scholarly journals The Transition from the Temple of Jupiter to the Great Mosque of Damascus in Architecture and Design

2015 ◽  
Vol 5 ◽  
pp. 311-320
Author(s):  
Kamil Sobczak
Keyword(s):  
Strong Influence ◽  
Sacred Space ◽  
First Century ◽  
Saint John ◽  
Architecture And Design ◽  
Process Issue ◽  
Art And Architecture ◽  
The Temple ◽  
Religious Aspect

Great Mosque of Damascus was built between 705 and 715 by the Umayyad Caliph al-Walid I. However, the origins of this building dates to the distant past. At first it was a location of an ancient Aramaean temple dedicated to the god Hadad. With Hellenization the temple was dedicated to Zeus and in the first century BC the Romans transformation it into the Temple of Jupiter Damascenus. In 391 Emperor Theodosius converted the temple into Christian Cathedral of Saint John. Erection of the mosque by Caliph al-Walid I was under strong influence of earlier constructions. Meaning and consequences of such transitions, from the Roman temple (there is almost no data of the Aramaic building) through the Christian Cathedral to the Islamic mosque is an interesting process. Issue not only within the art and architecture, but what is more, in a religious aspect of the continuity of sacred space.

Sacred Space Becomes Public Space

2018 ◽  
Author(s):  
Deonnie Moodie
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Sacred Space ◽  
First Century ◽  
Tourist Attraction ◽  
Public Interest Litigation ◽  
Middle Classes ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
The Temple

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.

A Pleasing Odour for Yahweh

2018 ◽  
Vol 2 (1) ◽  
pp. 7-24
Author(s):  
Anne Katrine De Hemmer Gudme
Keyword(s):  
Hebrew Bible ◽  
Sacred Space ◽  
Ancient World ◽  
Hellenistic Period ◽  
The Sun ◽  
The West ◽  
Sense Of Smell ◽  
The Temple ◽  
Crucial Part

This article investigates the importance of smell in the sacrificial cults of the ancient Mediterranean, using the Yahweh temple on Mount Gerizim and the Hebrew Bible as a case-study. The material shows that smell was an important factor in delineating sacred space in the ancient world and that the sense of smell was a crucial part of the conceptualization of the meeting between the human and the divine.  In the Hebrew Bible, the temple cult is pervaded by smell. There is the sacred oil laced with spices and aromatics with which the sanctuary and the priests are anointed. There is the fragrant and luxurious incense, which is burnt every day in front of Yahweh and finally there are the sacrifices and offerings that are burnt on the altar as ‘gifts of fire’ and as ‘pleasing odors’ to Yahweh. The gifts that are given to Yahweh are explicitly described as pleasing to the deity’s sense of smell. On Mount Gerizim, which is close to present-day Nablus on the west bank, there once stood a temple dedicated to the god Yahweh, whom we also know from the Hebrew Bible. The temple was in use from the Persian to the Hellenistic period (ca. 450 – 110 BCE) and during this time thousands of animals (mostly goats, sheep, pigeons and cows) were slaughtered and burnt on the altar as gifts to Yahweh. The worshippers who came to the sanctuary – and we know some of them by name because they left inscriptions commemorating their visit to the temple – would have experienced an overwhelming combination of smells: the smell of spicy herbs baked by the sun that is carried by the wind, the smell of humans standing close together and the smell of animals, of dung and blood, and behind it all as a backdrop of scent the constant smell of the sacrificial smoke that rises to the sky.

Ezekiel’s Map of Future Past

2021 ◽  
Author(s):  
Carla Sulzbach
Keyword(s):  
Free Will ◽  
Urban History ◽  
Sacred Space ◽  
Human Agency ◽  
Urban Settings ◽  
Viable Solution ◽  
History Of ◽  
The Temple

Attention to the spatial elements in the book of Ezekiel reveal a coherent plan that maps sin onto the spaces of city and temple which become the focus of correction in the visionary chapters that end the book (chs. 40–48). The book displays great disdain for all urban settings, including foreign cities, for their corrupt politics, trade and crime. These charges especially apply to Jerusalem. The temple also exhibits similar corruption in terms of personnel, iconography and impurity. The final vision reaches back first into the pre-urban history of Judah, the wilderness period, in order to find a setting free from such corruptions, but ultimately it returns to an Eden-like state as the only viable solution to the problems of innate sin and desecration. This is an Eden with no free-will and no human agency, the only way to safeguard sacred space.

