scholarly journals El discurso herético en Prosas Profanas: ¿secularización o profanación?

(an)ecdótica ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 149-163
Author(s):  
María Florencia Capurro ◽  

Prosas Profanas y otros poemas by Rubén Darío is built from its initial paratext in a polyphonic way. The title of this collection of poems is based on a negation: the word “profane” is etymologically defined as the negation of religion, which can be understood both in secular and heretical terms. Since all negations imply the incorporation of another’s discourse to be denied, it is possible to affirm that this title encloses the incorporation of a counter-discourse of Christianity. “Ite, missa est” and “El reino interior” are two poems that show how specific genres of the Catholic religion (the mass and the narrative iconography) are subverted to create their own denial. The dialogical relationship between religious discourse and their heretical counter-discourses occurs in Prosas Profanas upon the creation of effects of généricité, since Rubén Darío plays with the limits of highly codified discursive genres. The aim of the following work is to describe how discursive heterogeneity operates as a matrix behind the construction of Prosas Profanas, that is, how it relies on religious discourse in terms of opposition in order to build new meanings of a heretical nature.

Author(s):  
Yaakov Mazor

This chapter discusses the badkhn in contemporary hasidic society. Hasidic society does not approve of radical innovations in relation to religious custom, and this is certainly true of the activities of badkhonim at weddings. Nevertheless, the hasidic leadership has been able to channel such activities into preferred directions, in accordance with its own conceptions and usages. Earlier practices that clashed with hasidic customs and beliefs have been discarded. On the other hand, mystical interpretation has invested some traditional values with new meanings. The badkhn's position has thus been strengthened, thanks to the legitimization of his activity from a religious point of view. The same is true of the badkhn's verses and the accompanying music. It would appear, however, that the shift of emphasis from form to content, to the inner meaning of the badkhn's activities, has resulted in the formation, on one hand, of rigorous new constraints and, on the other, of new possibilities for the creation of local or even individual, personal styles, depending on the relative involvement of the tsadikim in such activities.


Author(s):  
S. V. Hrytsyna

The article analyzes epithets as one of the aestheticization means of baroque text, used to characterize panegyrics addressee of the XVII century. The functional load of epithets and their main source have been found out. As most individuals to whom panegyrics are devoted had high church status and/or have expressed themselves in matters of faith and church support, the epithets of religious orientation prevail. A review of epithets compatibility is made, which is divided into direct and indirect according to the addressee. The epithets of direct compatibility are mainly correlated with the name of the addressee or his metaphorical characteristic. Indirect compatibility occurs when epithets do not form a phrase with the name of the addressee, but characterize its virtues on a semantic level. Also, an analysis scheme of epithets variable compatibility with the words in panegyrics of the XVII century is given. In accordance with the text-centric principle, the article presents the epithetical characteristics of specific addressees in comparison with other texts (panegyrics or sermons of the XVII century). The virtues of panegyric addressees, mainly clerics, were determined based on the analyzed text material (Mykhailo Rohoza, Yelysei Pletenetskyi, Petro Mohyla, Arsenii Zhelyborskyi, Petro Konashevych-Sahaidachnyi). The analysis of the epithets shows that the mental space of the Baroque conditioned the epithetical characteristics of the panegyric addressees of the ХVІІ century, emphasizing such constants as piety, the defense of faith, devotion to faith and a church, justice, patronage, mercy, leniency, strength of character, etc. Thus, the specificity of epithets in panegyrics is defined by the religious discourse of the Baroque times. Holy Scripture as a source of epithets guaranteed the authoritativeness of the characteristics attributed to the addressees of high church status (in panegyrics and sermons). Baroque innovations of epithets are in reinterpretation, creation of new meanings.


Author(s):  
Mykhailo Zubar ◽  
◽  
Oleh Mahdych ◽  

Taras Shevchenko is one of the most researched and discussed figures in Ukrainian society. In each historical period receptions and assessments around Shevchenko` personality differentiates, depending on the public circumstances or prevailing trends in humanitarian discourse. These perceptions swayed between positive and critical judgment. Authors identified several key perceptions of Shevchenko in Ukrainian public space, for instance, «national hero», «father of the nation», «poet», «revolutionary democrat». In their opinion, modern Ukraine still faces the search for Shevchenko` new image. New forms of public honour (commemoration) are being developed, including through museum exhibition projects. Authors also analyze the significance of the museum narrative expositions and exhibitions for the creation of new public images, giving the example of the exhibition project «Shevchenko by the urban tongue», which took place in the Taras Shevchenko national museum from November 4th to January 31th in 2021. Curators attempted to explore how personal experience in the city changed due to the process of urbanization from the XIX-th century and how the urban space influenced the shaping of the Taras Shevchenko figure. Specifically, in the XIX-th century, cities ultimately transformed into an environment, which created trends, emphases of the global public development that influenced Shevchenko, since exactly in the city he gained domestic freedom, profession and widened his social circle. The city gave him a sense of understanding of the culture, its influence and importance not only for consumer purposes or acceptance but also for the creation of new meanings. According to the authors, this approach allows us to better understand the significance of Taras Shevchenko, his connection to modern Ukrainian realities and world context.


2016 ◽  
Vol 106 ◽  
Author(s):  
Heather Cherie Moore

Since the creation of the #BlackLivesMatter movement, many scholars from historically underrepresented communities have revisited discourse on social movements. Many supporters of the #BlackLivesMatter movement are outsiders participating in solidarity with organizers across the globe.  But what happens when questions of police brutality and injustice adversely impact your family and your career? Using the self-narrative method and grief framework, the author describes her teaching transformation in a pilot Multicultural Education course immediately following the death of her cousin in police custody. The author describes how the terms injustice, action, and pedagogy changed over time and took on new meanings during an extended grieving period.


