scholarly journals Transformasi Multipel dalam Pengembangan Seni Kuda Kepang

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Kiswanto Kiswanto
Keyword(s):  
Performing Arts ◽  
Linear Process ◽  
Creative Development ◽  
Process Of Change ◽  
Central Java ◽  
Two Factors ◽  
Performing Art

This article aims to discourse the perspectives of multiple transformations in the practice of developing performing art of kuda kepang at Turonggo Seto Mardi Utomo group in Boyolali, Central Java. The study of multiple transformations has long been evolving in design and architecture research, but the perspective is rarely encountered in performing arts research which on average still views transformation as a linear or multi-linear process of change. Multiple transformations describe a condition of change made by multiplying or doubling the shape of the kuda kepang art (by taking the same essence, core, or fibre of its structure) into various kinds. The multiplication shows a process of creative development that is triggered by two factors, namely the development of aesthetic and market needs.Keywords: kuda kepang; multiple transformations; traditions; creativity; markets

scholarly journals Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand

2021 ◽  
Author(s):  
Robby Hidajat ◽  
. Pujiyanto ◽  
Surasak Jamnongsam ◽  
Muhammad ‘Afaf Hasyimy
Keyword(s):  
Performing Arts ◽  
Conservation Strategy ◽  
Theory Approach ◽  
Functional Theory ◽  
Central Java ◽  
Qualitative Descriptive ◽  
Sacred Rite ◽  
Document Review ◽  
Performing Art

Over the years, the methods of preserving traditional performing arts have undergone a transformation in many states of Southeast Asia. In that, the performing art societies in Indonesia and Thailand have also made a shift in their conservation strategy from organizing the performing arts as a sacred rite with few participants to massive shows to entertain bigger audiences. This research intended to review the role of Maecenas (art protector) in enforcing the existence of Ramayanaperforming arts in three destinations in Indonesia and Thailand, namely Uluwatu’s Kecak Ramayana in Bali and Prambanan’s RamayanaBallet in Central Java, both located in Indonesia, and Khon Theater in Bangkok, Thailand. The research used a qualitative descriptive method with a functional theory approach. Data were collected through interviews, observation, and document review, following which they were analysed through interpretation. The result of the research showed that the aesthetical transformation of Ramayana performing arts in Indonesia and Thailand is determined by three factors, namely locality, time, and management. Keywords: performing arts, Ramayana, art protector, conservation

scholarly journals ENVIRONMENT PRESERVING CHARACTER ON WAYANG STORY DEWA RUCI: AN ECOLOGICAL LITERATURE STUDY

Jurnal KATA ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 122
Author(s):  
Bagus Wahyu Setyawan
Keyword(s):  
Performing Arts ◽  
Compositional Analysis ◽  
Analysis Data ◽  
Two Dimensions ◽  
Literature Study ◽  
Ecological Concept ◽  
Central Java ◽  
Qualitative Descriptive ◽  
Performing Art ◽  
Special Region

<p><em>Wayang is one of Javanese performing arts which has a greatfull values in Javanese society. Wayang has two dimensions; as a kind of Javanese performing art as well as Javanese literature in this context is script of wayang story. The focus of the research was to describe and explain the ecological concept on wayang story in Central Java and Yogyakarta Special Region. This research is qualitative descriptive which using ethnographic approach. Data were collected by using domain analysis techniques, taxonomic analysis, compositional analysis, and theme analysis. Data validation used extra participation technique, perseverance observation, triangulation, detailed discussion, and auditing. The research found that the ecological concept in wayang story can be found in some use term and the motto which relating to the term of environment conservation. Term about the environment preservation is found in the narration of the story, dialog of wayang characters, also find some mottos related to natural conservation effort. Referring to the results of this research, it can be assumed that the ecological concept in wayang story also functions as reminders of natural conservation and preservation for the society in Central Java and Yogyakarta Special Region.</em><em></em></p>

scholarly journals Ketoprak,Seni Pertunjukan Tradisional Jawa di Sumatera Utara: Pengembangan dan Keberlanjutannya

