PINGVINAS IR PROTĖJAS. Įsivaizdavimas kaip kitybė manyje

2007 ◽  
Vol 4 ◽  
pp. 21-37
Author(s):  
Kristupas Sabolius

Kitybės klausimas dažniausiai kyla iš ego santykio su kitais arba su pasauliu. Šiame straipsnyje daroma prielaida, kad įsivaizdavimo funkcija ištirpdo subjektą ir jame pačiame atveria intersubjektyvią perspektyvą. Šiuo tikslu sugretinami Sartre’o, Husserlio bei Merleau-Ponty įsivaizdavimo funkcijos tyrimai, kuriuose išryškėja vaizdo kaip iš ego centro išslystančios ribos statusas, ir Holivudo filmo „Kovos klubas“ siužetas. Viename iš šios juostos epizodų pasirodantis pingvinas žymi egologinės schizmos akimirką ir tampa fantazijos apsireiškimu ir įsikūnijimu.Išgryninus žaidybinį, savarankišką ir multiformišką charakterį, galime konstantuoti, kad įsivaizdavimas, jei kalbėtume Kanto terminais, yra ne papildanti tarpinė funkcija, bet transcendentalinio subjekto genezėje atlieka paradoksalų „svetimos vidujybės“ arba „vidinės svetimybės“ vaidmenį. Vaizduotė yra katalizatoriaus, kuris, likdamas šalia, įgalina transcendentalinių formų išsikristalizavimą.Pagrindiniai žodžiai: vaizduotė, įsivaizdavimas, fantazija, ego, kitybė, sąmonė.PENGUIN AND PROTEUSImagination as Otherness in meKristupas Sabolius SummaryThe question of Otherness is usually taken into account while discussing the Ego’s relation with Others as well as with the World. This article is based on the premises that the function of phantasy melts the subjectivity, revealing the perspective of intersubjectivity within it. On this purpose Sartre’s, Husserl’s and Merleau-Ponty’s researches on the function of imagination, which elucidate the image as the boundary slipping from the centre of Ego, are compared to the story of Hollywood’ movie „Fight Club“. The penguin, which appears in one of the episodes, registers the moment of egological schism, thus becoming the revelation and incarnation of phantasy. While the playful, autonomous and multiform character of imaginary is cleared out, we can ascertain, speaking in Kantian terms, that it has not a complementary or intermediary function, but, in the genesis of transcendental subject, plays the paradoxical role of „allien innerness“ or „inner alienity“. Thought remaining always beside, imagination is a catalyzer which enables crystallization of transcendental forms.Keywords: imagination, imaginary, phantasy, ego, otherness, consciousness.

2005 ◽  
Vol 17 (1) ◽  
pp. 1-1
Author(s):  
DAVID WALTON

Recently hearing Fred Singer from the USA lecture on what he perceives to be the uncritical ways in which global change has been attributed to anthropogenic effects reminded me of the importance we should attach to those who question our current beliefs. For Fred it was not sufficient that the IPCC had engaged many of the best scientific brains in the world to reach the existing consensus; they might all be wrong because the original question or assumption was wrong. Fred was strongly challenged by the audience of Antarctic scientists, not least because some of his quotations were selective in order to initiate discussion. And we know that there are areas of considerable weakness amongst the several proxies used to compute the rate of temperature change, that we have only poorly quantified and modelled the role of clouds, energy transfer between the oceans and atmosphere, water vapour as a greenhouse gas and that we have yet to be certain that the Global Climate Models really do have all the most significant driving variables. So the IPCC conclusions are drawn on the best available evidence with complementary patterns derived from several different approaches and constitute the best we can do at the moment.


2016 ◽  
Vol 24 (2) ◽  
pp. 3-24 ◽  
Author(s):  
Roland Boer

This study offers a specific interpretation of the Taiping Revolution in China in the mid-nineteenth century. It was not only the largest revolutionary movement in the world at the time, but also one that was inspired by Christianity. Indeed, it marks the moment when the revolutionary religious tradition arrived in China. My account of the revolution stresses the role of the Bible, its radical reinterpretation by the Taiping revolutionaries, and the role it played in their revolutionary acts and reconstruction of economic and social relations. After providing this account, I raise a number of implications for Marxist approaches to religion. These involve the revolutionary religious tradition, first identified by Engels and established by Karl Kautsky, the question of political ambivalence of a religion like Christianity, and the distinction between ontological and temporal transcendence.


