scholarly journals Estetika Resepsi Dan Intertekstualitas : Perspektif Ilmu Sastra Terhadap Tafsir Al-Qur’an

2015 ◽  
Vol 1 (1) ◽  
pp. 13
Author(s):  
Otong Sulaeman
Keyword(s):  
Literary Theory ◽  
Close Relation ◽  
The Other ◽  
Literary Studies ◽  
Pragmatic Approach ◽  
Reception Aesthetics

<p><strong>Abstract</strong> <strong>:</strong> The Quranic interpretation is an effort to explain the meaning of the Quranic verses. In literary studies, the Quranic interpretative attempt is an interpreter’s reception aestethics towards the Quranic verses. In another side, the interpreter (mufasir) is, during his effort of interpreting the Quran, necessarly influ-enced by the other texts he or she has ever read. The process of the interpreter’s being influenced by the other texts while interpreting the Quran is, in the literary theory, called intertextuality. Thus, there is a very close relation between the Quranic interpretation and literary sciences.</p><p><strong><em>Keywords : </em></strong><em>literary science, structuralism of science, pragmatic approach, reception aesthetics, intertextuality, the Quran, interpretation, hadith, history.</em></p><p> </p><p><strong>Abstrak</strong> : Tafsir al-Qur’an adalah upaya untuk menjelaskan maksud dari ayat-ayat al-Qur’an. Dalam perspektif ilmu-ilmu sastra, upaya untuk menafsirkan al-Qur’an adalah bentuk estetika resepsi mufasir (penafsir) ter-hadap ayat-ayat al-Qur’an. Di sisi lain, saat menafsirkan ayat-ayat al-Qur’an, mufasir pastilah dipengaruhi oleh teks-teks lain yang pernah menjadi sumber bacaannya. Proses dipengaruhinya mufasir oleh teks bacaan lain saat menafsirkan al-Qur’an ini dalam konteks ilmu-ilmu sastra disebut intertekstualitas. Dengan demikian, ada hubungan yang sangat erat antara tafsir al-Qur’an dengan ilmu-ilmu sastra.</p><p><strong><em>Kata-Kata Kunci : </em></strong><em>ilmu sastra, strukturalisme ilmu, pendekatan pragmatik, estetika resepsi, intertekstualitas, al-Qur’an, tafsir, hadis, sejarah</em></p>

scholarly journals Estetika Resepsi Dan Intertekstualitas : Perspektif Ilmu Sastra Terhadap Tafsir Al-Qur’an

2015 ◽  
Vol 1 (1) ◽  
pp. 13
Author(s):  
Otong Sulaeman
Keyword(s):  
Literary Theory ◽  
Close Relation ◽  
The Other ◽  
Literary Studies ◽  
Pragmatic Approach ◽  
Reception Aesthetics

<p><strong>Abstract</strong> <strong>:</strong> The Quranic interpretation is an effort to explain the meaning of the Quranic verses. In literary studies, the Quranic interpretative attempt is an interpreter’s reception aestethics towards the Quranic verses. In another side, the interpreter (mufasir) is, during his effort of interpreting the Quran, necessarly influ-enced by the other texts he or she has ever read. The process of the interpreter’s being influenced by the other texts while interpreting the Quran is, in the literary theory, called intertextuality. Thus, there is a very close relation between the Quranic interpretation and literary sciences.</p><p><strong><em>Keywords : </em></strong><em>literary science, structuralism of science, pragmatic approach, reception aesthetics, intertextuality, the Quran, interpretation, hadith, history.</em></p><p> </p><p><strong>Abstrak</strong> : Tafsir al-Qur’an adalah upaya untuk menjelaskan maksud dari ayat-ayat al-Qur’an. Dalam perspektif ilmu-ilmu sastra, upaya untuk menafsirkan al-Qur’an adalah bentuk estetika resepsi mufasir (penafsir) ter-hadap ayat-ayat al-Qur’an. Di sisi lain, saat menafsirkan ayat-ayat al-Qur’an, mufasir pastilah dipengaruhi oleh teks-teks lain yang pernah menjadi sumber bacaannya. Proses dipengaruhinya mufasir oleh teks bacaan lain saat menafsirkan al-Qur’an ini dalam konteks ilmu-ilmu sastra disebut intertekstualitas. Dengan demikian, ada hubungan yang sangat erat antara tafsir al-Qur’an dengan ilmu-ilmu sastra.</p><p><strong><em>Kata-Kata Kunci : </em></strong><em>ilmu sastra, strukturalisme ilmu, pendekatan pragmatik, estetika resepsi, intertekstualitas, al-Qur’an, tafsir, hadis, sejarah</em></p>