Panggung ◽  
2018 ◽  
Vol 28 (4) ◽  
Author(s):  
Torang Naiborhu ◽  
Nina Karina
Keyword(s):  
Data Collection ◽  
Fairy Tale ◽  
Daily Life ◽  
Art Theory ◽  
Old Kingdom ◽  
Central Java ◽  
Analysis Technique ◽  
Art Performance ◽  
Performing Art ◽  
North Sumatra

ABSTRACT Ketoprak (Ketoprak Dor) is a Javanese art performance found in North Sumatera which was originated from Surakarta, Central Java. The Performance combines dialogue, drama, dance, and music. It is performed on stage, taking stories about history, old kingdom, fairy tale, daily life, and others with an interspersed joke. Data collection is collected through observation and interviews with the ketoprak artists, owners of the studio, and the spectators, and documentation. The data is analyzed by qualitative analysis technique using performing art theory, ethnomusicology, and history. The results are, first, ketoprak in North Sumatera began to be slowly abandoned despite the adoption of local culture in music, story, clothing, as well as vocabularies used. Second, for its development, it requires strategies for the survival of the performing art among its audiences, particularly Javanese community.Keywords: KetoprakDor, ketoprak in North Sumatra, developing ketoprak, art performance  ABSTRAK Ketoprak (Ketoprak Dor)adalah seni pertunjukan Jawa di Sumatera Utara yang berasal dari Surakarta, Jawa Tengah. Pementasannya menggunakan dialog, drama, tarian, dan musik. Ketoprak dipertunjukkan di atas panggung dengan mengambil cerita sejarah, kerajaan, dongeng, kehidupan sehari-hari, dan lainnya dengan diselingi lawak.Pengumpulan data dilakukan melalui pengamatan danwawancara kepada seniman ketoprak, pemilik sanggar, dan masyarakat pengguna, dokumentasi,dan hasilnya dianalisis dengan teknik analisis kualitatif menggunakan teori seni pertunjukan, etnomusikologi, dan metode sejarah. Hasil yang diperoleh menunjukkan bahwa ketoprak di Sumatera Utara secara perlahan mulai ditinggalkan walaupun telah mengadopsi budaya setempat dalam hal musik, cerita, busana, atau tata bahasa yang dipakai. Untuk pengembangannya diperlukan upaya-upaya strategis agar seni pertunjukan ini dapat bertahan dan tetap diminati oleh masyarakat, khususnya komunitas Jawa.Katakunci: KetoprakDor, ketoprak di Sumatra Utara, pengembanganketoprak, seni pertunjukan     

scholarly journals STRATEGI KOLABORASI DALAM SENI PERTUNJUKAN TRADISIONAL DI KABUPATEN SUBANG

2013 ◽  
Vol 5 (2) ◽  
pp. 294
Author(s):  
Irvan Setiawan
Keyword(s):  
Analytical Method ◽  
Performing Arts ◽  
Time Data ◽  
Time And Space ◽  
Secondary Sources ◽  
The People ◽  
Traditional Arts ◽  
Performing Art ◽  
Over Time

