scholarly journals RIAK-RIAK POSMODERN DALAM CERPEN ABRACADABRA KARYA DANARTO

2010 ◽  
Vol 4 (1) ◽  
pp. 18
Author(s):  
Dudy Syafruddin
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Human Mind ◽  
Social Phenomenon ◽  
Literary Works ◽  
Historiographic Metafiction ◽  
The Social ◽  
The 1960S

Literature is a product of culture keeping abreast of human mind. Literary works is a means for the authors to express the social phenomenon in his life. The discourses about postmodernism in the second half of twentieth century, as a part of the story of human mind, was a profound interest for the Authors. In Indonesia, the postmodern discourse has come up in the 1960s. This paper involves the elements of Postmodernism in the short story “Abacadabra” written by Danarto. The dominant elements in this short story are parody, fragmentary, and historiographic metafiction.

Kajian Aspek Moral Pada Buku Kumpulan Dongeng Si Kancil Karya Mb Rahimsyah Ar (Buku Pegangan para Bunda untuk Mendongeng Kepada Si buah hati)

2020 ◽  
Vol 21 (2) ◽  
pp. 44-47
Author(s):  
Siti Karomah ◽  
Agus Hermawan
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Fairy Tales ◽  
Social Life ◽  
Literary Work ◽  
Life Forms ◽  
Social World ◽  
Literary Works ◽  
The Social

Abstract— Literary work, directly or indirectly, is the realization and imagination of the author as a reflection and the reality that the author gets from society. Literary works can be found through the life forms of society. Thus, literary works cannot be separated from the elements around them. Literary work along its journey always implicate man, humanity, life, and life. In essence, literary works are born for the surrounding community. Literary works are the products of authors who live in the social world. That way, short story literary works in the form of fairy tales are the author's imaginative world that is always related to social life. There are interesting things that are given to our children to change attitudes and daily ethics. Keywords—: Literary works; short stories; fairy tales.

Lifestyle

2020 ◽  
Vol 26 (2) ◽  
pp. 273-301
Author(s):  
Ryan Patrick Murphy
Keyword(s):  
Twentieth Century ◽  
Nuclear Family ◽  
The United States ◽  
Gender Nonconformity ◽  
Sexual Practices ◽  
Central Cities ◽  
Kinship Networks ◽  
The Social ◽  
The 1960S ◽  
The City

This essay offers a genealogy of lifestyle, a category widely used in the 1960s to mark dissident kinship networks and sexual practices: single parenting, bisexuality, gender nonconformity, polyamory, cohabitation, and communal living, among many others. I argue that the concept of lifestyle emerged in a desire among white mid-twentieth-century suburbanites for the social and sexual worlds that preceded rapid suburbanization, those most visible in the immigrant industrial metropolis at its peak in the decades immediately before the United States drastically restricted immigration in 1924. Even at the apex of suburbanization in the 1960s, many people refused to comply with the demand for suburban domesticity, staying in the city, joining countercultural groups, or adopting what came to be called alternative lifestyles. But in that act of dissent, urban planners, real estate developers, and marketing experts saw an opportunity and began to sell urban lifestyle landscapes that they claimed would reproduce the sexual heterogeneity of the early twentieth-century industrial metropolis. By the 1980s, as ever more people lived outside the nuclear family, a growing lifestyle market drove up prices in central cities that amplified the class and race exclusions that the social movements of the 1960s contested. This article is therefore both a critical and a recuperative reading of lifestyle, one that uses the category to show how dissident sexualities can be both the harbinger of the niche-marketed gentrified city and an incitement to new ways of living and loving that advance the pursuit of economic justice.

scholarly journals Communication as existential and social phenomenon in the philosophy of the XX century

