scholarly journals Essaie de Description du Système Foncier Congolais d’avant Le Contact Formel Avec La Civilisation Occidentale

2017 ◽  
Vol 13 (10) ◽  
pp. 307
Author(s):  
Marie-Bernard Dhedya Lonu ◽  
Markus Gehrin ◽  
Marie-Claire Cordonier ◽  
Michel Ilume Moke ◽  
Salomon Mampeta Wabassa
Keyword(s):  
Land Ownership ◽  
Western Civilization ◽  
Collective Ownership ◽  
Land System ◽  
The Pacific ◽  
The World ◽  
The Dead ◽  
The Moment ◽  
Individual Ownership

The present study focuses on the description of the Congolese land system prior to formal contact with Western civilization. Contrary to what has been imagined, the natives of Congo have understood the notion behind landed property. This property is rather peculiar in that it does not fulfill all the criteria imposed by modern law. A few elements have enabled us to describe it. The notion of landed property has been made known to the natives. This property is established at the moment the pacific takes possession of it or by conquest of the soil. It is essentially influenced by the beliefs that characterize traditional Africa. However, the beliefs in the existence and interaction of the world of the dead with that of the living, and the beliefs in the divinity of the soil, makes it possible to specially guide the perception of landed property. Moreover, the community character directs land ownership towards collective ownership rather than individual ownership.

The Boat of the Dead in the Bronze Age

Antiquity ◽  
1941 ◽  
Vol 15 (60) ◽  
pp. 360-370 ◽  
Author(s):  
L. V. Grinsell
Keyword(s):  
Bronze Age ◽  
Pacific Islands ◽  
Ancient Greek ◽  
The Pacific ◽  
The World ◽  
The Dead ◽  
The Bronze Age

In many parts of the world and at many periods the practice has prevailed of depositing boats, or models or other representations of them, with the dead, either as a means of facilitating his supposed voyage to another world, or as a symbol of his maritime activities during his lifetime.That the former is generally the correct explanation of the custom there can be no doubt. This is shown by the evidence of the belief in a voyage to a future world, and the customs to which it has given rise, among living primitive peoples in the Pacific Islands and elsewhere, so well collected and presented by the late Sir J. G. Frazer. It is shown also by traditions such as that of our own king Arthur's journey by barge to ‘the island valley of Avilion, where falls not hail, or rain, or any snow’ It is shown also by the ancient Greek and Roman custom of placing a coin in the mouth of the dead to pay Charon's fee for ferrying him across the Styx.

Our Relations with Japan

1914 ◽  
Vol 8 (4) ◽  
pp. 583-601
Author(s):  
John Holladay Latané
Keyword(s):  
Great Power ◽  
Western Civilization ◽  
Eastern Asia ◽  
World Today ◽  
World Power ◽  
The Pacific ◽  
The World ◽  
Great Scholar ◽  
Western Nations ◽  
Great Writer

The rise of Japan within the span of one generation from the condition of a weak feudalized state, shut off from all contact with the western nations, to the position of a world power dominated by a desire to shape the destinies of Eastern Asia and ready to dispute with other powers the control of the Pacific, constitutes one of the most dramatic stories in the whole range of history. The rapid assimilation of western ideas and the successful appropriation of all the material elements of western civilization are without a parallel.Dr. Nitobé, whom we are glad to recognize not only as a great scholar but as a great writer of English, in his remarkable book, Bushido, the Soul of Japan, describes with great power and beauty the idealism of the Samurai, or gentlemen of Japan of a generation ago, but while the old spirit still flashes out occasionally as in the spectacular, and to us meaningless, suicide, on the occasion of the funeral of the late Emperor, of one of his most distinguished subjects, General Nogi, we cannot help believing that the Japanese have outgrown their idealism; that they cast it aside when they discarded their mediaeval weapons and abandoned their self-complacent exclusivism. The Japanese are the greatest materialists in the world today, for it is the material elements of western civilization that they have appropriated and to which they owe their success in two wars. A nation of materialists, fired with ambition and military ardor, are going just as far in their aggressiveness as sheer force will carry them. That is why Japan with her present ambitions is so generally regarded as a menace to the peace of the world.