Author(s):  
Regine A. Spector

This chapter is the first of two chapters to examine the creation of order at Dordoi bazaar in Bishkek, Kyrgyzstan. This chapter examines efforts by traders at Dordoi bazaar to unite in more sustained and institutionalized ways to defend their common interests against bazaar owners and government officials, and generate creative ways to solve problems related to bazaar property and other conflicts. They did this by imbuing new meanings into Soviet-era understandings of trade unions and adapting practices within this organizational form to meet the needs of the marketizing context. The chapter demonstrates that a certain order at the bazaar resulted from the political work of trade union participants. This chapter finds trade unions to be neither weak nor coopted in this market context; rather traders used, reshaped, and adapted them in a new capitalist environment.


2003 ◽  
Vol 10 (2) ◽  
pp. 209-234 ◽  
Author(s):  
Paul Tench

Semogenesis, the creation of meaning, has been promoted by Halliday & Matthiessen (1999) as a ‘guiding principle’ in their presentation of a systemic functional theory of language — that language has within itself the resources by which people can create new meanings. Halliday & Matthiessen illustrated three processes of semogenesis and used an example of English intonation to illustrate one of the processes, deconstruction. This paper proposes two other processes, blending and reconstitution, to account for three other developments in English intonation: the falling-rising tone, the so-called high rising terminal/tone (HRT) and the mid level tone for routine listing.


2021 ◽  
pp. 61-74
Author(s):  
Svitlana Shabat-Savka ◽  

Interrogative statements are used to perform the intention of the query in various discourse-stylistic forms of the Ukrainian language. This article aims to analyze interrogative statements from the stand-point of their functioning as syntactic constructions. Drawing on a wide range of literary sources, the author states that, fulfilling the epistemological need to fill information gaps in speaker’s knowledge, the interrogative statement is the most relevant linguistic sign used to express the speaker’s motivation and needs. The interrogative statement is, however, a clear example of communicative-pragmatic functions which include figurativeness, expression of will, emotionality, evaluation, and tolerance, verbalized in a speech in accordance with the speaker’s intentions. A suggested in terpretation of the linguistic nature of interrogative constructions attests to their ambivalence and semantic syncretism along with the performance of primary and secondary functions. The discourse-stylistic continuum of the Ukrainian language, i.e., vernacular, literary, journalistic, religious, and epistolary, represents a rather extensive functional potential of inter-rogative constructions. In spoken discourse, interrogative expressions, e.g., address-oriented syntactic units, verbalize the specifying and clarifying intentions of the query, thus highlighting their primary function in the dialogic discourse. In other registers, these are secondary func-tions related to the following aspects: 1) figurativeness and aesthetics of speech which em phasizes the linguo-creative nature of a speaker, i.e., fiction; 2) the display of certain information which has a purposeful influence on the addressee of the speech and encourages specific actions, i.e., journalistic discourse; 3) the creation of aphoristic and rhetorical dialogue, establishing spiritual values and a human worldview, i.e., religious discourse; 4) the creation of epistolary dialogue as a marker of the interrogative searching process focused on essential phenomena related to pub-lic and private life and aimed at the formation of textual communication conceived in time and space. This article introduces the concept of interrogative discourse as a dynamic continuum of human communication, a special mode of cognition and reflection of reality, one of the latest fragments of linguistic knowledge. Keywords: interrogative statement, discourse-stylistic continuum, the intention of inquiry, address-ability, dialogicality / quasi-dialogicality, interrogative discourse.


2018 ◽  
Vol 22 (1) ◽  
pp. 1-10 ◽  
Author(s):  
Roy F. Baumeister ◽  
Mark J. Landau

This is a stand-alone reflection on meaning written by two scholars who recently edited a special issue on that topic. The first of four organizing questions concerns the nature of meaning. The meaning of signs (e.g., words) consists of nonphysical connection (e.g., symbolism) and potential organization. Meanwhile, existential meaning (meaning of life) involves purpose, value, mattering, continuity, and coherence. The second question concerns how meaning affects behavior. Answers are diverse and multifaceted, ranging from efforts to grapple with uncertainty and unknowns to engaging in significance-seeking violence and self-regulating in light of abstract values and standards. To the question of whether meaning is made or found, the authors propose that finding meaning is prevalent, while the creation of new meanings is only supported in a limited sense. Although often portrayed as a constructive process, accessing meaning normally involves relating target stimuli to what is already known. A fourth question asks whether meaning is individual/personal or collective/social. The collective dimension plays an integral yet often neglected role in scaffolding personal meanings.


Author(s):  
Marina V. Protsyuk

The article considers combined structures, a new principle of form development in spatial design. The characteristics and potentialities of this method for designing children's play environments are reviewed. A correlation analysis of modular and structural principles of form design as a basis for the creation of more complex structures is carried out. Similar approaches and treatments available in the theory are identified. It is emphasized that this approach to form could help diversify children's play environments and fill them with new meanings.


2013 ◽  
Vol 4 (2) ◽  
Author(s):  
Matthew Day

Despite increased recognition of the importance of the material nature of the book to our understanding of the creation of meanings, there has been relatively little focus on the travel literature of the eighteenth century. The market was enormous and a significant part of it comprised reissued and reprinted works. This article looks at the way books that returned to the market were given new contexts and created new meanings without changing the language of the main body of the text. By careful consideration of paratextual features such as title-pages, dedicatory epistles, marginalia and running titles and by considering such issues as the gathering of texts into collections, this article demonstrates the financial, political and ideological motives behind the reissue and reprinting of books. It shows how, through them, texts were 'reformed' in many different ways and suggests that reissues and reprints created, in effect, new books.


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