KANT ◽  
2021 ◽  
Vol 38 (1) ◽  
pp. 130-134
Author(s):  
Elena Gennadyevna Loginova ◽  
Elena Nikolaevna Gvozdeva
Keyword(s):  
Twentieth Century ◽  
Communicative Action ◽  
Practical Importance ◽  
Modern Society ◽  
Mutual Understanding ◽  
Social Phenomenon ◽  
Social Significance ◽  
Analytical Philosophy ◽  
The Social ◽  
Universal Mechanism

The article provides the results of a comparative study of the main theories of language and communication in the philosophical thought of the twentieth century. The authors focus on the social significance of the considered phenomena, their role in the transformation and consolidation of society. An analysis of the ideas of existentialist thinkers, analytical philosophy, the theory of communicative action by J. Habermas and others shows their relevance and practical importance for creating a universal mechanism for the development of modern society based on the principles of agreement, mutual understanding and openness.

Remembering the literary achievements of Daizy Al-Amir

2019 ◽  
Vol 13 (2) ◽  
pp. 271-287
Author(s):  
Ruth Abou Rached
Keyword(s):  
Short Stories ◽  
Short Story ◽  
English Translation ◽  
Women's Literature ◽  
Arab World ◽  
Literary Works ◽  
Literary Journal ◽  
Story Writer ◽  
The 1960S

Eminent Iraqi writer Daizy Al-Amir passed away in Houston, USA in November 2018. Born in Alexandria in 1935, she was a prolific short-story writer who wrote and travelled across many countries and continents throughout the course of her life. Daizy Al-Amir’s legacy to Arab and women’s literature, particularly in Beirut, are many-faceted. This article pays tribute to two important aspects of Daizy Al-Amir’s work: her literary works published with the highly influential literary journal Al-Ādāb from the 1960s and her short stories about women in the Arab world that were published in Arabic‐English translation.

Peranakan Chinese’s Literature in Doenia Baroe Magazine (1930)

2020 ◽  
Vol 2 (1) ◽  
pp. 1-7
Author(s):  
Risa Junita Sari ◽  
Wannofri Samry ◽  
Yudhi Andoni
Keyword(s):  
Short Story ◽  
New World ◽  
Political Identity ◽  
Chinese Literature ◽  
Chinese People ◽  
Literary Works ◽  
The Social ◽  
History Of ◽  
Historical Methodology ◽  
History Of Literature

Doenia Baroe Magazine (1930) is a press media of Peranakan Chinese that contains a lot of literature from various genre. The purpose of this study is to explain themes, forms and orientation of Peranakan Chinese’s literature, so that might explain author’s idea of literary works.Literature from Doenia Baroe Magazine has become the overview of history of literature that written by Peranakan Chinese that use historical methodology. Chinese literature in Doenia Baroe Magazine are influenced by the identity tendency as Chinese people which brings out rendering literary works. Literature from Doenia Baroe Magazine are adaptive to the modernity of colonial environment without needed to remove their ancestral heritage. Literary works in Doenia Baru Magazine has various genres such as short story, feuilleton and poem that implicitly show the author’s new world. Peranakan Chinese’s literature has not just become the social reflection but also implies political identity of the era.The result of this study, the beginning of chinese’s literature is relevant with mentality of the era that affects the author’s idea.

John McGahern’s ‘Oldfashioned’ and Anglo-Irish culture

John McGahern ◽  
2017 ◽  
Author(s):  
David Clare
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Literary Works ◽  
Irish Catholics

In the short story ‘Oldfashioned’, McGahern repeats many of the tropes found in twentieth-century literary works about the Anglo-Irish. What makes this story unique, however, is that McGahern’s treatment of the Anglo-Irish is closer to that of writers from Anglo-Irish Anglican backgrounds than it is to writers from his own Catholic Nationalist background. Whereas twentieth-century Catholic Nationalist writers often subtly mock the Anglo-Irish for being out-of-touch, snobbish, and psychologically compromised by their ‘Britishness’, McGahern suggests that Anglo-Irish Anglicans are often gracious, aesthetically-minded, intellectual, and less gossipy and venally materialistic than Irish Catholics. This chapter argues that, in this, McGahern demonstrates openness to all traditions on the island and a freedom from the narrow-gauge republican perspective common to his father’s generation.