scholarly journals Olga Tokarczuk’s Game with the Rules of Criminal Novels: The Case of “Plough Through the Bones of the Dead”

2013 ◽  
Vol 24 (29) ◽  
pp. 98-107
Author(s):  
Anna Wzorek
Keyword(s):  
Daily Life ◽  
Starting Point ◽  
Detective Novels ◽  
The World ◽  
The Dead ◽  
The Moment

This article presents the game Olga Tokarczuk plays with criminal narration as based on her novel, Plough Through the Bones of the Dead (2009). The main problem is that this famous writer, recipient of numerous prestigious awards, here disregards a series of “iron” rules that have guided detective novels for ages to write a pastiche of a criminal novel. The analysis reveals that Tokarczuk retreats from common frameworks of criminal novels, only making a delicate reference to the problem of an “island.” The writer also discards the rule that a murder has to be the starting point for the criminal plot. She not only delays the moment of introduction of the criminal motive, but also, contrary to the abovementioned “iron” rules, avoids presenting the prerequisites necessary to unmask the criminal. She is far more interested in the daily life of the protagonist/narrator than in the circumstances surrounding the four murders. In the world created by Tokarczuk, there is no detective who conducts an investigation. At the end of this quasi-criminal novel, the very perpetrator discloses the secret of the mysterious deaths. Tokarczuk’s rather free attitude toward the rules of the criminal novel is also manifested in her choice to leave the murderer unpunished. Moreover, the author introduces an improbable method of crime. In Plough Through the Bones of the Dead—a title which also provides proof that this is a pastiche of a criminal novel—one will not find any references to classical criminal novels, but quotations from William Blake’s mystic poetry.

The Land Regime of the British Mandate Period

Emptied Lands ◽  
2018 ◽  
Author(s):  
Alexandre Kedar ◽  
Ahmad Amara ◽  
Oren Yiftachel
Keyword(s):  
Land Ownership ◽  
Land Settlement ◽  
British Mandate ◽  
Relative Autonomy ◽  
Land System ◽  
Land Owners ◽  
History Of ◽  
The Dead

This chapter continues to cover the history of Southern Palestine and the transformation of the local land system by covering the British Mandate period, 1917–1948. The chapter explores the evolution of British-Bedouin relations and the special Mandate administration of the Beersheba sub-district that granted relative autonomy to Bedouin tribes to run their affairs. The chapter then outlines the significant changes introduced by the British to local the land system in Palestine, particularly the changes to the regime of “dead” (Mewat) lands and the 1928 land Settlement Ordinance. These changes are highly relevant to the Dead Negev Doctrine, and to date form the foundation of Bedouin dispossession. As a key historical legal insight, the chapter analyzes Jewish land purchases from Bedouin land owners, demonstrating the land ownership of the indigenous Bedouins, and British acknowledgement of these rights which were routinely entered into the land registry.

PINGVINAS IR PROTĖJAS. Įsivaizdavimas kaip kitybė manyje

2007 ◽  
Vol 4 ◽  
pp. 21-37
Author(s):  
Kristupas Sabolius
Keyword(s):  
Fight Club ◽  
The World ◽  
The Moment ◽  
Hollywood Movie