PECULIARITIES OF LIGHT FUNCTIONING IN MODERN GREEK CATHOLIC CHURCHES OF UKRAINE

2021 ◽  
Vol 7 (2) ◽  
pp. 253-260
Author(s):  
Yatsiv M ◽  
Keyword(s):  
Sacred Space ◽  
Light Environment ◽  
Historical Period ◽  
Religious Ritual ◽  
Modern Greek ◽  
The Subject ◽  
Similarities And Differences ◽  
Lighting Systems ◽  
Catholic Churches ◽  
The Temple

In each historical period, light played an important mystical role in the creation of the sacred space of the temple, and was and is an integral part of religious ritual. Light is an architectural phenomenon, the formative and communicative element of the spatial structure of the temple, the most important factor in the perception of space and layout of the temple. The subject of the analysis contained in the article is the light environment in the space of modern churches of Ukraine. An analysis of the functions of light in churches is made on the example of recently built iconic Greek Catholic temples. The peculiarities of the distribution of natural and artificial light in the space of modern churches, the similarities and differences in the organization of the light environment, as compared to the historical temples, have been revealed. The influence of the light on the architectonics of temples and the visual perception of their object environment, on the formation of the corresponding mystical mood and sacred atmosphere is defined. The values and functions of electric lighting in the structure of the light environment of the temple, the directions of development of electric lighting systems due to the expansion of their utilitarian and decorative functions are determined.

scholarly journals Status gazety „Politika” w Jugosławii Karađorđeviciów (1918–1941)

2014 ◽  
pp. 106-124
Author(s):  
Konrad Sebastian Morawski
Keyword(s):  
Twentieth Century ◽  
Strong Influence ◽  
Political Authority ◽  
First Century ◽  
Royal Court ◽  
The Balkans ◽  
Early Twenty ◽  
The Status ◽  
Twenty First Century

Status of the newspaper “Politika” in Karađorđevićs’ Yugoslavia (1918-1941)The newspaper Politika was founded on 25 January 1904 by Vladislav F. Ribnikar. Since that time the Serbian Press market has begun to develop, and the Politika permanently has taken the important role up to this day. The newspaper witnessed important events in the Balkans in the twentieth century and the early twenty-first century but at the same time it was also under strong influence of Serbian centers of political authority. One example of such an influence was the status of the Politika in the period during the reign of Karađorđević dynasty in Yugoslavia, in 1918-1941. The newspaper then served a propaganda function for the royal court, particularly in 1929-1934. Then king Aleksander ruled in an authoritarian way and Politika played an important part in the country. The mechanism of functioning of the newspaper in the period of the royal authoritarianism, as well as in the remaining years of the interwar Yugoslavia was thus discussed in the article to help clarify the status of Politika under the rule of Karađorđevićs. Status gazety „Politika” w Jugosławii Karađorđeviciów (1918–1941)Gazeta pod nazwą „Politika” została założona 25 stycznia 1904 roku przez Vladislava F. Ribnikara. Od tego czasu zaczął kształtować się serbski rynek prasowy, w którym „Politika” trwale zajmuje istotne miejsce do dzisiejszego dnia. Gazeta była świadkiem ważnych i doniosłych wydarzeń na Bałkanach w XX wieku i na początku XXI wieku, ale zarazem znajdowała się również w strefie ścisłych wpływów politycznych serbskich ośrodków władzy. Jednym z przykładów takiego wpływu był status „Politiki” w okresie panowania dynastii Karađorđeviciów w Jugosławii w latach 1918–1941. Gazeta pełniła wtedy funkcję propagandową dworu królewskiego, co dało się szczególnie zauważyć w latach 1929–1934. Wtedy bowiem król Aleksander I sprawował autorytarne rządy w państwie, których ważną częścią stała się „Politika”. Mechanizm funkcjonowania gazety zarówno w okresie autorytaryzmu królewskiego, jak i w pozostałych latach międzywojennej Jugosławii został więc poddany omówieniu, które umożliwiło wyjaśnienie statusu „Politiki” pod panowaniem Karađorđeviciów.

