scholarly journals THE CONSTRUCTS OF MASCULINITY IN THE CULTURE OF RUSSIAN WORKING-CLASS YOUTH

2020 ◽  
Vol 8 (1) ◽  
pp. 558-566
Author(s):  
T. Gavrilyuk

Purpose: The study is aimed to research the means and patterns of masculinity constructing in the working-class culture of modern Russia. Both the practices of producing its multiple forms in daily interaction and the stable structures of social inequality, which consolidate gender order at the institutional level, have been considered. The article also provides an analytical review of current studies of the working-class masculinity regimes in post-industrial societies. Methodology: The empirical base of the research is represented by the mass survey of 1534 respondents living in the Ural Federal District of Russia. The participants were working-class young people aged 16 to 29 years and occupied in the field of industry, technical maintenance, and customer service. The processing of research results was carried out using a statistical package IBM SPSS Statistics Version 20. Main Findings: It was found that the remaining structural disproportion between sectors of the economy in the level of remuneration and the gender composition of workers determines translation and reproduction of the male breadwinner pattern that has power in the family on the basis of control over economic resources. Applications of this study: The results of the study can be used in the teaching of sociology, gender studies, and cultural studies; it can also be applied by local policymakers while developing social policy programs targeted on the regarded social group. Novelty/Originality of this study: In the current research we have examined a specific group at the intersection of three stratification features: social class (the working class representatives), gender (men’s and women’s view of the masculine construct) and age (the youth of three age cohorts). The attention was paid both to the cultural production of multiple forms of masculinity and to the continued dominance of social inequality and suppression’ structures.

2021 ◽  
Vol 5 (1) ◽  
pp. 81-91
Author(s):  
Vera V. Gavriliuk

The purpose of this article is to show the peculiarities of the class self-awareness and solidarity formation among the new working class youth occupied in the service sector of the economy. The main tasks include revealing the correlation between the traditional content and forms of class solidarity of workers and their manifestations among the new working class youth; substantiating the use of a class approach to the analysis of the problems of young people employed in the service sector of the economy; and revealing the contradictions between the class interests and corporate habitus of the young customer service workers. The research methodology is grounded in the traditional institutional approach adopted in Russian sociology. This article is based on the materials of an empirical study using quantitative and qualitative sociological methods: a mass survey of working-class youth in the Ural Federal District (a target multistage sample model according to four objective criteria: age, gender, place of residence, and employment). Additionally, a biographical interview was conducted, the informants of which are employed in the real sector of the economy and the service sector. The results have revealed that a new working class is being formed in modern Russia, a significant part of which is employed in the service sector of the economy. The active formation of the sphere of customer service reflects the global patterns of the traditional working class tranformation. In the service sector, in contrast to the traditional working class, a significant proportion of young people lack the experience of the class solidarity of previous generations. A new generation of young workers is shaping their own experience of class solidarity in the face of conflicting demands of corporate culture and social status.


2020 ◽  
Vol 8 (3) ◽  
pp. 114-121
Author(s):  
Tatiana Gavrilyuk

Purpose of the study: The study is aimed to examine working-class everyday culture gender regimes in modern Russia. The research is focused on intergenerational transmission of gender-normative patterns, macro-policy of power and domination in working-class families, forms of their discursive production and legitimation. Methodology: The empirical base is represented by 30 biographical interviews with the informants aged from 21 to 33, living in Tyumen city and working in the field of industry, technical maintenance, and customer service. Reflexive analysis based on the categorical field of phenomenology and social constructionism, as well as data coding procedures, has been used as the main research tool. Main Findings: It was found that the normative pattern of a male breadwinner, having power in a family-based on control over economic resources, still dominates among young working-class men and actively supported by the majority of young women. The financial and status dominance of a man does not cause doubts in his leadership but when a woman plays a crucial role in providing for the family, informants tend to talk about “equality” in the family. Applications of this study: The results of the study can be used in the teaching of sociology, gender studies, and cultural studies; it can also be applied by local policymakers while developing social policy programs targeted on the regarded social group. Novelty/Originality of this study: In the current research we have examined a particular social group at the intersection of three stratification features: social class, gender, and age. The approach of “agency within the structure” provides an opportunity to carry out a deep sociological analysis of the relations between the macro-social and personal aspects of the gender regimes framing.


