Working Women and the Neoliberal Gaze

2018 ◽  
pp. 181-218
Author(s):  
Dixa Ramírez
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Working Women ◽  
World Order ◽  
Equal Access ◽  
Nation State ◽  
Cultural Representations ◽  
Neoliberal Policies ◽  
Demographic Shifts ◽  
Dominican Women

This chapter analyzes cultural representations of what Amalia Cabezas calls a transnational “economy of desire” as an important vehicle of socio-economic mobility for working-class Dominican women. Studying the photo series and personal account of a U.S. sex tourist, a short story by Dominican writer Aurora Arias, sex worker testimonies, and several recent films, the chapter enumerates the limits of nonwhite Dominican women’s engagements with, and manipulations of, this uneven transnational economy and questions the optimism behind individual and business philanthropy that takes for granted the larger world order, assuming equal access to global citizenship acquired and consolidated through consumer choices. This chapter proposes that what had been a unique territory within the Americas had become another “third world” island-nation providing cheap labor, sun, sex, and sand through the major socio-political and demographic shifts of the twentieth century, including the consolidation of the Dominican nation-state, U.S. imperialism, and transnational neoliberal policies.

D?r al-?arb as the Motherland? The Muslim Tatars of (the Grand Duchy of) Lithuania and Social Contract

2017 ◽  
Vol 10 (2) ◽  
pp. 157-177
Author(s):  
Egdūnas Račius
Keyword(s):  
Twentieth Century ◽  
Social Contract ◽  
Social Consequences ◽  
Nation State ◽  
The Social ◽  
State And Society ◽  
Muslim Minority ◽  
Grand Duchy Of Lithuania ◽  
In The Beginning ◽  
Grand Duchy

Muslim presence in Lithuania, though already addressed from many angles, has not hitherto been approached from either the perspective of the social contract theories or of the compliance with Muslim jurisprudence. The author argues that through choice of non-Muslim Grand Duchy of Lithuania as their adopted Motherland, Muslim Tatars effectively entered into a unique (yet, from the point of Hanafi fiqh, arguably Islamically valid) social contract with the non-Muslim state and society. The article follows the development of this social contract since its inception in the fourteenth century all the way into the nation-state of Lithuania that emerged in the beginning of the twentieth century and continues until the present. The epitome of the social contract under investigation is the official granting in 1995 to Muslim Tatars of a status of one of the nine traditional faiths in Lithuania with all the ensuing political, legal and social consequences for both the Muslim minority and the state.

Introduction

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
Twentieth Century ◽  
Literary Criticism ◽  
Cultural History ◽  
Intellectual History ◽  
Historical Sociology ◽  
Cultural Representations ◽  
History Of ◽  
Television Film ◽  
Popular Image

The introductory chapter discusses the popular image of the ‘Romantic mad poet’ in television, film, theatre, fiction, the history of literary criticism, and the intellectual history of the twentieth century and its countercultures, including anti-psychiatry and psychoanalysis. Existing literary-historical work on related topics is assessed, before the introduction goes on to suggest why some problems or difficulties in writing about this subject might be productive for further cultural history. The introduction also considers at length the legacy of Michel Foucault’s Folie et Déraison (1961), and the continued viability of Foucauldian methods and concepts for examining literary-cultural representations of madness after the half-century of critiques and controversies following that book’s publication. Methodological discussion both draws on and critiques the models of historical sociology used by George Becker and Sander L. Gilman to discuss genius, madness, deviance, and stereotype in the nineteenth century. A note on terminology concludes the introduction.

Iraq

2017 ◽  
Author(s):  
Haytham Bahoora
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Social Issues ◽  
Social Realism ◽  
Self Awareness ◽  
Historical Novels ◽  
The Novel ◽  
War In Iraq ◽  
Critical Social

This chapter examines the development of the novel in Iraq. It first considers the beginnings of prose narrative in Iraq, using the intermingling of the short story and the novel, particularly in the first half of the twentieth century, as a framework for reassessing the formal qualities of the Arabic novel. It then turns to romantic and historical novels published in the 1920s, as well as novels dealing with social issues like poverty and the condition of peasants in the countryside. It discusses the narrative emergence of the bourgeois intellectual’s self-awareness and interiority in Iraqi fiction, especially the novella; works that continued the expression of a critical social realism in the Iraqi novelistic tradition and the appearance of modernist aesthetics; and narratives that addressed dictatorship and war in Iraq. The chapter concludes with an overview of the novel genre in Iraq after 2003.