scholarly journals RELASI ANTARTEKS DALAM PENGKAJIAN SASTRA

2016 ◽  
Vol 12 (2) ◽  
Author(s):  
Sumiyadi Sumiyadi
Keyword(s):  
Comparative Literature ◽  
Literary Theory ◽  
The Other ◽  
Literary Studies ◽  
Literary Study ◽  
Textual Studies ◽  
Literary Works ◽  
The Difference

Abstrak Relasi Antarteks dalam Pengkajian Sastra. Relasi antarteks terdapat dalam karya sastra yang di dalamnya membayangkan teks lain. Dalam mengkaji teks demikian, kita biasanya langsung mengkaitkannya dengan konsep intertekstual, padahal konsep tersebut berkaitan dengan teori pascastruktural sehingga dalam pengkajiannya, kita harus mengikuti prinsip-prinsip pascastrukturalisme. Relasi teks juga mensyaratkan kita untuk melakukan kajian bandingan, yang dalam kajian sastra dapat menggunakan konsep sastra bandingan. Kajian sastra bandingan tidak berkaitan dengan salah satu teori. Bahkan, teori apapum dapat dimanfaatkan untuk kepentingan sastra bandingan. Sehubungan dengan relasi teks dalam dunia sastra merupakan fenomena menarik, kemungkinan banyak pihak atau peneliti yang tertarik untuk mengkajinya. Oleh sebab itu, diperlukan landasan teori sastra yang kukuh dan relevan sehingga menghsilkan kajian sastra yang bermakna dengan kadar ilmiah yang dapat dipertanggungjawabkan. Penegasan ciri pembeda antara prinsip kajian sastra bandingan dan prinsip kajian intertekstual dalam tulisan ini merupakan upaya ke arah pengkajian sastra yang demikian.Kata kunci: teks, intertekstual, pascastruktural, sastra bandingan   Abstract Inter-textual Relation in Literary Studies. Inter-texts relation exista in literary works; one work shadows the other. In studying such texts we often immediately link them with the concept of intertextuality that belongs to post-structuralism. Texts relation also requires us to compare literary works using comparative literary study concepts. Comparative literary studies are not related with one specific theory. Any theory can be employed. Texts relation is an iteresting phenomenon that invites many to investigate. For this reason we need a grounded and relevant literary theory that will facilitate insightful and reliable literary studies. The difference between comparative literature principles and inter-textual studies principles are discussed in the article. Keywords: texts, intertextuality, post-structuralism, comparative literature.

scholarly journals Literature and the Shaman:

2009 ◽  
Vol 5 ◽  
Author(s):  
Susan Rowland
Keyword(s):  
Literary Theory ◽  
Cultural Theory ◽  
The Other ◽  
Academic Disciplines ◽  
Literary Studies ◽  
The Novel ◽  
The West ◽  
The Arts ◽  
The Witch

The paper first considers the role of Jungian ideas in relation to academic disciplines and to literary studies in particular. Jung is a significant resource in negotiating developments in literary theory because of his characteristic treatment of the ‘other’. The paper then looks at The Lion, the Witch and the Wardrobe (1950) by C.S. Lewis whose own construction of archetypes is very close to Jung’s. By drawing upon new post-Jungian work from Jerome Bernstein’s Living in the Borderland (2005), the novel is revealed to be intimately concerned with narratives of trauma and of origin. Indeed, a Jungian and post-Jungian approach is able to situate the text both within nature and in the historical traumas of war as well as the personal traumas of subjectivity. Where Bernstein connects his work to the postcolonial ethos of the modern Navajo shaman, this new weaving of literary and cultural theory points to the residue of shamanism within the arts of the West. 

