilai pendidikan karakter mempunyai tiga bagian yang saling bekaitan, yaitu pengetahuan moral, penghayatan moral dan perilaku moral. Oleh karena itu seseorang dengan karakter yang baik, mengetahui, menginginkan, dan melakukan yang baik. Ketiganya merupakan syarat untuk menuntun hidup yang bermoral dan membangun kematangan moral. Dalam melakukan pendidikan karakter tidak harus dengan menambah program tersendiri, melainkan bisa melalui transformasi budaya, salah satunya nilai-nilai pendidikan karakter bisa disampaikan melalui seni pertunjukan drama, khususnya pertunjukan drama klasik. Untuk menjawab masalah di atas, dalam hal mengetahui nilai  pendidikan karakter melalui transformasi budaya Bali berupa pertunjukan drama klasik Sanggar Teater Mini, perlu dibuat suatu penelitian mengenai nilai pendidikan karakter dalam pertunjukan drama klasik Sanggar Teater  Mini dengan lakon Dewa Ruci. Penelitian ini berjudul “Struktur Dramatik  Pada Pertunjukan Drama Klasik Sanggar Teater Mini lakon Dewa Ruci”.Kajian  (Bentuk dan Fungsi)” adalah hasil studi yang mendalam struktur dramatik pada pertunjukan drama klasik. Penelitian ini mengangkat dua pokok masalah yaitu : 1) untuk mengetahui dan menganalisis bentuk struktur dramatik pertunjukan drama klasik Sanggar Teater Mini lakon Dewa Ruci ;  2) untuk mengetahui dan menganalisis fungsi pertunjukan drama klasik Sanggar Teater Mini lakon Dewa Ruci. Secara umum, penelitian ini bertujuan untuk mengetahui keberadaan dan peranan penting dari nilai-nilai pendidikan karakter dalam pertunjukan pertunjukan drama klasik Sanggar Teater Mini lakon Dewa Ruci . Secara khusus, penelitian ini bertujuan untuk menjelaskan bentuk struktur dramatik dan fungsi pertunjukan drama klasik Sanggar Teater Mini lakon Dewa Ruci. Penelitian ini dirancang sebagai penelitian kualitatif dengan menggunakan dua teori : teori estetika dan teori fungsional struktural. Metode-metode pengumpulan data yang digunakan meliputi observasi, wawancara, dokumentasi dan kepustakaan.Seluruh data diolah menggunakan tehnik deskriptif interpretatif. Hasil dari penelitian ini adalah sebagai berikut ; Bentuk struktur dramatik pertunjukan drama klasik Sanggar Teater Mini lakon Dewa Ruci  adalah sebagai berikut   : (1) tema, (2) alur,  (3) latar, (4) penokohan, (5) insiden dan (6) amanat. Sedangkan fungsi drama klasik Sanggar Teater Mini lakon Dewa Ruci  adalah sebagai  berikut : (1) fungsi ekonomi,   (2) fungsi hiburan, (3) fungsi promosi  dan (4) fungsi komunikasi.  ABSTRACT Basically, the value of character education has three interrelated parts, namely moral knowledge, moral appreciation and moral behavior. Therefore someone with good character, knows, wants, and does good. All three are conditions for guiding a moral life and building moral maturity. In doing character education does not have to add a separate program, but it can be through cultural transformation, one of which is the values ​​of character education can be conveyed through drama performing arts, especially classical drama performances. To answer the above problem, in terms of knowing the value of character education through the transformation of Balinese culture in the form of a classic Mini Theater studio performance, it is necessary to make a study of the value of character education in the performance of the Sanggar Teater Mini classic drama with Dewa Ruci play. This research entitled "Dramatic Structure of the Classical Drama Performance of Teater Mini lakon Dewa Ruci". Studies (Forms and Functions) "are the results of an in-depth study of the dramatic structure of classical drama performances. This research raises two main issues, namely: 1) to find out and analyze the dramatic structural forms of the Sanggar Teater Mini classical drama performance Dewa Ruci play; 2) to find out and analyze the function of the Sanggar Teater Mini lakon Dewa Ruci performance. In general, this study aims to find out the existence and important role of character education values ​​in the performance of the classic Sanggar Teater Mini lakon Dewa Ruci performance. Specifically, this study aims to explain the dramatic structure and function of the classical drama performances of Sanggar Teater Mini Dewa Ruci play. This research was designed as qualitative research using two theories: aesthetic theory and structural functional theory. Data collection methods used include observation, interviews, documentation and literature. All data are processed using interpretive descriptive techniques. The results of this study are as follows; The form of the dramatic structure of the Sanggar Teater Mini classical drama performances by Dewa Ruci are as follows: (1) theme, (2) plot, (3) background, (4) characterization, (5) incident and (6) mandate. While the function of the classical drama Sanggar Teater Mini lakon Dewa Ruci is as follows: (1) economic function, (2) entertainment function, (3) promotion function and (4) communication function.