Mennonite Chaco Mission, Iglesia Evangélica Unida (IEU), and Argentina's Nation-State

2002 ◽  
Vol 30 (3) ◽  
pp. 347-360
Author(s):  
Elmer S. Miller
Keyword(s):  
Twentieth Century ◽  
State Policy ◽  
Active Role ◽  
Dynamic Interaction ◽  
Native People ◽  
State Agencies ◽  
Nation State ◽  
Multiple Agents ◽  
Christian Missions ◽  
The Relationship

Research reports on Christian missions to foreign lands have tended to focus on the relationship between missionary and native people, giving little attention to the interplay of nation-state agencies. Furthermore, the reports portray a one-way process in which the missionary gives and natives receive, although the intervention actually entails multiple agents influencing one another. This study documents the dynamic interaction among a Mennonite Mission, Argentine national and state indigenous policies, and Toba aborigines throughout the latter twentieth century. It illustrates the active role played by the Toba in reformulating both the missionary message and nation-state policy.

The Roots of ASEAN: Regional Identities in the Strait of Melaka Region Circa 1500 C.E

2001 ◽  
Vol 29 (1) ◽  
pp. 87-119 ◽  
Author(s):  
Kenneth R. Hall
Keyword(s):  
Twentieth Century ◽  
Fifteenth Century ◽  
World Order ◽  
Southeast Asian ◽  
Economic Success ◽  
Local Networks ◽  
Cultural Centers ◽  
Self Confidence ◽  
The Face

AbstractSoutheast Asian sources that report regional connection with the Majapahit and Angkor polities reflect upon a rapidly changing fourteenth and fifteenth century world order, the result of new trading opportunities as Europeans were becoming more direct participants in affairs beyond their Western home-lands. In the face of the individualistic and destructive tendencies of the wider global community circa 1500, in the Strait of Melaka region there was less dislocation and isolation than is supposed by many twentieth century scholars. Despite the number of political and religious transitions underway, in the Southeast Asian archipelago and mainland there was a sense of regional self-confidence and progress among societies who had enjoyed over two hundred years of widespread socio-economic success. These successes were the product of the functional international, regional, and local networks of communication, as well as a common heritage that had developed in the Strait of Melaka region during the pre-1500 era. This study not only addresses the role of Majapahit and Angkor in the shaping of regional inclusiveness circa 1500, but also explores the enduring (and often exclusive) legacy of these two early cultural centers among Southeast Asia's twentieth century polities.

scholarly journals RIAK-RIAK POSMODERN DALAM CERPEN ABRACADABRA KARYA DANARTO

2010 ◽  
Vol 4 (1) ◽  
pp. 18
Author(s):  
Dudy Syafruddin
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Human Mind ◽  
Social Phenomenon ◽  
Literary Works ◽  
Historiographic Metafiction ◽  
The Social ◽  
The 1960S

Literature is a product of culture keeping abreast of human mind. Literary works is a means for the authors to express the social phenomenon in his life. The discourses about postmodernism in the second half of twentieth century, as a part of the story of human mind, was a profound interest for the Authors. In Indonesia, the postmodern discourse has come up in the 1960s. This paper involves the elements of Postmodernism in the short story “Abacadabra” written by Danarto. The dominant elements in this short story are parody, fragmentary, and historiographic metafiction.

scholarly journals Refugee Voices: Exploring the Border Zones between States and State Bureaucracies

Refuge ◽  
2016 ◽  
Vol 32 (1) ◽  
pp. 3-6 ◽  
Author(s):  
Dawn Chatty
Keyword(s):  
Forced Migration ◽  
World Order ◽  
Public Institutions ◽  
Academic Disciplines ◽  
Nation State ◽  
Language And Culture ◽  
Border Zones ◽  
Forced Migrants ◽  
Political Security ◽  
Policy Solutions

Settled people have been forced to move and nomads have been coerced into settling for as long as there has been history. Until the emergence of the Westphalian concept of the nation (where the state corresponded to the nation, groups of people united by language and culture), movement and mobility were largely recognized and accommodated. However, most contemporary academic disciplines as well as public institutions adopt a particular sedentist perspective on the nation-state. It is commonly recognized that people are displaced and move when political states collapse; they return when political security is restored. The liminal “state” outside the defined territory of the nation-state, where the displaced are found, is regarded as a threat to the world order.1 Predominant theory has been that people must be tied to territory, and thus the durable policy solutions advanced are frequently about resettlement. Reality does not support either current forced migration theory or humanitarian aid practices, however, and an epistemological change in thinking about forced migrants is urgently required. This means looking beyond the nationstate— the purview of most academic work in this area— and beyond traditional barriers between disciplines, to give cross-disciplinary attention to the self-expressions and experiences of forced migrants. Furthermore, the forced migrant creates a dilemma in how aesthetic expression is displayed, as their forms of expression cannot be squarely identified with one state or another. The dispossessed and displaced are changed by their experiences in the grey zones between states, and their migrations cannot be neatly catalogued as belonging to one state or culture.