Bakhtinʼs Influence on Croatian Literary Theory and Criticism

2015 ◽  
Vol 16 (1) ◽  
pp. 48-53
Author(s):  
István Ladányi
Keyword(s):  
Literary Theory ◽  
Dominant Role ◽  
The Other ◽  
Literary Studies ◽  
The Novel ◽  
History Of The Novel ◽  
Russian Formalism ◽  
Theory And Criticism ◽  
History Of ◽  
The University

The School of Stylistics in Zagreb and the School of Literary Studies in Zagreb had a dominant role in the shaping of literary studies in Croatia. From its beginnings in the late 1950ʼs, it can be only investigated in correlation with the other Yugoslav centres of literary studies, mainly with the literary researches and translations carried out at the University of Belgrade. The School of Literary Studies in Zagreb was influenced by the Structuralist schools and Russian Formalism. In the research focusing on the history of the novel (Viktor Žmegac, Milivoj Solar and others), the interest was raised in Bakhtinʼs theoretical works (both the Russian editions and their translations). Especially the notions of carnivalization, chronotope and the concept of the novel’s polyphony are discussed in works on the history of the novel. The influence of the latest Russian and international readings of Bakhtin’s work can be seen in Croatian literary studies in the researches and editions by Vladimir Biti and his co-workers, from the beginning of the 1990’s onwards.

scholarly journals The Social Messages in The Ramayana: Perspektif on Literary Theory

2020 ◽  
Vol 1 (1) ◽  
pp. 11-18
Author(s):  
Mirza Fathimajauhar Kamalia ◽  
Wildayati Wildayati ◽  
Artha Fernando ◽  
Iskamar Iskamar ◽  
Ismi Imroatus Saada
Keyword(s):  
Qualitative Research ◽  
Literary Theory ◽  
Research Method ◽  
The Other ◽  
Literary Studies ◽  
Qualitative Research Method ◽  
The Public ◽  
The Social ◽  
Social Messages

The story of Ramayana has been deeply rooted in the community and is a material for literary studies that has never completed for discussion. In Java the epic, Ramayana first fully appeared in the form of a relief at the Lara Jonggrang Temple which was built around the year 782 to 872.The other emergence about the Ramayana story was in the composition which was in the form ofRamayana kakawin in Old Javanese. The Ramayana story begins with a blessing and a preface including a summary of the story which then contains verses of poetry. This study aims to convey the social messages contained in the Ramayana story to the public. This study uses qualitative research method based on the study of literature in the book of P. Lal (1981) which has been translated into Indonesian. The results of this study are (1) Explaining the social messages contained in the Ramayana story, (2) Explaining the exemplary wisdom of the character Rama, (3) Explaining the exemplary loyalty of the character Sita, (4) Explaining the example of Rahwana's character in the form of perseverance and sincerity in loving Sit, (5) Explaining ibrah (lessons) from the Ramayana story so that it can be used as the life learning. Overall, it can be understood that in the Ramayana there are many social messages that can be used as the exemplary life.

The Other Entrepreneurs - Migrant Economies as Spaces for Social Innovation?