scholarly journals Penciptaan Seni Pertunjukan Berbasis Penelitian

Panggung ◽  
2018 ◽  
Vol 28 (1) ◽  
Author(s):  
I Gusti Ayu Srinatih
Keyword(s):  
Performing Arts ◽  
Personal Taste ◽  
Creative Processes ◽  
Library Research ◽  
Art Works ◽  
New Type ◽  
Object Of Study ◽  
Performing Art

Abstract  In the discourse of performing art creations, there is an assumption that creating art works is not categorized as a scientific, based on a personal taste and instinctive. This article uses a qualitative research with the performing arts approach. By using ethnographic methods, this article focuses on the role of performers in the process of creating the performing arts. Data are collected through interviews, library research, and document studies. As an object of study, 5 (five) outstanding works will be discussed, namely: Terompong Beruk (1982), Bali Agung (2010), Ratricetana (2011), Terompong Beruk Bangkok (2015), and Stri Wiroda (2015). The results of this study indicate that the models of creative as parts of important processes in creating performances are diverse. Through researching creative processes of the works, performers can create new type of works that are different from others, and distinctive from previous works. The novelty of the creative processes contains the quality of aestethic in forms and contents, as well as their values and functions. Keywords: research, creative processes, new creations, performing arts. Abstrak Dalam pewacanaan hasil penciptaan seni pertunjukan, masih ada anggapan bahwa menciptakan karya seni itu sesuatu yang tidak ilmiah dan hanya berdasarkan selera dan insting belaka. Artikel ini merupakan hasil penelitian kualitatif dengan pendekatan seni pertunjukan, dengan menggunakan metode etnografi, dengan fokus pada pencipta/seniman seni pertunjukan. Data-data yang dikumpulkan didapat melalui observasi, wawancara, riset kepustakaan, dan studi dokumen. Sebagai objek kajian, akan dibahas 5 (lima) buah karya cipta  seni pertunjukan yang berbasis penelitian, yaitu: Terompong Beruk (1982), Bali Agung (2010), Ratricetana (2011), Terompong Beruk Bangkok (2015), dan Stri Wiroda (2015).  Adapun hasil dari kajian ini menunjukkan bahwa model proses kreatif yang sangat penting dalam penciptaan seni pertunjukan itu sangat beragam. Melalui penelitian mengenai kajian proses kreatif tersebut dapat dihasilkan karya seni pertunjukan kreasi baru yang berbeda satu sama lain, dan berbeda dari proses kreatif karya sebelumnya. Nilai kebaruan proses kreatif itu mengandung keindahan bentuk dan isi, serta nilai dan fungsinya.   Kata-kata kunci: penelitian, proses kreatif, penciptaan, seni pertunjukan

scholarly journals WACANA EKOFEMINISME TIRTO.ID

Jurnal Common ◽  
2021 ◽  
Vol 4 (2) ◽  
pp. 144-160
Author(s):  
Luxy Nabela Fariz ◽  
Pundra Rengga Andhita
Keyword(s):  
Social Cognition ◽  
Critical Discourse Analysis ◽  
Environmental Damage ◽  
Literacy Studies ◽  
Destructive Effect ◽  
Central Java ◽  
The Social ◽  
Qualitative Descriptive ◽  
The Relationship