Pollution and Purification in the Moscow Human Rights Networks of the 1960s and 1970s

Slavic Review ◽  
2009 ◽  
Vol 68 (2) ◽  
pp. 376-395 ◽  
Author(s):  
Barbara Walker
Keyword(s):  
Human Rights ◽  
Cultural Factors ◽  
Political Prisoners ◽  
Social Phenomenon ◽  
Social And Emotional ◽  
The Social ◽  
State And Society ◽  
Human Rights Movement ◽  
1960S And 1970S ◽  
The 1960S

In this article Barbara Walker examines the theme of (samo)zhertvovanie in the Moscow human rights movement of the 1960s and 1970s. Some participants in that movement have expressed emotional satisfaction in the belief that they were motivated by the desire for self-giving; but that belief has sometimes been received with doubt. Walker uncovers the social phenomenon of a charity movement for the benefit of political prisoners that, she argues, lies near the social and emotional heart of the human rights movement. An important theme of the charity movement, whether real or constructed, is emotional purification of a sense of personal and social contamination stemming from participation in what some experienced as corruption in Soviet state and society. This article draws on ideas of spiritual atonement and salvation through altruism as explanatory cultural factors in this phenomenon.

scholarly journals Многозначность мотива преображения народной культуры в творчестве В. А. Солоухина (на материале рассказа «Двадцать пять на двадцать пять»)

2019 ◽  
pp. 189-195
Author(s):  
Сергей Александрович Журавлев
Keyword(s):  
Twentieth Century ◽  
Short Story ◽  
Mass Culture ◽  
First Generation ◽  
Folk Culture ◽  
Central Russia ◽  
Folk Traditions ◽  
Gradual Loss ◽  
1960S And 1970S ◽  
The 1960S

Рассказ В.А. Солоухина «Двадцать пять на двадцать пять» (1974) становится эмпирическим материалом для рассмотрения ситуации, связанной со сменой социокультурных парадигм в жизни села Центральной России. Автор использует в тексте рефлексивное переплетение хронологических пластов, посредством которого показан процесс постепенной утраты живых народных традиций как в городе, так и на селе. Личностно окрашенные воспоминания об особенностях проведения народных праздников в русской деревне первой половины ХХ в. соотносятся с наблюдениями за реалиями 1960-1970-х годов. Действие рассказа происходит в селе Преображенское в его престольный праздник Преображения. Это название неоднократно повторяется в рассматриваемом тексте, помогая спроецировать модель сопоставления старого и нового общества. В рассказе В.А. Солоухина звучит мотив преображения, трансформации, изменения современной ему действительности. Герой текста горожанин в первом поколении Андрей Воронов испытывает ностальгию по народным обычаям, типичным для первой половины ХХ в. Предметным воплощением прежней деревенской народной культуры является гармонь. В довоенной традиции этот инструмент создавал и менял обстановку, задавал настроение, пользовался большим уважением на селе. Позднее на фоне урбанизации общества, распространения массовой культуры и доминирования принципов потребления, гармонь теряет свою былую привлекательность и воспринимается молодежью как предмет архаики. В.А. Солоухин совмещает в своем рассказе черты художественного текста и этнографического очерка. Писатель проводит экскурс в мир праздничных народных традиций, вспоминает о важной роли гармони и гармониста в жизни русского села. Затем на художественном материале показывает преображение известной ему с детства действительности. V. A. Soloukhin's short story "Twenty five by twenty five" (1974) becomes an empirical material for the consideration of the situation associated with the change of socio-cultural paradigms in rural life in Central Russia. The author uses in the text a reflexive interweaving of chronological layers, through which the process of gradual loss of living folk traditions both in the city and in the countryside is shown. Personal memories of the peculiarities of folk festivals in the Russian village of the first half of the twentieth century correlate with observations of the realities of the 1960s and 1970s. The story takes place in the village of Preobrazhenskoye on its patronal feast of the Transfiguration. This name is repeated in the text under consideration, helping to project a model of comparison of old and new society. In V. A. Soloukhin's story the motive of transformation, of changes of the reality manifests itself. The hero of the text, a citizen in the first generation, Andrei Voronov, is nostalgic for folk customs typical of the first half of the twentieth century. The subject embodiment of the former village folk culture is the garmon (the Russian button accordion). In the pre-war tradition, this instrument created and changed the situation, set the mood, enjoyed great respect in the countryside. Later, against the background of the urbanization of society, the spread of mass culture and the dominance of the principles of consumption, the garmonloses its former appeal and is perceived by young people as an archaic object. V. A. Soloukhin combines the features of a literary text and an ethnographic essay in his story. The writer makes an excursion into the world of festive folk traditions, recalls the important role of the garmon and its player in the life of the Russian village. Then, on the artistic material, he shows the transformation of the reality known to him since childhood.