2019 ◽  
Vol 16 (2) ◽  
pp. 265-271
Author(s):  
Claudia Lintner
Keyword(s):  
Social Innovation ◽  
Close Relation ◽  
The Other ◽  
Structural Level ◽  
Structured Interviews ◽  
Economic Activities ◽  
Migrant Entrepreneurship ◽  
False Dichotomy ◽  
Migrant Entrepreneurs ◽  
The One

This article analyses the relationship between migrant entrepreneurship, marginalisation and social innovation. It does so, by looking how their ‘otherness’ is used on the one hand to reproduce their marginalised situation in society and on the other to develop new living and working arrangements promoting social innovation in society. The paper is based on a qualitative study, which was carried out from March 2014- 2016. In this period, twenty semi-structured interviews were conducted with migrant entrepreneurs and experts. As the results show, migrant entrepreneurs are characterised by a false dichotomy of “native weakness” in economic self-organisation against the “classical strength” of majority entrepreneurs. It is shown that new possibilities of acting in the context of migrant entrepreneurship are mostly organised in close relation to the lifeworlds and specific needs deriving from this sphere. Social innovation processes initiated by migrant entrepreneurs through their economic activities thus develop on a micro level and are hence less apparent. Supportive networks are missing on a structural level, so it becomes difficult for single innovative initiatives to be long-lasting.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

Phenomenolological review v. cierer of reading proceedings in the context of its «litery anthropology»

2020 ◽  
Vol 1 (100) ◽  
pp. 64-70
Author(s):  
O.D. Lauta ◽  
◽  
S.M. Geiko ◽  
Keyword(s):  
Literary Theory ◽  
Literary Work ◽  
Philosophical Analysis ◽  
Reading Process ◽  
Aesthetic Object ◽  
Semantic Definition ◽  
Reception Aesthetics

The phenomenological review of V. Izer's reading process in the context of «literary anthropology» is analyzed. The philosopher makes a distinction between interpretation and reception. The first, in his opinion, gives the imagination a «semantic definition», and the second – a sense of aesthetic, object. The first passes within the limits of the «semantic orientations» of the literary theory, and the second – within the limits of the cultural and anthropological context. The article deals with the philosophical analysis of the reception aesthetics. For the supporters of this theoretical direction, there is an inherent shift of attention from the problems of creativity and literary work to the problem of its reception or, in other words, from the level of psychological, sociological or anthropological interpretation of the creative biography, to the level of perceived consciousness. Receptive aesthetics gives the reader privilege in the «text/reader» paradigm and gives him the cognitive and affective ability to create his own text from this text.

Introduction

2017 ◽  
Author(s):  
Anh Q. Tran
Keyword(s):  
Eighteenth Century ◽  
The Other ◽  
Pragmatic Approach ◽  
History Of ◽  
The One ◽  
Vietnamese Studies

The Introduction gives the background of the significance of translating and study of the text Errors of the Three Religions. The history of the development of Confucianism, Buddhism, and Daoism in Vietnam from their beginning until the eighteenth century is narrated. Particular attention is given to the different manners in which the Three Religions were taken up by nobles and literati, on the one hand, and commoners, on the other. The chapter also presents the pragmatic approach to religion taken by the Vietnamese, which was in part responsible for the receptivity of the Vietnamese to Christianity. The significance of the discovery of Errors and its impact on Vietnamese studies are also discussed.

Text denken

2019 ◽  
Vol 23 (1) ◽  
pp. 274-291
Author(s):  
Andrea Polaschegg
Keyword(s):  
Literary Theory ◽  
Language Theory ◽  
Literary Studies ◽  
Proper Understanding ◽  
Literary Theories ◽  
The Media ◽  
New Space ◽  
The Impact

Abstract Tracing the transformations phenomenological thought underwent in the sphere of literary studies after the 1930s, the paper outlines the epistemological potential of this tradition in regards to a proper understanding of the phenomenon ›text‹. Proceeding from reflections on the agonal relation between structuralistic and phenomenological traditions within contemporary literary theory, the article focuses on Husserl’s apprehension of texts as being »objects in procedure« by exploring the impact of this idea on the literary theories of Ingarden, Wellek, and Iser. In light of the - largely forgotten - fact that Karl Bühler’s pioneering Language Theory (1934) is mainly based on phenomenological thinking, the paper finally discusses to what extend Bühler’s idea of verbal expressions figuring as effective events could open a new space for the development of a literary theory of texts within recent debates on the »media of literature«.

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