scholarly journals ‘My Family and I Are Absolutely against This Law’: Gender Citizenship and Domestic Violence in Contemporary Russia

Inter ◽  
2021 ◽  
Vol 13 (3) ◽  
pp. 44-64
Author(s):  
Marianna Muravyeva

The article examines how post-soviet legal initiatives on prevention of intimate partner and domestic violence relate to the concepts of gender citizenship and “new private” which transformed gender order in the Russian Federation. To explore emerging concepts the article focuses on the discursive practices of the public debate on the draft law “On prevention of family-domestic violence,” which was released by the Federation Council for the online public discussion on 29 November 2019 and became the most debated draft law drawing 11,186 online entries as comments. Using grounded theory to identify main discursive clusters of the public debate, the article offers an analysis of how theories of cultural sovereignty and “new private” are articulated in contemporary Russian public space. This analysis, supplemented by the examination of other legal and policy documents on prevention of violence against women, gender policy and human rights of women, resulted in conclusions that in post-soviet Russia the concept of gender citizenship has been developing in the close relationship with the concept of cultural sovereignty, which provides the State with legitimate ways to exercise a selective approach to the guarantees of human rights and reject gender-sensitive legislation on the grounds of protecting the family as a traditional value at the expense of human rights of women.

2017 ◽  
Vol 10 ◽  
Author(s):  
Mattias De Backer

Many assumptions underlie a concept such as public space but seldom are they made explicit in the public debate. In this paper I will investigate what constitutes ‘publicness’ by building on research with young people hanging out in public space in Brussels. I will argue that young people, by meeting in public space, produce parochial places (Lofland, 1998). By doing so they transgress certain rules in public space. I will argue that the paradox embedded in ‘publicness’ is that in order for young people to truly be in public they have to break or bend the rules of that public; a person can only be in space when that space becomes of that person. The question then becomes if these forms of parochiality allow us to overcome the boundaries between people and communities, and between public and private.


Author(s):  
Renaud Egreteau

This chapter explores the deepening of religious and ethnic cleavages in the 2010s, attempting to evaluate their impact on the ongoing transitional process. It investigates the new round of inter-ethnic peace parleys which President Thein Sein’s administration has embarked on since 2011. It then looks at religious and moral values, alongside the place and influence of “outsiders” in Myanmar’s society. These are themes which have recently resurfaced in public debate, as well as punctual and localized inter-communal violence. A handful of radical Buddhist associations have begun to regain a voice in the public space and have fostered debate on the involvement of the state in religious affairs. Thus monastic organizations have re-emerged as powerful actors seeking to shape public values and influence policymakers within the walls of the new parliament.


2018 ◽  
Vol 2 (1) ◽  
pp. 273-284
Author(s):  
Néstor García Canclini

Abstract Ever since the expansion of video-politics, television canalises citizens' criticism and demands regarding political authorities, conceiving of citizens as spectators. Social networks magnify this type of involvement, promising horizontality and social cohesion. Political parties have become reduced to elites that distribute power and benefits among themselves, disengaging from voters, except during electoral periods. Our opinions and behaviours are captured by algorithms and subject to globalised forces. The public space where citizenship should be exercised is becoming opaque and distant. Citizenship is radically diminishing while some social movements are reinventing themselves and winning sectorial battles: for human rights, for gender equality, against authoritarianism. Yet the neoliberal approach to technology maintains and deepens greater inequalities. What are the alternatives to this dispossession? Hackers and dissenters? What is the role of the vote in a State-society relationship reprogrammed by technologies and the market?


Author(s):  
Ángeles Donoso Macaya

An array of documentary photographic practices that emerged during the dictatorship in Chile (1973–1990) remain understudied, despite their political, aesthetical, and historical import. From the mid-1970s onward, these different practices served different purposes: some made visible the crime of disappearance and its disavowal by the repressive state; others stood as supplementary evidence that confirmed the legal existence of the detained-disappeared; some were a crucial force in denouncing state repression and demanding justice for victims; and some made it possible for independent media to simultaneously comply with and ridicule the censorship of images imposed by the dictatorship in 1984. These practices also helped to consolidate the expanding photographic field under dictatorship. They include the public display of ID photos and portraits torn from family albums; documentary images that relatives of the victims of repression pinned to their chests; the reproduction, compilation, and incorporation of these portraits into legal files and habeas corpus claims; the publication of countless photos of popular protests in independent media; and different photographic initiatives put forward by a group of photographers who established the Independent Photographers Association in 1981. Notably, the expanding photographic field under dictatorship engaged not only individuals and groups directly involved with photography but also ad-hoc human rights collectives and organizations (especially the Group of Family Members of the Detained-Disappeared and the Vicariate of Solidarity), as well as lawyers, judges, journalists, and everyday users of photography. Given the different arenas in which documentary images circulated, the transformations they underwent to resist repression and censorship, and the array of individuals involved in their (re)production and dissemination, a study of documentary photography under dictatorship in Chile cannot content itself, as has been the case, with surveying the practices that emerged within the artistic field. A study of the visual culture under dictatorship instead reveals both the different uses of photography in the public space and the transformations of documentary images in their successive circulations and disseminations.