Author(s):  
Tatiana V. Voldina

Introduction. In the traditional culture of the Ob Ugrians, certain types of mushrooms have received a special mythological “status” that reveals their place in the traditional picture of the world and explains the power of their impact on humans. The purpose of the study is to present the role of mushrooms in folk medicine and ritual practices of the Khanty and Mansi. These interconnected areas have not been sufficiently studied at the moment, which reflects the relevance of the work. Materials and Methods. The article uses the published data and field materials of the author, as well as folklore sources. The study was carried out on the basis of an interdisciplinary and systematic approach using the structural-functional method. Results and Discussion. In the treatment and cleansing rituals of the Khanty and Mansi, the use of birch tinder fungi has become widespread. Their healing properties have been known since antiquity, since image of the Tree of Life was associated with this tree. Another representative of the mushroom kingdom, the fly agaric, was used sporadically, primarily as a hallucinogenic agent used in ritual practices. The properties of this mushroom allow researchers to make an ambiguous conclusion that the secret of soma, the drink of the gods, lies in the portion made from the fly agaric. Conclusion. Changes in living conditions led to the gradual disappearance of the traditions of folk medicine and ritual practices of the Ob Ugrians, which significantly complicates their study at the present period.


Author(s):  
E. G. Zheleznova

He necessity of language that would be spoken by all the people in the world, has existed in all times. As a common language that has developed naturally, does not exist, then the world developed the idea of creating an artificial international language, which, among other things, could perform a unifying function. The article discusses the concept of “language" and “artificial language", provides definitions of these concepts, also considers the causes of these concepts and provides an overview of the various artificial languages. The relevance of this work lies in the fact that at the moment of development of our society there is a need to create common language, the purpose of which would be international negotiations or settlement of international conflicts and other political, economic and cultural activities. It is also possible to increase interest in such science of language as interlinguistics, and as a result, further development of linguistics as a whole thing. At the moment there are about five hundred artificial languages, but only a few of them are more or less suitable for real communication. The aim of this work is to investigate the role of artificial international languages within the framework of modern culture and modern society. The objectives of this article: to reveal the very notion of language; to select the types of artificial languages; to give the description of each of the most well-known international artificial languages. In the article we have used the following research methods: analysis, synthesis, and abstracting.


2019 ◽  
Vol 16 (6) ◽  
pp. 595-605
Author(s):  
Aleksey O. Bezzubikov

The article provides the analysis of mytho­logical dimension of the film “Ilych’s Gate” (Zastava Ilycha) by M.M. Khutsiev. The author concludes that the text of this film represents self-reflexive structure. Firstly, the plot of the film quite clearly depicts the mythological perception of reality. Secondly, the course of narration reproduces the influence of mytho­logical codes on the perception of the audience. The text of the film contains a description of its own mechanism of influence on the viewer as well as the processes taking place in the minds of the audience at the moment of viewing.The first part informs of the main principles of mytho­logical thinking and the idea of time and space in the myth, referring to the works by C. Lévi-Strauss, R. Barthes, M. Eliade, A. Losev, E. Cassirer and others. Special attention is paid to the role of myth and initiation ritual in the psychological formation of a personality, as, based on the following, this is the theme that forms the basis of the film plot.The second part deals with the methods by which the mythological dimension is manifested in the text of the film.In the third part, the researcher shows how the contrast of secular and sacral becomes the main semantic opposition promoting the motion of the plot.In the fourth part, the author proves that the reflection of reality in the characters’ minds is a referent of the images shown on the screen. The characters’ development lies in the actualization of the sacral and mythological perception of the world. In turn, the cultural codes contained in the text of the film are designed to evoke a kind of response in the minds of the audience — to actualize the same sacred modus of perception in its ideas, the achievement of which is the ultimate goal of the characters. Thus, the inner path of the characters in the film reflects the processes that excite the studied film in the perception of the audience.The relevance of the article lies in the discovery and description of the principle of self-reflection in the structure of the film “Ilych’s Gate”, which allows us to understand at a qualitatively new level its structure and place in the historical development of Russian cinematography.


Author(s):  
Annelies Kamp

Actor–network theory (ANT) is an approach to research that sits with a broader body of new materialism; a body of work that displaces humanism to consider dynamic assemblages of humans and nonhumans. Originally developed in the social studies of science and technology undertaken in the second half of the 20th century, ANT has increasingly been taken up in other arenas of social inquiry. Researchers working with ANT do not accept the unquestioned use of “social” explanations for educational phenomena. Rather, the social, like all other effects, is taken to be an enactment of heterogenous assemblages of human and nonhuman entities. The role of the educational researcher is to trace these processes of assemblage and reassemblage, foregrounding the ways in which certain entities establish sufficient allies to assume some degree of “realness” in the world. Aligning most closely with ethnographic orientations, ANT does not outline a method. However, it could be argued that a number of propositions are shared in ANT-inspired approaches: first, that the world is made up of actors/actants, all of which are ontologically symmetrical. Humans are not privileged in ANT. Second, the principle of irreduction—there is no essence within or beyond any process of assemblage. Actors are concrete; there is no “potential” other than their actions in the moment. Entities are nothing more than an effect of assemblage. Third, the concept of translation and its processes of mediation that transform objects when they encounter one another. Finally, the principle of alliance. Actants gain strength only through their alliances. These propositions have specific implications for data generation, analysis, and reporting.