Kitybės klausimas dažniausiai kyla iš ego santykio su kitais arba su pasauliu. Šiame straipsnyje daroma prielaida, kad įsivaizdavimo funkcija ištirpdo subjektą ir jame pačiame atveria intersubjektyvią perspektyvą. Šiuo tikslu sugretinami Sartre’o, Husserlio bei Merleau-Ponty įsivaizdavimo funkcijos tyrimai, kuriuose išryškėja vaizdo kaip iš ego centro išslystančios ribos statusas, ir Holivudo filmo „Kovos klubas“ siužetas. Viename iš šios juostos epizodų pasirodantis pingvinas žymi egologinės schizmos akimirką ir tampa fantazijos apsireiškimu ir įsikūnijimu.Išgryninus žaidybinį, savarankišką ir multiformišką charakterį, galime konstantuoti, kad įsivaizdavimas, jei kalbėtume Kanto terminais, yra ne papildanti tarpinė funkcija, bet transcendentalinio subjekto genezėje atlieka paradoksalų „svetimos vidujybės“ arba „vidinės svetimybės“ vaidmenį. Vaizduotė yra katalizatoriaus, kuris, likdamas šalia, įgalina transcendentalinių formų išsikristalizavimą.Pagrindiniai žodžiai: vaizduotė, įsivaizdavimas, fantazija, ego, kitybė, sąmonė.PENGUIN AND PROTEUSImagination as Otherness in meKristupas Sabolius SummaryThe question of Otherness is usually taken into account while discussing the Ego’s relation with Others as well as with the World. This article is based on the premises that the function of phantasy melts the subjectivity, revealing the perspective of intersubjectivity within it. On this purpose Sartre’s, Husserl’s and Merleau-Ponty’s researches on the function of imagination, which elucidate the image as the boundary slipping from the centre of Ego, are compared to the story of Hollywood’ movie „Fight Club“. The penguin, which appears in one of the episodes, registers the moment of egological schism, thus becoming the revelation and incarnation of phantasy. While the playful, autonomous and multiform character of imaginary is cleared out, we can ascertain, speaking in Kantian terms, that it has not a complementary or intermediary function, but, in the genesis of transcendental subject, plays the paradoxical role of „allien innerness“ or „inner alienity“. Thought remaining always beside, imagination is a catalyzer which enables crystallization of transcendental forms.Keywords: imagination, imaginary, phantasy, ego, otherness, consciousness.

Ghost, Broken Narratives and the Art of Dying

2013 ◽  
Vol 42 (4) ◽  
pp. 15-22
Author(s):  
Lars Rømer
Keyword(s):  
19Th Century ◽  
Common Sense ◽  
Science And Religion ◽  
The Reformation ◽  
The World ◽  
Art Of Dying ◽  
The Dead

This article investigates how experiences of ghosts can be seen as a series of broken narratives. By using cases from contemporary as well 19th century Denmark I will argue that ghosts enter the world of the living as sensations that question both common sense understanding and problematize the unfinished death. Although ghosts have been in opposition to both science and religion in Denmark at least since the reformation I will exemplify how people deal with the broken narrative of ghosts in ways that incorporate and mimic techniques of both the scientist and the priest. Ghosts, thus, initiate a dialogue between the dead and the living concerning the art of dying that will enable both to move on.

Erfahrung ohne Erfahrenden

2009 ◽  
Vol 2009 (1) ◽  
pp. 61-78
Author(s):  
Petr Kouba
Keyword(s):  
Phenomenological Approach ◽  
Work Of Art ◽  
New Beginning ◽  
Individual Structure ◽  
The World ◽  
Il Y A ◽  
Individual Existence ◽  
The Moment ◽  
The Individual ◽  
Intentional Structure

This article examines the limits of Heidegger’s ontological description of emotionality from the period of Sein und Zeit and Die Grundbegriffe der Metaphysik along the lines outlined by Lévinas in his early work De l’existence à l’existant. On the basis of the Lévinassian concept of “il y a”, we attempt to map the sphere of the impersonal existence situated out of the structured context of the world. However the worldless facticity without individuality marks the limits of the phenomenological approach to human existence and its emotionality, it also opens a new view on the beginning and ending of the individual existence. The whole structure of the individual existence in its contingency and finitude appears here in a new light, which applies also to the temporal conditions of existence. Yet, this is not to say that Heidegger should be simply replaced by Lévinas. As shows an examination of the work of art, to which brings us our reading of Moravia’s literary exposition of boredom (the phenomenon closely examined in Die Grundbegriffe der Metaphysik), the view on the work of art that is entirely based on the anonymous and worldless facticity of il y a must be extended and complemented by the moment in which a new world and a new individual structure of experience are being born. To comprehend the dynamism of the work of art in its fullness, it is necessary to see it not only as an ending of the world and the correlative intentional structure of the individual existence, but also as their new beginning.