2002 ◽  
Vol 40 (2) ◽  
pp. 217-246 ◽  
Author(s):  
Sten Hagberg

This article analyses the ways in which socio-political opposition is expressed by looking into the morally loaded discourse of political legitimacy in Burkina Faso that emerged after the assassination of the journalist Norbert Zongo in December 1998. Through the analysis of different political statements, newspapers and various comments from the ‘street’, it locates the struggle against impunity in a social and political undercurrent in Burkinabe society. In this context, notions of the public space are central, because the public space defines both the boundaries of public debate and the behaviour of key political actors. Two recurrent themes in Burkinabe political discourse, namely ideas of truth and courage, and the legitimacy of White people, illustrate the various ways in which socio-political opposition seeks to define the public space within which politics is to be practised and the behaviour to be observed by those acting there. But the struggle against impunity also takes place on a symbolic level at which key symbols are appropriated, interpreted and incorporated into political discourse.


Author(s):  
Marina Perez

The current city calls for the reconsideration of a close relationship between gray infrastructure and public spaces, understanding the infrastructure as a set of items, equipment, or services required for the functioning of a country, a City. Ambato, Ecuador, is a current intermediate city, has less than 1% of the urban surface with use of public green spaces, which represents a figure below the 9m2/ hab., recommended by OMS. The aim of this paper was to identify urban public spaces that switches of green infrastructure in the city today, applying a methodology of qualitative studies. With an exploratory descriptive level analysis, in three stages, stage of theoretical foundation product of a review of the existing literature, which is the theoretical support of the relationship gray infrastructure public spaces equal to green infrastructure. Subsequent to this case study, discussed with criteria aimed at green infrastructure and in the public spaces of the study area. Finally, after processing and analysis of the results, we provide conclusions for urban public space as a definition of the green infrastructure of the current city of Latin America; in the latter, the focus is to support this article.


2021 ◽  
Vol 10 (82) ◽  

In this study, the sculpture samples of the artists mentioned in the Surrealism movement, which were evaluated in the biomorphic wing of the Surrealist sculpture and especially exhibited in the public space, were examined. With the Surrealist manifesto published by Andre Breton in 1924, artists began to produce works with an approach that prioritized automatism, dreams, fantasies, and ambitions instead of progressing with reason and logic. The movement first showed itself in poetry, and it’s followed with the presence in the art of painting and later in the art of sculpture. In the surrealist movement, there are categories of surreal objects created with biomorphic forms and found objects in the art of sculpture. The concept of biomorphism was examined in this study. Among the works produced by Hans Arp and Henry Moore with the biomorphism approach, only those exhibited in the public space are included. The document analysis method was used in the research. In the light of the data obtained from the literature review, it has been seen that Arp and Moore, who make biomorphic productions, have a close relationship with nature and that exhibiting their works in public space is of great importance in terms of the sculpture-environment relationship and the experience of the audience. Keywords: Biomorphism, sculpture, surrealism


Rechtsidee ◽  
2014 ◽  
Vol 1 (1) ◽  
pp. 101
Author(s):  
Sri Ayu Astuti

Freedom of expression and press freedom is the embodiment of the recognition of human rights. Freedom of expression is also the existence of press to disclose the news with honesty and do not get a pressure to deliver the news to the public space, which in news production is known as a work of journalism. Now the  press has gained freedom of expression in the news production process which is guaranteed in the state constitution. Although Article 28 of the Constitution of the Republic of Indonesia 1945 does not point directly at the press, However, Article 28 F emphasis on processing and storage as well as ownership, excavations to information. It also contains provisions on the freedom of expression of others, which should be valued and respected. It shows equality for everyone in his position before the law in accordance with Article 27 1945 Constitution, which emphasizes the recognition of constitutional rights that belong to every person in the state of law in the Republic of Indonesia. Thus the press, which have freedom of expression in the writings of journalistic works are required to be responsible for the published news. So as not to face the legal issues and criminalization, then press should perform tasks and functions to enforce ethics as the precautionary principle when processing the news and broadcast it to the public space, as well as upholding human rights. How To Cite: Astuti, S. (2014). Freedom of the Press In the Scope of Human Rights. Rechtsidee, 1(1), 101-118. doi:http://dx.doi.org/10.21070/jihr.v1i1.96


Author(s):  
Ljubica Spaskovska

The last chapter looks at the ways the Youth League initially sought to reform and re-invent its role and mission and was later subsumed in and divided by the wider Yugoslav political debates and developments in the country. The proposed statute changes which came out of the public debate organised by the SSOJ in 1989 reflected both the gap between the Slovenian, on the one hand, and the Serbian, the Montenegrin and the Army youth leagues, on the other, but also shed light on a spectrum of shared visions and values which existed among the other branches. The chapter reflects upon the (lack of) consensus about the dilemma of how to modernise Yugoslav society and the sphere of institutional youth politics and culture and shows how by the end of the decade the consensus on change and reform and the discourse of ‘pluralism of self-managing interests’ was almost entirely replaced by a new discourse of human rights and liberal values which foreshadowed the ‘exit from socialism’.


1970 ◽  
pp. 4
Author(s):  
Anna Karamanou

Recently, we experienced the drama of Safiya Husseini, sentenced to death by stoning by the Islamic court of Sokoto in Nigeria, for committing the “crime” of having an extra-marital child. It was followed by the death penalty for Abok Alfa Akok, a pregnant southern Sudanese woman. These two incidents brought to the public debate the issue of the violation of human rights and fundamental freedoms for millions of women around the world. Although the international outcry, the mobilization of the civil society and the European Parliament managed, in the last minute, to save the lives of the two women, the issue of violence against women remains.


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