Abstrak Kesenian tradisional memegang peranan dalam pencirian dan menjadi kekhasan suatu daerah. Bagi wilayah administratif yang menjadi cikal bakal suatu kesenian daerah tentu saja tidak sulit untuk menyebut istilah kesenian khas dan menjadi milik daerah tersebut. Lain halnya dengan wilayah administratif yang tidak memiliki kesenian daerah sehingga akan berusaha menciptakan sebuah kesenian untuk dijadikan sebagai kesenian khas bagi daerahnya. Beruntunglah bagi Kabupaten Subang yang menjadi cikal bakal beberapa kesenian yang terlahir dan besar di daerahnya. Tidak hanya sampai disitu, Pelestarian dan pengembangan kesenian tradisional tampak serius dilakukan. Hal tersebut terlihat dari papan nama berbagai kesenian (tradisional) di beberapa ruas jalan dalam wilayah Kabupaten Subang. Seiring berjalannya waktu tampak jelas terlihat adanya perubahan dalam pernak pernik atau tahapan pertunjukan pada beberapa seni pertunjukan tradisional. Kondisi tersebut pada akhirnya mengundang keingintahuan mengenai strategi kolaborasi apa yang membuat seni pertunjukan tradisional masih tetap diminati masyarakat Subang. Penelitian ini dilakukan dengan menggunakan metode deskriptif analisis yang didukung dengan data lintas waktu baik dari sumber sekunder maupun dari pernyataan informan mengenai seni pertunjukan tradisional di Kabupaten Subang. Dari hasil penelitian diperoleh bahwa kolaborasi yang dilakukan meliputi kolaborasi lintas waktu dan lintas ruang yang masih dibatasi oleh seperangkat aturan agar kolaborasi tidak melenceng dari identitas ketradisionalannya.AbstractTraditional arts play a role in the characterization of a region. The Regency of Subang became the pioneer for inventing and creating some traditional arts. They were born and grew in the area, and their preservation and development are seriously taken into consideration. It is evident that some changes occurred over time, for example in the accessories or phase of performances at several traditional performing arts. ThisNaskah Diterima: 28 Februari 2013Naskah Disetujui: 2 April 2013condition makes the author curious about the strategy of collaboration that makes the people of Subang interested in traditional performing art. The author conducted descriptive analytical method supported by cross-time data either from primary or secondary sources. The result shows that the strategy of collaboration across time and space in traditional performing

scholarly journals Mapping the Canadian landscape : the performing arts and experiential perspectives

2021 ◽  
Author(s):  
Christine Alison Johns
Keyword(s):  
Art History ◽  
Performing Arts ◽  
Ways Of Knowing ◽  
Specific Time ◽  
Performing Artists ◽  
Place And Space ◽  
Specific Time Period ◽  
Time Period ◽  
Performing Art ◽  
The Way

Focusing on a specific time period in Canadian performing art history--from the 1970s through to the late 1990s--this thesis "maps out" three artists' experiences in the landscape and the way these experiences are represented to an audience through performance. Using specific examples from the repertoire of Davida Monk, Paul Thompson, and R. Murray Schafer, I make a case for considering these performing artists as landscape researchers. I suggest that their performances explicitly and implicitly explore foundational questions about the meanings, uses, and affective power of landscape in ways that are analogous to the writings of cultural geographers during the same period. Like Yi-Fu Tuan, John Jakle, Denis Cosgrove and Jay Appleton, these performing artists examine the experience of humans in the landscape and focus on issues of place and space, homeland, and the meaning of landscape. Monk, Thompson and Schafer extend the perspectives of the geographers and bridge important gaps in their ways of knowing landscape.

scholarly journals The Policy Planning in Providing Teacher Adequacy for Primary Schools in the Local Government

2017 ◽  
Vol 2 (1) ◽  
pp. 95-108
Author(s):  
Suroso Suroso
Keyword(s):  
Local Government ◽  
Primary School ◽  
Local Governments ◽  
Primary Schools ◽  
Policy Planning ◽  
Policy Model ◽  
Planning Policy ◽  
Central Java ◽  
Two Factors ◽  
Efficient Distribution

