scholarly journals ENVIRONMENT PRESERVING CHARACTER ON WAYANG STORY DEWA RUCI: AN ECOLOGICAL LITERATURE STUDY

Jurnal KATA ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 122
Author(s):  
Bagus Wahyu Setyawan

<p><em>Wayang is one of Javanese performing arts which has a greatfull values in Javanese society. Wayang has two dimensions; as a kind of Javanese performing art as well as Javanese literature in this context is script of wayang story. The focus of the research was to describe and explain the ecological concept on wayang story in Central Java and Yogyakarta Special Region. This research is qualitative descriptive which using ethnographic approach. Data were collected by using domain analysis techniques, taxonomic analysis, compositional analysis, and theme analysis. Data validation used extra participation technique, perseverance observation, triangulation, detailed discussion, and auditing. The research found that the ecological concept in wayang story can be found in some use term and the motto which relating to the term of environment conservation. Term about the environment preservation is found in the narration of the story, dialog of wayang characters, also find some mottos related to natural conservation effort. Referring to the results of this research, it can be assumed that the ecological concept in wayang story also functions as reminders of natural conservation and preservation for the society in Central Java and Yogyakarta Special Region.</em><em></em></p>

2021 ◽  
Author(s):  
Robby Hidajat ◽  
. Pujiyanto ◽  
Surasak Jamnongsam ◽  
Muhammad ‘Afaf Hasyimy

Over the years, the methods of preserving traditional performing arts have undergone a transformation in many states of Southeast Asia. In that, the performing art societies in Indonesia and Thailand have also made a shift in their conservation strategy from organizing the performing arts as a sacred rite with few participants to massive shows to entertain bigger audiences. This research intended to review the role of Maecenas (art protector) in enforcing the existence of Ramayanaperforming arts in three destinations in Indonesia and Thailand, namely Uluwatu’s Kecak Ramayana in Bali and Prambanan’s RamayanaBallet in Central Java, both located in Indonesia, and Khon Theater in Bangkok, Thailand. The research used a qualitative descriptive method with a functional theory approach. Data were collected through interviews, observation, and document review, following which they were analysed through interpretation. The result of the research showed that the aesthetical transformation of Ramayana performing arts in Indonesia and Thailand is determined by three factors, namely locality, time, and management. Keywords: performing arts, Ramayana, art protector, conservation


2016 ◽  
Vol 6 (2) ◽  
pp. 171
Author(s):  
Choirul Fuadi

<p>In translating brochure, a translator has to make a decision on the basis of the message and purpose. The translator is faced by two strategies of translation – foreignization and domestication. The purpose of the study is to examine how the interrelationship between cultural term translation and foreignization or domestication strategy in the cultural term translation of tourism brochure from Indonesian into English. This study used qualitative descriptive with discourse analysis strategy. The note-taking technique is used to identify and classify the data. The objects of the study are tourism brochures from Province of Special Region of Yogyakarta and Central Java in 2015. The findings show that the translation strategies used depend on the translation process. When the cultural terms are familiar, translator tends to use domestication strategy and consider the target text. Translator chooses domestication strategy because try to make tourist understand the text and produce communicative and natural translation. On the other hand, when cultural terms are foreign, translator using foreignization strategy and consider source text. Using foreignization strategy, translator tends to introduce traditional cultural term.</p>


2019 ◽  
Author(s):  
Illona Kristiani Alvena

Central Java has a variety of cultures and customs that are very unique and interesting to learn, one of which is a farming system for people who live around the mountains with uneven and sloping land. The writing of this article aims to describe a farming system in Central Java society called 'Nyabuk Gunung', namely how to grow crops by making rice terraces formed according to contour lines. The research method used in this research is to use a qualitative descriptive method with data collection techniques of literature studies, field observations and farmer interviews. Literature study is a method used to collect data or sources related to the topics raised in a study. The results of this study indicate that the Nyabuk Gunung farming system was created by the surrounding community in addition to utilizing existing land, also to prevent erosion and landslides on their land. Plants planted by the community in the form of suitable plantation crops are located in the highlands, such as tea, coffee and other vegetable crops. The Nyabuk Gunung farming system can be a solution for agriculture in the Central Java region which has mountainous topography as land conversion and prevents natural disasters such as landslides.