Comunicar ◽  
2005 ◽  
Vol 13 (25) ◽  
pp. 33-44 ◽  
Author(s):  
Agustín García-Matilla

In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among these countries. Some models of public television in the world have consolidated proposals of broadcasting contents that make a priority out of the cultural and educative role of television. España inició el siglo XXI con un sistema televisivo sometido a una evidente dispersión legislativa, denunciado por infinidad de instancias por la baja calidad de los contenidos ofrecidos por las diversas ofertas televisivas, una televisión pública exageradamente endeudada y que relegaba los objetivos de servicio público a un papel secundario frente a la utilización partidista de los espacios informativos y un irregular desarrollo de las ofertas de televisión de pago. En 2005, el gobierno socialista ha asumido la mayor actualización legislativa coordinada en materia audiovisual. Han pasado casi 50 años desde el inicio de las emisiones televisivas. Este cambio no afecta sólo al ámbito de la televisión pública sino que además lleva aparejada una transformación global del marco de leyes que contribuirá al desarrollo de la radiotelevisión digital que se impondrá tras el apagón analógico previsto para 2010. Los cambios se ven guiados por la convergencia tecnológica y también por la imperiosa necesidad de atajar ese gran lastre que ha significado tener que pensar hasta hace poco tiempo en una radiotelevisión del pasado. La televisión que ya deberíamos estar viviendo en presente continuo debe concebirse desde las potencialidades que abre la transformación digital y el desarrollo de estrategias multimedia.


Paragraph ◽  
2008 ◽  
Vol 31 (3) ◽  
pp. 344-364
Author(s):  
William Watkin

This article presents a critical theory of the medium of ‘normative’ prose. Relying on the work of critics of poet's prose and the philosophy of Badiou and Nancy, it commences by defining prose ostensibly as the immaterial and thus invisible dianoia or discursive other to the radically material poeisis. The essay then attempts to trace a brief history of critical attention paid to prose to uphold and further develop this thesis. Using the poeticized prose of Ron Silliman's Tjanting as an exemplary, contemporary text the remainder of the article delineates the three elements of prosaic immateriality. The first is the predominance of the role of deixis in prose as the very act of referring to reference itself devoid of actual referents in the world, the moment of the predominance of prose as normative according to Godzich and Kittay. The second is the attempt by automatized prose discourse to occlude its alterity and the role of poetic alienation in revealing this automatization as a political/ideological construct. This is traced back to the formalism of Shklovsky and then reconsidered in the Language poetics of Ron Silliman's own theorization of the New Sentence as that which resists automatized syllogistic cohesion. Thirdly, the paper looks at the significant incursions in the field by one of the key contemporary thinkers, Giorgio Agamben. Analysing Agamben's theory of prose as the collapse of poetic semiotic singularity into semantic generality, I finish with a consideration of how Silliman's work resists this very gesture in an attempt to create a permanently materialized prose that resists being relegated to dianoia or the prose of generalized connections.


2021 ◽  
Vol 22 (22) ◽  
pp. 12571
Author(s):  
Larisa V. Volkova ◽  
Pashov A. Ilexander ◽  
Omelchuk N. Nadezhda

Cervical cancer is one of the most common types of carcinomas causing morbidity and mortality in women in all countries of the world. At the moment, the oncology, oncobiology, and oncomorphology of cervical cancer are characterized by the accumulation of new information; various molecular biological, genetic, and immunohistochemical methods of investigation of the mechanisms of cervical carcinogenesis are tested and applied; targeted antitumour drugs and diagnostic, prognostic, and predictive biomarkers are being searched for. Many issues of the etiopathogenesis of cervical cancer have not been sufficiently studied, and the role of many biomarkers characterizing various stages of cervical carcinogenesis remains unclear. Therefore, the target of this review is to systematize and understand several problems in the pathogenesis of cervical cancer and to evaluate the significance and role of biomarkers in cervical carcinogenesis.


2021 ◽  
Vol 12 (1) ◽  
pp. 1-3 ◽  
Author(s):  
Koen Venema

At the start of 2020 we were thrilled to have reached 10 years of Beneficial Microbes! Little did we know that soon after Europe and the rest of the world (with Asia already earlier) would be in lock-down due to COVID-19. It has been a strange year. And now, at the start of 2021, the excitement of having a vaccine is tempered by the fact that everywhere mutants of the virus pop up. Although this was likely to occur, as also the influenza virus keeps mutating, it means that at the moment it is unclear as to whether the current situation of lock-downs and social distancing will remain for a longer period than we had anticipated and hoped for at the end of 2020 when it became clear that several vaccines were efficacious. Some studies have shown a role of the gut microbiota composition in disease severity, together with vitamin D, cholesterol and other factors. It was a hype to write a ‘review’ on gut microbiota and the effect on COVID-19, and also the board of Beneficial Microbes has received several submissions of so-called reviews on the topic. However, all of them were rejected, as they were mere speculations about how the gut microbiota might affect virus infection and disease severity, without any data whatsoever. However, there are some good studies out there that have shown that a proper gut microbiota may indeed influence disease severity, such as recently reviewed by Kim (2021). All in all, this may not be too surprising for the knowledgeable reader, as they would know that the microbiota plays a role in everything that can be wrong with us!


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