ABSTRACT: Adequacy of primary school teachers is very important to support education for all. The objective of the research is to analyse and develop a plan for a public policy of teacher adequacy for state primary schools. This research used a descriptive-quantitative approach. Data collection was conducted by using observation and interview. There are six main findings in the research. One of the important things is that the model of planning policy for teacher adequacy based on class can be adopted by other local governments by incorporating two factors: total schools (S) and total classes (C), and using the formula of nC + 2S.  The planning policy model for teacher adequacy based on students can also be adopted by other local governments by incorporating the total students (S) and student ratio value to teacher (21:1) by using the formula of S/21.  Therefore, planners should conduct policy planning analysis for teacher adequacy of state primary schools in the local government by using two perspective analyses simultaneously to ensure teacher adequacy and manage effective and efficient distribution of teachers.KEY WORD: Teacher Adequacy; Policy Planning; Local Government; Effective and Efficient Distribution; Primary School. ABSTRAKSI: “Perencanaan Kebijakan dalam Penyediaan Kecukupan Guru Sekolah Dasar di Daerah”. Kecukupan guru sekolah dasar sangat penting untuk mendukung pendidikan bagi semua. Tujuan penelitian ini adalah untuk menganalisa dan mengembangkan model perencanaan bagi kebijakan kecukupan guru sekolah dasar negeri. Penelitian ini menggunakan pendekatan deskriptif-kuantitatif. Pengumpulan data dilakukan dengan teknik observasi dan wawancara. Ada enam temuan utama dalam penelitian ini. Salah satu yang terpenting adalah bahwa model kebijakan perencanaan kecukupan guru berbasis kelas dapat diadopsi oleh pemerintah daerah lain dengan mengakomodasi 2 faktor: jumlah sekolah (S) dan jumlah kelas (C), dengan menggunakan rumus nC + 2S. Model kebijakan perencanaan kecukupan guru berbasis murid dapat juga diadopsi oleh pemerintah daerah lain dengan mengakomodasi faktor jumlah murid (M) dan nilai rasio murid terhadap guru (21:1), dengan menggunakan rumus M/21. Oleh karena itu, perencana sebaiknya melaksanakan analisa kebijakan perencanaan untuk kecukupan guru sekolah dasar negeri di daerah dengan menggunakan dua perspektif analisis tersebut secara simultan untuk menjamin kecukupan guru, dan pengelolaan efektivitas dan efisiensi distribusi guru. KATA KUNCI: Kecukupan Guru; Perencanaan Kebijakan; Pemerintah Daerah; Efektivitas dan Efisiensi Distribusi; Sekolah Dasar.About the Author: Dr. Suroso is a Researcher at the Office of Research and Development, Pati Regency, Jalan Panglima Sudirman No.26 Pati, Central Java, Indonesia. For academic interests, the author is able to be contacted via his e-mails at: [email protected] and [email protected] to cite this article? Suroso. (2017). “The Policy Planning in Providing Teacher Adequacy for Primary Schools in the Local Government” in MIMBAR PENDIDIKAN: Jurnal Indonesia untuk Kajian Pendidikan, Vol.2(1) March, pp.95-108. Bandung, Indonesia: UPI [Indonesia University of Education] Press, ISSN 2527-3868 (print) and 2503-457X (online). Chronicle of the article: Accepted (September 29, 2016); Revised (January 29, 2017); and Published (March 30, 2017).

Performing Arts

2020 ◽  
pp. 151-186
Author(s):  
Ted Nannicelli
Keyword(s):  
Moral Responsibility ◽  
Performance Art ◽  
Performing Arts ◽  
Art Music ◽  
Ethical Dimension ◽  
Bodily Harm ◽  
The Creation ◽  
Art Performance ◽  
Performing Art ◽  
The Relationship

In a discussion of three kinds of performing art—performance art, music, and theatre—this chapter explores three topics: (1) The performer’s moral responsibility to her- or himself. When this topic is broached in the criticism of an artwork, it is often because a performer has done something that raises the question of whether he or she should treat him- or herself in that way—often, but not always, in a way that involves bodily harm. (2) The ethical dimension of the relationship between performers. In cases of collaboration, the creation of such performances necessarily involves an interpersonal dynamic, which, in turn, has an essential ethical dimension. It also considers the additional complication of performances in which audience members contribute to the performance in a sufficiently robust way as to be regarded as co-performers or co-creators. (3) The ethical dimension established by the relationship between the performer(s) and the (non-interactive) audience, rather than performers and other performers.

scholarly journals Book reviews

2010 ◽  
Vol 166 (1) ◽  
pp. 107-183
Author(s):  
Redactie KITLV
Keyword(s):  
Political Violence ◽  
Review Essay ◽  
Performing Arts ◽  
New Order ◽  
Cultural Resilience ◽  
Central Java ◽  
East Kalimantan ◽  
International Perspectives ◽  
The Pacific ◽  
Puppet Theatre

