scholarly journals Parentheses in A. Belyi's poetry and prose

2021 ◽  
Vol 1 (24) ◽  
pp. 87-94
Author(s):  
Mikhail N. Kulakovsky ◽  

The article examines peculiarities of the use of parentheses in A. Belyi's lyrics and prose. The author describes the main aspects of analysing parentheses in modern linguistics: description of their functional features, their link with the main body of the statement, parentheses as text forming means, time and space organization of the text, realization of the author's irony, means of conveying evaluative information, ways of comparing, metatextual comment, informative actualization, means of creating a dialogue in a fiction text, usage parentheses in particular genres. This study identifies the most characteristic functions of parentheses in A. Belyi's texts, the connection of parentheses with different textual levels and their role in the overall structure of the literary text. Both the most typical and unique functions of parentheses in A. Belyi's works are described in detail. The main functional features of parentheses are defined in terms of space and time organization of the text and the interaction of various informative and subjective speech plans of the text. The article outlines the main aspects of language game within the framework of parentheses, as well as the means of interaction between the parentheses and the main context, presented in the poetry and prose of A. Belyi. The analysis suggests that the most typical functions of the parentheses in A. Belyi's works are detailed portrayal of the character, switching space and time registers, making comparisons, clarification, and conveying emotional and evaluative information.

Author(s):  
Emily Thomas

This chapter explores Isaac Barrow’s account of time and space. Barrow’s account is important, partly because it is often argued to be one of the sources that Newton drew on in constructing his absolutism. Although Barrow is usually read as a pre-Newtonian absolutist, this chapter argues that Barrow is in fact a modal relationist, identifying space and time with the relational modes of bodies. This new reading entails that Barrow’s account of time may not have played as large a role in the development of Newton’s work as has been thought, but it also raises the possibility that Leibniz drew on Barrow’s relationism.


Author(s):  
Olena Rosstalna

The article analyzes the peculiarities of the representation of time and space model in the collection of short stories «Wessex Tales» by the English writer T.Hardy. Based on a contextual analysis of T. Hardy’s stories, time and space model was singled out as the dominant meaning for the creation of «Wessex Tales». It is proved that the category of time in «Wessex Tales» is a component of the composition of works (in some stories the principle of framing is used). Its functioning in the collection occurs in the form of a two-component model, the elements of which are past and present. It is determined that the specific presentation of the past is a combination of «collective» and «individual» time. While presenting individual facts in the lives of specific heroes in the form of «individual» time, the author introduces them into the context of events of community life in the form of «collective» time. Each individual character’s story thus becomes a part of panoramic depiction of Wessex world, while maintaining a connection with real historical events. «Quasi-historicity» is defined as one of the characteristic features of time. The interaction of temporal levels has also been investigated at the level of conflicts and problems in the writer’s stories and novels (the problem of responsibility for actions, the problem of moral choice, etc.). The peculiarity of space organization in the collection of stories is determined by multilevel (panoramic – local image; realistic – mythopoeticized sketches of the metaphorical plan; the existence of two subspaces in the mythologized model of the world) and multivariate. The article analyzes the closed and open, terrestrial and cosmic, real and imaginary spaces that are realized in the system of images (city, town, house, road, etc.).


2019 ◽  
pp. 28-30
Author(s):  
Galina Aleksandrovna Sokolova

The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.


2021 ◽  
Vol 1 (2) ◽  
pp. 80-87
Author(s):  
Toji Omonovich Norov ◽  

The universe, the space that make up their basis planets in it, their creation, the main essence of their creation, form, composition, meaning, movements, interactions, their influence on human life and activities, the role of man in the universe and in life on Earth, life, the criteria of activity and processes occurring in time and space have long been of interest to humanity. One of the main problems in the history of philosophy is the question of space and time. This problem was defined in different ways in the great schools of thought by thinkers of different periods. One of these great thinkers is Alisher Navoi. Navoi's works, along with other socio-philosophical themes, uniquely express and analyze the problems of the firmament and time. Its main feature is that it is based on the divine (pantheistic) religion, Islam, its holy book, the Koran and other theological sources, as well as on the secrets of nature and the Universe, the main miracle of Allah - human intelligence, the power of enlightenment, they are the key revealing all these secrets.