This research aims to study how tirto.id's attitude towards ecofeminism discourse in Kartini Kendeng conflict with PT. Semen Indonesia in Rembang, Central Java, Indonesia. This study uses a qualitative descriptive method using Teun A. Van Dijk Critical Discourse Analysis (AWK) model which focuses on the elements of text, social cognition and social analysis. There are three data collection techniques that are carried out, namely, interviews, observation and literacy studies. The results showed that tirto.id had a fairly good consistency in raising the ecofeminism issue. Judging from the text elements, tirto.id presents themes, titles, leads, story telling and graphics that support the ecofeminism issue appearing in the community as a joint study that needs to be examined. Related to social cognition elements, tirto.id tried to build critical awareness about ecofeminism issue in Kartini Kendeng conflict with PT. Semen Indonesia. Until today the conflict is not over, Kartini Kendeng has consistently rejecting PT. Semen Indonesia, because it is cited, will have a destructive effect that has implications for the surrounding society. That capture is how tirto.id wants to build message through their writings. While from the social context elements, tirto.id has a holistic consideration compiling to raise the ecofeminism issue through the reporting of Kartini Kendeng. This report provides an opportunity for studies to open up the relationship between humans and the potential of environmental damage. tirto.id's consideration of preaching a special portion of the issue was able to take on the role of a bridge between reality inside and outside the text, giving rise to an inclusive perspective on women and the environment.

scholarly journals Transformasi Multipel dalam Pengembangan Seni Kuda Kepang

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Kiswanto Kiswanto
Keyword(s):  
Performing Arts ◽  
Linear Process ◽  
Creative Development ◽  
Process Of Change ◽  
Central Java ◽  
Two Factors ◽  
Performing Art

This article aims to discourse the perspectives of multiple transformations in the practice of developing performing art of kuda kepang at Turonggo Seto Mardi Utomo group in Boyolali, Central Java. The study of multiple transformations has long been evolving in design and architecture research, but the perspective is rarely encountered in performing arts research which on average still views transformation as a linear or multi-linear process of change. Multiple transformations describe a condition of change made by multiplying or doubling the shape of the kuda kepang art (by taking the same essence, core, or fibre of its structure) into various kinds. The multiplication shows a process of creative development that is triggered by two factors, namely the development of aesthetic and market needs.Keywords: kuda kepang; multiple transformations; traditions; creativity; markets

scholarly journals Pertumbuhan Ekonomi seiring dengan Perkembangan Teknologi di Jawa Tengah

2020 ◽  
Author(s):  
addina syifa
Keyword(s):  
Economic Growth ◽  
Industrial Revolution ◽  
Economic Activities ◽  
Literature Study ◽  
Private Companies ◽  
Central Java ◽  
Use Of Technology ◽  
Qualitative Descriptive ◽  
Sophisticated Technology

In the era of the industrial revolution 4.0, technology is developing very rapidly, which results in not being separated from the use of technology in all aspects of life, especially in the economic aspect, because the role of technology is needed in all economic activities, it then has an impact on the economic growth of a region. This article aims to explain how much influence the development of increasingly sophisticated technology on economic growth in Central Java Province. The method used in this article is through a qualitative descriptive method with a literature study that pays attention to how the use of technology in various economic activities both from the Usaha Mikro Kecil dan Menengah (UMKM) sector to private companies in Central Java. The results of this study are the development of increasingly sophisticated technology that is very influential on all economic activities which then lead to economic growth in an area. The development of technology has greatly helped economic activities to become more effective and profitable from both the Usaha Mikro Kecil dan Menengah (UMKM) sector to private companies, which has resulted in increased economic prosperity of a region.