Differenzierungen im Begriff, Gegenwart‘ bei Husserl und Merleau-Ponty

2017 ◽  
Vol 2017 (1) ◽  
pp. 39-54
Author(s):  
Jörg Zimmer
Keyword(s):  
Modern Philosophy ◽  
The Body ◽  
Fundamental Concept ◽  
Phenomenological Description ◽  
Philosophy Of Time ◽  
Phenomenology Of Perception ◽  
The World ◽  
Classical Philosophy ◽  
The Moment ◽  
Empty Time

In classical philosophy of time, present time mainly has been considered in its fleetingness: it is transition, in the Platonic meaning of the sudden or in the Aristotelian sense of discreet moment and isolated intensity that escapes possible perception. Through the idea of subjective constitution of time, Husserl’s phenomenology tries to spread the moment. He transcends the idea of linear and empty time in modern philosophy. Phenomenological description of time experience analyses the filled character of the moment that can be detained in the performance of consciousness. As a consequence of the temporality of consciousness, he nevertheless remains in the temporal conception of presence. The phenomenology of Merleau-Ponty, however, is able to grasp the spacial meaning of presence. In his perspective of a phenomenology of perception, presence can be understood as a space surrounding the body, as a field of present things given in perception. Merleau-Ponty recovers the ancient sense of ‘praesentia’ as a fundamental concept of being in the world.

Islam and the West: Coexistence or Clash?

2012 ◽  
Vol 8 ◽  
pp. 363-374
Author(s):  
Noor Mohammad Osmani ◽  
Tawfique Al-Mubarak
Keyword(s):  
Cold War ◽  
Critical Evaluation ◽  
Western Civilization ◽  
Peaceful Coexistence ◽  
The West ◽  
Comprehensive Review ◽  
The World ◽  
Islamic Civilization ◽  
The Cold War

Samuel Huntington (1927-2008) claimed that there would be seven eight civilizations ruling over the world in the coming centuries, thus resulting a possible clash among them. The West faces the greatest challenge from the Islamic civilization, as he claimed. Beginning from the Cold-War, the Western civilization became dominant in reality over other cultures creating an invisible division between the West and the rest. The main purpose of this research is to examine the perceived clash between the Western and Islamic Civilization and the criteria that lead a civilization to precede others. The research would conduct a comprehensive review of available literatures from both Islamic and Western perspectives, analyze historical facts and data and provide a critical evaluation. This paper argues that there is no such a strong reason that should lead to any clash between the West and Islam; rather, there are many good reasons that may lead to a peaceful coexistence and cultural tolerance among civilizations

Anxious Breath

Screen Bodies ◽  
2020 ◽  
Vol 5 (1) ◽  
pp. 111-128
Author(s):  
Lara Bochmann ◽  
Erin Hampson
Keyword(s):  
Public Space ◽  
Self Determination ◽  
Short Film ◽  
Affective States ◽  
The World ◽  
In Trans ◽  
The Moment ◽  
Everyday Task

This article is a theoretical, audiovisual, and personal exploration of being a trans and non-binary person and the challenges this position produces at the moment of entering the outside world. Getting ready to enter public space is a seemingly mundane everyday task. However, in the context of a world that continuously fails or refuses to recognize trans and non-binary people, the literal act of stepping outside can mean to move from a figurative state of self-determination to one of imposition. We produced a short film project called Step Out to delve into issues of vulnerability and recognition that surface throughout experiences of crossing the threshold into public space. It explores the acts performed as preparation to face the world, and invokes the emotions this can conquer in trans and non-binary people. Breathing is the leading metaphor in the film, indicating existence and resistance simultaneously. The article concludes with a discussion of affective states and considers them, along with failed recognition, through the lens of Lauren Berlant’s concept of “cruel optimism.”

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