The People of the Book, 200 BCE–200 CE

2012 ◽  
Author(s):  
Maristella Botticini ◽  
Zvi Eckstein
Keyword(s):  
Secondary Schools ◽  
Primary School ◽  
Second Temple ◽  
First Century ◽  
Religious Leaders ◽  
The People ◽  
The Temple ◽  
Jewish Religion

This chapter discusses the well-documented shift of the religious norm that transformed the Jews into the People of the Book. During the first century BCE, some Jewish scholars and religious leaders promoted the establishment of free secondary schools. A century later, they issued a religious ordinance requiring all Jewish fathers to send their sons from the age of six or seven to primary school to learn to read and study the Torah in Hebrew. With the destruction of the Second Temple, the Jewish religion permanently lost one of its two pillars (the Temple) and set out on a unique trajectory. Scholars and rabbis, the new religious leaders in the aftermath of the first Jewish–Roman war, replaced temple service and ritual sacrifices with the study of the Torah in the synagogue—the new focal institution of Judaism.

Art, Architecture, and National Memory-Making

2021 ◽  
Author(s):  
Maurizio Peleggi
Keyword(s):  
Buddhist Art ◽  
Sacred Landscape ◽  
National Cultures ◽  
Artistic Value ◽  
National Memory ◽  
National Heritage ◽  
Social Meanings ◽  
Dialectical Tension ◽  
Art And Architecture ◽  
The Temple

Works of Buddhist art and architecture, in addition to having cultic use and artistic value, also enjoy prominence in the national heritage of several Asian countries regardless of the following Buddhism presently enjoys in each. While rooted in the millenary process of the formation of national cultures, this prominence is more immediately the outcome of archaeological investigations, architectural restorations, and museum collections that were initiated in the late 19th century by colonial officials, and royal commissioners in independent Siam and Japan, and continued by postcolonial governments, often with international support. The examination of Buddhist art and architecture as vehicles of national memory-making can be framed conceptually by the dialectical tension between their cult value as continuing foci of devotion and their exhibition value as evidence of cultural achievement. Four aspects of this productive tension are emphasized: the foundational tension in Buddhism between the doctrine of impermanence and the cult of relics; the tension between Buddhist monuments as elements of the diffuse sacred landscape and, conversely, of individual countries’ historical landscape; the tension between the place and reception of buddha images in the temple and, instead, in the museum; and finally, the tension between the traditional pious care for Buddhist monuments and their modern, scientific conservation. Owing to these productive tensions, works of Buddhist art and architecture continue to generate spiritual, cultural, and social meanings—in particular identitarian and mnemonic associations—even though in multiethnic and multireligious societies, these meanings are not uncontested.

Sensuous Experience, Performance, and Presence in Third Intermediate Period Biography

2013 ◽  
Author(s):  
Elizabeth Frood
Keyword(s):  
Sacred Space ◽  
Tenth Century ◽  
Sensory Experience ◽  
Intermediate Period ◽  
The Senses ◽  
The Temple ◽  
Third Intermediate Period

This chapter analyses biographical motifs relating to sensory experience found in inscriptions largely belonging to one tenth-century bc priestly family in Thebes. The four statues which are the focus of discussion (CG 42225; CG 42226; CG 42227; CG 42228) were dedicated in the temple precinct of Karnak by Hor IX for himself, his ancestor, and his wife. Inscriptions on a statue of Horakhbit I (CG 42231) from Karnak are also treated. Celebration of the senses is found in these texts through the fusion of biography with themes known from harpists' songs, a genre previously associated with tombs; the use of myrrh, a pleasurable and ritual substance; and through phraseology that mobilises the sensuous geographies of sacred space. Study of how such motifs relate to other features of biography across the statues offers insights into transformations of more than one genre and developments in the function of statues in temples.

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