Syed Muhd Khairudin Aljunied, Rethinking Raffles; A study of Stamford Raffles’ discourse on religions amongst Malays. (Nathan Porath) Walter Angst, Wayang Indonesia; Die phantastische Welt des indonesischen Figurentheaters/The fantastic world of Indonesian puppet theatre. (Dick van der Meij) Adrienne Kappler and others, James Cook and the exploration of the Pacific. (H.J.M. Claesen) Aurel Croissant, Beate Martin and Sascha Kneip (eds), The politics of death; Political violence in Southeast Asia. (Freek Colombijn) Frank Dhont, Kevin W. Fogg and Mason C. Hoadley (eds), Towards an inclusive democratic Indonesian society; Bridging the gap between state uniformity and multicultural identity patterns. (Alexander Claver) Bronwen Douglas and Chris Ballard (eds), Foreign bodies; Oceania and the science of race, 1750-1940. (H.J.M. Claesen) Ricky Ganang, Jay Crain, and Vicki Pearson-Rounds, Kemaloh Lundayeh-English dictionary and bibliographic list of materials relating to the Lundayeh-Lun Bawang-Kelabit and related groups of Sarawak, Sabah, Brunei and East Kalimantan. (Michael Boutin) Jeffrey Hadler, Muslims and matriarchs; Cultural resilience in Indonesia through Jihad and Colonialism. (Franz von Benda-Beckmann) Uli Kozok, Kitab undang-undang Tanjung Tanah: Naskah Melayu yang tertua. (Arlo Griffiths) Alfonds van der Kraan, Murder and mayhem in seventeenth-century Cambodia; Anthony van Diemen vs. King Ramadhipati I. (Jeroen Rikkerink) Jean Michaud, ‘Incidental’ ethnographers; French Catholic missions on the Tonkin-Yunnan frontier, 1880-1930. (Nicholas Tapp) M.C. Ricklefs, Polarising Javanese society; Islamic and other visions (c. 1830-1930). (Matthew Isaac Cohen) Stuart Robson, Arjunawiw&#257;ha; The marriage of Arjuna of Mpu Kaṇwa. (Andrea Acri) L&aacute;szl&oacute; Sz&eacute;kely and Istv&aacute;n Radnai, Dit altijd alleen zijn; Verhalen over het leven van planters en koelies in Deli (1914-1930). (Adrienne Zuiderweg) Patricia Tjiook-Liem (Giok Kiauw Nio Liem), De rechtspositie der Chinezen in Nederlands-Indi&euml; 1848-1942; Wetgevingsbeleid tussen beginsel en belang. (Mary Somers Heidhues) Zhou Daguan, A record of Cambodia: the land and its people. (Un Leang) REVIEW ESSAY Longitudinal studies in Javanese performing arts Benjamin Brinner, Music in Central Java; Experiencing music, expressing culture. Barbara Hatley, Javanese performances on an Indonesian stage; Contesting culture, embracing change. Felicia Hughes-Freeland, Embodied communities; Dance traditions and change in Java. (Matthew Isaac Cohen) REVIEW ESSAY Development and reform in Vietnam St&eacute;phanie Balme and Mark Stephanie (eds), Vietnam’s new order; International perspectives on the state and reform in Vietnam. Sujian Guo, The political economy of Asian transition from communism. Ian Jeffries, Vietnam: a guide to economic and political developments. Pietro Masina, Vietnam’s development strategies. (Tran Quang Anh) KORTE SIGNALERINGEN Ulbe Bosma, Indi&euml;gangers; Verhalen van Nederlanders die naar Indi&euml; trokken. Clara Brinkgreve, Met Indi&euml; verbonden; Een verhaal van vier generaties 1849-1949. Jack Botermans en Heleen Tichler, Het vergeten Indi&euml;; Stille getuigen van het dagelijks leven in het Indi&euml; van toen. Robin te Slaa en Edwin Klijn, De NSB; Ontstaan en opkomst van de Nationaal-Socialistische Beweging, 1931-1935. Mark Loderichs, Margaret Leidelmeijer, Johan van Langen en Jan Kompagnie, Verhalen in Documenten; Over het afscheid van Indi&euml;, 1940-1950. Frederik Erens en Adrienne Zuiderweg, Linggadjati, brug naar de toekomst; Soetan Sjahrir als een van de grondleggers van het vrije Indonesi&euml;. Peter Schumacher, met medewerking van Gerard de Boer, De zaak Aernout; Hardnekkige mythes rond een Indische moord ontrafeld. Cas Oorthuys, Een staat in wording; Fotoreportage van Cas Oorthuys over het Indonesi&euml; van 1947. Ren&eacute; Kok, Erik Somers en Louis Zweers, Koloniale oorlog 1945-1949; Van Indi&euml; tot Indonesi&euml;. H.F. Veenendaal en J.P.W. Kelder, ZKH; Hoog spel aan het hof van Zijne Koninklijke Hoogheid; De geheime dagboeken van mr.dr.L.G. van Maasdijk. Ons Indië; 400 jaar Nederlandse sporen in Insulinde, de strijd om de onafhankelijkheid & 60 jaar Indonesi&euml;. (Harry A. Poeze)