Author(s):  
Avyana Destyasti Lintang ◽  
Sarjiwo Sarjiwo ◽  
Nur Iswantara

AbstractCharacter education in Indonesia is being re-implemented to shape students to have intellect and character and can be taught through art education, one of which is Javanese opera. Langen carita is one of the arts that is intended to shape children's character as a continuation of children's art education. Langen carita is a form of the sariswara method in which there are literature, songs/music/karawitan, stories and solah bawa in short operas or children's plays (ages 10-14 years). Langen carita has also developed as a performing art with many historical stories, chronicles, or daily life, including Patine Arya Penangsang. This study aims to describe the values of character education in the language of the play Patine Arya Penangsang. This research uses a qualitative descriptive method by studying, analyzing, expressing, and describing character education values in performing art. Data collection techniques used literature study, interviews, observation, and documentation, which were then validated using triangulation. The results showed that Langen Carita entitled Patine Arya Penangsang has values of religious character education, tolerance, discipline, creativity, love for the country, responsibility, leadership, self-confidence, never giving up, cooperation, obedience, perseverance, patience, courtesy, and sincere. In the elements of drama, dance, and music. AbstrakPendidikan karakter di Indonesia sedang diterapkan kembali untuk membentuk siswa memiliki akal pikiran dan budi pekerti dan dapat diajarkan melalui pendidikan seni, salah satunya dalam bentuk opera jawa. Langen carita merupakan salah satu kesenian yang ditujukan untuk membentuk karakter anak sebagai lanjutan pendidikan seni dolanan anak. Langen carita adalah bentuk dari metode sariswara yang di dalamnya terdapat sastra, tembang/lagu/musik/karawitan, cerita dan solah bawa dalam bentuk opera kecil atau sandiwara anak (usia 10-14 tahun). Langen carita juga berkembang sebagai seni pertunjukan dengan banyak cerita sejarah, babad atau kehidupan sehari-hari, salah satunya patine Arya Penangsang. Tujuan penelitian ini adalah mendeskripsikan nilai-nilai pendidikan karakter dalam langen carita lakon Patine Arya Penangsang. Penelitian ini menggunakan metode deskriptif kualitatif dengan mengkaji, menganalisis, mengungkapkan, dan menggambarkan nilai-nilai pendidikan karakter di dalam suatu kesenian. Teknik pengumpulan data menggunakan studi pustaka, wawancara, observasi, dan dokumentasi, yang kemudian divalidasi menggunakan triangulasi. Hasil penelitian menunjukkan bahwa langen carita berjudul Patine Arya Penangsang memiliki nilai-nilai pendidikan karakter religius, toleransi, disiplin, kreatif, cinta tanah air, tanggungjawab, kepemimpinan, percaya diri, pantang menyerah, kerja sama, patuh, tekun, sabar, sopan santun, dan ikhlas dalam unsur drama, tari, dan musik.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Kiswanto Kiswanto

This article aims to discourse the perspectives of multiple transformations in the practice of developing performing art of kuda kepang at Turonggo Seto Mardi Utomo group in Boyolali, Central Java. The study of multiple transformations has long been evolving in design and architecture research, but the perspective is rarely encountered in performing arts research which on average still views transformation as a linear or multi-linear process of change. Multiple transformations describe a condition of change made by multiplying or doubling the shape of the kuda kepang art (by taking the same essence, core, or fibre of its structure) into various kinds. The multiplication shows a process of creative development that is triggered by two factors, namely the development of aesthetic and market needs.Keywords: kuda kepang; multiple transformations; traditions; creativity; markets


2020 ◽  
Author(s):  
addina syifa

In the era of the industrial revolution 4.0, technology is developing very rapidly, which results in not being separated from the use of technology in all aspects of life, especially in the economic aspect, because the role of technology is needed in all economic activities, it then has an impact on the economic growth of a region. This article aims to explain how much influence the development of increasingly sophisticated technology on economic growth in Central Java Province. The method used in this article is through a qualitative descriptive method with a literature study that pays attention to how the use of technology in various economic activities both from the Usaha Mikro Kecil dan Menengah (UMKM) sector to private companies in Central Java. The results of this study are the development of increasingly sophisticated technology that is very influential on all economic activities which then lead to economic growth in an area. The development of technology has greatly helped economic activities to become more effective and profitable from both the Usaha Mikro Kecil dan Menengah (UMKM) sector to private companies, which has resulted in increased economic prosperity of a region.