scholarly journals Condemnation of Religious Concepts: An Examination of Chubak's "An Afternoon in Late Autumn" through Bakhtin's Theory of Grotesque Realism

2018 ◽  
Vol 21 (1) ◽  
pp. 53-67
Author(s):  
Sayed Mohammad Anoosheh ◽  
Muhammad Hussein Oroskhan
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Short Story ◽  
Lower Section ◽  
Persian Literature ◽  
Social Hierarchies ◽  
Late Autumn ◽  
New Perspective ◽  
Style Of Writing ◽  
A Site

The first traces of modernism in Iranian society can be found in the second decade of twentieth century which was deeply embedded with religious concepts. With regard to Persian literature, short story was developed as a new genre and a sign of modernism of that period by prominent Iranian writers such as Sadeq Hedayat (1903-1951), Mohammad Ali Jamalzadeh (1892-1997) and Sadegh Chubak (1916-1998). In this way a cultural clash was broken out between the traditional religious concepts and the new modern ideas. Among these writers, Chubak was more influenced by the doctrine of modernism. He expressed his message colloquially through his short stories to instigate the lower part of society. His naturalistic style of writing delved into the most gruesome details of people's life with the aim of shocking his reader in experiencing a new perspective previously ignored. To highlight Chubak's style of writing attempt is made to explore one of the highly praised short stories entitled "An Afternoon in Late Autumn" on the ground of the Bakhtin's theory of grotesque realism cited in Rabelais and His World. Grotesque realism is a site upon which religious and social hierarchies can be subverted and renewed. This study tries to reveal that Chubak followed the Bakhtin's grotesque realism to evoke a new outlook particularly in the lower section of society.

scholarly journals GRANDE ESTRATÉGIA: POLÍTICA EXTERNA E DEFESA EM UM MUNDO EM TRANSFORMAÇÃO

2015 ◽  
Vol 4 (7) ◽  
Author(s):  
Celso Amorim
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Soft Power ◽  
World Order ◽  
Defense Policy ◽  
Mixed Structure ◽  
Hard Power ◽  
The World ◽  
The Cold War ◽  
Brazilian Case

In the last years of the twentieth century, after the end of the Cold War, the world has evolved into a mixed structure, which preserves the characteristics of unipolarity at the same time that approaches to a multipolar world in some ways. In an international reality marked by its fluid nature, the emergence of new actors and the so-called "asymmetric threats" has not eliminated the former agents in the world order. And the conflict between the States has not disappeared from the horizon. In this context, diplomacy must have the permanent support of defense policy. Therefore, in the Brazilian case, the paper presents that the country should adopt a grand strategy that combines foreign policy and defense policy, in which soft power will be enhanced by hard power.

scholarly journals MYSTERY AS A META-GENRE IN THE DRAMA OF THE TWENTIETH CENTURY

2021 ◽  
pp. 18-26
Author(s):  
K. Oliinyk
Keyword(s):  
Twentieth Century ◽  
World Order ◽  
Semantic Content ◽  
Point Of View ◽  
Dramatic Works ◽  
Life And Death ◽  
The Matrix ◽  
General Feeling ◽  
The Aesthetic ◽  
Definition Of

The article examines the specificity of existence of the renewed mystery genre as a meta genre in the twentieth century. The main literary study views on the definition of ancient and medieval / Christian ritual mystery are analyzed. The beginning of the twentieth century was full of a general feeling of catastrophe and tragic hopelessness. In artistic terms, the consequence of this was the activation of Christian issues, motives, plots, religious genres (miracles, morality and mystery). The most universal from the point of view of the ideological message and content for the writers of the twentieth century. was the matrix of the medieval mystery, which retained the ritual basis in its primary structure. This made it possible for the multilevel organization of the action and the space for it. The genre of medieval mystery is being modified, it ceases to be a purely form of religious action and acquires the quality of a meta genre. There is a transition from the religious sphere to the secular one, and the aesthetic one is replacing the didactic load. Mystery begins to exist on the edge of genres as a synthetic formation, showing intentions to “help” other genres. A large number of dramatic works of the twentieth century. ("Forest Song" by Lesia Ukrainka, "Iconostasis of Ukraine" by Vіra Vovk) comes close to the mystery, using its archetypal components: the ideas of faith in the absolute beginning, governing the eternal rotation of life and death, world order and harmony, death and rebirth, transformations of the human soul, chosenness and initiation associated with trials, sacrifice, deepening into mysticism. Such works are a certain imitation with elements of mythological or religious subjects. So, the twentieth century, actualizes a certain involvement of the semantic content of dramas to the mysteries, bringing the mystery to the level of the meta genre.

Sign in / Sign up

Export Citation Format

Share Document