CEFR-based Front-desk Staff’s English Skills: A Case in Indonesian Hotels

2018 ◽  
Vol 8 (12) ◽  
pp. 1671
Author(s):  
Caecilia Tri Wahyanti ◽  
Ocky Sundari Rahardjo ◽  
Yustina Erti P. Dewi
Keyword(s):  
Focus Group ◽  
Focus Group Discussions ◽  
Group Discussions ◽  
Self Assessment ◽  
Descriptive Research ◽  
Central Java ◽  
Qualitative Descriptive ◽  
Front Desk ◽  
Spoken Interaction

This article analyses the English skills of front-desk staff on the accommodation business, particularly Listening, Spoken Interaction and Spoken Production skills. It is based on a qualitative descriptive research conducted in a medium-sized city in Central Java, Indonesia. The data are collected using self-assessment based on CEFR (Common European Framework of Reference) Can-do statements, and crossed-checked in interviews and focus-group discussions. The research found diverse levels of Listening, Spoken Interaction and Spoken Production skills of front-desk staff, mostly A2 (Waystage Basic User), B1 (Threshold Independent User), and C2 (Mastery Proficient User). Besides, the results show that respondents are split in terms of consistency in perceiving their listening and spoken skills. It is also found that both hotel guests and front-desk staff use mobile translating applications to assist spoken communication, encouraging further studies to explore the role of mobile translating application in promoting the success of communication in accommodation business.

scholarly journals Kajian Bahasa Pragmatik pada Tari Endah Karya S. Maridi

Panggung ◽  
2013 ◽  
Vol 23 (4) ◽  
Author(s):  
Maryono
Keyword(s):  
Performing Arts ◽  
Theoretical Foundation ◽  
Pragmatic Language ◽  
Romantic Couples ◽  
Qualitative Descriptive ◽  
Performing Art ◽  
Descriptive Method

ABSTRACT This research aims to uncover the meaning of Tari Endah from a pragmatic linguistic perspec- tive. The approach to the study uses a qualitative descriptive method. The theoretical foundation refers mainly to pragmatic theories and performing art theories. The application of pragmatic theo- ries is used to research the verbal components while performing arts theories are applied to study the nonverbal components.Based on an analysis of the verbal and nonverbal components of Tari Endah, it was concluded that this dance is a romantic couples dance which is hoped to act as a good example for newlywed couples and the community in general. In addition, Tari Endah is a form of aesthetical entertainment which is highly beneficial for the audience in fulfilling their spiritual and physical needs. Keywords: pragmatic language, verbal components, and nonverbal components  ABSTRAK Penelitian ini bertujuan untuk mengungkap makna Tari Endah1 dari perspektif linguis- tik pragmatik. Pendekatan penelitiannya menggunakan metode kualitatif deskriptif. Lan- dasan teoritis yang dirujuk lebih mengacu pada teori pragmatik dan teori seni pertunjukan. Bentuk aplikasinya, teori pragmatik digunakan untuk menggali komponen yang bersifat verbal, sedangkan teori seni pertunjukan untuk mengkaji komponen yang bersifat nonver- bal.Berdasarkan analisis komponen verbal dan nonverbal pada Tari Endah didapat suatu simpulan bahwa Tari Endah merupakan salah satu bentuk tari pasangan percintaan yang diharapkan dapat dicontoh dan diteladani bagi sepasang pengantin dan masyarakat pe- nonton pada umumnya. Di samping itu Tari Endah juga merupakan bentuk hiburan estetik yang sangat bermanfaat untuk pemenuhan kebutuhan rohani dan jasmani dalam berbagai aktivitas kehidupan manusia. Kata kunci: bahasa pragmatik, komponen verbal, dan komponen nonverbal 

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