Author(s):  
Anna Bull

Through an ethnographic study of young people playing and singing in classical music ensembles in the south of England, this book analyses why classical music in England is predominantly practiced by white middle-class people. It describes four ‘articulations’ or associations between the middle classes and classical music. Firstly, its repertoire requires formal modes of social organization that can be contrasted with the anti-pretentious, informal, dialogic modes of participation found in many forms of working-class culture. Secondly, its modes of embodiment reproduce classed values such as female respectability. Thirdly, an imaginative dimension of bourgeois selfhood can be read from classical music’s practices. Finally, its aesthetic of detail, precision, and ‘getting it right’ requires a long-term investment that is more possible, and makes more sense, for middle- and upper-class families. Through these arguments, the book reframes existing debates on gender and classical music participation in light of the classed gender identities that the study revealed. Overall, the book suggests that inequalities in cultural production can be understood through examining the practices that are used to create a particular aesthetic. It argues that the ideology of the ‘autonomy’ of classical music from social concerns needs to be examined in historical context as part of the classed legacy of classical music’s past. It describes how the aesthetic of classical music is a mechanism through which the middle classes carry out boundary-drawing around their protected spaces, and within these spaces, young people’s participation in classical music education cultivates a socially valued form of self-hood.


1990 ◽  
Vol 35 (3) ◽  
pp. 377-420 ◽  
Author(s):  
Rudolf Dekker

SUMMARYFrom the 15th to the 18th century Holland, the most urbanized part of the northern Netherlands, had a tradition of labour action. In this article the informal workers' organizations which existed especially within the textile industry are described. In the 17th century the action forms adjusted themselves to the better coordinated activities of the authorities and employers. After about 1750 this protest tradition disappeared, along with the economic recession which especially struck the traditional industries. Because of this the continuity of the transition from the ancien régime to the modern era which may be discerned in the labour movements of countries like France and England, cannot be found in Holland.


2019 ◽  
Vol 5 (4) ◽  
pp. 205630511989400
Author(s):  
Stefanie Duguay

Microcelebrity, as a set of practices contributing to personalized self-branding, has become an increasingly prominent component of self-representation on social media platforms. While “influencers” who have built lucrative followings through microcelebrity give the appearance of having fun without much exertion, recent studies have uncovered multiple forms of labor involved in their practices of cultural production. In addition, scholars analyzing lesbian, gay, bisexual, transgender, and queer (LGBTQ) influencers highlight a tension between labor in service of self-commodification and the representation of sexual minorities. This article examines the microcelebrity labor of everyday queer women who aim to increase their social and economic capital by interweaving personal self-representations with entrepreneurial endeavors on Instagram and Vine. Through a close analysis of these platforms’ markets, governance, and infrastructures alongside interviews with queer female users of each platform, attention is given to both platform influences and participants’ experiences of promoting their jobs, side-gigs, hobbies, or passions alongside the rest of their lives. Findings identify three modes of labor specific to participants’ efforts to build a following: (1) intimate affective labor expended in sharing and managing personal disclosures; (2) developmental aesthetic labor as the acquisition and practice of technical skills and bodily displays to achieve a desired appearance or performance; (3) aspiring relational labor in attempts to forge relationships with established influencers or celebrities. Sexual identity was pivotal across these modes of labor, as it enhanced intimacy with followers, provided a niche audience for self-branding, conveyed authenticity through self-revelation, and established a common ground for forging relationships.


1995 ◽  
Vol 18 (2) ◽  
pp. 343
Author(s):  
Eric D. Kohler ◽  
Helmut Gruber
Keyword(s):  

2022 ◽  
Vol 1 (1) ◽  
pp. 13-30 ◽  
Author(s):  
R. M. Francis

The working-class writer, having moved into a middle-class dominated field, often feels alienated from their old and new cultures – separated as they are from their heritage and not quite grounded in the new elite circle. The markers of working-class culture are much harder to define in our hyper-modern situation, and this exacerbates the alienation. This position opens up possibilities in perception and expression from those in the margins and off-kilter positions. Tracing the multivoiced qualities of Tony Harrison’s ‘V’ and R. M. Francis’s poetics, alongside biographical and autobiographical details, this hybrid article argues that off-kilter and outcast voices, like those in the aforementioned class liminality, are in the best place to explore and discuss the difficult to navigate cultures, communities and identities. This fusion of personal essay, poetry and literary criticism considers the unusual, marginal and liminal positioning of working-class writers, researchers and academics.


2020 ◽  
Vol 6 (6) ◽  
pp. 211-215
Author(s):  
L. Kubai ◽  
G. Khamidullina ◽  
T. Nakonechnaya

Corruption has become one of the main threats to the national security of Russia, a leading factor in the stagnation of the economy, the preservation and development of pronounced social inequality, contrary to the efforts of the state. The article provides an analytical review of anti-corruption strategies developed in companies facing the threat of corruption based on periodicals (scientific journals) for 2015–2018. The article discusses the main types of anti-corruption strategies implemented by modern companies, identifies both positive and negative consequences of their implementation.


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