Author(s):  
Marjorie Mayo

Moving forward, this chapter explores ways of sharing learning, as the basis for building solidarity across time and space. The first example comes from India, as workers and communities shared their research on industrial malpractices, leading to the human and environmental disaster, when more than 40 tons of methyl isocyanate gas from a pesticide plant in Bhopal, India. Research findings and experiences were shared across the globe, supporting Indian communities in their struggles for justice and a safer environment. The second example comes from London’s Docklands where communities and local workforces shared their learning over the years, developing the case for alternative approaches to planning, sharing ideas about redevelopment to meet people’s needs rather than to promote private profitability.


1979 ◽  
Vol 28 (4) ◽  
pp. 259-260 ◽  
Author(s):  
Milada Zahálková

Out of a total of 1025 twin births occurring in 11 South Moravian districts from 1972 to 1976, 638 occurred in the same time and space interval (P = 0.00037). The observed clustering suggests the existence of environmental factors influencing twinning rates.


2018 ◽  
Vol 20 (12) ◽  
pp. 4608-4633 ◽  
Author(s):  
Piotr Konieczny ◽  
Maximilian Klein

In this study, we investigate how quantification of Wikipedia biographies can shed light on worldwide longitudinal gender inequality trends, a macro-level dimension of human development. We present the Wikidata Human Gender Indicator (WHGI), located within a set of indicators allowing comparative study of gender inequality through space and time, the Wikipedia Gender Indicators (WIGI), based on metadata available through the Wikidata database. Our research confirms that gender inequality is a phenomenon with a long history, but whose patterns can be analyzed and quantified on a larger scale than previously thought possible. Through the use of Inglehart–Welzel cultural clusters, we show that gender inequality can be analyzed with regard to world’s cultures. We also show a steadily improving trend in the coverage of women and other genders in reference works.


2020 ◽  
Vol 12 (1) ◽  
pp. 7-16
Author(s):  
Maryna Chernyk

The article is devoted to the differentiation of the stages of the artistic realia introduction into English literary texts based on the artistic communicative situations, taking into account the peculiarities of the communicants’ interaction, artworks actualisation, and realisation of time and space characteristics in the artistic discourse. The stage by stage differentiation of the artworks introduction into the literary text is developed based on the structural analysis of the artistic communicative situations. Accordingly, there are preintroductive, introductive, and postintroductive stages. The completeness of each stage representation is determined by the form of the artwork in the literary text and can be complete, compressed, or zero. In the article, the peculiarities of each stage are defined based on the analysis of the illustrative material. There are preintroductive (determining the time and space parameters of the communicative situation before artwork mentioning, introduction of the participants and description of their appearance and inner state), introductive (introduction of the artwork into the communicative situation, description of such components as form, meaning, artwork characteristics, and emotions connected with it), and postintroductive stages (reaction to the artwork after its perception, realised in the form of the verbalised or non-verbalised communication and capable of stimulating the discussion of the perceived information). Special attention is given to the peculiarities of the artworks introduction from the performer’s and the recipient’s points of view; the details and aspects of their descriptions are considered. Depending on the person who tells the story, the stages of introduction can be prerepresentational, representational, and postrepresentational (in the performer’s descriptions) or preperceptive, perceptive, and postperceptive (in the recipient’s descriptions).


2004 ◽  
pp. 127-147 ◽  
Author(s):  
Gordana Djeric

The article explores the meaning and usages of "communicative and cultural memory" in the context of "mental maps". It looks particularly at theories which, on the basis of constructed symbolic divisions (such as "Europe" vs. "Balkans"), connote a "lasting Balkan/European reality". The explication focuses on the content considered by these theories as specifically Balkan (or specifically Serbian) understanding of the concepts of Space and Time.


Author(s):  
Anne Jerslev

The article discusses strategies for creating presence in space and time in SKAM, in particular the way the series unfolds as event and its extended use of close-ups. Moreover, the article discusses Bolter and Grusin’s understanding of immediacy and argues that the many mobile screens as well as the series’ cross-mediality, or hypermediacy, contribute to the creation of an impression of being close to the characters and their world, in time and space.


Sign in / Sign up

Export Citation Format

Share Document