2020 ◽  
Author(s):  
Aning Tutwuri

The many cultures that exist in Indonesia, especially the culture in Central Java Province, encourage regional economic growth by optimizing its use and management. The purpose of writing this article is to explain some of the potential possessed by Central Java Province with their respective charms and how they play a role in the economy. Using a qualitative descriptive method through a literature study approach with data collection and analysis techniques, this study was designed to identify how important and large the role of culture is in regional economic growth in Central Java Province. The results of this study explain that the Province of Central Java has a variety of cultures such as shadow puppets, gamelan music, dances and carnival rituals that have their own appeal both nationally and internationally so as to attract tourists from various countries and regions that are able to improve the economy through the cultural show. The results of this study can be used as a reference and source of information for people in Central Java and surrounding provinces to improve the economy in their area.


2019 ◽  
Vol 3 (2) ◽  
pp. 111
Author(s):  
Prasena Arisyanto ◽  
Mei Fita Asri Untari ◽  
Riris Setyo Sundari

Barongan is one of traditional arts owned by society in Demak regency. Barongan born and developed together with its supporting community, one of them is Barongan Kusumojoyo’s group. This research aims to analyze the structure and symbolic interaction of Barongan Kusumojoyo performing arts. Research methods use qualitative with ethnographic design. Data collection use observation, interview, and document study. Data analysis use theory of form of the show, structural functional, and symbolic interaction, with three steps of analysis. Data validation use technical triangulation and source triangulation. Research result conclude that structure of Barongan Kusumojoyo performing arts often change for each perform. The difference is caused by the purpose of each different performing. Performing structure for entertainment and performing structure for aesthetic or art festival are different. Main difference is seen by story in every perform, especially in aesthetic perform. Symbolic interaction in Barongan Kusumojoyo performing art can be observed from ornament of the show like ornament in mask, property, costume, and sesajen. Ornaments that appear are cultural ornament and decorative ornament. The most important is audience and sponsor feel happy and satisfied with Barongan Kusumojoyo performing arts.


2019 ◽  
Vol 5 (2) ◽  
pp. 81
Author(s):  
Windu Okri Harsih ◽  
Elida Elida

This article aims to reveal and explain the status, role and function of Niniak Mamak in Ulu Ambek Performing arts in Sungai Pucuang Anam Kanagarian Tandikek. This research uses a qualitative approach that is descriptive analysis. Data collection techniques are conducted by observation/observation, literature study, interviews and documentation. Data analysis techniques are conducted with data reduction measures, data presentation and taking conclusions (verification). The results of the research found was that the status of Niniak Mamak was as owner, controller, manager, supervisor, and policy makers from the performances and artistic culture of Ulu Ambek. While the function of Niniak Mamak is as a policy maker and as a planner and as a controller of the show Ulu Ambek.


Panggung ◽  
2013 ◽  
Vol 23 (4) ◽  
Author(s):  
Maryono

ABSTRACT This research aims to uncover the meaning of Tari Endah from a pragmatic linguistic perspec- tive. The approach to the study uses a qualitative descriptive method. The theoretical foundation refers mainly to pragmatic theories and performing art theories. The application of pragmatic theo- ries is used to research the verbal components while performing arts theories are applied to study the nonverbal components.Based on an analysis of the verbal and nonverbal components of Tari Endah, it was concluded that this dance is a romantic couples dance which is hoped to act as a good example for newlywed couples and the community in general. In addition, Tari Endah is a form of aesthetical entertainment which is highly beneficial for the audience in fulfilling their spiritual and physical needs. Keywords: pragmatic language, verbal components, and nonverbal components  ABSTRAK Penelitian ini bertujuan untuk mengungkap makna Tari Endah1 dari perspektif linguis- tik pragmatik. Pendekatan penelitiannya menggunakan metode kualitatif deskriptif. Lan- dasan teoritis yang dirujuk lebih mengacu pada teori pragmatik dan teori seni pertunjukan. Bentuk aplikasinya, teori pragmatik digunakan untuk menggali komponen yang bersifat verbal, sedangkan teori seni pertunjukan untuk mengkaji komponen yang bersifat nonver- bal.Berdasarkan analisis komponen verbal dan nonverbal pada Tari Endah didapat suatu simpulan bahwa Tari Endah merupakan salah satu bentuk tari pasangan percintaan yang diharapkan dapat dicontoh dan diteladani bagi sepasang pengantin dan masyarakat pe- nonton pada umumnya. Di samping itu Tari Endah juga merupakan bentuk hiburan estetik yang sangat bermanfaat untuk pemenuhan kebutuhan rohani dan jasmani dalam berbagai aktivitas kehidupan manusia. Kata kunci: bahasa pragmatik, komponen verbal, dan komponen nonverbal 


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