scholarly journals QIṢṢAH QAṢĪRAH JIDDAN: Sebuah Genre Terbaru dalam Sastra Arab

2019 ◽  
Vol 3 (2) ◽  
pp. 165
Author(s):  
Tatik Maryatut Tasnimah
Keyword(s):  
Qualitative Methods ◽  
Short Story ◽  
Descriptive Analysis ◽  
Social Reality ◽  
Contextual Analysis ◽  
Arabic Literature ◽  
Literary Genre ◽  
Literary Works ◽  
The Social ◽  
Written Materials

This article aims to describe the development of contemporary Arabic literary genre called Qişşah Qaşīrah Jiddan (QQJ), by revealing its characteristics, its components, and the factors that influence its emergence. This research fills the gap in the study of QQJ, in terms of both theory and application, despite the fact that it has existed among classic genres. To fulfill its objectives, this research uses descriptive analysis by examining the production of the literary works, its existence, its role and social reality. To explore the connection between QQJ and the social reality that surrounds it, this research applies qualitative methods by studying the documents that focus on contextual analysis of written materials. Based on the analysis, this study found that the emergence of the QQJ genre in the repertoire of contemporary Arabic literature is a response to the demands and needs of this fast-paced technological era which requires something practical and pragmatic. Though this narrative genre stems from short story, it is neither an advancement of a short story, nor the development of ts branches or the incarnation of the old Arabic literary genre. Instead, it is an autonomous genre that adopts a variety of things in its development, especially aspects underlying postmodernity such as being practical, dynamic, and digital. 

scholarly journals SALAM ATAU SELOMITA: TINJAUAN SASTRA DAN MASYARAKAT

Jurnal CMES ◽  
2018 ◽  
Vol 10 (2) ◽  
pp. 157
Author(s):  
Eva Farhah
Keyword(s):  
Short Story ◽  
Social Phenomenon ◽  
Sociology Of Literature ◽  
Empirical Reality ◽  
Social Phenomena ◽  
Social Facts ◽  
The Social

<p>This research aims to find out the social phenomenon in short story untitled Salam aw Selomita (1983). These phenomena are seen as a personification of activities or facts related to the setting of society, particularly Palestine society in which the short story takes place. The short story consists the continuing conflict and permanent battle in Palestine society that can provide for the readers several valuable social phenomena. Hence the short story was intended one of conveying aspiration means for present society. This research uses the theory of the sociology of literature as a subfield viewing literary facts as a reflection of society, an empirical reality experienced by Palestine society, and uses the method by revealing events that experienced by Palestine society represented by actor Salam or Selomita, a reflection of social facts in current Palestine society. The research’s results show that the social phenomenon in the short story untitled Salam or Selomita is kidnapping the Palestinians children conducted by colonialist. The kidnapping has left a deep grief and tears for the parents and the Palestinians.</p>

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