scholarly journals Penciptaan Seni Pertunjukan Berbasis Penelitian

Panggung ◽  
2018 ◽  
Vol 28 (1) ◽  
Author(s):  
I Gusti Ayu Srinatih
Keyword(s):  
Performing Arts ◽  
Personal Taste ◽  
Creative Processes ◽  
Library Research ◽  
Art Works ◽  
New Type ◽  
Object Of Study ◽  
Performing Art

Abstract  In the discourse of performing art creations, there is an assumption that creating art works is not categorized as a scientific, based on a personal taste and instinctive. This article uses a qualitative research with the performing arts approach. By using ethnographic methods, this article focuses on the role of performers in the process of creating the performing arts. Data are collected through interviews, library research, and document studies. As an object of study, 5 (five) outstanding works will be discussed, namely: Terompong Beruk (1982), Bali Agung (2010), Ratricetana (2011), Terompong Beruk Bangkok (2015), and Stri Wiroda (2015). The results of this study indicate that the models of creative as parts of important processes in creating performances are diverse. Through researching creative processes of the works, performers can create new type of works that are different from others, and distinctive from previous works. The novelty of the creative processes contains the quality of aestethic in forms and contents, as well as their values and functions. Keywords: research, creative processes, new creations, performing arts. Abstrak Dalam pewacanaan hasil penciptaan seni pertunjukan, masih ada anggapan bahwa menciptakan karya seni itu sesuatu yang tidak ilmiah dan hanya berdasarkan selera dan insting belaka. Artikel ini merupakan hasil penelitian kualitatif dengan pendekatan seni pertunjukan, dengan menggunakan metode etnografi, dengan fokus pada pencipta/seniman seni pertunjukan. Data-data yang dikumpulkan didapat melalui observasi, wawancara, riset kepustakaan, dan studi dokumen. Sebagai objek kajian, akan dibahas 5 (lima) buah karya cipta  seni pertunjukan yang berbasis penelitian, yaitu: Terompong Beruk (1982), Bali Agung (2010), Ratricetana (2011), Terompong Beruk Bangkok (2015), dan Stri Wiroda (2015).  Adapun hasil dari kajian ini menunjukkan bahwa model proses kreatif yang sangat penting dalam penciptaan seni pertunjukan itu sangat beragam. Melalui penelitian mengenai kajian proses kreatif tersebut dapat dihasilkan karya seni pertunjukan kreasi baru yang berbeda satu sama lain, dan berbeda dari proses kreatif karya sebelumnya. Nilai kebaruan proses kreatif itu mengandung keindahan bentuk dan isi, serta nilai dan fungsinya.   Kata-kata kunci: penelitian, proses kreatif, penciptaan, seni pertunjukan

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